Valeton CP-200 User Manual Download Page 41

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FX Title

Type

Description

Parameter Description

Guitar EQ 1

Equalizer designed for guitars

Band 1: 125Hz; Band 2: 400Hz ; Band 3: 800Hz;

Band 4: 1.6kHz; Band 5: 4kHz

Use the ﬁve bands above to control the EQ level.

Volume: Controls the output level

Guitar EQ 2

Band 1: 100Hz; Band 2: 500Hz ; Band 3: 1kHz;

Band 4: 3kHz; Band 5: 6kHz

Use the ﬁve bands above to control the EQ level.

Volume: Controls the output level

Bass EQ 1

Equalizer designed for basses

Band 1: 33Hz; Band 2: 150Hz ; Band 3: 600Hz;

Band 4: 2kHz; Band 5: 8kHz

Use the ﬁve bands above to control the EQ level.

Volume: Controls the output level

Bass EQ 2

Band 1: 50Hz; Band 2: 120Hz ; Band 3: 400Hz;

Band 4: 800Hz; Band 5: 4.5kHz

Use the ﬁve bands above to control the EQ level.

Volume: Controls the output level

Mess EQ

Based on the 5-band EQ module on

Mesa/Boogie®* amps, can easily realize

the classic boogie V-shaped sound

Band 1: 80Hz; Band 2: 240Hz ; Band 3: 750Hz;

Band 4: 2.2kHz; Band 5: 6.6kHz

Use the ﬁve bands above to control the EQ level.

Hyper EQ

10-band graphic EQ suitable for any

instrument

Band 1: 31Hz; Band 2: 63Hz ; Band 3: 125Hz;

Band 4: 250Hz; Band 5: 500Hz; Band 6: 1kHz;

Band 7: 2kHz; Band 8: 4kHz; Band 9: 8kHz

Band 10: 16kHz

Use the ten bands above to control the EQ level.

Volume: Controls the output level

MOD

FX Title

Type

Description

Parameter Description

G-Chorus

Chorus

Based on the legendary huge ensemble

chorus pedal born in late 1970s (chorus mode), producing

rich, shimmering vintage analog chorus tone. Warm, rich,

and dreamlike analog chorus sound.

Depth: Controls the chorus depth

Rate: Controls the chorus rate

Volume: Controls the e ect level

Sync: Switches Tap Tempo sync on/o

The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.

The trademarks were used merely to identify the sound character of the products

E ect List

Summary of Contents for CP-200

Page 1: ...o appearances packaging design manual content accessories size parameters and display screen are subject to change without prior notice Please check with local supplier for exact o ers Speciﬁcations and features including but not limited to appearances colors and size may vary by model owing to environmental factors and all images are illustrative ...

Page 2: ... 14 Auto CAB Match 14 Global EQ 14 About 15 Factory Reset 15 Compatible software 16 Application Scenarios 17 With full range speaker devices 17 With guitar amps INPUT jack 17 With guitar amps using FX Loop to pre position the GP 200 18 With guitar amps using FX Loop to post position the GP 200 18 With guitar amps using FX Loop to run the 4 cable method 19 Audio Studio for livestreaming 19 EFFECT L...

Page 3: ...dry cloth Alterations Ÿ Do not open the unit Ÿ Do not attempt to service the unit yourself Ÿ Operation of this unit within signiﬁcant electromagnetic ﬁelds should be avoided AC Adapter Operation Ÿ Always use a DC9V center negative 1000mA AC adapter Use of an adapter other than that speciﬁed could damage the unit or cause malfunction and pose a safety hazard Always connect the AC adapter to an AC o...

Page 4: ...ter including more footswitches and I Os larger display screen and more user friendly buttons and knobs as well as 11 freely movable e ect modules and more than 240 patches from world renowned classic speakers IRs and stompboxes Apart from that GP 200 o ers 180 second looper and 100 high quality drum machines with the additional function as an audio interface compatible with multiple platforms Win...

Page 5: ...thm volume 7 SAVE Button Whenever a patch is modified the main display will show a symbol to indicate that the parameter has been changed Use SAVE button to store rename or copy the patch Press SAVE button again to store the changed parameter 8 AMP Knobs Control the AMP module in real time just like a real amp Press and hold for module on off 9 Module Buttons Press to enter the Edit Settings menu ...

