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Red Dragon WEAPON/SCARLET-W (DRAGON), Operation Manual

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Red Dragon WEAPON/SCARLET-W (DRAGON) Operation Manual Download Page 222

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WEAPON/SCARLET-W OPERATION GUIDE

C 

INPUT/OUTPUT 
CONNECTORS

This appendix provides pinout information for the input/output connectors on the following expanders:

DSMC2™ Base Expander

DSMC2 V-Lock I/O Expander

DSMC2 REDVOLT Expander

DSMC2 Jetpack Expander

DSMC2 Jetpack-SDI Expander

NOTE:  

When  connecting   a  cable  to   a  connector,   align  the  key   and   red   marker  on  the  cable  connector  with  the 

corresponding key and marker on the device connection.

NOTE: 

Connector diagram images are for reference only. Diagrams are not to scale.

Summary of Contents for WEAPON/SCARLET-W (DRAGON)

Page 1: ...WEAPON CF WEAPON MG SCARLET W RED DRAGON 6K 5K MONOCHROME V6 3 RED COM WEAPON SCARLET W DRAGON OPERATION GUIDE ...

Page 2: ...I Menu Introduction 55 Upper Status Row Basic Menu 56 Live Action Area 60 Lower Status Row 62 COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 2 WEAPON SCARLET W OPERATION GUIDE TABLE OF CONTENTS Navigation Controls 68 5 Advanced Menus 77 Advanced Menus Overview 77 Access the Advanced Menus 77 Settings Menu 78 Media Menu 143 Playback Menu 144 Power Menu 149 HDRX Menu 150 Focus Menu 151 Exposure Assi...

Page 3: ...onochrome Technical Specifications 211 B Mechanical Drawings 213 WEAPON BRAIN 213 SCARLET W BRAIN 218 C Input Output Connectors 222 DSMC2 Base Expander 223 DSMC2 V Lock I O Expander 224 DSMC2 REDVOLT Expander 225 DSMC2 Jetpack Expander 226 DSMC2 Jetpack SDI Expander 227 Record Monitor Out Ports 228 Communication Ports 230 Audio Ports 240 Power Ports 242 D Lens Mounts and Lenses 249 Lens Mounts 249...

Page 4: ... a registered trademark of Avid Technology Inc DaVinci Resolve is a registered trademark of Blackmagic Design in the U S and other countries EDIUS Pro is a registered trademark of Grass Valley Vegas Pro is a registered trademark of Sony Creative Software IDX is a registered trademark of IDX Company Ltd COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 4 WEAPON SCARLET W OPERATION GUIDE COMPLIANCE STA...

Page 5: ...tive implies conformity to the following European Norms in brackets are the equivalent international standards EN 60065 IEC 60065 Product Safety ETSI EN 300 328 Technical requirement for radio equipment ETSI EN 301 489 General EMC requirements for radio equipment INFORMATION Products with the CE marking comply with the EMC Directive 2004 108 EC and the Low Voltage Directive 2006 95 EC issued by th...

Page 6: ...high moisture without appropriate protection and immediately remove power source if camera or accessories are exposed to moisture WARNING To reduce the risk of fire or electric shock do not expose the camera to rain or moisture DO NOT expose the camera to laser beams as laser beams may damage the sensor DO NOT expose your camera to excessive vibration or impact shock Be careful not to drop your ca...

Page 7: ...age due to crushing or other forms physical damage Products marked with this symbol are class 2 devices These devices are not provided with a grounding type plug CAUTION The power cord plug for the DSMC AC Power Adaptor is used as the power disconnect To disconnect all power from the DSMC AC Power Adaptor unplug the power cord plug from the wall outlet During use the power cord plug should remain ...

Page 8: ...vercharging may increase internal temperature beyond the recommended limits and cause permanent damage to the battery DO NOT connect the positive and negative terminals to a metal object such as a wire COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 8 WEAPON SCARLET W OPERATION GUIDE DO NOT transport or store the battery together with metal objects such as jewelry hairpins etc as they may generate ...

Page 9: ...nd RED Li 7 2V batteries may also be classified as Dangerous Goods when purchased in bulk Applicable laws prohibit the shipping of batteries that are physically damaged We urge you to look into the formal rules and regulations of shipping Class 9 Dangerous Goods prior to preparing your shipment For more information on these regulations please visit www iata org and www dot gov For more information...

Page 10: ... advantages of a raw file format each camera offers the ability to simultaneously capture video and stills This guide is for WEAPON DRAGON and SCARLET W DRAGON only This section introduces the imaging capabilities and advanced features of the WEAPON DRAGON and SCARLET W DRAGON system For information about other cameras go to RED Downloads at www red com downloads The WEAPON and SCARLET W system in...

Page 11: ...www red com downloads NOTE REDCINE X PRO can create and export RMD Look files which may then be imported as camera monitor path color processing presets This information is stored as reference metadata so that these color processing choices can be the default values used in post production For more information go to Looks on page 160 SHOOT FOR VIDEO AND STILLS High resolution video such as the dig...

Page 12: ...at you would observe in a traditional recording of this action is constant motion blur until the arm stops However what your eye sees is both motion blur and a sharper reference of the arm throughout the motion path MAGIC MOTION creates an image that matches the natural motion observed by the human eye ADDITIONAL RESOURCES The following resources offer additional information about RED the DSMC sys...

Page 13: ...ads DSMC Power Operation Guide DSMC Media Operation Guide BRAIN Figure WEAPON BRAIN The DSMC BRAIN is the image processing center of the camera system and supports power media and other modules The only ports on the BRAIN are the DSMC2 Top Handle port and EVF LCD ports A port expander or power module is required to power the camera All other input ouput I O ports are available only via expanders a...

