RED SCARLET-X Operation Manual Download Page 85

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RED DSMC OPERATION GUIDE

955-0020_V5.1, REV-H

bration process starts, DO NOT touch the lens, as doing so may cause the lens to calibrate incorrectly.

5. Click

after the calibration file is created.

6. To calibrate the next focal length, follow the instructions below:

A. Go to

Settings

Maintenance

Calibrate

Lens

Summary of Contents for SCARLET-X

Page 1: ...EPIC SCARLET V5 1 DRAGON MYSTERIUM X RED COM RED DSMC O PERAT ION GU IDE ...

Page 2: ...Focus Menu 95 Presets Menu 101 Chapter 7 Upgrade DSMC Firmware 104 Verify Current Camera Firmware 104 Upgrade DSMC Firmware 104 Chapter 8 Audio Subsystem 106 Audio Format 106 Channel Setup 106 Source Selection 106 Channel Modes 106 Audio Recording 107 Peak Meter 107 Data Path 107 HD SDI HDMI Embedded Audio 107 Audio During Playback 109 Chapter 9 REDMOTE Operation 110 Control Connectors and Display...

Page 3: ...you for any damages or losses direct or indirect arising from the use of any technical or operational information contained in this document For comments or questions about content in this Operation Guide please send a detailed e mail to OpsGuides red com COPYRIGHT NOTICE COPYRIGHT 2014 RED COM INC All trademarks trade names logos icons images written material code and product names used in associ...

Page 4: ...oid the users authority to operate this equip ment NOTE This device complies with Part 15 of the FCC Rules Operations subjected to the following two conditions 1 this device may not cause harmful interference and 2 this device must accept any interference received including that may cause undesirable in terference CAUTION Exposure to Radio Frequency Radia tion The device shall be used in such a ma...

Page 5: ... det geografiske området innenfor en radius av 20 km fra sentrum av Ny Ålesund The Waste Electrical and Electronic Equip ment WEEE mark applies only to countries within the European Union EU and Norway This symbol on the product and accompany ing documents means that used electrical and electronic products should not be mixed with general household waste For proper treatment recovery and recycling...

Page 6: ... 0 C to 40 C 32 F to 104 F Storage range 20 C to 50 C 4 F to 122 F If there are any performance issues with your camera or acces sories when operating within this temperature range please file a support ticket on support red com The DSMC SIDE HANDLE SIDE SSD Module Rear Modules and Lens Mount are NOT HOT SWAPPABLE meaning you can not remove or install them while the camera is powered on Be fore in...

Page 7: ...age to the battery DO NOT connect the positive and negative terminals to a metal object such as a wire DO NOT transport or store the battery together with metal ob jects such as jewelry hairpins etc as they may generate heat if they come into contact with the battery DO NOT discard the battery into fire or heat DO NOT store use or recharge the battery near a heat source such as a fire or a heater ...

Page 8: ...leading specs in resolution frame capture dynamic range and color science the RED DRAGON sensor raises the bar for digital still and motion cameras again MYSTERIUM X SENSOR The MYSTERIUM X sensor is specifically designed for use with the RED DSMC BRAIN and in the EPIC it pro vides variable frame rate imaging at up to 95 FPS at 5K FF resolution and up to 400 FPS at 1K WS resolution Native color bal...

Page 9: ... two images of identical resolution and frame rate a normally exposed primary track A track and an underexposed secondary track X track whose exposure value reflects the additional stops of highlight protection desired For example if you select an HDR value of 2 and your primary track exposure is 1 48 sec the secondary track exposure will be 2 stops under or 1 192 sec The ISO and aperture remain t...

Page 10: ...signals are routed via a high quality pre amplifier and soft clip analog limiter in order to achieve the de sired audio reference recording level and maximize dynamic range To assist with audio reference level setup the camera provides a color coded Audio Level Meter in the graphi cal user interface Meter range is 36 dBu to 20 dBu 56 dBFS to 0 dBFS with audio input type reference level and audio i...

Page 11: ...ions where use of an attached RED EVF or RED LCD is not desired such as when working on a crane the VIEWFINDER MENU output can be transferred to the HD SDI or HDMI outputs supporting remote camera monitoring up to 200 ft away RED TOUCH LCD The RED TOUCH LCD pixel progressive scan color display allows you to view your image and navigate through menu settings using touchscreen functionality For appl...

Page 12: ...ng conditions the REDMOTE should operate for up to 8 hours without requiring a re charge and support a wireless communication range of approximately 50 ft SMPTE TIMECODE Time Code TC is a SMPTE timecode track that synchronizes to the camera s high precision internal clock or if operated in Jam Sync mode referencing an externally supplied SMPTE master timecode signal TC is a sequential code that is...

Page 13: ...SSD MODULE rear modules and Lens Mount are NOT HOT SWAP PABLE meaning you cannot remove or install them while the camera is powered on Before installing or remov ing any of these accessories you MUST power down the camera Failure to do so may result in damage to the accessory and or camera BRAIN that will not be covered under warranty BRAIN EPIC BRAIN 02 COMPONENTS AND MODULES ...

Page 14: ...nning on battery Yellow flashing Power present 5 10 minutes of battery time left Red flashing Power present less than 5 minutes of battery time left Record Status LED REC Off No media present Green Ready to record Red Recording Red slow flashing Recording 25 media left Red fast flashing Recording 5 media left Yellow Finalizing Power Status LED PWR and Record Status LED REC Both green flashing Firm...

Page 15: ... SSD MODULE Mounts to any standard aluminum DSMC BRAIN Carbon Fiber RED MINI MAG Side SSD Module Mounts to any carbon fiber DSMC BRAIN and is only available with a carbon fiber DSMC BRAIN Each RED MINI MAG module attaches to the DSMC so that you can mount a RED MINI MAG to your camera Each RED MINI MAG module has the same EVF LCD LEMO connector user keys and REC button as the DSMC 1 8 SSD SIDE MOD...

Page 16: ...mera Each DSMC 1 8 SSD SIDE MODULE has the same EVF LCD LEMO connector user keys REC button and LED as the RED MINI MAG SIDE SSD MODULE WARNING The DSMC 1 8 SSD SIDE MODULE is NOT HOT SWAPPABLE meaning you cannot remove or install the module while the camera is powered on Before installing or removing the module you MUST power down the camera Failure to do so may result in damage to the module or ...

Page 17: ...ribes the LED for all of the side SSD modules LED COLOR FLASHING DESCRIPTION Media Indicator LED Off No media present Green Ready to record Red Recording Red slow flashing Recording 25 media left Red fast flashing Recording 5 media left Yellow Finalizing Yellow flashing Accessing media for example when formatting ...

Page 18: ...ng A battery compartment for one REDVOLT battery An LCD display that shows key camera parameter values Many programmable user keys and buttons For a full list of all DSMC SIDE HANDLE user keys and their default actions go to Default Key Functions on page 134 DSMC SIDE HANDLE Front left DSMC SIDE HANDLE Rear right DSMC SIDE HANDLE Top ...

Page 19: ...de plate 4 Insert the lip at the top of the DSMC SIDE HANDLE into the area where the lip from the BRAIN side plate was installed 5 Press the DSMC SIDE HANDLE down flush along side of camera BRAIN 6 Rotate the thumbscrew upward while applying steady pressure until tight REMOVE DSMC SIDE HANDLE WARNING The DSMC SIDE HANDLE is NOT HOT SWAPPABLE meaning you cannot remove or install the DSMC SIDE HANDL...

Page 20: ...PRO I O MODULE The PRO I O MODULE brings together the essential I O connections into one module providing a central hub for professional audio and video components Centralized ports make it easy to manage connections and cables LCD EVF port allows you to connect an additional RED LCD or EVF Customize triggers and interface with third party GPIO and RS232 control devices using RED PRO I O cables At...

