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XP-80

 

MUSIC WORKSTATION

 

Supplemental 

Notes

 

September 20, 2000

 

  

 

© 2000 Roland Corporation U.S. 

             Basic Sequencing for the XP-80          

Page 1 of 8 

 
 

Basic Sequencing for the XP-80 

 
The XP-80 incorporates a new sequencer based on Roland’s Advanced MRC-Pro. This new sequencer includes 
extensive editing features such as Shuffle and Groove Quantize, Linear and Loop recording, Microscope event 
editing, and the ability to synchronize beat loops from several of the SR-JV80 series expansion boards to the 
sequencers’ internal clock. With a basic understanding of the Sequencer functions and architecture, the XP-80 
sequencer is very simple to operate. The purpose of this document is to assist you with the basic concepts 
needed to successfully record and playback a multi-instrument composition. We will start by defining some terms 
that you will need to be familiar with. Then, we will give you a step by step example of the recording process and 
show you how to ensure that your song will play back correctly. To complete the applications in this document 
you will need a standard 3.5 inch floppy disk. 

I. Overview

 

 
Before we start sequencing, it is a good idea to become familiar with the basic structure of the XP-80. If you are 
unfamiliar with recent Roland synthesizers, you might be confused by some of the terminology such as 
Performance, Patch, Tones, Tracks, etc. The following explanation will help you understand how the sounds in 
the XP-80 are organized. 

 

 

 Patch:

  Generally, the individual sounds that you play like piano or strings. A Patch is made of one to 

four smaller elements called Tones with associated settings such as TVA, TVF, LFO, etc. 

 

 

Performance: 

Think of a Performance as a band with 16 members. It is a combination of 15 Patches and a 
Rhythm Set, with their associated settings such as level, panning, tuning, MIDI channel, etc. A 
Performance is divided into 16 

Parts

.

  

 
 

There are two types of Performances: 

Layer

 and 

Single

 
Layer:

  Allows you to play two or more Parts simultaneously, such as a piano and string layer, 

or a bass and piano split. A Layer Performance is indicated by Key Mode: LAYER in the 
middle of the display. All of the USER Performances in the XP-80 are LAYERs. 

 

 

Single: 

Allows you to play one sound (Part) at a time from the XP-80’s keyboard. A Single 
Performance is indicated by Key Mode: SINGLE in the middle of the display. This type 
of Performance is commonly used for sequencing. Most PRESET Performances in the 
XP-80 use SINGLE mode.  

 
 

Part:

  One of the 16 slots within a Performance. Each Part contains a Patch or a Rhythm Kit (Part 10) 

and all the Performance related settings like MIDI channel, key range, level, tuning, etc. 

 
 

Track:

  One of the 16 sequencer locations for recording. Each Track may contain information on any or 

all of the 16 Parts. It is possible to record an entire song using just one Track. For our purposes 
(which will be discussed further in Section III. Recording), we will record each Part and MIDI 
channel on its corresponding Track.

   

Summary of Contents for XP-80

Page 1: ...will help you understand how the sounds in the XP 80 are organized Patch Generally the individual sounds that you play like piano or strings A Patch is made of one to four smaller elements called Tone...

Page 2: ...ng display In addition the following information is available by using the F buttons under the display Measure M determines the current playback or record measure Tempo 120 the speed of the recording...

Page 3: ...e beat In addition the following information is available by using the F buttons under the display F1 Part Sound pan level and effects settings for your Performance F2 Info A monitor that displays MID...

Page 4: ...es that may have been played off time The XP 80 has three types of quantize GRID The timing of the notes will be adjusted to the closest sub division of a beat or by a selected percentage i e move all...

Page 5: ...change If you do not want the same tempo for your entire song you may insert Tempo Changes at the desired measure Use the following procedure to change the tempo within a song 1 From the sequencer dis...

Page 6: ...RFORM press PATCH to enter PART mode 3 Press F2 WG 4 Press F1 WG PRM 5 Use the TONE SELECT 1 4 buttons under the display to choose the Tone s that contains the beatloop Cursor to TONE DELAY MODE and u...

Page 7: ...outes the sound to the DIRECT L R Outputs without the EFX Insert Effects processor PAT Uses the Patch s Output determine the above mentioned routing This allows for individual routing per tone Use the...

Page 8: ...ggio details as desired 8 Play the keyboard to hear the effect of the Arpeggiator Synth Bass 1 Press PATCH 2 Press the SOUND LIST button and use F2 and F3 to select the USER Bank 3 Use the VALUE DIAL...

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