Page 6: ... your studio gear mixer PA or FRFR speaker s When using a single amp or speaker connect only the L MONO jack 20 PHONES Jack 1 8 TRS output for connecting headphones 21 MIDI Jacks Connect an external MIDI device here 22 USB Jack By connecting USB 2 0 Type C to Mac and Windows computers GP 200 also functions as a high quality audio interface with DI Re amping and MIDI functionality built right in 23...

Page 7: ...n footswitch A B C D will light up to indicate the patch if you want to select one Select a patch Screen Introduction Main Display Screen TUNER Hold the TAP footswitch to activate the tuner mode In tuner mode the LED screen will display the tuning interface When you pluck a string the note will appear in the center Left of center is ﬂat and right of center is sharp As you tune your instrument towa...

Page 8: ...not required you can select up to 180s recording time Ÿ Sync Synchronize the drumbeat to the timeline of the looper When activating the looper and playing the drum the audio will adjust in a brief period of time to match with the drumbeat Ÿ Auto Rec Turn on o the auto recording when activating auto recording the GP 200 will not immediately start to record until certain level of input signal is per...

Page 9: ...Menu Showing the current patch number and name The complete signal chain simulation of the GP 200 You can directly view all 11 modules sequence and on o status based on the color of the icons Shaded dark indicates o and exposed bright indicates on The default sequence of the signal chain is PRE WAH DST AMP NR CAB EQ MOD DLY RVB VOL You can freely move and adjust the e ects sequence to create your ...

Page 10: ...menu to avoid possible noise when moving the e ect module Press and hold PARA or click BACK to return to the Edit Menu Note Ÿ In some extreme cases the signal processor may become overloaded and display a System Overload message Please try other e ects combos instead Ÿ Keep in mind that turning the modules on o and adjusting parameters will change the current patch If you switch patches or turn GP...

Page 11: ...s ones will a ect the whole status of the GP 200 and not change when the patch has changed All the settings will immediately function when editing is ﬁnished There are input output USB Audio footswitch EXP pedal language and more in this menu as well as factory reset 9 Ÿ FX Loop E ects loop s settings in the current selected patch The send and return are stationed after the AMP module Parallel Ser...

Page 12: ... wet AUX To USB When activating audios from AUX IN can be recorded in USB devices This means when using GP 200 for livestreaming you can mix the audios from AUX IN with Display Auto CAB Match GLOBAL SETTINGS USB Audio EXP Calibrate Footswitch Input Output EXP 2 Footswitch Rec Level Rec Mode L Wet Rec Mode R Wet 0dB 10 Ÿ No CAB mode L R By activating no CAB mode on Mono left or right you can get th...

Page 13: ...d BANK BANK TAP BANK BANK TUNER None None None LOOPER None Single FS Page BANK Hold BANK Tap Patch We have a reset option in every mode to perform a factory reset for all footswitches Footswitch Stomp User FS 5 FS 6 FS 7 FS 8 Tap Hold None None None None Reset Patch FS 1 5 FS 5 6 FS 6 7 FS 7 8 Reset None None None None 11 Footswitch This is for choosing footswitch modes and corresponding function ...

Page 14: ... former adjacent drum patch TUNER Enter the tuner CTRL 1 Execute CTRL 1 s function CTRL 2 Execute CTRL 2 s function CTRL 3 Execute CTRL 3 s function CTRL 4 Execute CTRL 4 s function Tap Tempo Use Tap Tempo As shown turn Quick Access Knob 1 or 2 to calibrate EXP pedal 1 or 2 Lift your pedal all the way up and click PARA to continue Press the pedal all the way down and click PARA to continue Press t...

Page 15: ...DI clock Clock Out DIN Clock Out USB To control whether the MIDI OUT and USB will send out MIDI clock messages Use this to set your GP 200 as the main clock for all MIDI devices Parameters Range Description MIDI In Source DIN Only Only receiving MIDI messages from the MIDI IN USB Only Only receiving MIDI messages from the USB Mixed Receiving from both the MIDI IN and the USB Input Channel DIN Omni...

Page 16: ...parameters Frequency Q and Gain Band 1 4 Frequency 20Hz 20000Hz Band 1 4 s default frequencies are accordingly 100Hz 500Hz 1000Hz and 5000Hz To adjust the corresponding ﬁlter s frequency Band 1 4 Q 0 1 10 0 Default 0 71 Width To adjust the width of the formant slope of the ﬁlter the larger the number the steeper the slope Band 1 4 Gain 20dB 20dB Default 0dB Adjust the ﬁlter gain High Cut 20Hz 2000...