Page 21: ... and using the REAR SSD MODULE see the DSMC Media Operation Guide available at www red com downloads PRO BATTERY MODULE DUAL The PRO BATTERY MODULE DUAL enables DSMC BRAIN power support using two REDVOLT batteries The PRO BATTERY MODULE DUAL also supports hot swapping of REDVOLT batteries For more information about installing and using the PRO BATTERY MODULE DUAL see the DSMC Power Operation Guide...

Page 22: ...ERY MODULE QUAD see the DSMC Power Operation Guide available at www red com downloads INSTALL MODULES Use the instructions in this section to install and remove DSMC modules INSTALL MODULE ADAPTOR Use the instructions in this section to install the MODULE ADAPTOR REQUIRED TOOL T20 Torx driver You must install a MODULE ADAPTOR to the back of the camera BRAIN before you install a DSMC module MODULE ...

Page 23: ...tall the 1 ADAPTOR MODULE WARNING DSMC modules and adaptors are NOT HOT SWAPPABLE meaning you cannot remove or install the modules while the camera is powered on Before installing or removing modules you MUST power down the camera Failure to do so may result in damage to the modules or DSMC that will not be covered under warranty REQUIRED TOOL T20 Torx driver 1 Power down the camera 2 Remove the R...

Page 24: ... into the DSMC BRAIN 5 Use a T20 Torx driver to tighten four 4 captive screws Tighten screws in a cross pattern approximately two turns each DO NOT FULLY TIGHTEN 6 Fully tighten four 4 screws in a cross pattern DO NOT OVERTIGHTEN Insert the HDMI Connector to DSMC BRAIN Tighten the screws in an X pattern ...

Page 25: ...x driver 1 Insert the lip at the top of the module into the recess at the top of the MODULE ADAPTOR 2 Rotate the module down flush with the rear of the MODULE ADAPTOR 3 While applying steady pressure to hold the module against the MODULE ADAPTOR use a T20 Torx driver to rotate the lock on the MODULE ADAPTOR clockwise to the Lock position in order to secure the module REMOVE DSMC MODULE AND ADAPTOR...

Page 26: ...IDE 955 0020_V5 1 REV H 26 4 Remove the module from the MODULE ADAPTOR 5 Use a T20 Torx driver to loosen the screws attaching the MODULE ADAPTOR to the camera BRAIN 6 Remove the MODULE ADAPTOR from the camera BRAIN Remove Module Loosen MODULE ADAPTOR ...

Page 27: ...era is powered on Before installing or removing modules you MUST power down the camera Failure to do so may result in damage to the modules or DSMC that will not be covered under warranty REQUIRED TOOL T20 Torx driver 1 Power down the camera 2 Using a T20 Torx driver loosen four 4 captive mounting screws attaching the 1 ADAPTOR MODULE to the DSMC BRAIN 3 Disconnect the HDMI connector from the DSMC...

Page 28: ...APTOR MODULE WARNING The MODULE ADAPTOR IS NOT compatible with the 1 ADAPTOR MODULE 1 ADAPTOR MODULE The 1 ADAPTOR MODULE mounts onto the back of a DSMC BRAIN and provides power and support for an additional RED EVF LCD The 1 ADAPTOR MODULE also includes an AUX power port for 4 pin third party ac cessories Other 2 pin accessories are also compatible when using a 4 PIN TO 2 PIN ADAPTOR CABLE WARNIN...

Page 29: ...he default Auxiliary Power Output setting will be turned ON Thereafter the last Auxiliary Power Output setting is restored MULTIPLE CONTROL SURFACES The DSMC BRAIN may only utilize one control surface LCD at any given time If multiple RED Touch LCDs are attached to the camera BRAIN and the 1 ADAPTOR MODULE you may prioritize the primary control surface in the menu settings at Settings Display Moni...

Page 30: ...in based accessories Micro HDMI to HDMI Adaptor Micro HDMI to Stan dard HDMI HDMI video connection from DSMC BRAIN to support auxiliary EVF LCD attachment NOTE The 4 PIN TO 2 PIN ADAPTOR CABLE converts 4 pin power into a 2 pin female LEMO connection en abling support for 2 pin based accessories from the 1 ADAPTOR MODULE or PRO I O MODULE NOTE The Micro HDMI to HDMI Adaptor is field replaceable 1 A...

Page 31: ...ctions to replace DSMC fan hood scoop 1 Use a T8 Torx driver to remove the four 4 M3x0 5 x 6 mm cap screws holding the hood scoop 2 Lift off the old hood scoop 3 Place the replacement hood scoop on the camera Align the hood scoop screw holes with the threaded holes on top of the camera 4 Attach the replacement top vent scoop to the DSMC BRAIN by installing the four 4 M3x0 5 x 6 mm cap screws in a ...

Page 32: ...m the camera or rearmost module and provide wireless remote control of the camera over proprietary REDlink protocol For complete details about how to use the REDMOTE go to REDMOTE Operation on page 110 For a full list of all REDMOTE user keys and their default actions go to Default Key Functions on page 134 IMPORTANT For the REDMOTE to operate properly ensure that both REDMOTE and DSMC firmware ar...

Page 33: ...ition lightweight viewfinder that aligns quality performance with compact form factor Resolution 1280 wide x 784 high full color Contrast Ratio 1000 1 typical Available Diopter Range 2 0 to 5 0 I BOMB EVF OLED The RED BOMB EVF OLED brings advanced OLED technology into the field providing truer blacks and more color accurate images Resolution 1280 wide x 1024 high full color Contrast Ratio 10 000 1...

Page 34: ...For a full list of all LCD user keys and their default actions go to Default Key Functions on page 134 TOUCHSCREEN LCD GESTURES Tap Tap on an icon to bring up a quick adjustment display Double Tap If the monitor is in Clean mode changes to Overlay mode Hold Touch and hold on an icon to bring up an advanced interface display Slide When a menu or drop down menu is open touch and slide to increment a...

Page 35: ...vel axis has a total range of adjustment of approximately 360 180 clockwise or coun terclockwise from the nominal rear facing display orientation The range of adjustment for the tilt axis is ap proximately 180 At the end of the adjustment range are internal hard stops for both axes Once the swivel or tilt hard stops have been reached IMMEDIATELY STOP APPLYING FORCE TO THE LCD Continuing to apply f...

Page 36: ... Lowest first 3 Battery module batteries Lowest first 4 REDVOLT battery in the DSMC SIDE HANDLE POWER STATUS The power status of each power source displays on the Power In screen To view the Power In screen go to Menu Power Power In POWER UP 1 Attach a power source to the DSMC For more information about the different power sources go to Power Status on page 36 The Power Status LED illuminates red ...

Page 37: ...automatically powers down if the supply voltage drops to 11 5 Volts Use either of the following ways to power down the DSMC Go to Menu Power and select Shutdown Press and continue to hold the Power Record button in its fully depressed position until the Shutting Down notification shows on the display ...

Page 38: ...ents include Audio Meter Audio input selection and levels Cal T E Indicator of relative change in sensor temperature and exposure since your last calibration Clip Level Bar Relative number of RAW pixels near clip Clip Meter RGB sensor RAW clipping status Cursors Reference cursors Safe Action Safe Title Picture Center Grid Overlay Drop Indicates if any frames were dropped during recording of the cl...

Page 39: ...ode signal and Jam Sync status Temperature Displays camera sensor and core temperature in that order xx xxC Timecode Current timecode value White Balance Color Temperature The GUI is broken down into the following three main sections the Upper Status Row the Live Action Area and the Lower Status Row On VIEWFINDER output s all three sections are visible on PREVIEW outputs only the Live Action Area ...

Page 40: ... the current values are displayed DSMC CANON MOUNT OR DSMC NIKON MOUNT AND LENS When a DSMC Canon Mount or a DSMC Nikon Mount is installed with an electronically supported lens at tached the Focal Length and Focal Distance is displayed on the LCD EVF and external monitors When AF is set to Manual or Confirm mode the focus distance displays as a pair of Near Far distances When it is in AF mode a si...

