Tascam M-200 Series Owner'S Manual Download | Manualshive

Page: 1 / 42

background image

1
2
3
...
»

Summary of Contents for M-200 Series

Page 1: ...TASCAM TEAC Professional Division Mixing Consoles OWNER S MANUAL...

Page 2: ...roughly at least once That way you will be familiar with its contents and if you need answers you ll know where to find them Copyright 1985 TEAC Corporation All rights reserved under international and...

Page 3: ...that is also easy to use i n Production Audio Systern A SYSTEM OF SUB SYSTEMS Your mixer is a system a group of individua1 elements working together as a unified whole All audio systems have three th...

Page 4: ...Mix takes its signals from the input channels or a recorder s playback These signals are routed through their own level controls Foldback Mixes are used so that the talent on stage can hear their musi...

Page 5: ...h the headphones In Main Mix channels The Pre Fader Listen PFL recording applications Solo is used to adjust switch in the channel sends that channel s TRIM level and tone in an individua1channel or s...

Page 6: ...i Your Series 200 Mixers combines al1 these l 1 mixer systems into a complete audio production system...

Page 7: ...ape recorders you will need some RCA and effects devices a stereo house mix a stage phone adapters for recorder hook ups monitor mix effect patch points for individua1 Quarter lnch Phone Cables These...

Page 8: ...ays are often used for the house mix so they are best connected to the EFFect OUTput with the reverb andlor delay output s connected to the EFF RTN inputs Effects that are intended to be used on indiv...

Page 9: ...r speakers and mics Keep in mind that monitor levels need not be as high as program levels Certain elements of the mix may be eliminated entirely from the monitor The drummer will need to hear his bas...

Page 10: ...t The drummer may not wish to play without accom paniment If not the keyboardist and bass can play the track with the drummer while the recorder is set to record only the drummer s performance A click...

Page 11: ...Stereo...

Page 12: ...tracks to perform a new mix When you have completed your tracking overdubbing and ping ponging you will want to create a stereo master tape through the process of Remixing Rernixing You have filled t...

Page 13: ...hen be dubbed later in a different language in a typical audio follow video session The Fold back send on the Series 200 can be used for cueing the V 0 announcer while the effects send and return syst...

Page 14: ...an obvious necessity when con sidering how many sources you need to mix how many monitor mixes are required when ping pong and remix will happen and which tracks will be ping ponged etc Track sheets a...

Page 15: ...vulnerable to grounding and shock problems when the guitarist or bassist is also using a microphone Check the grounding by putting one of the tester or meter s probes on the metal chassis of the ampli...

Page 16: ...three types of illustrations the first is a line drawing of the unit the second is called a picto gram which is a representation of the controls and features placed in the proper sequence of signal fl...

Page 17: ...devices stereo output is connected diagram Using an M 216 Mixer we will create to input channels 15 and 16 Channels 15 and a stereo effect send using the program busses 1 16 are assigned to the 3 and...

Page 18: ...in an unfavorable alteration in another When using EQ care must be taken not to overdo it With the exception of boosting a signal to the point that it registers on the OL LED EQ is a process for the a...

Page 19: ...nge A bass drum will be contro1 than Bruce or the lion would be Bruce more affected by the 100 Hz contro1 than a and the lion will get more help from a contro1 cymbal would be and so on 20 15 10 5 m 0...

Page 20: ...l affect al1 the rnusic passing through the control s circuit You may find that the necessary boost on one instrument also boosts another instrurnent on the channel in an unfavorable way Experience wi...

Page 21: ...tches 1 2and 3 4 4 Raise the channel 6 fader to the shaded area between 7 and 8 5 Raise the PGM 1 4 faders to the shaded area between 7 and 8 6 Set the channel 6 TRIM to 12 o clock posi tion 7 Raise t...

Page 22: ...egular line input Don t use both the MIC and LINE IlVputs in the same channel a t the same time Disconnect one when the other is used O TAPE INput These RCA jacks route signals from tape re corders or...

Page 23: ...shelving type control with a center frequency of 100 Hz 12dB of cut or boost is possible O OverLoad Light This light lets you know if the signal level in the channel is too high when it leaves the eq...

Page 24: ...wo conditions the average signal level which is shown by the needle and the peak or transient program level which is shown by a PEAK Light OPGM OUTputs There are three outputs for each of the four PGM...

Page 25: ...g the same monophonic mix at al1 stereo outputs and the stereo headphone output A mono rnix is used to discern phasing problems and for mono sound reinforcement applica tions MONITOR SECTION METER 3 4...

Page 26: ...This switch determines whether the foldback system will take its signal from the TAPE IN puts or MICILINE INputs It is located below the FLB control The foldback mix originates after the EQ section an...

