Skytec 172.558 Instruction Manual Download Page 4

 

 

INTRODUCTION

 

Channels 1-2 (172.558) / 1-4 (172.561) are mono channels. They are fitted with balanced and 
unbalanced Mic/Line inputs. The 4 other channels are stereo channels. They are convenient for MIDI 
signals and signals from electronic instruments. The AUX Send function of this mixer is post-fader. 
The AUX Return function has 2 outputs that can be linked to a MIDI receiver or an electronic 
instrument. All numbers below in brackets refer to figure 1. 
 

MONO INPUT CHANNELS

 

Every mono channel is fitted with an XLR microphone input (1) and a balanced 6.3mm line input (2). 
Phantom power can be switched on at the rear panel (29). The trim circuit features a large range from 
-10dB to +60dB.  
 
Set the strength of the mic input signal via the trim control (3). Every channel is fitted with a PEAK LED 
(9). If it flashes or lights up, you have to reduce the signal otherwise the channel will be overloaded. 
Watch this LED especially if you use very heavy EQ settings (these LEDs show the post EQ signal). 
 
Every mono input channel has its own 3 band EQ. The high button (4) sets the high frequencies (“0” 
value is 12 kHz), the Mid button (5) the medium frequencies (peak response via the EQ on 2 octaves, 
“0” value of 2.5 kHz) and the Low button (6) the low frequencies (“0” value is 80 Hz). All three bands 
have a cut and boost up to 15 dB and a center position of “0”. 
 
The AUX Send (7) on both units (172.558 and 172.561) is post-fader. This button controls the signal 
strength to the AUX terminal. The gain to the master is set via the channel volume button (10). 
 
The channel Pan (8) sets the position of the stereo output. Whatever the position may be, there should 
be no difference in the volume level. 
 

STEREO INPUT CHANNELS

 

Every stereo channel has two 6.3mm balanced inputs for a stereo line input signal. As only the left 
input is connected, this channel will work exactly as a mono channel. 
 
The stereo inputs are designed for any line input signal. Most line sources such as MIDI instruments 
and FS units have their own output level control. The units without output level control such as CD 
players have an output level which is within the range of the 172.558 and 175.561. If the channel and 
master faders are set to the same level, the Vu-meters will display a value between -4 and -7 dB. 
 
The only difference with the mono EQ is that a stereo channel includes no low-cut filter as this 
equalizer is stereo and not mono. 
 
The AUX Send function on a stereo channel works exactly as on a mono channel. The stereo signal 
should be bridged to a mono signal. 
 
The only difference with a mono channel is the implementation of a balance/pan button (11). This 
button determines the balance between the left and right signal that is sent to the right and left master 
output. If a stereo channel is used in mono mode (only the right input is connected), the balance 
button operates as a pan control in mono mode. 
 

MASTER SECTION

 

The AUX Send signal is applied to unbalanced 6.3mm jacks (21). Set the input level of the effect unit 
to the output level of the mixer. If your effect unit is not fitted with a gain control, you can amplify the 
signal via the AUX Send button (7) up to 15 dB. 
 
There is an additional stereo input (AUX Return) on your mixer. The level of this input can be set via 
the AUX Return button (12). This input is permanently affected to the master output. If a connector is 
plugged into this input, the AUX Return function works with a mono signal. This input allows you to 
create a ‘wet mix’. 
The output level of the master section is displayed via a 10 LED bargraph vu-meter (13). Two other 
LEDs give you an indication about ON/OFF (14) and phantom power ON/OFF (15). 
 
Peaks are shown on the vu-meter around the 0 level. If the vu-meter displays over a longer period of 
time +10dB for the signal, the master volume and/or the channel volume must be reduced. If this is not 
sufficient, you can still reduce the gain of that channel and/or the output level of the instrument of 
effect unit. 

Summary of Contents for 172.558

Page 1: ...6 CHANNEL MUSIC MIXER 172 558 8 CHANNEL MUSIC MIXER 172 561 Instruction Manual Gebruiksaanwijzing Mode d Emploi Gebrauchsanleitung...

Page 2: ...ns outlet Repairs and lamp replacement has to be carried out by a qualified technician Only connect this unit to an earthed mains outlet of 230Vac 50Hz and 10 16A Do no place the unit near heat source...

Page 3: ...FIGURE 1...

Page 4: ...are designed for any line input signal Most line sources such as MIDI instruments and FS units have their own output level control The units without output level control such as CD players have an ou...

Page 5: ...l to the headphones and the monitors The L R meters are the same as the master output INSTALLATION Do not mix up the cable in order to avoid wrong connections Connect the leads one by one and not all...

Page 6: ...record at a maximum level of 86 91 dB The peak level must always be 5 10 dB lower that the maximum level of your recorder CONNECTIONS On a balanced in output always use balanced equipment You can use...

Page 7: ...If possible connect the balanced outputs to other balanced units to avoid interference...

