Tascam TASCAM TA-1VP Owner'S Manual Download Page 7

 

TASCAM TA-1VP

  

7

2 – Introducing the TASCAM TA-1VP Vocal Producer

How to use this manual

The TASCAM TA-1VP Vocal Producer (henceforth referred 

to as the TA-1VP) has a very friendly user-interface and 

is extraordinarily easy to use. However, to get the full 

benefit of its capabilities, we recommend that you give 

this manual at least a quick once over.
If the TA-1VP is your first experience with vocal signal 

processing, you’ll find a brief introduction to the theory 

and application of the various processing modules in this 

chapter. (More in-depth information can be found in a 

variety of books on recording technique and periodically 

in recording-oriented magazines like Electronic Musician, 

EQ, Mix, Recording,and Home Recording, among others.)
If you’re already familiar with the functions and uses of 

basic studio signal processors (compressor, gate, de-esser, 

EQ, etc.), you can go straight to Chapter 5 to see how they 

are implemented in the TA-1VP. On the other hand, unless 

you have experience with Antares Auto-Tune and Micro- 

phone Modeler, it’s probably wise to at least read the 

background information on those features in this chapter.

The contents of this manual

Chapter 2: Introducing the TASCAM Vocal Producer
The chapter you are reading. It provides an overview of 

the TA-1VP as well as background information on Antares 

Auto-Tune pitch correction and Microphone Modeling. 

It also includes an introduction to basic concepts 

in compression, expansion, gating, de-essing, and 

parametric equalization.
Chapter 3: Setting Up the TASCAM Vocal Producer
How to get the TA-1VP up and running.
Chapter 4: Names and Functions of Parts
This chapter provides a reference for all of the controls, 

displays and connectors on the TA-1VP's front and back 

panels.
Chapter 5: Operation
This is a guide to all of the features and functions of the 

TA-1VP. If you’re only going to read one chapter, this is the 

one.
Chapter 6: Creative Applications for the TA-1VP
Some cool, but not-so-obvious stuff you can do with the 

TA-1VP.

TASCAM Vocal Producer 

Overview

The heart of any great song is a great vocal sound. With 

the TA-1VP Vocal Producer, we’ve combined Antares 

world-renowned Auto-Tune Evo Pitch Correction and TEC-

Award-winning Microphone Modeler technologies with 

state-of-the-art vocal processing modules to give you 

everything you need to create stunning vocal tracks in 

any musical style.
Live or in the studio, the TA-1VP lets you instantly select 

from a library of sounds. From gorgeously mellow to 

seriously twisted, we’ve included factory presets for a 

wide variety of vocal styles as well as an interface that 

makes it easy to create your own signature sounds. (And 

given the power and flexibility of the TA-1VP’s processing 

modules, we’ve even included a selection of presets for 

instrumental and percussion tracks.)
The TASCAM Vocal Producer features:

Antares Auto-Tune Real-time Pitch 

• 

Correction  Antares’s world-renowned Auto-Tune 

Evo technology lets you correct the pitch of vocals (or 

solo instruments), in real time, without distortion or 

artifacts, while preserving all of the expressive nuance 

of the original performance. 
Antares Microphone Modeling

• 

  Antares' TEC 

Awarding-winning Microphone Modeler technology 

lets you give your vocal tracks the characteristics of a 

variety of high-end studio mics as well as adjust the 

proximity effect associated with mic distance.
Analog Tube Modeling

• 

  Gives your vocals the warmth 

of a classic tube preamp.
Variable Knee Compressor

• 

   A state-of-the-art 

dynamics processor with threshold, ratio, attack and 

decay controls as well as a continuously variable knee 

characteristic.
Downward Expanding Gate

• 

  The TA-1VP's gate, with 

threshold and ratio controls, works independently of 

the compressor to eliminate noise and breath sounds.
Variable Frequency De-Esser

• 

  The TA-1VP's de-esser 

tames vocal sibilance with threshold, ratio, attack and 

decay controls as well as a variable highpass frequency 

to match any vocal performance.
Flexible Parametric EQ

• 

  You can fine-tune your vocal 

sound with two independent bands of equalization 

that let you select from 6 dB or 12 dB high or low cut, 

high or low shelving with variable slope, bandpass, 

notch and fully parametric peaking.
Automatic Mono or Stereo Double Tracking

• 

  You 

can automatically mix a doubled track into the TA-1VP's 

main output or route it to a separate output for post-

processing and mixing.
Fully Programmable

• 

  Once you’ve created the perfect 

vocal sound for a particular track, every parameter can 

be saved as a preset for instant recall.
Factory Presets for a Wide Variety of Vocal 

• 

Styles  The TA-1VP comes out-of-the-box with an 

extensive collection of factory presets for a variety of 

vocal styles. (We’ve even included a selection of presets 

for instrumental and percussion tracks.) 
MIDI Automation

• 

  Every variable module parameter 

can be controlled via MIDI continuous controllers for 

realtime automation.