Page 17: ...tory reset Remember resetting the GP 200 will delete all of your saved changes and personal settings Once it is executed it cannot be undone Please back up your settings before performing a factory reset To improve the precision of factory reset function the GP 200 provides 3 types of factory reset When clicking PARA to enter the menu the screen will display with 3 options Reset global settings on...

Page 18: ... the screen will display this window to indicate it is now on factory resetting Please remember never turn o the power when performing the factory reset otherwise the GP 200 may malfunction When it is all set the screen will suggest the resetting is complete Click OK to return to the Main Display menu Note To maintain the capability for interaction factory reset won t a ect the language you have c...

Page 19: ...ng distance signal transmission If there is only one speaker please select the L MONO ﬁrst To get the best tonal performance keep the AMP and CAB modules on and keep the No CAB mode o In this section we will introduce the connection methods of GP 200 in common usage scenarios With guitar amps INPUT jack In this scenario directly connect the GP 200 s unbalanced output connector to the guitar amp s ...

Page 20: ...AB mode to avoid adverse e ects on the tone With guitar amps using FX Loop to post position the GP 200 In this scenario all modules before the AMP including the AMP module will be muted and the e ect chain after the AMP module will be applied between the preamp and the power amp In order to get the best tone performance keep the CAB module o or turn on the No CAB mode to avoid adverse e ects on th...

Page 21: ...o for livestreaming In this scenario the GP 200 will be functioned as an audio interface for a computer or a cell phone Use the supplied USB cable to connect to the computer if connecting to a cell phone an additional OTG adapter cable may be required When under Windows system prior to Windows 10 it needs to be used with the ASIO driver available for downloading on the Valeton o icial website whil...

Page 22: ... the level drops below the threshold Tone Controls the effect tone Blend Controls the wet dry signal ratio AC Boost Boost Based on famous Xotic AC Booster pedal It is a beautiful smooth sounding drive boost pedal that it perfect for giving your tube amp a bit of extra grunt Gain Controls the gain amount Volume Controls the effect output Bass Treble 2 band EQ that controls the effect tone B Boost B...

Page 23: ...ic sound Shape Controls the detailed effect character AC Sim Acoustic Acoustic guitar simulator designed for guitars Its prototype comes from a classic acoustic guitar analog stompbox Body Controls the body resonance low frequency response Top Controls the upper harmonics high frequency response Volume Controls the e ect output level Mode Selects from 4 di erent sound characters Standard Simulates...

Page 24: ...Pitch Controls the low high pitch shifting range by semitones Dry Controls the dry signal level Low Hi Vol Controls the low high pitch volume P Bend Pitch Polyphonic pitch shifter harmonizer Low Hi Pitch Controls the low high pitch shifting range by semitones Wet Controls the wet signal level Dry Controls the dry signal level Range Controls the pitch range of harmony effect Ring Mod Special A ring...

Page 25: ...tion parameters then turn on and press the pedal to get the e ect B Wah Wah Wah designed for basses DST FX Title Type Description Parameter Description Green OD OD Based on legenary Ibanez TS 808 Tube Screamer overdrive pedal Since it was ﬁrst shown to the world in 1979 TS808 has opened up a new world There are countless guitarists who love it It is a warm delicate overdrive e ect Can be used as e...

Page 26: ... like ﬁnding the sweet spot on your favorite amp It produces overdriven tones that sound warm and full with genuine tube like response There s no shortage of usable drive meaning it dynamically ramps up overdriven grit from dirty overtones to saturated distortion in the smooth range of its drive control Gain Controls the distortion amount Tone Controls the e ect tone Volume Controls the e ect outp...

Page 27: ...of Fuzz Face was heavy and sharp and its sound inﬂuenced countless famous musicians Fuzz Controls the gain amount Volume Controls the e ect output Famous users Jimi Hendrix Santana Pink Floyd Jack White Sora Fuzz Fuzz For fans of the aggressive germanium fuzz tones that could be wrought from those early units there s nothing quite like the Sola Sound Tone Bender The Tone Bender s circuit became ma...