Page 41: ...cked to and the sensor timing is also locked to it LAN LAN Gray External control of the camera is not currently enabled LAN Yellow If the LAN icon is yellow you will see the message For reliable external control over Ethernet your camera s hardware may need to be upgraded Please contact your Bomb Squad representative If you see this message you will not be able to control the camera externally Ple...

Page 42: ...ple if the bar is about 1 4 of the total height this would indicate approximately 1 8 of the total pixels in the image are at an ex posure level at risk of clipping and may not be recoverable by lowering ISO or FLUT values in post production DSMC SIDE HANDLE As you navigate and adjust settings in the Basic Menus they will be reflected on the DSMC SIDE HANDLE LCD display The display elements includ...

Page 43: ...clockwise to move left However the Left and Right direction Navigation Keys REDMOTE or DSMC SIDE HANDLE or Adjustment Ring DSMC SIDE HANDLE may also be used for this purpose The Up Navigation Key selects the Advanced Settings menu when pressed if parameter has an Advanced Set tings menu As an example position the Cursor under the Shutter Speed 24 FPS icon and press the UP Direction Key to access a...

Page 44: ...sor frame rate also referred to as the capture frame rate The sensor frame rate is the number of frames per second FPS that are recorded The sensor frame rate is different from the project time base which is the rate at which the footage will be played back The default sensor frame rate is 23 98 FPS or the selected project time base when it is a value other than 23 98 FPS or 24 FPS Select the Adva...

Page 45: ...e Integration Time and Angle Select the Advanced button to access the Settings Project Exposure screen For more information about these settings go to Exposure on page 60 WHITE BALANCE COLOR TEMPERATURE Select a color temperature The range is 1700 to 10 000 KELVIN and the default is 5600 KELVIN Select the Advanced button to access the Settings Look Color Temperature screen For more information abo...

Page 46: ...ou to use different false color modes and display modes False color options are None Exposure Focus Video and Edge Display mode options are Magnify and RAW You can access the Tools menu the following ways Navigate to Settings Display Tools Press the Histogram in the lower left area of the on screen display For more information about the different false color modes check out the Exposure with RED C...

Page 47: ...oup VIDEO Displays a multi color overlay that allows you to check the video level of the RGB monitor path calibrated to the SMPTE test signal and any outputs driven from that path such as HD SDI and HDMI When enabled the icon V displays in the Lower Status Group Color bands are based on the RGB levels of the video out signal that is the cooked look and not the RAW data so settings like ISO FLUT co...

Page 48: ...with other IRE based modes zebra mode is only applicable for the current ISO and Look settings such as with HD SDI output and not for the raw image data If anything is changed in post production the indicators will not be representative of the final output tones For more information about zebra indicators check out the Exposure with RED Cameras False Color Zebra Tools article available at www red ...

Page 49: ...n the monitor Flip Video The video footage is flipped horizontally on your monitor so that it is upside down This setting does not change how your footage is captured you will only see the difference on the monitor Framed Overlay The video display is scaled down on the monitor so that the overlay items fit outside of the video area rather than over it Auto Hide Menus Hides the menus top and bottom...

Page 50: ...you choose a user interface element 6 Select the Item that you want to add 7 Select the Size of the item 8 If you are adding a Custom Label LBL enter the Custom Text for that item 9 Click Add to return to the previous screen 10 Add all of the items to the overlay 11 After setting up your overlay select Create or Save The new overlay displays in the Camera list NOTE Except for the Custom Label LBL ...

Page 51: ...hutter time stays the same but the shutter angle changes This is the default Angle Relative Displays the exposure as an angle 1 360 degrees When you change the frame rate in this mode the shutter angle stays the same but the exposure time changes NOTE If the target you select is not currently achievable the shutter speed turns yellow which indicates that the camera is using the closest available s...

Page 52: ... screen On Displays the effective ISO While the effective ISO is displayed on the main screen you should continue to follow standard exposure best practices and select your ISO based on the camera s native ISO Off Displays actual ISO This is the default RACK TARGET FOCUS Displays the focus distance of each rack point on the main screen when rack focus is enabled For more infor mation about rack fo...

Page 53: ...100 100 Right aligned for X offset and bottom aligned for Y offset 100 Left aligned for X offset and top aligned for Y offset APPEARANCE Line Style You can choose the following line styles Solid Dashed or Bracket Color Select a color for the guide Select the color that provides maximum color contrast with the scene you are shooting The default is White Opacity Set the guide opacity Available optio...

Page 54: ...onitor outputs to be replaced with one of the following video test patterns Chip Chart SMPTE Bars LUMA RAMP To enable a test signal select the test signal box To exit the test signal tap the touchscreen once or press the Enter or Menu button on the DSMC SIDE HANDLE or REDMOTE You can also enable an Audio Tone while a test pattern is active NOTE RED DSMC test signals are not recordable they are pro...

Page 55: ...0 to 8 0 Default is 0 0 Shadow Adjusts the toe value of the FLUT or in other words the tone near Black Range is 2 0 to 2 0 Default is 0 0 Increasing the Shadow value raises the video level of near Blacks Lowering the Shadow value crushes the video level of near Blacks CURVES You can define the curves for the Luma Red Green and Blue channels Select Reset Curve to reset the currently selected curve ...

Page 56: ...ME RATE SENSOR FRAME RATE Select the sensor frame rate also referred to as the capture frame rate The sensor frame rate is the number of frames per second FPS that are recorded The sensor frame rate is different from the project time base which is the rate at which the footage will be played back The default sensor frame rate is 23 98 FPS or the selected project time base when it is a value other ...

Page 57: ...n a 23 98 time base 8 1 compression and with Lookaround disabled FORMAT MAX FRAME RATE FPS FORMAT MAX FRAME RATE FPS 6K FF 82 81 3 5K 2 1 141 63 6K 2 1 84 51 3 5K WS 166 77 6K WS 100 21 3 5K HD 130 92 6K HD 83 12 3 5K 3 2 114 12 6K 4 1 166 77 3 5K 4 3 101 76 6K 8 1 324 89 3 5K 5 4 95 55 5 5K FF 87 66 3 5K 4 1 273 55 5 5K 2 1 91 69 3 5K 8 1 399 60 5 5K WS 108 29 3K FF 159 1 5 5K HD 85 16 3K 2 1 167...

Page 58: ...ARLET X DRAGON FRAME RATES The table below describes the maximum frame rate for each resolution of the SCARLET X DRAGON camera The minimum frame rate is always 1 FPS NOTE All frame rates in the table below are based on a 23 98 time base 8 1 compression and with Lookaround disabled FORMAT MAX FRAME RATE FPS 6K FF 12 08 in Burst mode 5K FF 24 22 5K 2 1 25 52 5K 2 4 1 30 17 5K 16 9 25 81 4K FF 38 42 ...

Page 59: ...e maximum frame rate for each anamorphic format and the corresponding non anamorphic format is the same NOTE All frame rates in the table below are based on a 23 98 time base 8 1 compression and with Lookaround disabled FORMAT MAX FRAME RATE FPS EPIC MYSTERIUM X MAX FRAME RATE FPS SCARLET MYSTERIUM X 5K FF 95 83 12 5K 2 1 100 83 12 5K WS 120 83 12 5K HD 95 83 12 5K 1 22 1 95 83 12 4K FF 120 83 30 ...

Page 60: ...low NOTE If the camera ramps to a frame rate that it cannot maintain with the exposure setting the camera changes the exposure to the longest exposure possible for the frame rate To maintain consistent exposure throughout the recording select an exposure that is valid at all ramp target frame rates For more information on speed ramp mode go to Speed Ramp Mode on page 69 EXPOSURE SHUTTER SPEED Ente...

