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Page 2: ...Recharging Batteries using RED Charger 30 First Time Use Setting Up Your RED ONE 31 Master Slave Camera Configuration 31 Connecting Media 32 Project Setup 33 Resolution 33 Time Base 34 Quality 34 Rec...
Page 3: ...Monitor RED LCD Interface 131 Line Level Microphone Level Audio Inputs 131 Line Audio Output 133 Headphone Audio Output 133 USB 2 Master 134 USB 2 Slave 134 Genlock Input 135 Program Dual link HD SDI...
Page 4: ...brand and product names are trademarks or registered trademarks of their respective holders RED has no affiliation to is not associated or sponsored with and has no express rights in third party trade...
Page 5: ...d Electronic Equipment WEEE mark applies only to countries within the European Union EU and Norway This symbol on the product and accompany ing documents means that used electrical and electronic prod...
Page 6: ...erating the camera and accessories Follow these instructions while operating the camera and accessories Keep these instructions with the camera and accessories at all times DO NOT attempt to modify di...
Page 7: ...n airflow CAUTION The RED ONE camera ventilation openings require a minimum 40 1cm clearance be tween the camera and any objects Ventilation should not be impeded by any objects blocking or partially...
Page 8: ...ust be in accordance with local environmental regulations For example California law requires that all rechargeable batteries must be recycled by an authorized recycle center Storing batteries fully c...
Page 9: ...1 25 fps in 4 5K 1 30 fps in 4K 1 60 fps in 3K resolution and 1 120 fps in 2K resolution record modes Native color balance for the MYSTERIUM sensor is 5 000 degrees Kelvin but may be electronically c...
Page 10: ...synchronization with video and timecode to the attached media Digital audio is also embed ded in the HDMI Preview and Program HD SDI outputs Line Level and Microphone Level analog audio input signals...
Page 11: ...00 resolution RGB 4 4 4 progressive video display with Surround View frame guides and safe action title overlays zebra and false color exposure overlays waveforms camera status and operation menus HD...
Page 12: ...View which is an additional visible area outside the actual recorded image Frame guidelines show common film presentation and television formats such as 2 40 1 and 1 85 1 pic ture center and or televi...
Page 13: ...RED LCD etc The REC LED on the rear of the camera will turn Red If using an EVF the LED on the front will turn Red when the Tally is set to TALENT Refer to SYSTEM MENU CONTROL SETUP PROGRAM TALLY RECO...
Page 14: ...p REDCODE RAW files and QuickTime Reference files placed in a clip folder RDC All clips are in turn placed in a root directory RDM The root directory folder contains all the clips rec orded on that sp...
Page 15: ...APPENDIX E MASTER SLAVE CAMERA CONFIGURATION SMPTE TIMECODE As each recording is made the RED ONE camera records two independent timecode tracks Edge Code is a SMPTE timecode track that always starts...
Page 16: ...era draws approximately 75 Watts with MYSTERIUM X sensor approximately 80 Watts in a typical accessory configuration At this power consumption a RED BRICK 140Wh battery will run the camera for about 9...
Page 17: ...mount lenses may be used if the camera is equipped with the optional B4 to PL mount optical converter The PL Lens mount A includes a 4 pin S4 i data interface This allows the camera to gather lens me...
Page 18: ...back E Cues the Clip to its End Frame If already at the End Frame pushing this key again will cue to the Start Frame of the next clip recorded on the digital media if one exists Rotating the joystick...
Page 19: ...e direct access to the following menus A SENSITIVITY menu B SHUTTER menu C COLOR TEMPERATURE menu The specific function of these buttons may be re programmed by the user to provide quick access to oth...
Page 20: ...and SYSTEM G menu buttons at the same time to navigate to the last dis played menu before exiting Press and hold UNDO F and EXIT D buttons at the same time to unmount media from the camera Refer to RE...
Page 21: ...1 RED COM INC NOVEMBER 28 2011 20 20 POWER ON OFF SWITCH Power on off switch A is located on the lower rear of the camera Press once to power up power down the camera A Power ON Off Switch Figure 4 Re...
Page 22: ...rs that support Program HD SDI B C Preview HD SDI D and Video E Next is an HDMI output F a USB G to connect the camera to another camera or to connect a USB memory device to update camera firmware a U...
