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converting your microphone into a focused mono dish microphone without 
affecting your stereo gain setting. This is great during a sudden opportunity to 
record a single subject without wide-field stereo.  

To change the mix proportions, adjust the gain controls of the mono and stereo 
up and or down to obtain the desired mix and levels. You can use the headphone 
output to monitor the mixed output. If you are using the headphone output as a 
line output to a recorder, use the headphone output on your recording device to 
monitor the mixed output.

Wireless Transmitter Use:

Sports broadcasting applications often require a wireless transmitter to be used 
with a parabolic microphone. Headphones allow the operator to hear what is 
being picked up by the microphone. With the Amplified Wildtronics Parabolic 
Microphones, wireless transmitters and headphones can be directly connected to 
the very lightweight parabolic microphone. There is no need to add a bulky and 
expensive microphone preamp. Wildtronics offers an Accessory Bar that attaches 
to your microphone handle. You can mount your wireless transmitter directly to 
the Accessory Bar, and also use the included dual handles for extended hand held 
use without tripods. 

A Sennheiser SKP 100 G3, or equivalent XLR based transmitter, can be directly 
connected to the XLR connectors. A wireless transmitter can also be connected to 
the 3.5mm amplified microphone output with a custom cable. Some transmitters 
from Sennheiser offer a simple 3.5mm wiring scheme, where connections to the 
tip and ring determine if you are using a mic or line level input. Other 
manufactures will require a custom cable to be made. You must consult with your 
wireless transmitter manufacturer's data sheet to see how they are connected to a 
microphone. Below is the Wildtronics 3.5mm connector wiring.

Tip = left signal (mono model = signal)
Ring = right signal (mono model = signal)
Barrel = ground

For sports broadcasting use, Wildtronics can customize the amplified models to 
meet specific needs of inputs and outputs, for an added cost. For example, we 
can provide a monitor input that will be heard in one ear, while the microphone 
signal is heard in the other ear. Please inquire for more information. 

Additional Use Notes:

You may encounter odd noises in the amplified outputs if you attempt to charge 
your recorder during use. This is due to system ground loops. If this occurs, do 
not charge the recorder or use external power while in use.

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Summary of Contents for Amplified Parabolic Microphone

Page 1: ...Amplified Parabolic Microphone User Guide Wildtronics LLC ...

Page 2: ...abolic Microphone Manual for instructions on installing the 9 volt battery The power must also be turned on using the power switch behind the handle Up is on and down is off The switch center position is also off and is used during assembly of the microphone When using the amplified outputs we recommend turning off the Phantom power in your recorder to save it s battery life If you use only the XL...

Page 3: ......

Page 4: ...ing in performance comparable to that of recorders costing over 1000 The main weakness of low cost recorders is high microphone input noise This is because low noise parts are expensive and they wouldn t fit into the design budget of a low cost recorder Using our line level output and selecting line input on your recorder eliminates this weakness Turn the gain controls on your recorder all the way...

Page 5: ...rols to adjust the level for best results You may also use the line or XLR outputs to connect to other recorders allowing multiple recordings and later synchronization during post editing Adjust the microphone s gain controls to avoid clipping with the highest possible signal level use the level meters in your camera If you do not have level meters in your camera experiment and set the gain accord...

Page 6: ...ssory Bar and also use the included dual handles for extended hand held use without tripods A Sennheiser SKP 100 G3 or equivalent XLR based transmitter can be directly connected to the XLR connectors A wireless transmitter can also be connected to the 3 5mm amplified microphone output with a custom cable Some transmitters from Sennheiser offer a simple 3 5mm wiring scheme where connections to the ...

Page 7: ...o Headphone Output Power 35mW with 32 ohm headphones Frequency Response Line Microphone output 20 30KHz 32 Ohm Headphone 75 30KHz Output Connectors Line Headphone output 3 5mm stereo Microphone output 3 5mm stereo Power 6 0 11 Volts 9V Alkaline Battery Life Model With Headphone Use W O Headphone Use Mono Mic 20 Hour 40 Hour Mono Stereo Mic 20 Hour 30 Hour 3 5mm rugged outputs are safe from acciden...

Page 8: ...8 Wildtronics Amplifiers Approximate Gain Value of Amp Controls Mono Gain Control Stereo Gain Control 2dB 10dB 20dB 30dB 40dB 50dB 55dB 12dB 20dB 30dB 40dB 50dB 60dB 65dB ...

Page 9: ...n the back of the parabolic microphone s handle With all your equipment attached to the accessory bar everything you need is organized and ready to go in an instant 1 4 20 semi captive allen head screws are included for attachments The center of the high strength bar can also be connected directly to a tripod with the camera and dish at opposite ends for audio video tracking There are multiple thr...

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Page 12: ...Wildtronics LLC PO Box 376 Newton Falls OH 44444 USA 1 330 577 8814 customersvc wildtronics com wildtronics com ...

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