Page 61: ...SHUTTER ANGLE FOR 24 FPS Equivalent Degrees Shutter Speed x Frame Rate x 360 For example 1 48 x 24 x 360 8640 48 180 SHUTTER DEGREES SHUTTER DEGREES 1 32 270 1 120 72 1 48 180 1 192 45 1 50 172 8 1 348 22 5 1 60 144 1 696 11 1 96 90 1 1000 8 6 CONVERT SHUTTER ANGLE TO SHUTTER SPEED FOR 24 FPS Equivalent Shutter 1 Frame Rate x 360 Angle For example 1 24 x 360 180 1 8640 180 1 48 DEGREES SHUTTER DEG...

Page 62: ...ime code from an external device connected to the time code connector on the camera BRAIN External Rear Module Varies by device Uses the time code from an external device connected to the time code connector on a rear module such as the RED PRO I O MODULE TIME CODE AND HANC DATA The time code displayed becomes the primary time code HANC data while the other time code is sent as sec ondary SLATE Us...

Page 63: ...N DIMENSIONS PIXELS WIDTH HEIGHT 6K FF 6K RAW Full Frame 6144 3160 6K 2 1 6K RAW 2 1 6144 3072 6K WS 6K RAW Wide Screen 6144 2592 6K HD 6K RAW HD 5568 3132 6K 4 1 6K RAW 4 1 6144 1536 6K 8 1 6K RAW 8 1 6144 768 5 5K FF 5 5K RAW 5632 2948 5 5K 2 1 5 5K RAW 2 1 5632 2816 5 5K WS 5 5K RAW Wide Screen 5632 2376 5 5K HD 5 5K RAW HD 5376 3024 5 5K 4 1 5 5K RAW 4 1 5632 1408 5 5K 8 1 5 5K RAW 8 1 5632 70...

Page 64: ...3360 2240 3 5K 4 3 3 5K RAW 4 3 3360 2520 3 5K 5 4 3 5K RAW 5 4 3360 2688 3 5K 4 1 3 5K RAW 4 1 3584 896 3 5K 8 1 3 5K RAW 8 1 3584 448 3K FF 3K RAW Full Frame 3072 1620 3K 2 1 3K RAW 2 1 3072 1536 3K WS 3K Wide Screen 2 4 1 3072 1296 3K HD 3K RAW HD 2880 1620 3K 3 2 3K RAW 3 2 2880 1920 3K 4 3 3K RAW 4 3 2880 2160 3K 5 4 3K RAW 5 4 2880 2304 3K 4 1 3K RAW 4 1 3072 768 3K 8 1 3K RAW 8 1 3072 384 2...

Page 65: ...ble for SCARLET X DRAGON cameras RESOLUTION DESCRIPTION DIMENSIONS PIXELS WIDTH HEIGHT 6K 6K RAW Full Frame 6144 3160 5K 5K RAW Full Frame 5120 2700 5K 2 1 5K RAW 2 1 5120 2560 5K 2 4 1 5K RAW Wide Screen 2 4 1 5120 2160 5K 16 9 5K RAW HD 4800 2700 4K 4K RAW Full Frame 4096 2160 4K 2 1 4K RAW 2 1 4096 2048 4K 2 4 1 4K RAW Wide Screen 2 4 1 4096 1728 4K 16 9 4K RAW HD 3840 2160 3K 3K RAW Full Frame...

Page 66: ...4 11 66 23 79 3K FF 3K RAW Full Frame 3072 1620 16 59 8 75 18 75 3K WS 3K Wide Screen 2 4 1 3072 1284 16 59 6 93 17 98 3K HD 3K RAW HD 2880 1620 15 55 8 75 17 84 2K FF 2K RAW Full Frame 2048 1080 11 06 5 83 12 50 2K WS 2K RAW Wide Screen 2 4 1 2048 854 11 06 4 61 11 98 2K HD 2K RAW HD 1920 1080 10 37 5 83 11 90 1K HD 1K RAW HD 1280 720 6 91 3 89 7 93 1K WS 1K Wide Screen 2 4 1 1280 480 6 91 2 59 7...

Page 67: ...ormat both the actual format and the de squeezed format display at the bot tom of the Format screen When using an anamorphic format the camera does not crop the sensor image so the recorded image has the same resolution and dimensions as the corresponding non anamorphic format When you de squeeze the footage in post production the resulting footage has the resolution and aspect ratio listed as the...

Page 68: ... that you can see what images are going to enter the recording area You can assign a Shading overlay to the Lookaround area the area outside of the recording area in the Guides General screen For more information about Shading settings go to General Tab on page 54 Lookaround limits the available frame rates Also higher resolutions such as 5K Full Frame in EPIC MYSTERI UM X and 6K Full Frame in EPI...

Page 69: ...mount of frames using the Limit Recording to setting You can also use the Timer Trigger Settings to set a specific amount of frames to be captured during a pulse of the trigger When using the Timer Trigger Settings the action Record External Frame Trigger is used for the external trigger and may be mapped to any user key or camera input While recording in this mode you can see how many frames you ...

Page 70: ...raging mode the current integration time is applied to each frame This means if the integration time is not the entire frame time or 360 degrees there will be gaps between the images used to create the combined frame This may lead to unexpected motion artifacts The effect of frame processing is only visible during record In Frame Summing mode this means the exposure will change between preview and...

Page 71: ...re Keys Date Time Communication REDmote GPIO Sync Fan Control and Lens KEYS Map keys to often used actions to easily control the camera For a full list of all of the default key mappings go to Default Key Functions on page 134 KEY MAPPING To map or remap a user key 1 Press the user key on the camera that you want to map 2 Select an action from the Press or CCW drop down menu that you want to map t...

Page 72: ...e serial port or a direct Ethernet interconnect to connect two cameras or one camera and one external device If the camera is connected via Ethernet to a hub or router multiple cameras and devices can communicate with each other The communication structure allows for a lot of flexibility For example on a multi rig 3D shoot you can either send commands to an individual camera Example Set CAM_A_L to...

Page 73: ... Please contact your Bomb Squad representative you will not be able to control the camera externally If you see this message please contact your Bomb Squad representative to have your hardware upgraded REDMOTE A REDMOTE that is docked to the DSMC is automatically paired with the DSMC The MAC address of a locally attached REDMOTE is displayed in brackets To pair the DSMC with REDMOTEs wirelessly se...

Page 74: ...ollowing options to configure the input for devices connected to the SYNC connector on the BRAIN Sync In The camera input is used as a sync in signal for MoCo General Purpose In Use the BRAIN GPI In High Low drop down menus to map inputs to actions Camera Output Select one of the following options to configure the output for devices connected to the CTRL connector on the BRAIN Sync Out Provides an...

Page 75: ...le if you connect a start stop trigger to the GPIO connector on the PRO I O MODULE and keep the default GPIO A High and Low settings Key Disabled and Record Toggle respectively then pressing the trig ger starts stops recording GPIO CONNECTOR This table describes the I O options for the GPIO connector on the PRO I O MODULE I O OPTION DEFAULT ACTION PIN GPI A High Key Disabled 2 GPI A Low Record Tog...

Page 76: ...an runs when the DSMC requires additional cooling power NOTE Manual and Auto modes require that you actively manage the sensor temperature because these modes focus on controlling fan speed and do not target a narrow sensor temperature range The T E status icons can be used as guides for proper temperature calibration ADAPTIVE Select a target temperature and the bottom fan self adjusts to maintain...

Page 77: ...ent temperatures QUIET The bottom fan self adjusts to maintain the lowest possible noise level in record and standby mode while still cooling the DSMC Using Quiet results in a higher sensor temperature when compared to Auto mode NOTE In v5 1 14 this fan mode was called Quiet Preview and Record MANUAL Select a speed for the bottom fan in both record and standby modes The bottom fan self adjusts to ...

Page 78: ...vailable at www red com downloads 1 Navigate to Settings Setup Lens Motion Mount 2 Select one of the following Motion Mount settings from the Shutter Type drop down menu ND Only The MOTION MOUNT functions only as an ND filter Soft The MOTION MOUNT soft shutter takes over shuttering duties and the MOTION MOUNT contin ues to function as an ND filter Square The MOTION MOUNT square shutter takes over ...