Page 23: ...the two 4 pin Auxiliary Power A B 6 pin camera system POWER input C and a 16 pin DRIVE interface E Each Auxiliary Power GPIO connector can supply 1 75 amps of unregulated 11 5 17V DC to accesso ries...
Page 24: ...utputs can display a RGB histogram and RAW sensor data exposure meter with individual R G B channel clip stop lights CAMERA LCD STATUS DISPLAY Figure 7 Camera LCD Display The LCD status display elemen...
Page 25: ...on enabling and using this feature go to EVF MENU under DISPLAY in PREFERENCES under SETUP in SYSTEM MENU CONTROLS D Two 2 programmable USER KEY 3 and 4 buttons When looking from the side of the RED...
Page 26: ...display either the upper 784 lines or lower 784 rows of the 1280 x 848 pixel viewfinder output To toggle between these two options simultaneously press both User Key 3 and User Key 4 Upper 784 Lines...
Page 27: ...e warm up time RED LCD Figure 8 RED LCD Two 2 round and two 2 triangular buttons are located on top of the RED LCD The two triangular buttons A in the center are used to increase or decrease backlight...
Page 28: ...Current frame rate 24 fps in this example ISO Rating Displays current exposure rating Genlock Displays current Genlock status Jam Sync Displays current Jam Sync status View Current view settings Fals...
Page 29: ...roject Frame Rate Current project frame rate 23 98 fps in this example Histogram Histogram of current view with un der overexposure bars on ends Raw Level Meter Current sensor RAW peak exposure levels...
Page 30: ...mera To power the camera up turn on push the power on off switch once To power the camera down turn off push the power on off switch once During power up PIN Build and Version will display on the came...
Page 31: ...CHARGER and repeat the above procedure RECHARGING BATTERIES USING RED CHARGER When using the RED CHARGER recharge time for a single RED BRICK battery is 200 minutes The bat tery can also be partially...
Page 32: ...WARE 3 Perform a Black Shading Calibration Refer to BLACK SHADING under MAINTENANCE in SETUP under SYSTEM MENU CONTROLS 4 Verify Back Focus and adjust if necessary Refer to BACK FOCUS 5 Connect digita...
Page 33: ...body Push the REDMAG firmly into the Side SSD slot but without using excessive force to prevent damage Or attach a RED DRIVE or RED RAM magazine to the DRIVE connector e SATA port located on the rear...
Page 34: ...lt resolution is 4K 2 1 1 To view options twist joystick 2 Choose 4 5K 4K 3K or 2K or 2 1 variants Use 2K or 2K 2 1 for S16mm B4 lenses 3 Push joystick in or down to set the selected resolution NOTE A...
Page 35: ...he selected quality NOTE Choosing REDCODE 36 or REDCODE 42 limits available frame rates and resolutions to CF cards RECORDING Ensure a RED DRIVE or RED RAM is connected or a REDFLASH Compact Flash car...
Page 36: ...l magazine In each folder there will be one or more REDCODE RAW data files R3D containing RAW sensor data plus audio and metadata and four QuickTime reference movies which allows a QuickTime Player to...
Page 37: ...um length prime lens to the camera 50 to 75mm and set the lens focus to match the appropriate distance the camera is away from the chart 4 Using a 5 32 Allen wrench loosen the two 2 screws on the focu...
Page 38: ...is best to allow for good focus on either side of the exact distance marker 7 Tighten the camera focus ring screws and retest focus Screws should be tightened to approx 22 22 In Lb of Torque Some shi...
Page 39: ...DCODE RAW data recording the stored metadata values may be used by REDCODE RAW compatible NLE and image processing applications if desired SENSITIVITY The sensitivity sub menu allows you to adjust the...
Page 40: ...aster Slave mode pressing Auto WB will cause each camera to inde pendently calculate its own White Balance value TUNGSTEN Preset to 3 200K NOTE If operating in Master Slave mode pressing TUNGSTEN on t...
Page 41: ...ces seen by the Slave camera such as between the transmitted and reflected paths of a beam split mirror to be dialed out from the Master camera when recording in 3D applications For de tails on settin...
Page 42: ...Master Slave configuration S WBAL provides a trim offset to the programmed or calculated WBAL value of the Slave camera This permits a difference in light color temperature between direct and reflecte...
Page 43: ...op of the EVF LCD and all exter nal monitors An external GENLOCK signal generator will need to be connected to the GENLOCK con nector to allow full use of this feature refer to GENLOCK under APPENDIX...
