Roland juno-ds61, Parameter Manual

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MFX/Chorus/Reverb Parameters
42: GATE
Cuts the reverb’s delay according to the volume of the sound sent into the effect.
Use this when you want to create an artificial-sounding decrease in the reverb’s
decay.
L in
R in
L out
R out
Gate
Gate
Parameter Value Explanation
Threshold # 0–127 Volume level at which the gate begins to close
Mode
Type of gate
GATE
The gate will close when the volume of the
original sound decreases, cutting the original
sound.
DUCK (Duking)
The gate will close when the volume of the
original sound increases, cutting the original
sound.
Attack 0–127
Adjusts the time it takes for the gate to fully open
after being triggered.
Hold 0–127
Adjusts the time it takes for the gate to start
closing after the source sound falls beneath the
Threshold.
Release 0–127
Adjusts the time it takes the gate to fully close
after the hold time.
Balance # D100:0W–D0:100W
Volume balance between the direct sound (D)
and the effect sound (W)
Level
0–127 Output level
43: DELAY
This is a stereo delay.
When Feedback Mode is NORMAL:
R in R out
L in
L out
Feedback
Feedback
Balance W
Balance D
Balance W
Balance D
2-Band
EQ
2-Band
EQ
Delay
Delay
When Feedback Mode is CROSS:
R in R out
L in L out
Feedback
Feedback
Balance W
Balance D
Balance W
Balance D
2-Band
EQ
2-Band
EQ
Delay
Delay
Parameter Value Explanation
Delay Left
0–1300[msec], note Adjusts the time until the delay sound is heard.
Delay Right
Phase Left
Phase of the left delay sound
NORMAL
Non-inverted
INVERT Inverted
Phase Right
Phase of the right delay sound
NORMAL
Non-inverted
INVERT Inverted
Feedback Mode NORMAL, CROSS
Selects the way in which delay sound is fed back
into the effect (See the figures.).
Feedback # -98–+98[%]
Adjusts the amount of the delay sound that’s fed
back into the effect.
Negative (-) settings invert the phase.
HF Damp
200–8000[Hz],
BYPASS
Adjusts the frequency above which sound fed
back to the effect is filtered out. If you don’t
want to filter out any high frequencies, set this
parameter to BYPASS.
Low Gain -15–+15[dB] Gain of the low range
High Gain -15–+15[dB] Gain of the high range
Balance # D100:0W–D0:100W
Volume balance between the direct sound (D)
and the delay sound (W)
Level 0–127 Output level
44: LONG DELAY
A delay that provides a long delay time.
L in
R in
L out
R out
2-Band
EQ
Pan R
Pan L
2-Band
EQ
Feedback
Long Delay
Parameter Value Explanation
Delay Time
0–2600[msec], note
Delay time from when the original sound is heard
to when the delay sound is heard
Phase NORMAL, INVERSE
Phase of the delay (NORMAL: non-inverted,
INVERT: inverted)
Feedback # -98–+98[%]
Proportion of the delay sound that is to be
returned to the input (negative (-) values invert
the phase)
HF Damp
200–8000[Hz],
BYPASS
Frequency at which the high-frequency content
of the delayed sound will be cut (BYPASS: no cut)
Pan # L64–63R Panning of the delay sound
Low Gain -15–+15[dB] Gain of the low range
High Gain -15–+15[dB] Gain of the high range
Balance # D100:0W–D0:100W
Volume balance of the original sound (D) and
delay sound (W)
Level 0–127 Output level
45: SERIAL DELAY
This delay connects two delay units in series. Feedback can be applied
independently to each delay unit, allowing you to produce complex delay sounds.
R in R out
L in
L out
Feedback 1
Pan L
Pan R
Delay 1
Feedback 2
Delay 2
2-Band
EQ
2-Band
EQ
Parameter Value Explanation
Delay 1 Time 0–1300[msec], note
Delay time from when sound is input to delay 1
until the delay sound is heard
Delay 1 Feedback # -98–+98[%]
Proportion of the delay sound that is to be
returned to the input of delay 1 (negative (-)
values invert the phase)
Delay 1 HF Damp
200–8000[Hz],
BYPASS
Frequency at which the high-frequency content of
the delayed sound of delay 1 will be cut (BYPASS:
no cut)
Delay 2 Time 0–1300[msec], note
Delay time from when sound is input to delay 2
until the delay sound is heard
Delay 2 Feedback # -98–+98[%]
Proportion of the delay sound that is to be
returned to the input of delay 2 (negative (-)
values invert the phase)
Delay 2 HF Damp
200–8000[Hz],
BYPASS
Frequency at which the high-frequency content of
the delayed sound of delay 2 will be cut (BYPASS:
no cut)
Pan # L64–63R Panning of the delay sound
Low Gain
-15–+15[dB] Gain of the low range
High Gain -15–+15[dB] Gain of the high range
Balance # D100:0W–D0:100W
Volume balance of the original sound (D) and
delay sound (W)
Level 0–127 Output level
3
3
3
3