Page 14: ...en Camera on Amber flashing Camera on 5 to 10 min of battery time available Amber Camera booting Red flashing Camera on 5 min of battery time available Red Camera shutting down Record Status LED REC Off No media present Green Ready to record Amber Finalizing Red flashing slow Media mounted with 5 and 10 of media space available Red flashing fast Media mounted with 5 of media space available Red Re...

Page 15: ...ime For more information go to LCD EVF 2 HDMI Select on page 86 4 Focus Hook Mounting Point2 Mount the focus hook Comes with a set screw installed to protect the threaded insert when the focus hook is not in use 5 Focus Hook Storage Location2 Store the focus hook or set screw 6 Back Focus Adjustment Screw Adjust back focus 1 The DSMC2 LEMO Adaptor A allows you to mount other RED displays 2 Install...

Page 16: ... Eject Media 2 REC button Programmable key Full Press Record Toggle Half Press AF Start 3 User Key 2 Programmable key User Key 1 2 Press Eject Media For more information see the DSMC Media Operation Guide available at www red com downloads COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 16 WEAPON SCARLET W OPERATION GUIDE ...

Page 17: ...shing slow Formatting media Red flashing slow Media mounted with 5 and 10 of media space available Red flashing fast Media mounted with 5 of media space available Red Recording media mounted with 10 of media space available 2 Record Status LED1 Off Not recording or media not mounted Red Recording 1 For more information on how to enable disable this LED go to Indicator on page 121 If media is not m...

Page 18: ...0 0075 v6 1 35 or later RED MINI MAG 240GB 725 0082 v5 1 47 or later RED MINI MAG 480GB 750 0090 v6 3 75 or later RED MINI MAG 512GB V41 725 0078 v5 1 34 or later RED MINI MAG 512GB V51 725 0078 v6 2 60 or later or v6 3 17 or later RED MINI MAG 512GB V61 725 0078 v6 2 63 or later or v6 3 27 or later RED MINI MAG 960GB 750 0087 v6 3 75 or later RED MINI MAG 1TB 2 725 0081 v5 3 34 or later 1 To see ...

Page 19: ... durable magnesium this low profile module mounts directly to the BRAIN and offers interface connections for power DC IN HDMI 3G SDI HD SDI CTRL and SYNC ports for Timecode and Genlock as well as a 3 5mm microphone input and a 3 5mm line level headphone out The DSMC2 Base Expander also offers rear mounting support for DSMC2 compatible battery and power modules such as the DSMC2 REDVOLT XL Module T...

Page 20: ...1 5 Amps A front facing 2 Pin 0B LEMO AUX PWR port provides 3 0A maximum A front facing 7 Pin 0B LEMO SERIAL provides 1 5A maximum The SERIAL port is ideal for connecting to motor drivers A rear facing Timecode port offers 5V at 200 mA for powering external timecode devices A rear facing USB port offers 5V at 1 5A for powering HDMI transmitters or small mobile devices The two 2 3 Pin XLR audio por...

Page 21: ...pport and connectors for HDMI and USB power out perfect for housings and low profile setups The DSMC2 Jetpack Expander also features a selector switch that enables the camera to automatically boot when power is provided via the DC IN connector on the expander This feature allows you to use a connected DC input supply to turn the camera on and off when the camera is mounted in remote or difficult t...

Page 22: ...rnet connection offers increased bandwidth for streaming high quality footage The DSMC2 Jetpack SDI Expander is ideal for housings and low profile configurations that require 3G SDI outputs or computer tethering The DSMC2 Jetpack SDI Expander also features a selector switch that enables the DSMC2 BRAIN to automatically boot when power is provided via the DC IN connector on the expander This featur...

Page 23: ...ws you to use a connected DC input supply to turn the BRAIN on and off when the camera is mounted in remote or difficult to maneuver locations This expander is an ideal solution for a wide variety of production environments from low profile run and gun situations to studio shoots that require mobility NOTE The DSMC2 Top Handle may not be fully compatible with the DSMC2 V Lock I O Expander as the t...

Page 24: ...but have not been tested Blueshape All BV series IDX E HL10DS and E HL9 Sony BP FL75 Switronix Hypercore series and XP L90S WARNING While third party batteries may be mechanically compatible with the camera system the manufacturer is responsible for the performance and stability of third party options not RED Damage to the camera system or third party devices caused by using third party power opti...

Page 25: ...ith one 1 dual action release button for removing an attached battery The DSMC2 REDVOLT XL Module offers a DC IN power port that can be used to power the camera system when the module is attached to the camera An included protective baseplate enables the DSMC2 REDVOLT XL Module to serve as a portable and stand alone REDVOLT XL battery charger Plug in the DSMC AC Power Adaptor to the 6 pin 1B LEMO ...

Page 26: ...s the following batteries and chargers Item Part Number REDVOLT XL 740 0021 REDVOLT Charger Quad 740 0015 For more information see the DSMC Power Operation Guide available at www red com downloads COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 26 WEAPON SCARLET W OPERATION GUIDE ...

Page 27: ... LCD2 3 1920 x 1136 Total 180 Forward 90 Backward 90 Total 360 CW 180 CCW 180 730 0007 RED Touch 9 0 LCD2 1280 x 768 Total 270 Forward 180 Backward 90 Total 360 CW 180 CCW 180 730 0011 RED PRO LCD 7 2 1024 x 600 No tilt No swivel 730 0009 RED PRO Touch 7 0 LCD2 1920 1136 No tilt No swivel 730 0025 DSMC2 RED EVF OLED 2 1920 x 1080 N A N A 730 0021 BOMB EVF LCOS 2 1280 x 784 N A N A 730 0004 BOMB EV...