Page 44: ...ed text SPEED When operating in Normal mode the Shutter Speed value used by the camera is fixed i e it is inde pendent of the image capture rate This is opposite from a mechanically shutter camera Def...
Page 45: ...ess SYSTEM SETUP MAINTENANCE BLACK SHADING to perform a Black Shading calibration After recording Timelapse at extended exposure times perform a Black Shading calibration again when you revert to shor...
Page 46: ...180 1 48 45 1 192 172 8 1 50 22 5 1 348 144 1 60 11 1 696 90 1 96 8 6 1 1000 VARISPEED The Varispeed menu supports Variable Frame Rate recording at speeds faster or slower than the Project Frame Rate...
Page 47: ...and VARISPEED will be unchecked If RAMP is unchecked after VARISPEED will need to be unchecked separately 3 TRIGGER box will highlight to allow you to choose between ON RECORD and ON EVENT 4 Twist jo...
Page 48: ...0 fps 3K ANA 60 fps 60 fps 60 fps 60 fps 4K 2 1 25 fps 30 fps 30 fps 30 fps 4K HD 25 fps 30 fps 30 fps 30 fps 4K 16 9 25 fps 30 fps 30 fps 30 fps 4K ANA 30 fps 30 fps 30 fps 30 fps 4 5K WS 25 fps 30 f...
Page 49: ...mes per second When a ramp transition has been completed the camera will continue to record at the End Rate until the end of the Recording Range is 1 25 fps Default value is 25 fps NOTE When in Varisp...
Page 50: ...ckmark in ENABLE checkbox 3 TRIGGER MODE box will highlight to allow you to choose between INTERVAL and ONE SHOT default is INTERVAL 4 Twist joystick to change the highlighted TRIGGER MODE box to the...
Page 51: ...cifies the type of burst recording To adjust Select BURST TYPE and twist joystick to change the highlighted FRAMES ARE box to REPEATED or UNIQUE Default setting is REPEATED REPEATED Specifies that eac...
Page 52: ...rocessing Choices are RAW and REDcolor To adjust Select VIEW and twist joystick to change the highlighted COLOR box to the desired setting Default setting is REDcolor RAW Monitor path image represents...
Page 53: ...When selected camera will display SUCCESSFULLY RESTORED SETTINGS look settings restored to Factory Default Values Select OK IMPORT The current settings for Color and Gain parameters will be overwritt...
Page 54: ...that may be applied to the monitor path SATURATION EXPOSURE BRIGHTNESS CONTRAST and SHADOW They do not affect the ac tual REDCODE RAW data being recorded To adjust Select the desired setting and twis...
Page 55: ...ring the shadow de creases the video level of near Blacks GAIN The Gain sub menu selects various image processing parameters that may be applied to the monitor path RED GAIN BLUE GAIN and GREEN GAIN T...
Page 56: ...software as Curve data CURVE This checkbox enables the Tonal Response Curve Default setting is enabled To select use joystick to highlight ENABLE checkbox and push in or down on joystick to place chec...
Page 57: ...e RED EVF and RED LCD outputs to one of three false color modes 1 To select and adjust use joystick to highlight FALSE COLOR checkbox 2 Push in or down on joystick to place checkmark in FALSE COLOR ch...
Page 58: ...post production In this image Red areas represent sensor exposure levels that are at clipping NOTE As EXPOSURE meters sensor RAW information it is not affected by any RGB domain ad justments such as I...
Page 59: ...icon V will be displayed at the top of the screen Purple represents Super Black Dark Blue represents Black Teal represents 3 stops under 18 Gray Green represents 18 Gray Pink represents Skin Tone Str...
Page 60: ...uminance value of the ISO adjusted image METER Meters allow the operator to verify camera exposure independently of False Color overlays Selections include SPOT METER and RGB HIST a composite of Red G...
Page 61: ...sor i e prior to White Bal ance ISO VIEW and LOOK settings The RAW histogram is the exception to this rule in this case the sensor exposure graph always represents true sensor exposure even though the...
Page 62: ...amount of pixels in the image that are in noise For example if the bar is about 1 8 of the total height this would indicate approximately 1 8 of the total pixels in the image are at an exposure level...
Page 63: ...stified to the right and the RAW Level and Clip meters indicate the sensor is not clipped When the recorded clip is color corrected in post production sufficient headroom exists for the scene s highli...