Page 8: ...unbalanced Control room output level 22 dBu unbalanced Signal noise ratio 112 dB General Power supply 220 VAC 50 Hz Dimensions hxwxd 70 x 176 x 230 mm 172 558 Dimensions hxwxd 70 x 230 x 230 mm 172 5...

Page 9: ...n of een deskundige Sluit het apparaat all n aan op een 230VAC 50Hz geaard stopcontact verbonden met een 10 16A meterkastgroep Toestel niet opstellen in de buurt van warmte bronnen zoals verwarming et...

Page 10: ...FIGUUR 1...

Page 11: ...naalvolume draaiknop 10 De kanaal pan 8 is er voor om de positie van de stereo output in te stellen Waar u de positie ook op instelt er zal nooit een verschil in het volumeniveau optreden STEREO INGAN...

Page 12: ...ut 22 Dit geschied met 2 6 3 mm mono Jacks U regelt het uiteindelijke uitgangsvolume met de master volume draaiknop 19 De mixer heeft een aparte hoofdtelefoon uitgang 23 Dit signaal is hetzelfde als d...

Page 13: ...piekniveau van maximaal 86 91 dB Dus het piekniveau dient altijd 5 10 dB lager te zijn dan het maximale niveau van uw recorder VERBINDINGEN Gebruik voor een gebalanceerde uit ingang altijd gebalancee...

Page 14: ...Indien mogelijk verbind gebalanceerde uitgangen met andere gebalanceerde apparatuur Dit reduceert storingen tot een minimum...

Page 15: ...112 dB Algemeen Aansluitspanning 220 VAC 50 Hz Afmetingen hxbxd 70 x 176 x 230 mm 172 558 Afmetingen hxbxd 70 x 230 x 230 mm 172 561 Gewicht 2 4 kg 172 558 Gewicht 3 0 kg 172 561 Specificaties en ontw...

Page 16: ...d une intensit de 10 16A Ne pas placer la table de mixage proximit d une source de chaleur Pendant un orage ou en cas de non utilisation d branchez toujours l appareil du secteur Apr s une p riode de...

Page 17: ...FIG 1...

Page 18: ...EO Chaque canal st r o poss de deux entr es sym triques 6 3mm pour un signal d entr e st r o de niveau ligne Lorsque seule l entr e gauche est connect e ce canal fonctionne exactement comme un canal m...

Page 19: ...aster 19 La table de mixage poss de une sortie casque s par e 23 Ce signal est le m me que celui de la sortie control room 27 Un seul r glage de volume 16 envoie le signal vers le casque et les monite...

Page 20: ...te de 86 91 dB Ainsi le niveau de cr te doit toujours tre de 5 10 dB inf rieur au niveau maximum de votre enregistreur CONNEXIONS Utilisez uniquement des connecteurs sym triques sur une entr e sortie...

Page 21: ...Si possible branchez les sorties sym triques sur des connecteurs sym triques afin de r duire les interf rences au minimum...

Page 22: ...eau de sortie salle de contr le 22 dBu asym trique Rapport signal bruit 112 dB G n ralit s Alimentation 220 VAC 50 Hz Dimensions hxlxp 70 x 176 x 230 mm 172 558 Dimensions hxlxp 70 x 230 x 230 mm 172...

Page 23: ...Tronic BV Das Ger t nur an eine geerdete 230V AC 50Hz Netzsteckdose mit 10 16A Leistung anschlie en Nicht in der N he von W rmequellen aufstellen Bei Unwetter sowie Nichtgebrauch das Netzger t aus der...

Page 24: ...ABB 1...

Page 25: ...des Stereoausgangs eingestellt In keiner Position darf ein Unterschied im Lautst rkepegel eintreten STEREO EINGANGSKAN LE Jeder Stereo Kanal besitzt zwei symmetrische 6 3mm Eing nge f r ein Stereo Li...

Page 26: ...ut 22 an einen Verst rker an Dies geschieht ber zwei 6 3mm Mono Klinkenverbinder Stellen Sie die endg ltige Ausgangslautst rke mit dem Master Volume Regler 19 ein Das Mischpult besitzt einen separaten...

Page 27: ...mit einem Spitzenpegel von maximal 86 91 dB auf Der Spitzenpegel muss immer 5 10 dB unter dem maximalen Pegel des Rekorders liegen ANSCHL SSE F r einen symmetrischen Ein Ausgang nur symmetrische Verbi...

Page 28: ...Wenn m glich symmetrische Ausg nge mit anderen symmetrischen Ger ten verbinden um St rungen auf ein Mindestmass zu reduzieren...

Page 29: ...ngspegel 22 dBu asymmetrisch Signal Rauschabstand 112 dB Allgemeines Versorgungsspannung 220 VAC 50 Hz Abmessungen HxBxT 70 x 176 x 230 mm 172 558 Abmessungen HxBxT 70 x 230 x 230 mm 172 561 Gewicht 2...

Page 30: ...Block Diagram...

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