Page 79: ...de avail able at www red com downloads CALIBRATE You can perform a sensor calibration a motion calibration and a lens calibration SENSOR CALIBRATION Sensor calibration also known as black shading is a process during which the camera optimizes image quality by ensuring that pixel sensitivity remains consistent throughout an image Black shading generates a calibration map based on system and environ...

Page 80: ...red to store the raw images during calibration For more information on formatting media see the RED DSMC Media Operation Guide available at www red com downloads 5 Go to Menu Settings Maintenance Calibrate Sensor 6 Select one of the following Save As user HS The calibration map created by black shading will overwrite the user HS calibration map User HS is the name for the current in camera user cr...

Page 81: ... continue The system initializes and then makes two 2 passes through the following phases of the calibration Capturing Analyzing Erasing Programming 9 When the Calibration Successful dialog displays select OK to complete black shading calibration The new calibration map is automatically selected ...

Page 82: ... Calibration If you want to save a calibration map to your hard drive you must copy the entire sub folder for example 48_32C_20140128122150 to your drive CALIBRATION MANAGEMENT Use the Calibration Management screen to apply import and export calibration maps Calibration Map The calibration maps that are saved internally on the camera Factory This is the calibration map generated during the manufac...

Page 83: ...n files for these electronic lenses so that you can use features such as rack focus and autofocus with your lenses While the custom configuration files will not be as precise as the files for the lenses that are fully electronically supported by RED cameras the files will provide the F stop range and focal lengths so that you can electroni cally control the lens with the camera NOTE The camera may...

Page 84: ...t the camera does not recognize as being fully electronically supported the Unsupported Lens Found dialog box displays and asks if you want to calibrate the lens Select Create Custom Lens Config Go to Settings Maintenance Calibrate Lens and select Create The lens calibration process for the current focal length starts and a progress bar displays Once the cali ...

Page 85: ...EV H 85 bration process starts DO NOT touch the lens as doing so may cause the lens to calibrate incorrectly 5 Click OK after the calibration file is created 6 To calibrate the next focal length follow the instructions below A Go to Settings Maintenance Calibrate Lens ...

Page 86: ...th D Select Add Cal xx where xx is the current focal length NOTE If you calibrate a focal length that has already been calibrated the new files overrides the previ ous file The lens calibration process for the current focal length starts and a progress bar displays Once the calibration process starts DO NOT touch the lens as doing so may cause the lens to calibrate incor rectly ...

Page 87: ...ns on the camera after system restores and firmware upgrades VIEW AND MODIFY LENS CALIBRATION INFORMATION 1 Go to Settings Maintenance Calibrate Lens 2 Select the calibration file name in the Camera list and select Edit The following information displays Mount Type Focal Length F Stop Range Overall F stop range of lens Lens Status Calibrated Focal Lengths ...

Page 88: ...r transferred to SSD so that you can build a library of lens calibration files or quickly copy a lens calibration file from one camera to another via SSD When exporting lens calibration files from camera to SSD the files are saved to a folder on the SSD called lens_cal DO NOT change the file name of the calibration file after you save it to an SSD Export selected calibration file from camera to SS...

Page 89: ...reate Create a new calibration file This option is disabled if you already have a calibration file for the attached lens Prompt for calibration of unsupported lenses Select this check box to ensure that the Unsupported Lens Found dialog box displays every time the camera detects an unsupported electronic lens at boot up De select this check box to disable the Unsupported Lens Found dialog box ...

Page 90: ...r on the touchscreen and hold it there until the main screen appears 2 Press the Enter or Menu button on the DSMC SIDE HANDLE or REDMOTE RESTORE SYSTEM Restore System permits ALL camera configuration and setup data to be reset to factory default values When selected you will be asked to confirm if you want to delete all settings and restore the factory default settings After settings are restored ...

Page 91: ... type Version Current firmware version P I N The personal identification number that is specific to your camera SVN revision The current revision number of your firmware Hours of operation The number of hours that your camera has been turned on MEDIA INFO Displays the following media information Media Status Active media module type Media Name Storage capacity SSD type and version revision of the ...

Page 92: ...Playback mode you can access a pared down version of the usual menu system Major differences between the Playback menu system and the usual menu system are described below MEDIA List all available clips on the attached SSD You can perform the following actions Move selected clip to the Play List All Move all clips to the Play List Apply Image Metadata Image data such as color gain curves etc that ...

Page 93: ...you want to focus on a particular segment The In red and Out green points display in the Playback Status Bar FRAME BY FRAME REVERSE FORWARD Allows you to move through the clip frame by frame going either forward or in reverse PLAY PAUSE TOGGLE Allows you to play and pause the clip PLAY ONCE LOOP TOGGLE Allows you to choose to play the clip one time or to loop the clip in the player PLAYBACK DIRECT...

Page 94: ...event accidental powering down of the camera For details on the dif ferent ways to power down your RED DSMC go to Power Down on page 37 1 Go to Menu Power 2 Select Shutdown The camera immediately powers down HDR MENU NOTE HDR mode cannot be modified when in Magnify 1 1 mode or when test signals are enabled NOTE You cannot use HDR mode when A MOTION MOUNT is installed A Sensor Sync Mode Genlock or ...

Page 95: ...s in the Modes drop down menu DSMC Nikon Mount and a supported lens is attached The lens focus switch is set to A or M A DSMC Canon Mount and a supported lens is attached The lens focus switch is set to AF DSMC Canon MOTION MOUNT and a supported lens is attached The lens focus switch is set to AF When any of the conditions above are met you have the additional following options in the Modes drop d...

Page 96: ...rk or distant Inadequate contrast between the subject and background Scene has reflective highlights Subject is backlit Inadequate surface contrast detail inside the window NOTE Edge mode can be used for additional assistance in these conditions For more information about Edge mode go to Edge on page 47 ZONES Available options are Center and Spot default Both the Center and Spot targets change col...

Page 97: ...it press the Menu button SIZE Choose any of the sizes for the Spot target Small Medium Large ENHANCED A F Enhanced A F has an autofocus algorithm that offers better performance and improved visual indicators when in Confirm mode ENABLE ENHANCED A F 1 Go to Menu Focus Mode 2 Select Confirm from the Mode drop down menu 3 Select an option from the Zone drop down menu 4 If you selected Spot from the Z...

Page 98: ...le Yellow circle around a square target Target is yellow or green yellow circle is almost the same size as the square Target is red yellow circle gets bigger Bar Bar target Target is yellow or green vertical bar on the right side is filled up Target is red vertical bar on the left side is almost empty Pie Pie target Target is yellow or green line around the curve is filled up Target is red line ar...

Page 99: ...ported lens is attached 2 Go to Menu Focus Mode 3 Select Rack from the Mode drop down menu Spot is automatically selected from the Zone drop down menu since rack focus only works with Spot zone 4 Select a size from the Size drop down menu 5 Go to the Rack tab 6 Use the Rack Speed slider to change the speed at which the lens moves Move the slider to the left for a slower speed and to the right for ...

Page 100: ... touchscreen LCD on the location where you want the rack point to be D You can also press and drag the rack point to another location In order to prevent a rack point from being accidentally moved when touching it to rack focus to that point the rack point is less sensitive to touch than the other focus targets If you need to fine tune the location of your rack point first drag the rack point fart...

Page 101: ... for other projects Looks that are generated in camera display on the Camera Presets tab Looks that are gen erated in REDCINE X PRO and are imported to the DSMC via an SSD display on the Looks tab Auto Presets These allow you to specify pre selected presets for Startup Preview and Playback You can create custom presets and Looks Presets and Looks can be stored on the camera or transferred to SSD s...