Page 64: ...obably be displayed with significant noise ASSISTS Assists allows the operator to choose a signal analysis waveform Selections include WAVEFORM RGB PARADE FOCUS ASSIST and FOCUS OVERLAY Default is FOC...
Page 65: ...ra display As exposure reaches maximum waveform color changes to Yellow and then Red At minimum exposure the waveform color changes to Light Blue then Dark Blue These colors match those used in the Fa...
Page 66: ...ick left or right Push the joystick to fix the sample box The average focus value of the pixels in the sample box are shown in a full width graph restricted to the lower section of the camera dis play...
Page 67: ...enable and adjust the upper and lower values for two independent Zebra indicators One zebra may be used for highlight exposure and the other for mid tone or shadows By default Zebras Config ure 1 and...
Page 68: ...ABLE 1 By selecting this checkbox settings under CONFIGURE 1 are used To select Highlight and push in or down on joystick to place checkmark in ENABLE 1 checkbox Default is Disabled Areas of the image...
Page 69: ...I IRE and twist joystick to change the UPPER IRE box to the desired setting between 1 and 93 default is 47 ENABLE 2 By selecting this checkbox settings under CONFIGURE 2 are used To select Highlight a...
Page 70: ...0 degree shutter is not available when operating in Open Gate NOTE When deselecting Open Gate mode it is normal to observe up to a 3 second disruption in the RED EVF display AUDIO Audio is recorded at...
Page 71: ...L INPUTS Choose an Input Level that aligns the input signal to the reference line drawn vertically through the cam era s PPM indicating 0dBu This setting provides 18dB headroom above reference level b...
Page 72: ...nge is 12dB to 6dB in 1dB steps Default is 0dB VOLUME RIGHT Trims volume for Right output E g Volume 6dB Volume Right 1dB 7dB Range is 12dB to 6dB in 1dB steps Default is 0dB MIX Selects which audio c...
Page 73: ...ne Level To help protect against accidentally enabling 48V Phantom Power for Line Level input sources or microphones that are not capable of operating with 48V Phantom Power 48V selection is provided...
Page 74: ...V MIC to access the channels that you wish to provide 48V Phantom Power on NOTE With firmware prior to Build 18 and all cameras with Rev A audio hardware the 48V Phan tom Power output will be disabled...
Page 75: ...e clip name NOTE On playback on camera or in REDCINE X or any QuickTime application these eleven indi vidual R3D files are seen as a single continuous video clip 1 To enable PRE RECORD push in or down...
Page 76: ...MANAGING DIGITAL MEDIA FORMAT Select to format digital media The camera will warn that all data will be erased and formatting require that a sequence of confirm commands are made before proceeding Fo...
Page 77: ...r directory names 1 Select REEL and press in or down on joystick 2 Twist joystick to change the highlighted RESET box reel number between 1 and 999 NOTE The default reel number offered by the camera w...
Page 78: ...ved the operator may also recall the desired settings and set the camera to those set tings to replicate the desired look and feel VIEW When VIEW is selected the current project settings for the camer...
Page 79: ...all clips recorded on the digital media may be uniquely identified simplifying post production and media archiving workflows CAMERA SET CAMERA ID is a single letter A Z that provides a unique identif...
Page 80: ...n on joystick 2 Twist joystick to change the highlighted RESOLUTION box to the desired resolution 3 Move Joystick right or up to select and exit The maximum available time base supported by each media...
Page 81: ...fps 60 fps 60 fps 3K 2 1 30 fps 30 fps 30 fps 3K 16 9 30 fps 30 fps 30 fps 3K ANA 30 fps 30 fps 30 fps 4K 2 1 25 fps 25 fps 25 fps 4K HD 25 fps 25 fps 25 fps 4K ANA 25 fps 25 fps 25 fps 4 5K WS 25 fps...
Page 82: ...ing is REDCODE 36 NOTE REDCODE 36 and REDCODE 42 will limit maximum frame rate and resolutions available us ing CF cards 1 To set quality select QUALITY and press in or down on joystick 2 Twist joysti...
Page 83: ...PUT CONNECTORS and set to the same frame rates as the camera s project TIME BASE a CHAIN LINK icon will be displayed at the top of the EVF LCD and all external monitors This indicates a valid timecode...