Page 28: ...mponents of the camera system caused by using the display as a handle are not covered under warranty WARNING DO NOT use the threaded holes in the RED Touch LCD base to mount the display to the camera Damage to a RED display or other components of the camera system caused by using these threaded holes is not covered under warranty IMPORTANT DO NOT try to turn an LCD past its tilt or swivel range Da...

Page 29: ...osure to direct sunlight may damage the EVF Point the eyepiece away from sunlight when not in use Damage to the BOMB EVF OLED caused by continued exposure to direct sunlight is not covered under warranty BOMB EVF FEATURES Feature Description 1 EVF connector Custom digital video and power interconnection between the camera and RED EVF Pinout not published 2 EVF Tally LED When enabled the LED illumi...

Page 30: ... blacks in a larger field of view Engineered with OBSOLESCENCE OBSOLETE in mind the DSMC2 RED EVF OLED is perfect for use with WEAPON SCARLET W RAVEN EPIC or SCARLET cameras RED offers multiple mounting solutions for each camera type WARNING DO NOT point the DSMC2 RED EVF OLED eyepiece at direct sunlight Continued exposure to direct sunlight may damage the EVF Point the eyepiece away from sunlight...

Page 31: ...shed compatible with standard RED EVF LCD LEMO cables 3 Key 1 Programmable key Magnify Toggle 4 Key 2 Programmable key Exposure Check Toggle 5 Mounting point Mounting point for the DSMC2 RED EVF Mounting Plate Top 6 DSMC2 RED EVF Modular Optical Block Fully coated with a 32 field of view 1 Not visible Shown with the DSMC2 RED EVF Mount attached COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 31 WEA...

Page 32: ... the primary top or the secondary side EVF LCD port on the DSMC2 camera When used along with the DSMC2 LEMO Adaptor B this adaptor enables you to mount a DSMC2 RED Touch LCD away from the camera to a NOGA arm or other stable mounting point The DSMC2 LEMO Adaptor A is compatible with the BOMB EVF LCOS and OLED models or later LEMO ADAPTOR B Figure DSMC2 LEMO Adaptor B The DSMC2 LEMO Adaptor B enabl...

Page 33: ...rface solution that offers intuitive integrated control over critical camera parameters Engineered exclusively for the DSMC2 system this low profile interface provides full access to basic and advanced menus via a 1 7 OLED display The rotary dial D Pad function buttons and configurable preset buttons provide an improved method of controlling your camera The DSMC2 Sidekick provides full menu contro...

Page 34: ...gle record on off directly from the handle On top of an integrated RECORD button the DSMC2 Side Handle features a MARK FRAME button empowering you to tag frames while shooting and revisit them later in post production NOTE The DSMC2 Side Handle cannot be used simultaneously with the DSMC2 Outrigger Handle or DSMC2 Sidekick NOTE The DSMC2 Side Handle with original grip supports a maximum weight of ...

Page 35: ...DLE Figure DSMC2 Outrigger Handle The DSMC2 Outrigger Handle offers a low profile side handle designed with an ergonomic molded grip and integrated Record Start Stop button Mounted to the Top Handle Port on your camera the DSMC2 Outrigger Handle provides comfort and stability as well as additional 1 4 20 mounting points for your peripheral camera components The built in Record button puts Start St...

Page 36: ...ptive 725 0022 DSMC Al Canon Mount Captive 725 0026 DSMC Ti Canon Mount Captive 725 0032 DSMC Al Nikon Mount 725 0006 DSMC Ti Nikon Mount 725 0007 DSMC Al Leica M Mount Captive 725 0029 DSMC MOTION MOUNT Ti PL 725 0012 DSMC MOTION MOUNT Ti Canon Captive 725 0038 COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 36 WEAPON SCARLET W OPERATION GUIDE ...

Page 37: ...after October 2016 have straight glare stops The images below show the difference between the original curved glare stops and modified straight glare stops DSMC2 OLPFs Figure Original DSMC2 OLPF Curved Glare Stops Left and Modified DSMC2 OLPF Straight Glare Stops Right The modified DSMC2 OLPFs straight glare stops are incompatible with the following lenses due to their protruding rear elements Lei...

Page 38: ...D offers a wide variety of support gear mounting platforms cables accessories and other equipment For more information visit the RED Store at www red com store COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 38 WEAPON SCARLET W OPERATION GUIDE ...

Page 39: ...ine and display the voltage or remaining battery capacity of third party power options POWER PRIORITY When multiple power sources are connected to the camera power consumption is prioritized in this sequence 1 Any power supply connected to the DC IN port on the expander 2 Any power supply connected to the DC IN port on a rear battery module 3 Rear battery 4 REDVOLT battery in the DSMC2 REDVOLT Exp...

Page 40: ...able TURN ON THE CAMERA NOTE If you have just turned off the camera wait at least three 3 seconds before turning the camera back on 1 Attach a power source to the camera The Power Status LED illuminates red indicating that an appropriate power source is connected 2 Press and release the PWR REC key on the right side of the camera The Power Status LED illuminates amber as the camera turns on The Po...

Page 41: ... IN connectors on any modules Figure Auto Boot on Power Switch ENABLE AUTO BOOT ON POWER 1 Toggle the Auto Boot on Power switch to On identified by a white star 2 Connect a power source to the DC IN connector The camera turns on automatically 3 Use one of the following methods to turn off the camera Go to Menu Power and select Shutdown Press and hold PWR REC until the Shutting Down notification sh...

