84
Effects List
A virtual tape echo that produces a realistic tape delay sound. This
simulates the tape echo section of a Roland RE-201 Space Echo.
fig.MFX-55
In addition to a lo-fi effect, this adds various types of noise such as
white noise and disc noise.
fig.MFX-56
55:
TAPE ECHO
Parameter
Value
Explanation
Mode
S, M, L, S+M,
S+L, M+L,
S+M+L
Combination of playback heads to use
Select from three different heads with
different delay times.
S:
short,
M:
middle,
L:
long
Repeat Rate #
0–127
Tape speed
Increasing this value will shorten the
spacing of the delayed sounds.
Intensity #
0–127
Amount of delay repeats
Bass
-15–+15 dB
Boost/cut for the lower range of the echo sound
Treble
-15–+15 dB
Boost/cut for the upper range of the echo sound
Head S Pan
L64–63R
Independent panning for the short, middle,
and long playback heads
Head M Pan
Head L Pan
Tape Distortion
0–5
Amount of tape-dependent distortion to be
added
This simulates the slight tonal changes
that can be detected by signal-analysis
equipment. Increasing this value will
increase the distortion.
Wow/Flutter
Rate
0–127
Speed of wow/flutter (complex variation in
pitch caused by tape wear and rotational
irregularity)
Wow/Flutter
Depth
0–127
Depth of wow/flutter
Echo Level #
0–127
Volume of the echo sound
Direct Level #
0–127
Volume of the original sound
Level
0–127
Output level
Echo Level
Echo Level
L in
R in
L out
R out
Tape Echo
Direct Level
Direct Level
56:
LOFI NOISE
Parameter
Value
Explanation
LoFi Type
1–9
Degrades the sound quality. The sound
quality grows poorer as this value is
increased.
Post Filter Type
OFF, LPF,
HPF
Type of filter that follows the LoFi effect
OFF:
no filter is used
LPF:
cuts the frequency range above the
Cutoff
HPF:
cuts the frequency range below the
Cutoff
Post Filter
Cutoff
200–8000 Hz
Center frequency of the filter
W/P Noise
Type
WHITE, PINK
Switch between white noise and pink noise.
W/P Noise
LPF
200–8000 Hz,
BYPASS
Center frequency of the low pass filter applied
to the white/pink noise (BYPASS: no cut)
W/P Noise
Level #
0–127
Volume of the white/pink noise
Disc Noise
Type
LP, EP, SP,
RND
Type of record noise
The frequency at which the noise is heard
depends on the selected type.
Disc Noise
LPF
200–8000 Hz,
BYPASS
Adjusts the cutoff frequency of the low pass
filter applied to the record noise. If you don’t
want to filter out any high frequencies, set
this parameter to BYPASS.
Disc Noise
Level #
0–127
Volume of the record noise
Hum Noise
Type
50 Hz, 60 Hz
Frequency of the hum noise
Hum Noise
LPF
200–8000 Hz,
BYPASS
Center frequency of the low pass filter
applied to the hum noise (BYPASS: no cut)
Hum Noise
Level #
0–127
Volume of the hum noise
Low Gain
-15–+15 dB
Gain of the low range
High Gain
-15–+15 dB
Gain of the high range
Balance #
D100:0W–
D0:100W
Volume balance between the direct sound
(D) and the effect sound (W)
Level
0–127
Output level
R in
R out
L in
L out
Lo-Fi
Lo-Fi
Noise Gen.
2-Band
EQ
2-Band
EQ