Page 84: ...for use with the camera s 23 98 fps recording Normally used with OUTPUT off DISPLAY Display lets the operator select whether Edge Code or Timecode is displayed in the status displays This selection al...
Page 85: ...fic time etc Or set Date and Time to local time and set the TIMEZONE value to 0 NOTE Current GMT date and time can be found using this web site or equivalent service http wwp greenwichmeantime com inf...
Page 86: ...projection areas are best suited using 1 85 or 2 39 aspect ratios and television display areas using 16 9 or 4 3 aspect ratios 1 To change frame guide aspect ratio select FRAME GUIDE 2 FRAME GUIDE bo...
Page 87: ...ame guide aspect ratio select PROTECT 2 SAFETY GUIDE box will highlight to allow you to choose from 16 9 to USER AREAS 3 Twist joystick to change the highlighted SAFETY GUIDE box to the desired settin...
Page 88: ...D allows the OPACITY of the LOOK AROUND area to be set to 0 50 and 100 De fault value is 50 CURSORS Enables disables image cursors Select Cursors to enable Center Safe Action or Safe Title cursors CEN...
Page 89: ...ush to program a custom Safe Action area Area may be adjusted for width height and center offset User Action values may be saved in USER PREFERENCE files 1 To adjust select desired setting to modify 2...
Page 90: ...support a 1280 x 848 pixel output with Surround View frame guides and safe action title overlays waveforms and camera status and operation menus This signal is compatible with most DVI equipped SXGA c...
Page 91: ...stick to place checkmark in TEST SIGNAL checkbox 2 TEST SIGNAL box will highlight 3 Twist joystick to change the highlighted TEST SIG NAL box to the desired setting 4 Move joystick left right up or pu...
Page 92: ...ng the camera to an external monitor and the camera display is not shown completely on the monitor display try the following Select PREVIEW and change setting between from VIDEO 720p to MENUS DVI Sele...
Page 93: ...IO PLAYBACK and DISPLAY USER PROFILE User profile permits the camera setup to be saved to or recalled from the SD card Choices are CLEAR IMPORT and EXPORT CLEAR Allows a User Profile to be cleared fro...
Page 94: ...D When checked the side RECORD key is enabled Default is enabled This is the record button located on the left front side of the camera USER KEYS SETTING ACTION When selected permits USER KEYS 1 thru...
Page 95: ...may be necessary to restore defaults Available functions that may be allocated to the User Keys are Function Description Function Description Record Initiates camera record start stop Volume 1 Increas...
Page 96: ...to play back at normal speed NEXT CLIP Cues the selected clip to end If at end cues to beginning of next clip FALSE COLOR Enables disables the False Color option Will display whatever the False Color...
Page 97: ...output when camera is in PLAYBACK mode to 720p or 1080p Default is 720p NOTE When 1080p is selected the HDMI output will not be compatible with the majority of DVI or HDMI based computer monitors ther...
Page 98: ...fects selected item on all external monitor outputs Disa bling the EVF Menu display also disables the EVF menu controls STATUS PREVIOUSLY SHUTTER When checked displays frame rate and sensor status on...
Page 99: ...monitors mid upper edge will be displayed Also allows the user to choose if Distance is reported in Feet or Meters Unchecked by default 1 To change lens data preferences push in or down on joystick t...
Page 100: ...etail in dark areas of a sce ne or in dimly illuminated nighttime scenes CH1 Adjusts Ch 1 microphone audio level CH2 Adjusts Ch 2 microphone audio level SHU Adjusts Shutter speed VAR Adjusts Varispeed...
Page 101: ...COM INC NOVEMBER 28 2011 100 100 METERS PREVIOUSLY STATUS When checked displays media exposure and audio status on lower edge of all external monitors Checked by default When unchecked lower edge of a...
Page 102: ...s to factory defaults and enables software updates FAN Fan specifies how long the cooling fan operates The camera s fan speed can be changed depending on the ambient air temperature and recording appl...
Page 103: ...tandard mode the fan will run at half its maximum speed when in record QUIET This setting is most useful when the ambient temperature is below 72 F 25 C In quiet mode the fan runs at one quarter its m...
Page 104: ...m a Black Shading calibration again when you revert to shorter exposure times 1 4 th sec or shorter either in Timelapse Normal or Varispeed modes START 1 Select BLACK SHADING camera monitoring outputs...
