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To swap from one mode to the other without changing the rectifier  mode, follow the ‘power 
level mode selection’ procedure below: 

1.

 

Put the amplifier on Standby : flip the Standby 

[3] 

switch in the middle position

 

 

2.

 

Wait for 30 seconds 

3.

 

Put the amplifier in Stage or Home mode depending on the desired output power 
level (see former chapter). 

 
 

4.5.Warning 

 
Not  respecting  the  rectifier  mode  selection  procedure  or  the  power  level  mode  selection 
procedure can damage your amplifier. 
 
 

5. Distortion types 

 
 
Before  reviewing  the  operation  of  your  amplifier,  here  is  a  short  technical  description  of  the 
different  types  of  distortions.  This  will  help  you  better  understand  the  specificities  of  tube 

amplifiers, and therefore help you get the best out of your 

Crunch Machine

 
An amplifier is built around 3 main blocks: 
 

 

the preamplifier, which shapes the signal of your guitar (through the tone settings, boost 
etc…) and amplifies the signal’s voltage 

 

the  power  amplifier,  which  amplifies  the  current  of  the  signal  retrieved  from  the 
preamplifier, and sends it to the load (i.e. your speakers) 

 

The power supply, which converts the 230VAC voltage into voltage levels appropriate to 
power the preamplifier and the power amplifier.  

 
Each  block  uses  different  tubes,  and  each  tube  is  used  in  a  different  way.  When  the  tubes  are 
‘pushed’ in certain conditions, they produce this very specific and sought-after ‘tube’ distortion. 
But  you surely  got the point: each of the afore-mentioned blocks produces a tone-wise specific 
distortion : 
 

 

preamplifier :  the  design  of  this  block  sets  the  type  of  preamp  distortion :  ‘warm’  or 
‘low-gain’  for  amplifiers  designed  between  the  50s  and  the  70s;  ‘hard’  or  ‘high-gain’  
after  the  80s.  In  the  ‘low-gain’  range,  the  dynamics  of  the  amp  are  enhanced:  this  is 
particularly well-suited for jazz, blues and light rock. In the ‘high-gain’ range, the tone is 
more  compressed  and  offers  a  great  deal  of  sustain,  which  is  ideal  for  more  aggressive 
styles, namely hard rock and metal. Generally speaking, the distortion is gradual: higher 
gain  settings  will  yield  high  distortion  levels,  which  allows  to  easily  set  your  desired 
distortion level without changing the volume level.  

Summary of Contents for Crunch Machine

Page 1: ...Tone Bliss Crunch Machine Crunch Machine Crunch Machine Crunch Machine User guide...

Page 2: ...2...

Page 3: ...ower up 7 4 3 Rectifier mode 7 4 4 Output power selection 8 4 5 Warning 9 5 Distortion types 9 6 Classic channel 10 7 Rock channel 11 8 Footswitch 12 9 Maintenance 13 10 Settings cheat sheets 14 11 Co...

Page 4: ...mplifier on a stable surface and in an ventilated place Do not expose the amplifier to moist or liquids Do not open the amplifier on your own If you encounter a technical problem contact Tone Bliss Co...

Page 5: ...ower powers up the amplifier and allows to choose the rectifier mode 2 Power indicator 3 Standby puts the amplifier in standby mode or activates the amplifier with the selected power level 4 to 10 Roc...

Page 6: ...are available each one corresponds to a specific impedance 4 8 or 16 19 AC Mains connects the amplifier to the power outlet The AC Mains connector includes a fuse compartment to protect the amplifier...

Page 7: ...is in the off position and the standby 3 switch is in the standby position The volume knobs on both Classic and Rock channels should be set on 0 2 Connect a load to the appropriate speaker output 18 s...

Page 8: ...ip the Power 1 switch to the middle position 4 Select the desired rectifier mode Tube or S S 5 Wait for a few minutes to let the tubes heat up 6 Select the Stage or Home mode depending on the desired...

Page 9: ...urrent of the signal retrieved from the preamplifier and sends it to the load i e your speakers The power supply which converts the 230VAC voltage into voltage levels appropriate to power the preampli...

Page 10: ...or even by controlling the attack of your pickup on your strings Power supply many modern amplifiers even tube based use a solid state rectifier for the power supply It s cheap and compact unlike the...

Page 11: ...usting the tone 14 setting one can venture in jazzy tones by increasing the bass or even funky tones by adding more treble From 3 to 6 a slight crunch appears Great for classic blues From 6 to 10 the...

Page 12: ...independently from the Bass 6 Middle 7 and Treble 8 settings This can be used to give more sparkle to a humbucker pickup Gain volume controls The gain 9 control sets the preamplifier distortion level...

Page 13: ...perational 9 Maintenance No maintenance is needed apart from a tube change to be done exclusively by an authorized technician once the tubes are worn In case a tube change is needed no bias setting is...

Page 14: ...eets Here below are some blank faceplates which will allow you to keep track of your preferred settings Tone 1 Tone 2 Tone 3 Tone 4 Tone 5 11 Contact You have a question Contact Tone Bliss by email at...

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