70
User's Guide HDSPe MADI FX
© RME
28. MIDI Remote Control
28.1 Overview
TotalMix can be remote controlled via MIDI. It is compatible to the widely spread Mackie Control
protocol, so TotalMix can be controlled with all hardware controllers supporting this standard.
Examples are the Mackie Control, Tascam US-2400 or Behringer BCF 2000.
Additionally, the stereo output faders (lowest row) which are set up as
Main Out
in the Control
Room section can also be controlled by the standard
Control Change Volume
via
MIDI chan-
nel 1
. With this, the main volume of the Fireface is controllable from nearly any MIDI equipped
hardware device.
MIDI remote control always operates in View
Submix
mode, even when the View Option
Free
is
currently selected in TotalMix FX.
28.2 Mapping
TotalMix supports the following Mackie Control surface elements*:
Element:
Meaning in TotalMix:
Channel faders 1 – 8
volume
Master
fader
Main
Out
channel
fader
SEL(1-8) + DYNAMICS
Activate Trim mode
V-Pots
1
–
8
pan
pressing V-Pot knobs
pan = center
CHANNEL LEFT or REWIND
move one channel left
CHANNEL RIGHT or FAST FORWARD
move one channel right
BANK LEFT or ARROW LEFT
move eight channels left
BANK RIGHT or ARROW RIGHT
move eight channels right
ARROW UP or Assignable1/PAGE+
move one row up
ARROW DOWN or Assignable2/PAGE-
move one row down
EQ
Master Mute
PLUGINS/INSERT
Master
Solo
STOP
Dim Main Out
PLAY
Talkback
PAN
Mono
Main
Out
FLIP
Speaker
B
DYN
TrimGains
MUTE Ch. 1 – 8
Mute
SOLO Ch. 1 – 8
Solo
SELECT Ch. 1 – 8
Select
REC Ch. 1 – 8
select output bus (Submix)
RECORD
Recall
F1 - F8
load Snapshot 1 - 8
F9
select Main Out
F10 - F12
select Cue Phones 1 - 3
*Tested with Behringer BCF2000 Firmware v1.07 in Mackie Control emulation for Steinberg mode and with Mackie
Control under Mac OS X.
Summary of Contents for Hammerfall HDSPe MADI FX
Page 5: ...User s Guide HDSPe MADI FX RME 5 User s Guide HDSPe MADI FX General...
Page 26: ...26 User s Guide HDSPe MADI FX RME...
Page 35: ...User s Guide HDSPe MADI FX RME 35 User s Guide HDSPe MADI FX Inputs and Outputs...
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