Page 105: ...ut 3 minutes The camera will confirm process is complete 8 Select OK and restart the camera as instructed RESTORE Restore will reset any user defined black shading data to factory default values 1 Sel...
Page 106: ...tory default values NOTE A reboot of the camera may be necessary to restore defaults LOOK Allows all image processing parameters to be reset to the factory default values When selected and reset the e...
Page 107: ...are firmware update For complete detailed procedure go to APPENDIX A UPDATING CAMERA FIRMWARE WRITE LOG Select to write camera s LOG file to the REDFLASH CF card REDMAG RED DRIVE or RED RAM maga zine...
Page 108: ...greenwichmeantime com info current time htm If camera Date and Time are set to GMT and then set TIMEZONE to 8 for West Coast US Pacific time etc Or set Date and Time to local time and set the TIMEZON...
Page 109: ...n 1 and 31 SET TIME 1 To change time push in or down on joystick to place checkmark in the desired checkbox 2 Box on lower right will highlight 3 Twist joystick to change the highlighted box to the de...
Page 110: ...ke effect and be visible as TIME CODE on completion of the re boot cycle REMOTE Used to enable and reset if necessary the S4 i Lens Data Port Controls include REMOTE PORT and LENS PORT check box REMOT...
Page 111: ...The lens data port may then be re activated by checking the checkbox PROGRAM Allows the camera file name structure and camera HD SDI and Tally outputs to be optimized for a variety of applications inc...
Page 112: ...adcast range and FULL full range code values Default setting is FULL VIDEO Allows you to select between NORMAL FLIP H Horizontal FLIP V Vertical and FLIP H V monitor path video orientation Default set...
Page 113: ...007 2011 RED COM INC NOVEMBER 28 2011 112 112 FLIP H Flips the live or playback image horizontally FLIP V Flips the live or playback image vertically FLIP H V Flips the live or playback image horizont...
Page 114: ...r HD SDI outputs CLEAN DOES NOT display camera clip information or frame guides on the HDMI or HD SDI outputs TALLY Allows you to select between TALENT and OPERATOR Default setting is TALENT TALENT Wh...
Page 115: ...up Refer to POWER UP DOWN un der BASIC OPERATION A higher number reflects a later release The current RED ONE release available for download and upgrade is shown on the home page of the www RED com w...
Page 116: ...e UNDO button then press in on the joystick The camera s unique PIN and current firmware version will be displayed on the camera s LCD UPGRADE PROCEDURE NOTE MYSTERIUM sensor based cameras may not be...
Page 117: ...the camera For detailed instructions on format ting go to APPENDIX B MANAGING DIGITAL MEDIA 7 Open the SD REDMAG CF card or USB memory device on the computer and copy ONLY the UP GRADE folder for your...
Page 118: ...the upgrade message will be displayed Refer to UPDATE SW in MAINTENANCE under SETUP in SYS TEM MENU CONTROLS 15 Push joystick in or down to begin upgrade procedure Camera LCD will display Upgrading an...
Page 119: ...POWER connector located at the rear of the camera body RED RAM media is available with capacities of 64GB or 128GB Record duration is dependent on resolu tion quality and frame rate but a RED RAM 64GB...
Page 120: ...nds a RED DRIVE formats in less than a minute 1 Insert or connect media to camera Insert the CF card with the manufacturer s label facing outward away from camera body Push the CF firmly into the CF s...
Page 121: ...EDIA and press Joystick in or down to enter Camera LCD will display MEDIA Menu 5 Select FORMAT and press Joystick in or down to enter Camera LCD will display MAGAZINE FOR MAT If the media IS blank cam...
Page 122: ...ush the SYSTEM menu button 3 Select MEDIA and press Joystick in or down to enter Camera LCD will display MEDIA Menu 4 Select FORMAT and press Joystick in or down to enter Camera LCD will display MAGAZ...
Page 123: ...IMPORTANT Media must always be un mounted prior to removal or disconnection from the cam era This ensures power is removed from the digital media and any open data files are closed Fail ure to do so m...
Page 124: ...will display SAFE TO REMOVE in Red text The White text with the counter and media name at the bottom edge of the display will disappear You may now remove the CF REDMAG or disconnect the RED DRIVE or...
Page 125: ...ed that you drag the complete RDM folder on the digital magazine to the archive storage media This copies all the media and metadata files You will not need to copy the log and magazine profile files...