Page 27: ...nal that create signal levelsthat need attention it passes to the EFFect OUTPUT on the back panel 4DEFFECT RTN PAN 1 and 2 The signals coming from your effects will be EFF OUTPUT entering the mix at t...

Page 28: ...acitance and resistance is an active component in an audio system There are vast differences in cable design and performance that have significant effect on the sound quality you ll get from your equi...

Page 29: ...outputs to the back and you can reroute your signals with short jumpers quickly GE 20B Graphic EQ l increasing tangle of wires necessary for the recording and signal processing you want to do The GE 2...

Page 30: ...er useful as a fully functional ingenious submixer for ob taining an extra mic or line mix Versatility of your system will be considerably enhanced Rack mountable 19 EIA Bescheinigung des Herstellers...

Page 31: ...WAYS DISCONECT THE POWER LINE CORD BEFORE MAKIIVG THESE CHANGES 1 Locate the voltage selector on the bottom of your mixer 2 Using a regular slot blade screwdriver turn the selector until the numerals...

Page 32: ...0k ohms 10 dBV 0 3 V l 0 dBV 3 V Stereo Output XLR Type unbalanced Output lmpedance Minimum Load Impedance Nominal Load Impedance Nominal Output Level MaximumOutput Level 114 unbalanced 0utput lmpedan...

Page 33: ...1PGM Output2 3 0 045 SMPTE Frequency Response Any Input to Any Output 20 Hz 25 kHz E norninal level Cross Talk 1 kHz Better than 60 dB Dirnensions W x H x D 442 x 132 x 425 mm 17 318 x 5 3116 x 16 31...

Page 34: ...0 ohms 2k ohms 10k ohms 10 dBV 0 3 V l 0 dBV 3 V Output lmpedance 100 ohms Minimum Load Impedance 2k ohms Nominal Load Impedance 10k ohms Nominal Output Level O dBu 0 8 V Maximum Output Level 20 dBu 8...

Page 35: ...to 1 PGM Output2 3 0 045 SMPTE Frequency Response Any Input to Any Output 20 Hz 25 kHz nominal level Cross Talk 1 kHz Better than 60 dB Dimensions W x H x D 650 x 132 x 425 mm 25 911 6 x 5 3116 x 16...

Page 36: ...Pictogram O L Indicater FLB TAPE Switch FLB Send Level LEVEL PAN EFFect RTN 1 STEREO OUT L Stereo Buss L STEERO OUT R Means This buss continues LMeans This is a continuation l Sub Busses METER Switch...

Page 37: ...Block Diagram...

Page 38: ......

Page 39: ...Level Diagram 1...

Page 40: ...PGM xSTEREO STEREO PAD EFF RTN PAN PGM EFF FLB STEREO OUT i 0 d B l PGM OUT i l O d 8 V I...

Page 41: ...Dimensions 442 rnrn 17 3 81 M 208 650 rnrn 25 9 16 M 216 438 rnrn 17 1 4 W 208 646 rnrn 25 7 16 M 216 408 mrn 16 1 16 M208 616 rnrn 24 1 4 M 216 L IL 405 rnm 15 15 16 I 425 mrn 16 3 4 I...

Page 42: ...AKUMITAKA TOKYO PHONE 0422 45 7741 TEAC CORPORA TIONOF AMERICA 7733 TELEGRAPH ROAD MONTEBELLOCALIFORNtA 90640 PHONE 213 726 0303 TEAC CANADA LTD 3610 NASHUA DRIVE UNIT 1 8 2 MISSISSAUGA ONTARIO L4V 1L...

Reviews:

No comments

Related manuals for M-200 Series

CONTORTIONIST II

Brand: Mod Pages: 12

BabyBlue Echotapper

Brand: Stanley-FX Pages: 5

Brand: White and Brown Pages: 12

Studer Micro Series

Brand: Harman Pages: 111

Deep Impact SB1

Brand: Akai Pages: 10

04501xx0 series

Brand: Hans Grohe Pages: 28

Brand: Orava Pages: 18

Assistent Stand Mixer 550

Brand: Electrolux Pages: 11

Brand: Electrolux Pages: 132

Assistent ASM400

Brand: Electrolux Pages: 136

Brand: Electrolux Pages: 8

Brand: Fulltone Pages: 2

Brand: Valcom Pages: 6

Brand: Roland Pages: 8

Brand: Sony Pages: 49

Brand: Sony Pages: 75

Brand: Super Seek Trem Pages: 4

Brand: Profi Cook Pages: 70

Brands by name

0 1 2 3 4 5 6 7 8 9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Popular brands

Load more brands