Page 102: ... Create The preset is saved and stored in the camera LOOKS A Look is made up of the following settings Color Gain FLUT Curves Color Gamma Color Temperature These settings are configured either in camera in the Settings Look menu or in REDCINE X PRO in the Looks panel CREATE AND MANAGE IN CAMERA LOOKS Create in camera looks in the Presets Camera Presets tab You can apply create update clone delete ...

Page 103: ...wing actions with imported Looks Export selected Looks from camera to SSD All Export all Looks from camera to SSD Apply Apply the selected Look Delete Delete the selected Look AUTO PRESETS On Startup The selected preset is applied every time the camera is turned on On Enter Preview The selected preset is applied every time the camera enters Preview mode This includes at startup and when exiting Pl...

Page 104: ...ctions below to save the files to an SSD A Power up the camera insert an SSD RED MINI MAG or RED STATION REDMAG 1 8 into the camera and format the SSD B Go to Menu Presets and copy user generated Camera Preset and Look files to the SSD C Go to Menu Settings Display Monitor Control and copy user generated Overlay files to the SSD D Shut down the camera and remove the SSD You will copy the files bac...

Page 105: ...s Camera Info and verify that the firmware version listed matches the firmware version that you downloaded 13 To restore user generated preset files to your camera follow the instructions below A Power up the camera and insert the SSD with the saved preset files into the camera B Go to Menu Presets and copy user generated Camera Preset and Look files from the SSD to the cam era C Go to Menu Settin...

Page 106: ...e assigned to channel 3 4 CHANNEL MODES The analog sources can be set to different modes to match the incoming audio signals The following camera input modes are available BALANCED MICROPHONE UNBALANCED MICROPHONE If you re using the PRO I O MODULE these additional modes are also available LINE IN 0 DBU and LINE IN 0 VU BALANCED MICROPHONE Balanced microphone input Usually used with microphones th...

Page 107: ...nel pair has a currently present source selected Input gain is set correctly so that the Peak Meter shows valid data None of the following modes are enabled Varispeed mode framerate differs from project rate Single frame MoCo mode Timelapse mode Ramp mode Single frame stills mode NOTE Even if audio is not recorded in varispeed single frame timelapse or ramp mode audio will be passed through to the...

Page 108: ... AMP Allows you to adjust pre amplifier levels Range 30 to 60 dB HEADPHONE Allows you to adjust levels for headphones that you plug into the DSMC BRAIN Range 28 dB to 0 dB The headphone output volume can be set individually for each channel Or can be linked together as the input gain controls Additionally the output of each channel may be muted individually The signal strength of the line out cann...

Page 109: ...adjust pre amplifier levels Range 30 dB to 60 dB HEADPHONE Allows you to adjust levels for headphones that you plug into the DSMC BRAIN Range 28 dB to 0 dB CAM MIX REAR MIX AND MONITOR MIX Cam Mix Camera Mix Controls audio for the camera Rear Controls audio for any rear module such as the PRO I O MODULE Monitor Controls audio for all monitors that provide audio Audio tracks may be assigned to the ...

Page 110: ...ly ensure that both REDMOTE and DSMC firmware are up graded to the most recent versions STILL MOTION SWITCH The STILLS MOTION toggle switch is used to switch between STILLS operation DOWN and MOTION opera tion UP When the toggle switch is set to the MOTION position all camera settings and defaults are movie specific When the toggle switch is set to the STILLS position all camera settings and defau...

Page 111: ...level Camera menus When in Camera menus or REDMOTE menus press once to exit menus SOFT MENU BUTTONS 1 3 Below the LCD are three Soft Menu Buttons whose specific functions are indicated by the LCD screen NAVIGATION GROUP The Navigation Group allows navigation of the camera menus and adjustment of selected parameters The Navigation Group has three separate operational capabilities SCROLL WHEEL The S...

Page 112: ...o charge the REDMOTE internal battery from a suitable USB power source OPERATION DOCKING AND UNDOCKING This section describes how to physically dock undock the REDMOTE to from the camera BRAIN or the back of the rearmost expansion module DOCKING 1 Place the female V Mount of the REDMOTE over the male V Mount of the camera BRAIN or rearmost mod ule 2 Slide the REDMOTE down until a click is heard wh...

Page 113: ...ate NO MEDIA ATTACHED ACCESSING CAMERA CONTROLS SETTINGS The Navigation Group is used to navigate through camera menus The camera settings and status are displayed on the REDMOTE LCD CHANGING CAMERA SETTINGS USING CAMERA LCD EXTERNAL MONITOR AS REFERENCE To adjust a parameter value displayed on the camera s Upper Status Group first note the red colored bar lo cated under 24 FPS in this example ind...

Page 114: ... paired with in wireless range the name of the avail able camera or cameras will be displayed for example a single camera named DEFAULT 3 Select the desired camera to connect to for REDMOTE wireless operation and press the Enter button in the Navigation Group The REDMOTE will connect to the selected camera Once connected the REDMOTE will display the key operating parameters of the selected camera ...

Page 115: ...arameter on from the right hand side of the LCD 4 Use the directional arrows on the Navigational Control to move the red cursor to the desired location within that page to place the parameter 5 Now press Setup Soft Menu Button 3 6 Select Setup Slot and press the Enter button A new Setup window will appear displaying available parameters to display 7 Select the desired parameter and press the Enter...

Page 116: ...ill last approximately 8 hours before charging is necessary NOTE When not using the REDMOTE for maximum battery storage life use the Power Lock Switch to power down the REDMOTE completely by pressing down in the power off position and using the displayed menu to shut down the REDMOTE and or the REDMOTE and camera If the Power Lock Switch is pressed down in the power off position and held until the...

Page 117: ...he camera after you upgrade the REDMOTE with the REDMOTE Upgrade Utility 1 Download the DSMC Toolkit file located at www red com downloads 2 Uncompress and open the DSMC_Toolkit_vX X zip file 3 Open the REDMOTE_Upgrade_Utility folder 4 Open the Mac folder 5 Open REDMOTE dmg 6 Open REDMOTE Upgrade Utility 7 Go to Configure REDMOTE Connection with Computer Macintosh on page 117 CONFIGURE REDMOTE CON...

Page 118: ...status bar show sthe progress of the upgrade The upgrade process can also be tracked on another display After the file transfer is completed the REDMOTE displays the following Firmware Upgrade Successfully Done 7 Click OK 8 Click Disconnect to close the REDMOTE Upgrade Utility The REDMOTE reboots After the upgrade is complete the REDMOTE displays POWER UP and then SEARCHING 9 Select Cancel 10 Go t...

Page 119: ... charge indicator flashes on the REDMOTE NOTE If the REDMOTE will not connect to the PC download the REDMOTE Firmware file from www red com downloads open the read_me_redmote_vX X XX file and follow the instructions to manually set up the net work connection For additional assistance contact RED SUPPORT at https support red com 2 Open the REDMOTE_update program from the Start Menu folder you creat...

Page 120: ...onnect to close the REDMOTE Upgrade Utility The REDMOTE reboots After the upgrade is complete the REDMOTE displays POWER UP and then SEARCHING 9 Select Cancel 10 Go to Settings Maintenance System Status Camera Info and verify the current REDMOTE firmware ver sion REDMOTE upgrade is complete and you can now attach it to the DSMC BRAIN NOTE You may not need to pair the REDMOTE after upgrading REDMOT...

Page 121: ...D MODULE CONNECTORS The connectors for the following modules are described in detail in the RED DSMC Media Operation Guide available at www red com downloads Side SSD modules REAR SSD MODULE CAMERA BRAIN CAMERA BRAIN FRONT EPIC BRAIN and SIDE SSD MODULE A INPUT OUTPUT CONNECTORS ...

Page 122: ...ls are routed via a high quality pre amplifier and soft limiter whose Gain may be controlled using the Input Level control to achieve the desired audio reference recording level Microphone inputs support 48V 10mA Phantom Power as a user selectable option To assist with reference level setup the camera provides a color coded Peak Level Meter in the Graphical User Interface with witness marks that i...