Page 42: ...the BRAIN side plate was installed 5 Press the DSMC2 Sidekick down flush along the side of camera 6 Tighten the four 4 captive screws in a cross pattern X pattern using a T10 TORX driver DO NOT FULLY TIGHTEN 7 Fully tighten the four 4 screws in a cross pattern X pattern using a T10 TORX driver WARNING DO NOT OVERTIGHTEN REMOVE THE DSMC2 SIDEKICK This section applies to the following items DSMC2 Si...

Page 43: ...o reach the thumbscrew with a hex key loosen the thumbscrew by hand 3 Remove the DSMC2 Side Handle from the camera REMOVE THE DMSC2 SIDE HANDLE GRIP NOTE You may replace the original grip of the DSMC2 Side Handle with a third party grip However RED does not test third party grips and cannot confirm if the third party device will have the same functionality quality or strength as the original grip ...

Page 44: ...ews in a cross pattern X pattern approximately two 2 turns each using a T20 TORX driver DO NOT FULLY TIGHTEN 4 Fully tighten the four 4 screws in a cross pattern X pattern using a T20 TORX driver WARNING DO NOT OVERTIGHTEN REMOVE A DSMC2 EXPANDER This section applies to the following items DSMC2 Base Expander DSMC2 V Lock I O Expander DSMC2 REDVOLT Expander DSMC2 Jetpack Expander DSMC2 Jetpack SDI...

Page 45: ...amera or expander 3 Apply pressure and tighten the four 4 captive screws in a cross pattern X pattern approximately two 2 turns each using a T20 TORX driver DO NOT FULLY TIGHTEN 4 Fully tighten the four 4 screws in a cross pattern X pattern using a T20 TORX driver WARNING DO NOT OVERTIGHTEN REMOVE THE DSMC2 REDVOLT XL MODULE WARNING Before installing or removing this item you MUST turn off the cam...

Page 46: ...op of the camera 3 Tighten the two 2 captive screws approximately two 2 turns each using a 3 16 hex key DO NOT FULLY TIGHTEN 4 Fully tighten the two 2 screws using a 3 16 hex key WARNING DO NOT OVERTIGHTEN REMOVE THE DSMC2 TOP HANDLE OR DSMC2 OUTRIGGER HANDLE WARNING Before installing or removing this item you MUST turn off the camera REQUIRED TOOLS 3 16 hex key 1 Turn off the camera 2 Loosen the ...

Page 47: ...e the Set Screw NOTE Store the screw in a safe location or install it in the focus hook storage location after you remove the focus hook in Step 2 2 Remove the focus hook from the focus hook storage location on the media bay using a slotted screwdriver Figure Remove the Focus Hook 3 Tighten the focus hook into the focus hook mounting point on the media bay using a slotted screwdriver WARNING DO NO...

Page 48: ...HANGEABLE OLPF REQUIRED TOOLS T20 TORX driver 1 Turn off the camera 2 Remove any modules cables or other accessories that may interfere with operations 3 Loosen and remove the four 4 M4x0 7 x 8 mm lens mount screws in a cross pattern X pattern using a T20 TORX driver NOTE Some lens mounts have captive screws that are not removable NOTE Screw removal may require a large handle T20 TORX driver and a...

Page 49: ...ure the new OLPF module is clean and free of debris 10 Install the new OLPF module straight into the optical cavity keeping the front face of the OLPF module parallel to the front of the camera NOTE Inserting the OLPF module at an angle may cause it to not seat properly Figure Install the New OLPF Module COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 49 WEAPON SCARLET W OPERATION GUIDE ...

Page 50: ...Replace the lens mount 13 Replace and loosely tighten the four 4 M4x0 7 x 8 mm lens mount screws in a cross pattern X pattern using a T20 TORX driver DO NOT FULLY TIGHTEN NOTE Some lens mounts have captive screws that are not removable 14 Fully tighten the four 4 lens mount screws in a cross pattern X pattern using a T20 TORX driver DO NOT exceed 350 in oz or damage may occur WARNING DO NOT OVERTI...

Page 51: ...e for any damage caused by using a tripod monopod mount or support system that does not provide sufficient support WARNING DO NOT use excessive force to mount a support accessory as this may damage the screw threading RED offers the following products for use with tripods and other support systems ITEM PART NUMBER Mounting Plate DSMC 790 0094 DSMC Quick Release Platform Pack 790 0183 Quick Release...

Page 52: ...bit LOG FILM encoded data HDMI Provides a 480p 720p or 1080p output suitable for monitoring via a Windows monitor or most HDTVs VIDEO MONITOR CATEGORIES NOTE HD SDI and HDMI ports are only available on select DSMC2 expanders For more information go to Input Output Connectors on page 222 Video monitor outputs are separated into three 3 categories VIEWFINDER The Upper Status Row Live Action Area and...

Page 53: ...sly to an external recorder and a RED SSD To record simultaneously follow the instructions below 1 Attach a DSMC2 expander that has an HD SDI or HDMI port 2 Connect the camera to an external recorder with an HD SDI or HDMI cable 3 Ensure an SSD is inserted in the camera and formatted 4 Set up the HD SDI or HDMI output A Go to Menu Settings Display Monitor Control Monitor Setup B Select HDMI or HDS...

Page 54: ...e menu C Select Clean from the Mode drop down menu otherwise the external recorder records the overlay D Select the output resolution from the Resolution drop down menu NOTE The HDMI and HD SDI maximum resolution is 1080p For more information go to Record Monitor Out Ports on page 228 5 Disable all False Colors otherwise the external recorder records the False Colors A Go to Menu Settings Display ...

