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DM-24

Digital Mixing Console

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EFFECTS MANUAL

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Summary of Contents for DM-24

Page 1: ...DM 24 Digital Mixing Console to EFFECTS MANUAL...

Page 2: ...s 12 Selecting the source microphone 12 The bypass microphone model 13 Source microphone settings 13 Proximity 13 Pattern 13 Low cut filter 13 Selecting a model for output 13 Model microphone paramete...

Page 3: ...these modes is known as the Loop Insert mode and the second as the EFFECT1 EFFECT2 Series mode Press the EFFECT key followed by soft key 1 PATCH to bring up the patch screen as shown here NOTE When us...

Page 4: ...t the top of the input output patch section for each effect there is a field called INTYPE input type In the case of single channel effects the only option available is Mono In the case of dual channe...

Page 5: ...ffects are being used by only one channel each there is no need to tie up the aux sends and returns which can then be used for other purposes Example 4 1 2 series 1 mono input 2 stereo input In this e...

Page 6: ...e assignable send returns must be set to be inserts not send return loops see Assignable sends and returns on page 43 of the main manual If they have been set to send return loops a popup message appe...

Page 7: ...eters appropriate for that particular type of effect is displayed Once an entry has been recalled there is no way of changing its type through the on screen parameters You must reload an entry of anot...

Page 8: ...ve set up the parameters of an effect you can store it for further use in the user effects library This saves you having to make the same settings every time for a commonly used microphone model for e...

Page 9: ...ssignable inserts a little work must be done using the assignment screens Using the internal effects as inserts i In this example effect 1 will be used as an insert on buss 2 To do this the effects re...

Page 10: ...gnable output screen Assignable send returns 1 and 2 should be set to the insert mode The insert channels that is the channels on which the inserts will work should be set to channels 1 and 2 of cours...

Page 11: ...possible to record directly using one physical microphone and modelling another but in this case it is more difficult to experiment and to make changes afterwards Note that when we talk about the mic...

Page 12: ...nes individually Input gain This INPUT allows you to set the rela tive gain for the input source top row POD 2 Start at 0dB but you may want to increase the level slightly to increase the amount of sa...

Page 13: ...phone will have no effect Use pod 2 on row 3 for this setting NOTE As the source moves away from the microphone an amount of ambient room tone is added to the record ing The microphone modeler cannot...

Page 14: ...usly recreate missing data so if a recording has been made with the source off axis this setting cannot be used to add the frequencies that were lost by the off axis recording Preserve source settings...

Page 15: ...dB oct 12dB oct cardioid omni 3 C 3000 off on cardioid hypercardioid 4 C 4000 B 0 Hz 100Hz cardioid hypercardioid omni 5 C414 0 Hz 75Hz 150Hz cardioid 6 C 414B ULS mod1 0 Hz 75Hz 150Hz cardioid hyperc...

Page 16: ...ence Gold none cardioid figure 8 omni 48 Neumann KM 184 none none 49 KM 184 w none none 50 M 149 20Hz 40Hz 80Hz 160Hz cardioid hypercardioid wide cardioid figure 8 omni 51 TLM 103 none none 52 TLM 193...

Page 17: ...one 70 Beta 87A none none 71 Beta 98D S none none 72 KSM32 LC 0 LC 1 LC 2 none 73 SM57 none none 74 SM58 none none 75 SM7A LC off Mid off LC off Mid on LC on Mid off LC on Mid on none 76 SM81 LC 0 LC...

Page 18: ...frequency mode Selecting the speaker modeler Recall the preset library entry 1 101 in order to load the speaker modeler See Setting up the effects units on page 7 for fur ther details General paramet...

Page 19: ...stem but small speakers Computer Speaker useful for multimedia sound mixes Large Home Studio good quality domestic semi pro speakers Mid Sound Reinforcement not necessarily top of the range but good q...

Page 20: ...the L and R output signals added together INPUT the input level can be adjusted from Off and then in 5 dB steps from 140 dB to 60 dB in 1 dB steps from 60 dB to 20 dB and in 0 1 dB steps from 20 dB t...

Page 21: ...et from 0 04 to 4 0 in the following steps 0 04 0 05 0 06 0 08 0 10 0 13 0 16 0 20 0 25 0 32 0 40 0 50 0 63 0 80 1 0 1 3 1 6 2 0 2 5 3 2 4 0 W DIFF Wall diffusion the liveness of the room space and th...

Page 22: ...nt imaginary spaces with their own distinctive rever beration characteristics Preset reverb settings These settings are all stored in the first preset effects library The English names give an idea of...

Page 23: ...1 FX Lost in Space FX Lost in Space 022 FX Neighbor Hallway FX NeighborHallw 023 FX Neighbor 2 Floor FX NeighborFloor 024 FX Not so Dry After Taste FX NotsoDryAfter 025 FX Short Non Lin Like FX Short...

Page 24: ...l Hall Warm Vocal 061 Drum Boom Room Drum Boom Room 062 Drum Drum Booth Drum Drum Booth 063 Drum Huge Low Tubular Drum HugeLowTubu 064 Drum Low Tubular Drum Low Tubular 065 Drum Snare Hall Drum Snare...

Page 25: ...m 091 Room Small Room Small 092 Room Small Damped Room Room S Dmp Room 093 Room Small Yet Big Room SmallYetBig 094 Room Small Yet Big w Pre Room S Y B w Pre 095 Room Stage Room Stage 096 Room Vocal Bo...

Page 26: ...el Dry level 0 1 Hz to 10 Hz 91 steps 0 to 100 101 steps 0 05 ms to 500 ms 101 steps 0 to 90 91 steps 40 dB to 0 B 41 steps 40 dB to 20 dB 61 steps De esser Threshold level Knee shape Center Frequency...

Page 27: ...fferent sounds and exper iment using these preset sounds as the basis for your own effects Soft Compressor Threshold Ratio Attack Time Release Time Knee Shape Output level Bypass 40 dB to 1 dB 40 step...

Page 28: ...asic compressor sound 36 Fast Attack Fast Attack A compressor with a fast attack 37 Slow Attack Slow Attack A compressor with a slow attack 38 Short Release Short Release Quick release compressor 39 L...

Page 29: ...ith drums Ping Pong 70 Oasis Oasis A lazy casual echo sound 71 Short Echo Short Echo Short repeat echo 72 Loose Loose Slightly looser echo setting 73 Vocal Echo 1 Vocal Echo 1 A karaoke type echo 74 V...

Page 30: ...and echo gives a chorus effect 109 Pitch Chorus 2 Pitch Chorus 2 Strong pitch change effect provides a chorus like feel 110 12 Strings 12 Strings 12 string guitar emulation 111 Glow up Glow up Pitch...

Page 31: ......

Page 32: ...iness Park Watford Hertfordshire WD1 8TE U K TEAC DEUTSCHLAND GmbH Phone 0611 71580 Bahnstrasse 12 65205 Wiesbaden Erbenheim Germany TEAC FRANCE S A Phone 01 42 37 01 02 17 Rue Alexis de Tocqueville C...

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