Page 123: ...ating at 50 00 or 59 94 Hz or a 1080p 10 bit 4 2 2 progressive scan video feed operating at 23 98 24 00 25 00 or 29 97 Hz when in 1 5GHz HD SDI mode or a 1080p 10 bit 4 2 2 progressive scan video feed operating at a 50 00 or 59 94 Hz when in 3GHz HD SDI mode In addition to video the HD SDI output also provides two channels of embedded audio Time of Day and Edge timecode record Tally flag and Clip ...

Page 124: ...nput signals The shutter Sync input signal acts as an immediate response hardware trigger to commence a scan This is useful for motion control and other applications where the camera is driven by a master timing device When us ing SYNC as the camera shutter timing reference fine shutter start time timing SHUTTER PHASE is disabled make any desired timing adjustments at the external SYNC generator A...

Page 125: ... Common Ground 2 SS GPI Shutter Sync GPI Trigger Input 3 TIMECODE SMPTE unbalanced timecode Input 4 GENLOCK RS170A Tri Level Sync Input The Camera BRAIN s Shutter Sync GPI Trigger uses a 3 3 V Schmitt trigger 5 V tolerant It is not a switch closure circuit Therefore it requires current supplied by the trigger source Both edges of the input signal may be used as a trigger For example when GPI trigg...

Page 126: ... third party meta data ingest applications The shutter Sync Output signal acts as an immediate response hardware tally of a scan This is useful for 3D or motion control applications where a slave camera or lighting device needs to be synchronized to a master camera Alternatively this output pin may be used as a GPO General Purpose Output tally whose function is pro grammed in the USER KEYS menu De...

Page 127: ...RNET A 9 pin LEMO connector provides a Gigabit Ethernet port for remote camera setup master slave camera com munication and external metadata ingest PIN SIGNAL DESCRIPTION DIRECTION 1 B1_DC Data Pair C N A 2 B1_DC Data Pair C N A 3 B1_DD Data Pair D N A 4 B1_DD Data Pair D N A 5 B1_DA Data Pair A N A 6 B1_DA Data Pair A N A 7 B1_DB Data Pair B N A 8 B1_DB Data Pair B N A 9 N A Do Not Connect N A N...

Page 128: ...ate power cables with just one each of VBATT and GROUND pins wired as this may cause damage to the cam era s power supply this is not covered by Warranty NOTE Two pre fabricated DC Power input cables are available from RED Digital Cinema P N 790 0138 DC Power RED BRICK QUICKPLATE to Camera 18 in 0 5m P N 790 0164 DC Power XLR to Camera 10 ft 3m HDMI OUT The HDMI output supports an HDTV and PC moni...

Page 129: ...describes the physical connectors on the REDMOTE The REDMOTE interface connector allows communication between the REDMOTE and the camera BRAIN or any expansion module Make sure these contacts are kept clean and free of any contaminants that may inter fere with a reliable electrical contact REDMOTE ...

Page 130: ...stem for all but the lightest lenses WARNING Failure to use lens supports appropriate for the lens and camera setup may lead to damage of the DSMC and lens mount Any damage caused by not using a lens support system will not be covered under war ranty DSMC TI PL MOUNT SUPPORTED LENSES The DSMC TI PL Mount is designed to work with most standard PL mount cinema lenses and devices WARNING Using a non ...

Page 131: ...USM Canon EF 100mm f 2 8L Macro IS USM Canon EF 100 400mm f 4 5 5 6L IS Canon EF 135mm f 2 0L Canon EF 135mm f 2 8 Soft Focus Canon EF 180mm f 3 5L Macro Canon EF 200mm f 2 0L IS Canon EF 200mm f 2 8L II Canon EF 200 400mm f 4L IS USM Extender 1 4x Canon EF 300mm f 2 8L IS Canon EF 300mm f 2 8L IS II USM Canon EF 300mm f 2 8L IS II USM with 1 4x III Extender Canon EF 300mm f 2 8L IS II USM with 2x...

Page 132: ...igma 24mm f 1 8 EX DG ASP Macro AF Sigma 24 70mm f 2 8 IF EX DG HSM Sigma 28mm f 1 8 EX DG ASP Macro AF Sigma 50mm f 1 4 EX DG HSM Sigma 85mm f 1 4 EX DG HSM Sigma APO 120 300mm f 2 8 EX DG OS HSM Sigma APO 180mm f 2 8 Macro EX DG OS HSM Tamron SP 10 24mm f 3 5 4 5 Di II Tokina AT X 116 Pro DX 11 16mm f 2 8 SD IF DX Tokina AT X 116 Pro DX II 11 16mm f 2 8 SD IF DX Zeiss Distagon T 18mm f 3 5 Zeiss...

Page 133: ...is control only no AF Tokina AT X 116 Pro DX 11 16mm f 2 8 SD IF DX iris control only no AF Tokina AT X 116 Pro DX II 11 16mm f 2 8 SD IF DX iris control only no AF DSMC LEICA M MOUNT LENSES The RED DSMC LEICA M Mount is compatible with all Leica M series lenses with focal lengths of 50mm and greater EXCEPT the 50mm f2 0 Dual Range Summicron The 50mm Dual Range Summicron has a protruding lug on th...

Page 134: ...sabled User 4 Press Slot Set Color Temp User 4 Release Key Disabled User 5 Press Exposure Check Toggle User 5 Release Key Disabled User 6 Press Key Disabled User 6 Release Key Disabled User 7 Press Eject Media User 7 Release Key Disabled User 1 4 Press SH Toggle Key Lock User 1 4 Release Key Disabled Still Select Focus Mode Still Movie Select Focus Mode Motion Record Half Press AF Start Record Hal...

Page 135: ... Cycle User A Release Key Disabled User B Press RAW Check Toggle User B Release Key Disabled User C Press Magnify Toggle User C Release Key Disabled User D Press Exposure Check Toggle User D Release Key Disabled Still Select Focus Mode Still Movie Select Focus Mode Motion Record Full Press Record Toggle Record Full Release Key Disabled Record Half Press AF Start Record Half Release Key Disabled Ro...

Page 136: ...le User 1 Release Key Disabled User 2 Press Exposure Check Toggle User 2 Release Key Disabled PRO I O GPIO KEY FUNCTION KEY FUNCTION GPI A High Key Disabled GPI A Low Record Toggle GPI B High Key Disabled GPI B Low Record Toggle SW 1 High Key Disabled SW 1 Low Go to Playback SW 2 High Key Disabled SW 2 Low Record Toggle UI SOFT KEYS KEY FUNCTION KEY FUNCTION UI Softkey A Press Key Disabled UI Soft...

Page 137: ... SLAVE select NONE under TARGET for both cameras This allows each camera to control its own METADATA MASTER CAMERA Perform the following steps on the Master camera 1 Go to Settings Setup Communication 2 Type a name for the camera CAM A LEFT etc in the Name field 3 For Target select All 4 Give the camera a unique IP address 5 Go to Slave Camera on page 137 SLAVE CAMERA Perform the following steps o...

Page 138: ... N 790 0154 to each camera and connect as to your 3rd party device 4 Yellow BNC connector is for SMPTE unbalanced Timecode input 5 Green BNC connector is for Tri Level Sync Genlock input 6 White BNC connector is a dual purpose Shutter SYNC input or GPI input 7 Go to Settings Setup GPIO Sync 8 Select Genlock from the Sensor Sync Mode drop down menu 9 Verify the camera s project frame rate matches t...

Page 139: ...f 2K or 4K image files in TIFF Open EXR DPX JPEG or Photoshop PSD file formats Provided the appropriate QuickTime codecs are available on the host computer workstation compressed video choices include ProRes DNxHD DV100 and M JPEG QuickTime movies at 1080p or 720p resolution providing compatibility with the majority of non linear editing systems Depending on the QuickTime movie resolution material...