Page 55: ...information Functionality varies based on monitor output type and firmware version The GUI menu is separated into three 3 main sections Figure GUI Control Menu ITEM DESCRIPTION 1 Upper Status Row Basic Menu Easy access to primary camera capture parameters Go to Upper Status Row Basic Menu on the next page 2 Live Action Area Live camera recording view overlays guides and more Go to Live Action Area...

Page 56: ... Frame Rate on page 97 2 ISO Camera sensitivity ISO on page 90 3 Aperture Lens aperture F stop information Aperture on page 58 4 Exposure Shutter Integration time or shutter angle Exposure on page 98 5 Color Temperature White balance and Tint Color Temperature on page 96 6 Resolution Record resolution Format on page 100 7 REDCODE REDCODE compression setting REDCODE on page 59 8 Menu Access advance...

Page 57: ...in the Advanced Menus For example select Advanced in the Frame Rate menu to open Menu Settings Project Frame Rate For more information about Advanced Menus go Advanced Menus on page 77 Figure Select Advanced Button Figure Advanced Menu COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 57 WEAPON SCARLET W OPERATION GUIDE ...

Page 58: ...ncreases the depth of field but reduces the exposure brightness Decreasing the aperture to a lower number decreases the depth of field but increases the exposure brightness RED DSMC PL MOUNT INSTALLED The current aperture of the attached lens displays when a DSMC PL mount is installed and a supported lens equipped with Cooke S4 i system is attached DSMC NIKON MOUNT AND CANON MOUNT INSTALLED The Ap...

Page 59: ...pect ratio anamorphic setting frame rate HDRX mode media or the target REDCODE compression ratio The RECODE compression affects the overall quality of the footage A lower compression for example 2 1 increases the quality of the footage while a higher compression for example 22 1 lowers the quality For more information go to R3D File Format and REDCODE on page 11 REDCODE range is 2 1 to 22 1 Defaul...

Page 60: ...ens information when using supported Canon lenses Lens Information on the next page 2 AF Status Currently selected auto focus mode Focus Menu on page 151 3 Center Crosshair and Spot Focus Guide Crosshair Center of selected guide Reference guides Safe Action Safe Title Picture Center Grid Overlay General Tab on page 89 4 Frame Guides Record or sensor projection area Guides on page 89 5 Clip Filenam...

Page 61: ...d focal distance when a DSMC Canon Mount or a DSMC Nikon Mount is installed and an electronically supported lens is attached When AF is set to Manual or Confirm mode the focal distance displays as a pair of Near Far distances When in AF mode an estimated focus distance displays The focal length and focal distance values and range vary depending on the attached lens When the focal length of the len...

Page 62: ...ode provides key system information and camera values including ITEM SUB ITEM DESCRIPTION FOR MORE INFORMATION GO TO 1 Camera Mode Swipe up to toggle Motion Stills Playback modes Camera Mode on page 64 2 Histogram Histogram tap to access the Tools menu Histogram on page 65 COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 62 WEAPON SCARLET W OPERATION GUIDE ...

Page 63: ...on page 169 Genlock GEN Indicator on page 66 Sync SYNC Indicator on page 66 LAN LAN Indicator on page 67 RIG Indicates 3D rig metadata is present N A WIFI Indicates WiFi connection WiFi Indicator on page 67 4 Media Status Media location and remaining media capacity displays when recording R3D and or Apple ProRes tap to access the Media Menu Media Menu on page 143 5 Power Status DC voltage in or of...

Page 64: ...g modes Continuous Record on page 109 Internal Timelapse Timer on page 109 Frame Trigger on page 110 Speed Ramp Mode on page 110 REDCODE Burst on page 111 Swipe Up Shortcuts Camera Mode Tools Media Power Default Motion Preset RED NOTE For more information go to Swipe Up Menu on page 70 STILLS MODE Stills mode optimizes your camera settings for capturing stills For WEAPON in Stills mode the camera ...

Page 65: ...tation of exposure and sensor data levels for Red Green and Blue channels meter is affected by White Balance ISO and VIEW LOOK settings 4 RAW Clip Meter Also known as traffic lights Provides a visual representation of exposure and sensor data levels for Red Green and Blue channels Circles traffic lights will light up when clipping occurs 1 The RAW Level Bars display the amount of pixels in the ima...

Page 66: ...ay timecode For more information go to Timecode Genlock Multi Camera Setup on page 169 GEN INDICATOR The GEN indicator shows the current genlock status Grey No genlock signal is detected or the signal cannot cross lock to project 24 00 fps vs 23 98 fps Red During process of sync or genlock is lost while recording Green A genlock signal matching the current HD SDI monitor rate is locked Yellow Timi...

Page 67: ...ment to access the Power menu For more information go to Power Menu on page 149 DC IN SUPPLY VOLTAGE When powering the camera via DC power the current voltage displays When powering the camera using batteries the remaining battery capacity displays The remaining capacity is indicated by the following colors Green 12 0 V and up Yellow 11 8 V to 11 9 V Red 11 6 V to 11 7 V NOTE The camera turns off ...

Page 68: ...ure DSMC2 RED Touch 7 0 LCD RED TOUCH BUTTON DESCRIPTION 1 User Key 1 Toggle 1 1 Magnify on off 2 Up Button Increase display brightness 3 Down Button Decrease display brightness 4 User Key 2 Toggle Exposure Mode on off NOTE RED Touch display keys are programmable For more information go to Key Mapping on page 122 COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 68 WEAPON SCARLET W OPERATION GUIDE ...