Page 126: ...n the keyboard select FILE DELETE or right click on selected file and choose DELETE When the pop up window appears click YES 6 The media will need to be formatting by the camera before use Refer to FO...
Page 127: ...t LOOK information perform the following 1 Press the VIDEO menu button on the rear of the camera 2 Select VIDEO menu 3 Select LOOK menu 4 Select EXPORT 5 External monitors and camera LCD will confirm...
Page 128: ...ile selection USER PROFILE EXPORT USER PROFILE To export USER PROFILE perform the following 1 Press the SYSTEM menu button on the rear of the camera 2 Select SETUP menu 3 Select PREFERENCES menu 4 Sel...
Page 129: ...gs PLAYBACK menu Settings DISPLAY menu Enables and Shutter display settings MONITOR menu Settings FRAME GUIDE menu Enable and settings including user defined Action and Title areas IMPORT USER PROFILE...
Page 130: ...E Video Genlock L RED EVF E HDMI Out M RED LCD G USB 2 peripheral N Aux RS232 TIMECODE INPUT OUTPUT This connector supports SMPTE Timecode input and output Pins 2 and 3 may be used together to re cei...
Page 131: ...triggered by the B4 lens or by a controller such as Preston MDR 2 using an appropriate adaptor cable WARNING Do not attempt to power a cinema lens motor from this connector Depending on your maximum...
Page 132: ...to a 10 pin Aux RS232 connector LINE LEVEL MICROPHONE LEVEL AUDIO INPUTS A three pin mini XLR connector is provided for each of the camera s Line Microphone inputs Audio is recorded at 24 bit 48KHz wh...
Page 133: ...36dB to 54dB with a default value of 36dB Choose an Input Level that aligns the input signal to the reference line drawn vertically through the cam era s PPM which indicates 0dBu This setting provides...
Page 134: ...notes apply to cameras configured with Rev B audio hardware Cameras shipped prior to Sept 15 2008 and not yet upgraded to Rev B were supplied with Rev A audio hardware with the following operational...
Page 135: ...ace commands and remote triggers received by the Master camera are transmitted to the Slave camera SUPPORTED COMMANDS Supported commands include PROJECT SENSOR TRANSPORT TIME BASE QUALITY RESOLUTION I...
Page 136: ...2U 3U 4D 5U 6U 7U AR BR 29 97 fps 1D 2D 3U 4D 5U 6U 7U AR BR When operating at 50 00 or 59 94 Project Time Bases set the genlock signal generator to SMPTE 296 progressive scan format at the same frame...
Page 137: ...irection Center HD SDI SMPTE 292M HD SDI Out Shield Screen GROUND Camera ground Preview HD SDI Output NOTE If PREVIEW type is set to MENUS DVI the PVW output is disabled In record the Preview output p...
Page 138: ...Use is as an external Viewfinder NOTE HDMI output is not active when PLAYBACK is set to 1080p i e no output is available when the RED ONE camera is placed into playback NOTE If an ANAMORPHIC record mo...
Page 139: ...very important that both pairs of VBATT and GROUND pins are wired up DO NOT fabricate power cables with just one each of VBATT and GROUND pins wired as this will cause damage to the camera s power sup...
Page 140: ...Pin Signal Description 1 GROUND Auxiliary power return Camera Ground 2 GPI Input Trigger 3 GPO Tally 4 VOUT Auxiliary power output Each connector also provides a low voltage trigger input GPI and tall...
Page 141: ...s together and powering up again CAMERAS Ensure that both master and slave cameras are either MYSTERIUM or MYSTERIUM X DO NOT mix cameras CAMERA BUILD Ensure both cameras are on the same build Upgrade...
Page 142: ...ooted the UI will display a blinking M and S respectively on the Master and Slave camera Once the communications link is es tablished and verified the M and S icons will stop blinking NOTE The communi...
Page 143: ...nnect cameras as described in CONNECTING 3 Verify that the time base of the external timecode source matches the timebase of the project to be recorded 4 Power up both cameras 5 Through the Master cam...
Page 144: ...DCODE command JAM SYNC enable disable command FRAME GUIDE and USER AREA setup commands NOTE X POSN and Y POSN offset programmed for User Action or Title from the Master camera will result in an equal...
Page 145: ...era configuration the Slave camera is forced to use the Master camera s ID rather than using its own NOTE are wildcard day date If Master is LEFT and its camera I D letter is B the first clip recorded...