Summary of Contents for TASCAM TA-1VP

Page 1: ...D01141720A TA 1VP Vocal Producer OWNER S MANUAL...

Page 2: ...ent and receiver c Connect the equipment into an outlet on a circuit different from that to which the receiver is connected d Consult the dealer or an experienced radio TV technician for help CAUTION...

Page 3: ...d with the apparatus When a cart is used use caution when moving the cart apparatus combination to avoid injury from tip over 13 Unplug this apparatus during lightning storms or when unused for long p...

Page 4: ...unting kit to mount the unit in a standard 19 inch rack as shown below Remove the feet of the unit before mounting NOTE Leave 1U of space above the unit for ventilation Allow at least 10 cm 4 in at th...

Page 5: ...s 12 What is a De Esser 13 Equalization 13 Low Pass High Pass Filters 13 Shelving Filters 14 Peaking Filter 14 Band Pass and Notch Filters 14 3 Setting Up the TASCAM Vocal Producer 15 4 Names and Func...

Page 6: ...n the United States Other company names product names and logos in this document are the trademarks or registered trademarks of their respective owners All names of microphone manufacturers and microp...

Page 7: ...tracks in any musical style Live or in the studio the TA 1VP lets you instantly select from a library of sounds From gorgeously mellow to seriously twisted we ve included factory presets for a wide v...

Page 8: ...his waveform is of a violin section playing a single tone Our ears still sense a specific pitch but the waveform does not repeat itself This waveform is a summation of a number of individually periodi...

Page 9: ...g you will produce the now infamous Cher effect Slow Speed settings on the other hand are appropriate for longer notes where you want expressive pitch gestures like vibrato to come through at the outp...

Page 10: ...relatively consistent level of loudness If an uncompressed vocal track is added to a typical pop mix loudly sung words or syllables would jump out of the mix while quieter phrases would be buried bene...

Page 11: ...1 TO 2 EXPANSION RATIO 1 TO 1 RATIO When expanders use ratios higher than 1 10 sounds below the threshold are faded out very rapidly This effect is called gating and can sound very abrupt Adjusting th...

Page 12: ...NPUT LEVEL SOFT KNEES KNEE 100 COMPRESSOR THRESHOLD GATE THRESHOLD Attack and Release Times The attack time of a compressor is how long it takes for the compressor to react once the input level has me...

Page 13: ...seven different filter types Low Pass 6 dB octave and 12 dB octave Low Shelf Band Pass Notch Peaking High Shelf and High Pass 6 dB octave and 12 dB octave Each filter type has its own characteristics...

Page 14: ...the TA 1VP the peaking filter works over a range of 20 Hz to 20 kHz and can boost or cut the signal at the selected frequency by 18 dB Additionally you can vary the bandwidth from 0 1 to 4 0 octaves...

Page 15: ...I IN jack 5 The included PS 1225L AC adaptor will automatically adjust to the available power world wide The AC power cord supplied with the AC adaptor is correct for the country where the TA 1VP is f...

Page 16: ...ngs that affect the TA 1VP s overall state i e independent of the currently selected Preset 7 Left Cursor Press this button to move the cursor to the left on display pages with multiple data fields 8...

Page 17: ...r z ATK Attack Press this button to set the de esser s attack time x REL Release Press this button to set the de esser s release time The EQUALIZER OUTPUT Module c ON When this button is lit both EQ b...

Page 18: ...ontrolling your TA 1VP via MIDI connect the MIDI Out from a MIDI sequencer keyboard or other MIDI source here Connect the MIDI Out from a sequencer to load previously saved SysEx data files DIGITAL OU...

Page 19: ...RN INSERT SEND RETURN LINE IN MAIN LINE OUT DOUBLE TRACK LINE OUT CHANNEL 2 INPUT OPTIONAL AS AN INSERT EFFECT USING YOUR MIXER S SINGLE INSERT JACK NOTE REQUIRES TRS PLUG SOURCE AUDIO If as is more c...

Page 20: ...Preset Selection screen Select Preset Preset Name Use the Data Knob to select the desired preset Presets may also be selected by MIDI Program Change commands and may be stepped through sequentially u...