Page 28: ... simple and e ective distortion e ect for guitars and basses Gain Controls the overdrive amount Tone Controls the e ect tone Volume Controls the e ect output Mode Selects from 3 di erent sound characters Normal neutral sound Scoop mid scooped sound Edge edgy sound Blend Controls the wet dry signal ratio Bass OD Bass Drive This is an overload e ect device specially designed for bass It combines the...

Page 29: ...an tones are possible but the versatile sweet distortion is what so many guitarists appreciate and love with the Deluxe Therefore the amp is the number 1 for many blues musicians as well as for modern super guitarrists The fender typical spring reverb and a tube vibrato e ect allow even more vintage sound variants Gain Controls the gain amount pre gain Volume Controls the output volume post gain B...

Page 30: ...100W power and 4x12 box it has successfully become the most representative bass voice in the 1960s Gain Controls the e ect gain amount Tone cut Counterclockwise controls the e ect tone Volume Controls the e ect output and gain amount Bass Treble 2 band EQ that controls the e ect tone Foxy 30N Clean Based on VOX AC30HW normal channel The symbolic clear sound and warm and sharp overdrive since the d...

Page 31: ...e operation are indicative of Mesa Boogie s far superior technical capabilities An engaging and lively timbre experience It has a more compressed balanced soft mid frequency sound and its high frequency like gorgeous bell L Star OD Drive Based on Mesa Boogie Lone Star CH2 Input Controls the gain amount pre gain Gain Controls the e ect drive amount Presence Controls the e ect headroom Volume Contro...

Page 32: ...rive Based on Dr Z Maz 38 Sr combo clean sound Knights CL Clean Based on Grindrod Pendragon PG20C Normal channel bright o If you re a big fan of British sound overdrive this is a sound you can t miss It can bring the pure British style sound full of penetrating power Gain Controls the gain amount pre gain Volume Controls the e ect output post gain Bass Middle Treble 3 band EQ that controls the e e...

Page 33: ...all JTM45 normal channel In 1962 Marshall introduced the ﬁrst guitar speakers speciﬁcally designed for rock music and its powerful sound laid the foundation for rock music So its panel material plexiglas as the most classic 1960s sound speciﬁc name Plexi UK 45 Drive Based on Marshall JTM45 In 1962 Marshall introduced the ﬁrst guitar speakers speciﬁcally designed for rock music and its powerful sou...

Page 34: ...ost gain Bass Middle Treble 3 band EQ that controls the e ect tone UK SLP Drive The 1959HWTM is a line right back to the celebrated era of the mid to late 1960s the original was born when Pete Townshend asked Jim Marshall if he could make it louder This re issue delivers that classic Marshall tone with the same overdrive and crunch using the authentic parts and methods to construct Gain Controls t...

Page 35: ...come a classic of American Higain Gain Controls the gain amount pre gain Presence Controls the e ect headroom Volume Controls the output volume post gain Bass Middle Treble 3 band EQ that controls the e ect tone Mess2C 2 Drive Mess 2C 3 Drive Mess4 LD Hi Gain Based on Mesa Boogie Mark IV Lead channel Based on the classic upgrade it inherits the omnipotence of Mesa Boogie with rich harmonics and su...

Page 36: ...amount pre gain Volume Controls the output volume post gain Bass Middle Treble 3 band EQ that controls the e ect tone Presence Controls the e ect headroom Famous users Eddie Van Halen Eagle 120 Hi Gain ENGL Savage 120 Ampliﬁer embodies ENGL s rich legacy of creating metal machines for delivering truly punishing tones with clear dynamics and tremendous sonic variety This incredible tonal ﬂexibility...

Page 37: ...resentative bass voice in the 1960s Volume Controls the e ect gain output amount Bass Treble 2 band EQ that controls the e ect tone Mess Bass Bass Based on Mesa Boogie Bass 400 amp You can hear the sound of the early bass speakers in many albums Gain Controls the gain amount Volume Controls the output volume post gain Bass Middle Treble 3 band EQ that controls the e ect tone Mini Bass Bass Based o...

Page 38: ...one Controls the brightness Balance Controls the tone control balance set to 0 to disable tone control EQ Freq Controls the EQ center frequency from 680Hz to 11kHz EQ Q Controls the EQ bandwidth EQ Gain Controls the EQ boost cut amount set to 50 to keep neutral NR FX Title Type Description Parameter Description Gate 1 Gate Based on famous ISP Decimator noise gate pedal The Decimator features impro...