Page 69: ...ys Swipe Swipe to select different values in spinners or drop down menus For more information go to Swipe Up Menu on the next page Double Tap If the monitor is in Clean mode changes to Overlay mode Hold Tap and hold an icon to bring up an advanced interface display Pinch Move two 2 fingers apart together to increase decrease the size of the image By default this gesture is disabled For more inform...

Page 70: ... a Camera Mode Figure Swipe Up to Select a Camera Mode Figure Stills Mode SWIPE UP SHORTCUT DESCRIPTION 1 Camera Mode1 Select Playback Motion or Stills 2 Tools Set Horizon RAW Magnify Zebras and False Color 3 Media View as Percentage or Time Remaining eject media view clip thumbnails 4 Power View as Percentage or Time Remaining 5 Auto Focus2 Set Zone Size and Mode COPYRIGHT 2017 RED COM INC 955 01...

Page 71: ...Priority and Mode 7 Record Mode2 Select Multi Shot or Motion Stills 1 For more information about Stills mode and Motion mode go to Camera Mode on page 64 2 Shortcuts only available in Stills Mode COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 71 WEAPON SCARLET W OPERATION GUIDE ...

Page 72: ...lected menu 3 Directional Keys D Pad Navigate menus and menu items Navigate the menus using the following controls Press ENTER to open the menu then rotate the Scroll Wheel clockwise to move right counterclockwise to move left to highlight the desired menu or parameter Press ENTER to select Press the Up Navigation Key to open the related Advanced Settings menu if one 1 is available For more inform...

Page 73: ...ick buttons to prevent inadvertent menu changes NOTE DSMC2 Sidekick keys are programmable For more information go to Key Mapping on page 122 OPERATION MODES The DSMC2 Sidekick display reflects the currently selected mode Use the Scroll Wheel and Directional Keys to navigate menus Press MENU to access the Advanced Menu Press MODE to toggle between the following modes Remote Mode Navigate with DSMC2...

Page 74: ... Frame Rate Current Recording Frame Rate 2 Lens Information Displays aperture if a supported Canon Nikon or Cooke lens is attached 3 White Balance Color temperature 4 REDCODE REDCODE compression setting 5 Media Status Displays media location and remaining media capacity 6 Timecode Current timecode value 7 Power Status DC supply voltage or of remaining battery capacity 8 Color and Gamma Space Curre...

Page 75: ...rd 3 User Key 1 Mark Frame Button Mark a frame so that you can easily return to it in playback 4 Rotary Side Iris Control Wheel Clockwise Up Open Iris Counter Clockwise Down Close Iris 5 User Keys A D A Cycle Auto Focus Mode B Auto White Balance C Toggle 1 1 Magnify D Toggle Exposure Mode 6 Thumb Pad Resting area for thumb 7 MENU Button Access menus or exit currently selected menu 8 Navigation Gro...

Page 76: ...y When a DSMC2 Side Handle is attached you can continue to adjust focus via the Lens menu Menu Settings Setup Lens if preferred To control focus via the Focus Control Wheel follow the instructions below 1 Install a DSMC Nikon Mount or DSMC Canon Mount with a supported lens For more information on supported lenses go to Lenses on page 252 2 Set the lens to Auto 3 Turn on the camera if it is not alr...

Page 77: ...3 Playback View clips recorded to the attached SSD Playback Menu on page 144 Power Power sources settings status and shutdown Power Menu on page 149 HDRX HDRX mode and settings HDRX Menu on page 150 Focus Focus modes features settings and rack focus Focus Menu on page 151 Exposure Assist Automatic exposure settings and controls Exposure Assist Menu on page 157 Presets Adjust Looks key mappings I O...

Page 78: ...Edge and Gio Scope NOTE Only monitors with the Tools check box selected in the Monitor Control menu show the false colors For more information go to Monitor Control on page 82 NOTE False color modes affect video recorded through HDMI or HD SDI to an external recorder if the Tools check box is selected in the Monitor Control menu When recording through HDMI or HD SDI use false color modes only to h...

Page 79: ...ys in the Lower Status Row Colors are based on the RGB levels of the video out signal that is the cooked look and not RAW data The RGB settings settings in the Look menu affect the Video indicators The Video indicators represent the following IRE values at all other values the desaturated image represents the luminance value of the ISO adjusted image Purple IRE 0 4 Blue IRE 5 Teal IRE 10 12 Green ...

Page 80: ...F Window Sharpening is disabled when 1 1 magnify is enabled The camera automatically exits magnify mode when recording begins The Magnify tool magnifies a 1920 x 1020 region centered on a 1920 x 1080 display If the resolution is lower than 1920 x 1020 the image border cannot be magnified Use the following equations to determine the area of the image border that will not be magnified Border width 1...

Page 81: ...function properly For more information go to Gyroscope and Accelerometer Calibration on page 139 ZEBRAS Use Zebra mode to enable and adjust the upper and lower values for two 2 independent zebra indicators Use Zebra 1 for highlight exposure and use Zebra 2 for mid tones or shadows Zebras are visible in Magnify mode and are disabled by default The camera offers two 2 zebra types Video IRE based mod...

Page 82: ...rfaces OVERLAY Select which overlay shows on top of the video RED provides preset overlays which have RED in the overlay name Create custom overlays in the Overlay tab For more information go to Overlays on the next page RESOLUTION Select the output resolution for monitors you cannot select a resolution for LCDs and EVFs since the resolution is determined automatically For more information about a...

