1. POWER
To power the unit, insert 4 AA batteries (included) or connect a
Source Audio SA150 9 Volt DC power supply to the 9V DC jack
(A)
.
Note:
Power supply must be REGULATED, minimum 200mA, and use a
negative tip plug. Use of a non-Source Audio power supply may cause
damage and void the warranty.
2. GUITAR/AUDIO CONNECTIONS
Next, plug your guitar (or other instrument) into the jack labeled
GUITAR IN
(B)
via a standard ¼-inch cable. Connect your amp (or
other audio device) to the GUITAR OUT
(C)
jack, again with a standard
¼-inch cable. Both input and output are mono signals.
Note:
The unit will not power up until a MONO ¼-inch plug is inserted into
the guitar input. This is to conserve power when the unit is running on
batteries. Don’t forget to unplug the cable from the input when the unit is
not in use—otherwise the batteries will continue to drain.
3. SENSOR IN (optional)
To use your Tri-Mod Flanger with a Hot Hand sensor: Connect the
sensor to the SENSOR IN
(D)
jack and follow any instructions
supplied with the sensor. The sensor input works with both wired
and wireless sensors.
4. BRIEF KNOB AND PEDAL DESCRIPTIONS
(see
Controls
section for more details)
• EFFECT
selects desired effect type.
• DELAY
adjusts the time sweep of the flanging effect.
• DEPTH
controls the depth of the envelope (left of center) or
the depth of the LFO (right of center).
• ON/OFF
engages and disengages the effect.
CONTROLS
EFFECT
The effect knob selects the type
of flanger to be used. The effect
knob also allows you to select the
CALIBRATE
mode for calibrating
the signals from a Hot Hand sensor.
See the
Use with Hot Hand
section
for details on calibration.
DELAY
The delay knob adjusts the amount of
time delay used to create the flange
effect. Flanging effects are created
by constantly varying the length
of a short delay line. This moving
delay line causes small variations in
the pitch of the signal. Turning the
delay knob clockwise to increase the
amount of delay will cause greater
variations in the pitch.
DEPTH
The depth knob is a multi-purpose
control on the Tri-Mod Flanger. It
controls the depth of the effect and
additionally controls the type of
modulation being used. The control
is broken down into two regions. To
the left of the ‘0’ position (12 o’clock)
the effect will be driven using an
envelope follower. Turning the knob
further to the left will increase the
depth of the envelope. To the right of
the ‘0’ position the effect will be
driven using an LFO. Turning the
knob further to the right will increase
the depth of the LFO. This way you
can easily switch back and forth
between using the envelope or LFO to
drive the effect.
Note:
If you plug a Hot Hand sensor
into the SENSOR IN jack both the
envelope and LFO modes will be
disabled and the unit will go into Hot
Hand Mode. See the
Use with Hot
Hand
section for more details.
SPEED
In envelope mode, the speed knob
controls the attack and decay time
of the envelope with ‘-’ being the
slowest and ‘+’ being the fastest. In
LFO
mode, it controls the speed of
the oscillator again with ‘-‘ being the
slowest and ‘+’ the fastest. In Hot
Hand mode, the knob controls the
response of the motion sensor. See
the
Use with Hot Hand
section for
more details.
Note:
The envelope follower signal
can be reset to zero by a very brief
moment of silence, allowing the next
note played to experience the full
sweep of the envelope all the way
from zero.
ON/OFF
The ON/OFF switch engages or dis-
engages the effect. When the effect is
engaged, the ON/OFF LED will be lit.
The LED will be off in bypass mode.
The ON/OFF switch is also used to
start the calibration routine when the
EFFECT
knob is set to CALIBRATE.
See the section on
Use with Hot Hand
for more details.
EFFECTS
Here are some brief descriptions of
the effects included in the Tri-Mod
Flanger. The type of modulation used
to control the effect, either Envelope,
LFO
, or Hot Hand, can create dramat-
ically different sounds for the same
effect setting. We encourage you to
experiment with different combina-
tions to find what you like best.
01:
Classic flanger with resonance.
02:
Delayed subtracted from input,
producing a hollow sound.
03:
Multiple, individually varying,
delay lines summed.
04:
High resonance, peaks only,
no notches.
05:
Multiple delays, no resonance.
06:
Multiple delays, with resonance.
07:
Classic flanger with resonance,
but with an extra delay network in-
serted into the feedback path, result-
ing in a more complicated frequency
response curve.
08:
A lot of individual delays, with
resonance and extra delay network in
feedback. Hollow sound. At short de-
lay times, this is rather thin sounding,
but is quite nice at longer delays.
09:
A lot of individual delays, with
resonance and extra delay network in
feedback.
10:
Classic flanger, hollow sound.
With resonance and extra delay net-
work in feedback. Heavy modulation
inside the extra delay network.
11:
Delayed signal only, no flanging
effect. Meant for pitch modulation,
such as vibrato. There are some
small resonance peaks, so that
vibrato doesn’t sound too sterile and
mechanical. Slow modulation will be
nearly inaudible. Shorter delay times
will produce less of an effect than
long delay times.
TROUBLESHOOTING
Noise
:
Low Power
Change batteries or plug in a DC power supply.
Near noise source
Move pedal away from power supplies and other
equipment.
Other equipment
Remove other effects from signal chain,
see if noise persists.
Bad cables
Swap out audio cables.
Low volume:
Low power
Change batteries or plug in a DC power supply.
Hot Hand doesn’t work:
Low power
Change batteries or plug in a DC power supply.
Not calibrated properly
Calibrate the Hot Hand (see
Use with Hot Hand
).
Not connected
Check Hot Hand connections.
Knobs don’t work /light up:
Low power
Change batteries or plug in a DC power supply.
Wrong power supply
Use correct power supply (see
Quick Start
).
Corroded input cable plug
Check input cable plug for corrosion on sleeve,
swap out cable if necessary.
TRS (stereo) cable used
Only use mono cable for input cable.
For additional assistance, please visit www.sourceaudio.net
Dimensions
•
L: 7 inches
•
W: 4 inches
•
H: 2 inches (including knobs)
Weight
•
1.25lbs
Power
•
110mA @ 9V DC (max 145mA
with Hot Hand Wireless Adapter)
•
15-20 hours battery life
•
NEGATIVE tip power jack
Audio Performance
•
115dB DNR audio ADC
•
24-bit audio conversion
•
56-bit digital data path
•
Analog bypass
SPECIFICATIONS
0
QUICK START
D
B
C
A