Page 39: ...2 68 Marshall Basketweave 4x12 cabinet UK MD 4 x 12 Custom modiﬁed Marshall 4x12 cabinet UK GRN 2 4 x 12 Vintage Marshall 4x12 cabinet with Celestion Greenback speakers UK 75 4 x 12 Marshall 4x12 cabinet with Celestion G12T 75 speakers UK Dark 4 x 12 1968 Marshall 4x12 cabinet FOXY 1 x 12 Vintage VOX AC15 1x12 cabinet FOXY 2 x 12 Vintage VOX AC30 2x12 cabinet ROUT 1 x 12 Carr Rambler 1x12 cabinet ...

Page 40: ...t Workman 1 1 x 15 SWR 1x15 bass cabinet Workman 2 4 x 10 SWR Workingman s 4x10 bass cabinet US BASS 2 x 10 Mesa Boogie 2x10 bass cabinet MATT 2 x 10 Mark Bass 4x10 bass cabinet F TOP 1 x 15 Ampeg PF 115HE 1x15 bass cabinet AMPG 1 4 x 10 Ampeg SVT 410HE 4x10 bass cabinet AMPG 2 8 x 10 Ampeg SVT 810E 8x10 bass cabinet HACK 4 x 12 Hartke 4x12 bass cabinet AC Acoustic Dreadnought guitar simulation 1 ...

Page 41: ...ly realize the classic boogie V shaped sound Band 1 80Hz Band 2 240Hz Band 3 750Hz Band 4 2 2kHz Band 5 6 6kHz Use the ﬁve bands above to control the EQ level Hyper EQ EQ 10 band graphic EQ suitable for any instrument Band 1 31Hz Band 2 63Hz Band 3 125Hz Band 4 250Hz Band 5 500Hz Band 6 1kHz Band 7 2kHz Band 8 4kHz Band 9 8kHz Band 10 16kHz Use the ten bands above to control the EQ level Volume Co...

Page 42: ...epth Controls the ﬂanger depth Flg Rate Controls the ﬂanger speed Feedback Controls the ﬂanger feedback amount Trm Depth Controls the tremolo depth Trm Rate Controls the tremolo speed Flg Sync Switches ﬂanger Tap Tempo sync on o Trm Sync Switches tremolo Tap Tempo sync on o V Roto Vibrato Based on a BBD based blue vibrato pedal producing natural analog vibrato sound Depth Controls the vibrato dept...

Page 43: ...ch changes Depth Controls the e ect depth Rate Controls the e ect speed Sync Switches Tap Tempo sync on o Vibe Phaser The Shin Ei Uni Vibe is a classic phase shifter chorus e ect made famous by Jimi Hendrix David Gilmour Robin Trower and many more The rich chorus e ect that it s famous for has become a staple in a classic rock guitarist s rig While the Uni Vibe s construction is closely copied by ...

Page 44: ...e Feedback Controls the amount of feedback Sync Switches Tap Tempo sync on o Trail Switched e ect trail on o when the e ect is bypassed Analog Delay Produciing warm delay sound with analog feel Tape Delay Simulates solid state tape echo sound Ping Pong Delay A ping pong delay producing stereo feedbadk bounces back and forth between left and right channels Slapback Delay Simulates the classic slapb...

Page 45: ...me ranging from 20 to 300 milliseconds Mix Controls the wet dry signal ratio Time Controls the delay time Feedback Controls the amount of feedback Sync Switches Tap Tempo sync on o Trail Switched e ect trail on o when the e ect is bypassed 999 Echo Delay Based on Maxon Ad900 Analog Delay providing warm accurate delay sound 100 Analog Delay dynamic distortion on Delay repeats gorgeous warm organic ...

Page 46: ... Reverb Special tuned reverb e ect with lush bright decays Mix Controls the wet dry signal ratio Decay Controls the duration of reverb time Trail Switched e ect trail on o when the e ect is bypassed Deepsea Reverb Special tuned reverb e ect with huge deep decays Mix Controls the wet dry signal ratio Decay Controls the duration of reverb time Trail Switched e ect trail on o when the e ect is bypass...