Page 83: ...bled the video is scaled so that the menus are not overlaid on the video When this option is enabled the video is not scaled This option creates a control surface on a monitor without scaling the video This setting only affects the monitor and does not affect captured footage To toggle display hide the menus when Auto Hide Menus is enabled perform either of the following actions Press the Menu but...

Page 84: ...esponding guides to the overlay Frame Guide Action Guide Title Guide 5 Select a button on the matrix to add a user interface element to that position on the matrix By default the Magnify indicator MI is on the top left the Record indicator REC is on the top right the Clip Name CLIP is on the bottom left and the Timecode TC is on the bottom right 6 Selecting one 1 of the buttons opens a new dialog ...

Page 85: ...onitor that has higher priority on the list must be either detached or not set to Overlay mode EXAMPLE By default the monitor priority is 1 LCD 2 EVF 3 HDMI If you remove an LCD when an EVF is attached then the EVF becomes the control monitor If you then remove the EVF when an HDMI monitor is attached the HDMI monitor becomes the control monitor If you then re attach the LCD then the LCD is the co...

Page 86: ...er than the default dialogs GENLOCK OFFSET NOTE HD SDI ports are only available on select DSMC2 expanders For more information go to Input Output Connectors on page 222 Offset the video of the HDSDI out to align it with the genlock signal Negative offset Advances the video so the video reaches the switcher earlier than it would otherwise Positive offset Advances the video so the video reaches the ...

Page 87: ...ermine how the following settings display Camera Lens CAMERA TAB Figure Display Mode Camera EXPOSURE Time Absolute Displays the exposure time in seconds 1 xx sec When you change the frame rate in this mode the shutter time stays the same but the shutter angle changes Time Absolute is the default Angle Relative Displays the exposure as an angle 1 360 When you change the frame rate in this mode the ...

Page 88: ...ys media space remaining as time in hours and minutes HHH MM LENS TAB Figure Display Mode Lens APERTURE 1 4 F Aperture increments in 1 4 stops 1 3 F Aperture increments in 1 3 stops Default FOCUS DISTANCE Metric Displays lens focus distances in meters Imperial Displays lens focus distances in feet and inches Default MOTION MOUNT ND AND MOTION MOUNT ISO PULL Only applicable when using a DSMC RED MO...

Page 89: ...rom the Mode drop down menu Select the values for the width and height of the guide in pixels OFFSET X Y Percentage to offset guide from its default centered position Available range is 0 100 100 Right aligned for X offset and bottom aligned for Y offset 100 Left aligned for X offset and top aligned for Y offset APPEARANCE Line Style Select one of the following line styles Solid Dashed or Bracket ...

Page 90: ...lable range is 7 0 to 7 0 Default is 0 0 NOTE Saturation is disabled on all Monochrome cameras GAIN Adjust the Red channel Blue channel and Green channel individually The range for each is 0 0 none of the color to 10 0 and the default for each is 1 0 ISO FLUT Use the ISO FLUT menu to adjust ISO FLUT and Shadow For more information see the following articles Exposure with RED Cameras Strategy avail...

Page 91: ...t for a less sharp image CURVES Define the individual curves for the Luma Red Green and Blue channels You can only adjust one 1 curve at a time Select Reset Curve to reset a curve NOTE Luma is the only channel on Monochrome cameras VIDEO Use the Video menus to adjust the color space and gamma space for the monitor outputs You can also use these menus to apply an ACES look and a 3D LUT All settings...

Page 92: ...ook to monitors LOG3G12 Select this to output LOG3G12 Then choose a color space and graded gamma space ACES Select this to output a graded ACES proxy Then choose a graded gamma space Selecting ACES allows you to apply a neutral look to recorded files while applying a graded look to monitors ACEScc Select this to output a graded ACEScc proxy Then choose a graded gamma space 2 Graded RLF LOG3G12 Sel...

Page 93: ...AS Adobe 3D Cube LUT cube Nucoda CMS 3D LUT cms NOTE Each camera supports a different set of 3D LUT formats For information about which formats your camera supports go to Technical Specifications on page 204 MANAGE 3D LUTS To manage 3D LUTs go to Menu Settings Display Monitor Control 3D LUTs can be stored on the camera or transferred to SSD so that you can build a library of 3D LUTs or quickly cop...

Page 94: ...3D LUTs from SSD to camera Figure Export and Import LUTs LOOK CONFIG LOOK CONFIGURATION Use the Look Config menu to set up Look A and Look B In the Look Config menu you can rotate the image or apply a 3D LUT FLIP MIRROR Mirror and flip invert the graphical user interface GUI and footage effectively rotating the entire displayed image 180 Use this setting when mounting a monitor or the entire camer...

Page 95: ...on on the previous page 3 Select a curve from the Curve drop down menu Neutral The camera does not apply a graded gamma space to the monitor output Graded The camera applies a graded gamma space to the monitor output The Video Path displays the video source and graded gamma space applied to the monitor NOTE The Curve drop down menu is available if the Video Source is set to RLF or ACES For more in...

Page 96: ...ou adjust the color temperature manually Selecting a preset resets Tint to 0 000 NOTE Tint is disabled on all Monochrome cameras PRESETS Each preset has 0 000 Tint Available preset options are Incandescent 2800 K Tungsten 3200 K Fluorescent 4500 K Flash 5500 K Daylight 5600 K Cloudy 7500 K Shade 9000 K AUTO WHITE BALANCE Auto white balance analyzes the central 25 of the image visible in the monito...

