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Appendix
Appendix
LFD FREQ (LF damp frequency)
Frequency at which the low-frequency region of the delay sound
begins to be attenuated
Value:
20 Hz–2.00 kHz
HFD GAIN (HF damp gain)
High-frequency attenuation of the delay sound
Value:
-36.0–0.0 dB
HFD FREQ (HF damp frequency)
Frequency at which the high-frequency region of the delay sound
begins to be attenuated
Value:
200 Hz–20.00 kHz
WET POSITION
The wet position specifies how the delay’s wet signal is related to the
position of the DPF (Damp Filter).
Value
PRE DAMP: Takes the wet sound from before the damp filter.
The signal before passing through the damp
filter is used as the wet signal. In this case, the
damp filter is applied only to the delay feedback.
POST DAMP: Takes the wet sound from after the damp filter.
the signal after passing through the damp filter
is used as the wet signal. In this case, the damp
filter is applied to all of the delay sound.
WET (Wet Level)
Level of the delay sound
Value:
-INF–+6.0 dB
DRY (Dry Level)
Level of the original sound
Value:
-INF–+6.0 dB
fig.ScrSRV2000.eps
This is a mono-in, stereo-out reverb that models the Roland SRV-2000
MIDI digital reverb. It provides two modes: REVERB mode in which
it operates as a conventional reverb, and NON LNR (non-linear) mode
in which the reverb sound is cut off according to the gate time setting.
MIX BALANCE
Balance between the direct sound and reverb sound
Value:
0–100
REVERB
MODE
Switches between REVERB mode and NON LNR mode
Value:
REVERB, NON LNR
PRE DELAY
Time until the reverb sound is output
Value:
0–160 ms (REVERB mode)
0–120 ms (NON LNR mode)
REV TIME (Reverb Time)
Length of the reverb sound
Value:
0.1–99 s (REVERB mode)
-.9–99 s (NON LNR mode)
The lower and upper limits of the value will differ depending
on the REV SEL setting (in REVERB mode).
Roland vintage effects
SRV-2000
(DIGITAL REVERB SRV-2000)
REV SEL
REV TIME
Lower limit
Upper limit
P-A, P-B, H37, R37
0.5
99
H32, R32
0.4
90
H26, R26
0.3
70
H22, R22
0.2
50
H15, R15
0.1
30
R7.0
0.1
6.0
R1.0
0.1
1.0
R0.3
0.1
0.5
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