Page 21: ...whichever Preset is currently active All Setup Menu parameter values are automatically saved Input Level Trim Meter Page In analog trim 0dB This page provides a high resolution meter for ease in setti...

Page 22: ...accompanying noise In order to accurately identify the pitch of the input the TA 1VP s Auto Tune module requires a periodically repeating waveform characteristic of a voice or solo instrument The Sen...

Page 23: ...tio Output Gain Footswitch Assign Page Footswitch Assign Main Bypass OFF To assign a footswitch to control one or more TA 1VP functions use the Data Knob to select the desired function and then press...

Page 24: ...e selected TA 1VP preset When this file is loaded back into your TA 1VP it will replace the preset currently at that numerical location with the contents of the file but will leave all other presets a...

Page 25: ...the value that provides the greatest contrast between the display text and the background The default setting is 4 Save Preset Page When you have created a new preset or made changes to an existing pr...

Page 26: ...eled mic Model Mic Page Pressing the MODEL button brings up this page Model Mic Lg Dia condenser 1 Use the Data Knob to select the desired type of mic model Models include Hand held Dynamic Studio Dyn...

Page 27: ...ting If the selected mic type does not have a low cut filter and actually only the Telephone is lacking one the display will default to If the modeled mic does include a low cut filter turning the low...

Page 28: ...set scales Chromatic 12 diatonic major and 12 diatonic minor To select a preset scale use the cursor buttons to move to the scale name field in the top left of the screen and turn the Data Knob to sel...

Page 29: ...at and that positive correction is being applied Conversely the yellow LEDs indicate that the input is sharp and that negative correction is required Auto Tune ON Button When this button is lit the AU...

Page 30: ...essing the COMP or GATE button again will return to the appropriate page Gain Reduction Meter The front panel GAIN REDUCTION meter is intended to provide a quick indication of compressor and gate acti...

Page 31: ...ended to provide a quick indication of de esser activity For precise gain reduction indication refer to the De esser Gain Reduction Meter Page described above The range of the meter is 15 dB De esser...

Page 32: ...f and is useful for reducing hiss or other high frequency environmental noise encountered in the recording process High Pass Filters EQ1 High Pass 6dB f 3775 EQ1 High Pass 12dB f 3775 Q 2 8 These fil...

Page 33: ...to tune module Consequently in this case it is important to select an appropriate scale speed and detune value for the Auto Tune module to produce the desired double track effect On the other hand som...

Page 34: ...Auto Tune s note Bypass function to bypass all the notes except the one s which need the retuning This way the Auto Tune is working in a completely transparent mode and only when needed Speed 0 Cher...

Page 35: ...your own unique sounds is the name of the game Have fun The Presets Vocal Presets 1 MaleVoice Basic male voice treatment Adjust compressor threshold to singing style 2 FemaleVoice Basic female voice...

Page 36: ...cs Realistic Mic Modeling Expectations Although the TA 1VP s Microphone Modeling seems in many ways to be almost magic it is in fact simply very clever science And as such it has some limitations that...

Page 37: ...e you should choose a different combination of mics and or turn on the modeled mic s low cut filter Transient Response One of the key characteristics of various types of microphones is their transient...

Page 38: ...6 dB 0 dB Ratio 1 1 0 1 99 DE ESSER Threshold 60 dB 0 dB Ratio 1 0 1 99 1 Attack 1 ms 200 ms Release 20 ms 2550 ms Highpass frequency 2971 Hz 20 kHz PARAMETRIC EQ 2 independent bands 6 dB Lowpass 6 dB...

Page 39: ...A pin jack Format IEC 60958 3 S PDIF Output impedance 75 Level 0 5 Vpp 75 MIDI input Connector DIN 5 pin Format MIDI standard MIDI output Connector DIN 5 pin Format MIDI standard Footswitch 1 4 6 3 mm...

Page 40: ...mm 465 mm 44 mm 1 mm 6 5 mm 128 1 mm 20 7 mm 31 8 mm Illustrations in this manual may differ in part from the actual product Specifications and the external appearance may be changed without notifica...

Page 41: ...TASCAM TA 1VP 41 Level diagram 8 Specifications...

Page 42: ...42 TASCAM TA 1VP Notes...

Page 43: ...TASCAM TA 1VP 43 Notes...

Page 44: ...lace Street Mississauga Ontario L4Z 1Z8 Canada TEAC MEXICO S A de C V http www teacmexico net Phone 52 55 5010 6000 R o Churubusco 364 Colonia Del Carmen Delegaci n Coyoac n CP 04100 M xico DF M xico...

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