Page 47: ...4 4 Hard Rock 3 3 4 Post Rock 1 5 4 Post Rock 2 4 4 Post Rock 3 4 4 Garage Rock 4 4 Prog Rock 4 4 Surf Rock 4 4 Punk 1 4 4 Punk 2 4 4 Punk 3 4 4 Punk 4 4 4 Post Punk 1 4 4 Post Punk 2 4 4 Heavy Metal 1 4 4 Heavy Metal 2 4 4 Nu Metal 1 4 4 Nu Metal 2 4 4 Hardcore 4 4 EMO 4 4 Grunge 4 4 New Wave 4 4 Rock 5 4 5 4 Funk Funk 1 4 4 120BPM Funk 2 4 4 Funk 3 4 4 Funk 4 4 4 Jazz Funk 1 4 4 Jazz Funk 2 4 4 ...

Page 48: ... Pop 1 4 4 Pop 2 4 4 Pop 3 4 4 Hip Hop 1 4 4 Hip Hop 2 4 4 Hip Hop 3 4 4 Hip Hop Rock 4 4 Pub 4 4 Jazz Jazz 1 4 4 Jazz 2 4 4 Jazz 3 4 4 Jazz 4 4 4 Bossanova 1 4 4 Bossanova 2 4 4 Fusion 4 4 Electronic Electro1 4 4 Electro2 4 4 Techno 4 4 TripHop 4 4 Electronic Pop 4 4 Break Beat 4 4 Drum Bass 4 4 World Latin 1 4 4 Latin 2 4 4 Latin 3 4 4 Latin Pop 1 4 4 Latin Pop 2 4 4 Drum Rhythm List ...

Page 49: ...o 4 4 Beguine 4 4 Ska 4 4 Polka 2 4 Waltz 3 4 Reggae 1 4 4 Reggae 2 4 4 Mazuke 3 4 Musette 4 4 March 1 4 4 March 2 4 4 March 3 4 4 New Age 1 4 4 New Age 2 4 4 World 4 4 Metro 1 4 1 4 2 4 2 4 3 4 3 4 4 4 4 4 5 4 5 4 6 4 6 4 7 4 7 4 6 8 6 8 7 8 7 8 8 9 8 9 Drum Rhythm List ...

Page 50: ... 22 0 127 BANK initial mode 23 0 127 BANK initial mode 24 0 127 Patch 25 0 127 Patch 26 0 127 BANK wait mode 27 0 127 BANK wait mode 28 0 127 BANK wait mode 48 0 127 PRE Module on o 0 63 o 64 127 on 49 0 127 DST Module on o 0 63 o 64 127 on 48 CC Value Range Explain 50 0 127 AMP Module on o 0 63 o 64 127 on 51 0 127 NR Module on o 0 63 o 64 127 on 52 0 127 CAB Module on o 0 63 o 64 127 on 53 0 127...

Page 51: ... 67 0 100 Looper Playback Volume 68 0 127 Looper Placement 0 63 Rear 64 127 Front 69 0 127 CTRL 1 70 0 127 CTRL 2 71 0 127 CTRL 3 72 0 127 CTRL 4 73 0 1 Tempo MSB Used with Cc74 74 0 127 CC70 0 CC74 40 127 40BPM 127BPM CC70 1 CC74 0 122 128BPM 250BPM 75 0 127 Tap Tempo 92 0 100 Drum Machine Menu on o 0 63 o 64 127 on 93 0 127 Drum Machine Play Stop 0 63 Stop 64 127 Play 94 0 99 Drum Machine Type 9...

Page 52: ...e sure your input device is not muted Noise Ÿ Make sure your cables are connected properly Ÿ Check your instrument output jack Ÿ Check if you re using the correct power adapter Ÿ If the noise is coming from your instrument try using the noise reduction module to adjust it Sound Problems Ÿ Make sure your cables are connected properly Ÿ Check your instrument output jack Ÿ If you re using an external...

Page 53: ... 1 4 Unbalanced TS Ÿ Send Output Impedance 1k Ohms Ÿ Headphone Output 1 8 Stereo TRS Ÿ Headphone Output Impedance 22 Ohms Digital Connections Ÿ USB Port USB 2 0 Type C Port Power Ÿ Requirements DC 9V 1000mA USB Recording Speciﬁcation Size and weight Ÿ Sample Rate 44 1 kHz Bit Ÿ Depth Supports 16 bit or 24 bit Ÿ Dimensions 345mm W x 220mm D x 62 5mm H Ÿ Unit Weight 2 37 kg Technical Speciﬁcations Ÿ...

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