Page 146: ...deep shadow which may therefore be prone to noise when developed in post production The following reference scene includes highlight and shadow elements and was shot at ISO 800 at 4 5K resolution UND...
Page 147: ...False Color Exposure note the E icon in the GUI when active This mode allows us to visualize where in the image underexposure is taking place These areas are indicated in purple It s clear those area...
Page 148: ...hlight information will certainly not be clipped however the shadow information will proba bly display with significant noise once pushed to an acceptable brightness OVEREXPOSURE 2 STOPS ISO 800 Monit...
Page 149: ...se Color Exposure note the E icon in the GUI when active This mode allows us to visualize where in the image over exposure is taking place These areas are indicated in red It s clear those areas are o...
Page 150: ...r the shadow information will probably display cleanly once pulled back down to an acceptable brightness APPROPRIATE EXPOSURE ISO 800 Monitor Output In this image the camera is appropriately exposed f...
Page 151: ...UI when active This mode allows us to visualize where there is under exposure purple or over exposure red in the image In this case there is a very small area of purple under the cracker box and just...
Page 152: ...post production suffi cient headroom exists for the scene s highlight information to be displayed without clipping and the shadow information can be displayed without significant noise even if the bri...
Page 153: ...lose the iris to reduce the brightness of the first image you will be reducing exposure at the sensor this biases expo sure in favor of protecting the scene highlight Alternatively if you choose to op...
Page 154: ...rector They convert recorded REDCODE RAW data to RGB video and provide basic one light image processing and color correction Using REDCINE X footage can also be cropped resized or repositioned These f...
Page 155: ...on Choose the resolution that is most appropriate to your requirement for playback frame rate on your specific computer If the footage is to be viewed at distant location e g dailies export the footag...
Page 156: ...export either a single clip or a sequence of clips as 4K or 2K resolution 10 bit DPX or 16 bit TIFF files REDCINE X can also render clips as standalone QuickTime movies using spe cific HD video codecs...
Page 157: ...splay go to MONITOR under SYSTEM MENU CONTROLS and try the following Select PREVIEW and change setting between MENUS DVI or VIDEO 720p Select PVW REFRESH FORMERLY HD SDI and change setting between 50...
Page 158: ...g Calibration the following error will be displayed Select OK and exit Magnify mode Attempt Black Shading again Error Message Black Shading Unable to Calibrate If a formatted CF card or REDMAG is not...
Page 159: ...WARNING Media Removed Prior Unmount Data Integrity Risk Media needs to be removed properly Use the dual key command UNDO EXIT or the menu option SYS TEM MEDIA UNMOUNT Refer to APPENDIX B MANAGING DIG...
Page 160: ...a Error Message The Magazine Formatting Failed The Active Drive Internal is Unmounted Please Re connect to Format If when selecting FORMAT camera LCD displays FORMAT FAILED and the external monitors d...
Page 161: ...50mm POWER DIGITAL STORAGE MOUNTING LENSES ADDITIONAL OPTIONS LENS MOUNT ADAPTERS RED PRO 85mm RED PRO 100mm RED PRO 25mm RED PRO 35mm RED 50 150mm RED 18 50mm RED PRO 18 85mm RED PRO 300mm RED PRO 18...
Page 162: ...PEATED REPEATED UNIQUE VIDEO Menu A V MENU VIEWFINDER Menu A V MENU AUDIO Menu A V MENU HEADPHONE Menu A V MENU VIEW Menu A V MENU Video MENU BUTTON VIEW VIEW REDcolor RAW REDcolor LOOK CLEAR LOOK EXP...
Page 163: ...Menu SETUP MAINTENANCE Menu SETUP SET CLOCK Menu SETUP WRITE LOG Menu SETUP SETUP REMOTE Menu Disabled REC ENABLE CHANNEL 3 Disabled REC ENABLE CHANNEL 2 Disabled REC ENABLE CHANNEL 1 Disabled REC EN...
Page 164: ...enu SETUP SET CLOCK Menu SETUP SETUP REMOTE Menu DISPLAY EVF MENU DISPLAY METERS DISPLAY GREY SCALE FAN CONTROL FAN AUTO AUTO VARIABLE 50 F HOT 86 F TO 104 F STANDARD 86 F QUIET 72 F SILENT 60 F MAINT...
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