Page 140: ... using a dry cloth When cleaning your camera and accessories remember that it is not waterproof and moisture can damage electronic circuitry BRAIN OPTICAL LOW PASS FILTER OLPF If equipped with an OLPF use Delkin Devices Digital Duster Kit P N DDSS DUSTER2 or equivalent to clean OLPF surface LCD SCREEN TOUCHSCREEN NON TOUCHSCREEN The specialized AR and AS coatings on RED TOUCH LCD displays must be ...

Page 141: ...n Touchscreen and Non Touchscreen LCDs LENSES Use Pancro Professional Lens Cleaner P N PANCROCLN and Photographic Solutions PEC PADs P N 05011 or equivalent to clean the viewfinder lens Ensure your spray the solution onto the pad and not directly onto the lens surface DSMC SIDE HANDLE LCD Use Pancro Professional Lens Cleaner P N PANCROCLN and Photographic Solutions PEC PADs P N 05011 or equivalent...

Page 142: ...up 9 Go to Settings Display Tools 10 Select Magnify NOTE The Focus option located under Settings Display Tools can serve as a good double check for proper focus during this procedure 11 Insert a T10 Torx driver into the back focus adjustment screw The screw is oriented at approximately 80 as shown 12 Carefully and slowly rotate the back focus adjustment screw to achieve optimum focus 13 Turning CL...

Page 143: ...mera body and powered on Ensure the REDMOTE wireless in turned on Ensure camera does not display REDLINK Upgrade Required CANNOT SEE MENUS ON LCD TOUCHSCREEN SYMPTOM The LCD touchscreen does not display menus POTENTIAL RESOLUTION Double tap the LCD touchscreen to exit Clean mode SCREEN FREEZES OR DOES NOT DISPLAY SYMPTOM The screen freezes or does not display POTENTIAL RESOLUTION Perform a Hard Re...

Page 144: ...he Saturation setting is set to a low value change the Saturation to a higher value Perform a System Restore For more information about performing a System Restore go to Restore Sys tem on page 90 OFFLINE CLIPS AND AN EXTRA R3D FILE SYMPTOMS After mounting an SSD with clips to your computer REDCINE X PRO shows that all or most clips are Of fline The RDC folder for a clip shows two R3D files The fi...

Page 145: ...otion APS H Still lenses Acquisition Formats Go to EPIC DRAGON Frame Rates on page 57 for a full list of EPIC DRAG ON formats and pixel dimensions Project Frame Rates 23 98 24 25 29 97 47 96 48 50 59 94 FPS all resolutions Delivery Formats 4K DPX TIFF OpenEXR RED via RRencode Plugin 2K DPX TIFF OpenEXR RED via RRencode Plugin 1080p RGB or 4 2 2 720p 4 2 2 Quicktime JPEG Avid AAF MXF 1080p 4 2 0 72...

Page 146: ...ide at www red com downloads Audio 2 channel uncompressed 24 bit 48KHz Optional 4 channel and AES EBU digital audio Monitoring Options RED TOUCH 5 0 LCD RED PRO 7 LCD RED TOUCH 9 0 LCD BOMB EVF LCOS RED BOMB EVF OLED Remote Control REDLINK Wireless Ethernet RS232 GPI Trigger Weight 5lbs Body only Construction Aluminum Alloy Operating Temperature Range 0 C to 40 C 32 F to 104 F Storage Temperature ...

Page 147: ...ats and pixel dimensions Project Frame Rates 23 98 24 25 29 97 47 96 48 50 59 94 FPS all resolutions Delivery Formats 4K DPX TIFF OpenEXR RED via RRencode Plugin 2K DPX TIFF OpenEXR RED via RRencode Plugin 1080p RGB or 4 2 2 720p 4 2 2 Quicktime JPEG Avid AAF MXF 1080p 4 2 0 720p 4 2 0 H 264 MP4 Program Output HD SDI Clean Feed 2K RGB 1080p RGB or 4 2 2 720p 4 2 2 SMPTE Timecode HANC Metadata 24 b...

Page 148: ...SCRIPTION Monitoring Options RED TOUCH 5 0 LCD RED PRO 7 LCD RED TOUCH 9 0 LCD BOMB EVF LCOS RED BOMB EVF OLED Remote Control REDLINK Wireless Ethernet RS232 GPI Trigger Weight 4 5 lbs approx Body only Construction Aluminum Alloy Operating Temperature Range 0 C to 40 C 32 F to 104 F Storage Temperature Range 20 C to 50 C 4 F to 122 F ...

Page 149: ... H Still lenses Acquisition Formats 6K RAW Full Frame 5K RAW Full Frame 2 1 2 4 1 16 9 4K RAW Full Frame 2 1 2 4 1 16 9 3K RAW Full Frame 2 1 2 4 1 16 9 2K RAW Full Frame 2 1 2 4 1 16 9 Project Frame Rates 23 98 24 25 29 97 47 96 48 50 59 94 FPS all resolutions Delivery Formats 4K DPX TIFF OpenEXR RED via RRencode Plugin 2K DPX TIFF OpenEXR RED via RRencode Plugin 1080p RGB or 4 2 2 720p 4 2 2 Qui...

Page 150: ... 1 60 FPS 4K 2 4 1 75 FPS 3K 2 4 1 100 FPS 2K 2 4 1 150 FPS Audio 2 channel uncompressed 24 bit 48KHz Optional 4 channel and AES EBU digital audio Monitoring Options RED TOUCH 5 0 LCD RED PRO 7 LCD RED TOUCH 9 0 LCD BOMB EVF LCOS RED BOMB EVF OLED Remote Control REDLINK Wireless Ethernet RS232 GPI Trigger Weight 5lbs Body only Construction Aluminum Alloy Operating Temperature Range 0 C to 40 C 32 ...

Page 151: ...Acquisition Formats Go to EPIC and SCARLET MYSTERIUM X Formats on page 66 for a full list of SCARLET MYSTERIUM X formats and pixel dimensions Project Frame Rates 23 98 24 25 29 97 47 96 48 50 59 94 FPS all resolutions Delivery Formats 4K DPX TIFF OpenEXR RED via RRencode Plugin 2K DPX TIFF OpenEXR RED via RRencode Plugin 1080p RGB or 4 2 2 720p 4 2 2 Quicktime JPEG Avid AAF MXF 1080p 4 2 0 720p 4 ...

Page 152: ... 5 0 LCD RED PRO 7 LCD RED TOUCH 9 0 LCD BOMB EVF LCOS RED BOMB EVF OLED Remote Control REDLINK Wireless Ethernet RS232 GPI Trigger Weight 4 5lbs Body only Construction Aluminum Alloy Color Battleship Gray BRAIN Body Black Canon Mount and SIDE SSD All DSMC Modules Black Operating Temperature Range 0 C to 40 C 32 F to 104 F Storage Temperature Range 20 C to 50 C 4 F to 122 F ...

Page 158: ...ON GUIDE 955 0020_V5 1 REV H 158 See the menu map on the following page The menu map is applicable to the following cameras except as noted in the DSMC Operation Guide EPIC DRAGON EPIC MYSTERIUM X SCARLET X DRAGON SCARLET MYSTERIUM X I MENU MAP ...

Page 159: ...rmat Resolution Aspect Ratio Anamorphic Lookaround PROJECT Audio Control Pre Amp Headphone Cam Mix Rear Mix Monitor Mix Audio Channels Channel 1 2 Audio Settings Channel 3 4 Audio Settings AUDIO Recording Modes Frame Processing Pre Record RECORDING Keys Key Mapping Options Soft Keys Advanced Date Time Date Settings Time Settings Communication Camera Serial Network REDMote REDMote Scan REDMote Enab...

Page 160: ... All trademarks trade names logos icons images written material code and product names used in associa tion with the accompanying product are the copyrights trademarks or other intellectual property owned and controlled exclusively by RED COM INC ...

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