31
Chapter 4 Introduction to Effects and Parameters
Chapter
4
*1
Setting available when Type is set to Dual Series, Dual
Parallel, or Dual L/R.
*2
Setting available when Type is set to Warp.
*3
Setting available when Type is set to Modulate.
When setting the Delay Time, you can change the value
in increments of 10 if you hold down [TAP] while you
rotate the PATCH/VALUE dial.
• After [TAP] is pressed several times, the interval
between presses of the button is then used as the delay
time setting.
* When Type is set to Dual Series or Dual Parallel, the delay
time for Dly2 is changed; when set to Dual L/R, both delay
times are changed.
• You can change the Master BPM by setting the delay
time to the BPM and pressing [TAP] several times.
* When the Type is set to Dual Series, Dual Parallel, or Dual
L/R, the delay time for Delay 2 is set to the BPM.
Using the HOLD (Hold Delay)
1.
Press DELAY ON/OFF button, then press
PARAMETER [
] [
] so that “Type” is
displayed.
2.
Rotate the PATCH/VALUE dial to select “Hold.”
The Number pedal corresponding with the current patch
number function as a Hold Delay pedal automatically.
When using in Manual Mode (p. 78), the Number pedal
which the DELAY is assigned to will function as a Hold
Delay pedal. (This is set to Number 3 pedal when
shipped from the factory.)
* After switching to HOLD, you cannot perform any operation
during the 2.8-second period before the unit switches to
recording standby. Wait for at least 2.8 seconds before moving
on to the next step.
3.
Press [EXIT] to return to the Play screen.
4.
Press the pedal described in Step 2.
Recording starts when you press the pedal.
The pedal indicator flashes during recording.
5.
Press the Number pedal once again to end recording.
Playback of the recorded content begins simultaneously
(the pedal indicator remains lit).
* The maximum recording time is 2.8 seconds. If the recording
time exceeds 2.8 seconds, the recording stops automatically,
and the recorded content is then played back.
* An oscillating sound may be audible with extremely short
recording times.
Delay1 HiCut (Delay 1 High Cut Filter) *1
700 Hz–11.0 kHz, Flat
This sets the frequency at which the high cut
filter of the Delay1 begins to take effect.
When it is set to “Flat,” the high cut filter is off or has no effect.
Delay1 Level *1
0–120
Adjusts the volume of the Delay1.
Delay2 Time *1
0 ms–900 ms,
BPM
–BPM
This determines the delay time of the
Delay2.
* When set to BPM, the value of each parameter will be set according to
the value of the Master BPM (p. 51) specified for each patch. This makes
it easier to achieve effect sound settings that match the tempo of the
song (synchronizing the time to twice or four times the time length of
the BPM when the set time is increased).
When setting to BPM, press PARAMETER [
] several times to
display the Master BPM settings screen.
Delay2 Feedback *1
0–100
Adjusts the amount of feedback of the
Delay2.
Delay2 Hicut (Delay 2 High Cut Filter) *1
700 Hz–11.0 kHz, Flat
This sets the frequency at which the high cut
filter of the Delay2 begins to take effect.
When it is set to “Flat,” the high cut filter is off or has no effect.
Delay2 Level *1
0–120
Adjusts the volume of the Delay2.
Warp SW *2
Off, On
Turns the Warp on/off.
This parameter is assigned to the CTL pedal.
Warp Rise Time *2
0–100
Adjusts how rapidly the warped delay
sound rises.
Warp Feedback Depth *2
0–100
Adjusts the feedback level of the warped de-
lay sound.
Warp E.Level Depth *2
0–100
Adjusts the volume of the warped delay
sound.
Mod. Rate (Modulation Rate) *3
0–100
Adjusts the modulation rate of the delay
sound.
Mod. Depth (Modulation Depth) *3
0–100
Adjusts the modulation depth of the delay
sound.
Effect Level
0–120
Adjusts the volume of the delay sound.
Direct Level
0–100
Adjusts the volume of the direct sound.
Parameter/
Range
Explanation
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