Page 97: ...me base and REDCODEproject time base REDCODE and Lookaround For more information about the maximum REDCODE settings for each common recording frame rate see the DSMC Media Operation Guide available at www red com downloads PROJECT TIME BASE Select the project time base which is the rate at which the footage will be played back The project time base displays in the lower left corner of the display ...

Page 98: ...tible with the current exposure the exposure changes to the longest exposure possible for the frame rate For more information go to Speed Ramp Mode on page 110 NOTE You cannot change the exposure when HDR is enabled INTEGRATION TIME Enter the exposure value as a shutter speed 1 xx sec Slowest speed is 1 recording frame rate For 24 FPS the slowest speed is 1 24 sec The fastest speed is 1 131 579 se...

Page 99: ...y device Uses the timecode from an external device connected to the timecode connector on the camera SLATE Use the Slate menu to add metadata to clips After configuring the following fields the information populates in the Media menu when formatting media Cam ID Cam Pos NOTE The scene name is limited to eight 8 characters AUTO INCREMENT TAKE To automatically increment the take number when the came...

Page 100: ...page 106 Using a 6 5 aspect ratio at 2x anamorphic gives you a 2 4 1 aspect ratio RESOLUTION DIMENSIONS PIXELS DIMENSIONS MM WIDTH HEIGHT WIDTH HEIGHT DIAGONAL 6K FF 6144 3160 30 72 15 80 34 55 6K 2 1 6144 3072 30 72 15 36 34 35 6K 2 4 1 WS 6144 2592 30 72 12 96 33 34 6K 16 9 HD 5568 3132 27 84 15 66 31 94 6K 3 2 4752 3160 23 76 15 80 28 53 6K 6 5 3792 3160 18 96 15 80 24 68 6K 4 1 6144 1536 30 72...

Page 101: ...22 90 4K 2 4 1 WS 4096 1728 20 48 8 64 22 23 4K 16 9 HD 3840 2160 19 20 10 80 22 03 4K 6 5 2592 2160 12 96 10 80 16 87 4K 3 2 3840 2560 19 20 12 80 23 08 4K 4 3 3840 2880 19 20 14 40 24 00 4K 5 4 3840 3072 19 20 15 36 24 59 4K 4 1 4096 1024 20 48 5 12 21 11 4K 8 1 4096 512 20 48 2 56 20 64 3 5K FF 3584 1876 17 92 9 38 20 23 3 5K 2 1 3584 1792 17 92 8 96 20 04 3 5K 2 4 1 WS 3584 1512 17 92 7 56 19 ...

Page 102: ...0 14 31 2 5K 2 4 1 WS 2560 1080 12 80 5 40 13 89 2 5K 16 9 HD 2304 1296 11 52 6 48 13 22 2 5K 3 2 2400 1600 12 00 8 00 14 42 2 5K 4 3 2400 1800 12 00 9 00 15 00 2 5K 5 4 2400 1920 12 00 9 60 15 37 2 5K 4 1 2560 640 12 80 3 20 13 19 2 5K 8 1 2560 320 12 80 1 60 12 90 2K FF 2048 1080 10 24 5 40 11 58 2K 2 1 2048 1024 10 24 5 12 11 45 2K 2 4 1 WS 2048 864 10 24 4 32 11 11 2K 16 9 HD 1920 1080 9 60 5 ...

Page 103: ... 9 HD 4800 2700 24 00 13 50 27 54 5K 6 5 3240 2700 16 20 13 50 21 09 5K 4 1 5120 1280 25 60 6 40 26 39 5K 8 1 5120 640 25 60 3 20 25 80 4 5K FF 4608 2412 23 04 12 06 26 01 4 5K 2 1 4608 2304 23 04 11 52 25 76 4 5K 2 4 1 WS 4608 1944 23 04 9 72 25 01 4 5K 16 9 HD 4224 2376 21 12 11 88 24 23 4 5K 3 2 4320 2880 21 60 14 40 25 96 4 5K 4 1 4608 1152 23 04 5 76 23 75 4 5K 8 1 4608 576 23 04 2 88 23 22 4...

Page 104: ... 68 17 17 3K 2 4 1 WS 3072 1296 15 36 6 48 16 67 3K 16 9 HD 2880 1620 14 40 8 10 16 52 3K 6 5 1944 1620 9 72 8 10 12 65 3K 3 2 2880 1920 14 40 9 60 17 31 3K 4 3 2880 2160 14 40 10 80 18 00 3K 5 4 2880 2304 14 40 11 52 18 44 3K 4 1 3072 768 15 36 3 84 15 83 3K 8 1 3072 384 15 36 1 92 15 48 2 5K FF 2560 1340 12 80 6 70 14 45 2 5K 2 1 2560 1280 12 80 6 40 14 31 2 5K 2 4 1 WS 2560 1080 12 80 5 40 13 8...

Page 105: ... 4 1 WS 2048 864 10 24 4 32 11 11 2K 16 9 HD 1920 1080 9 60 5 40 11 01 2K 3 2 1920 1280 9 60 6 40 11 54 2K 4 3 1920 1440 9 60 7 20 12 00 2K 5 4 1920 1536 9 60 7 68 12 29 2K 6 5 1296 1080 6 48 5 40 8 44 2K 4 1 2048 512 10 24 2 56 10 56 2K 8 1 2048 256 10 24 1 28 10 32 COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 105 WEAPON SCARLET W OPERATION GUIDE ...

Page 106: ...ew the actual format and the de squeezed format go to Menu Settings Project Format Format When anamorphic is enabled the camera does not crop the sensor image so the recorded image has the same resolution and dimensions as the corresponding non anamorphic format After de squeezing the footage in post production the resulting footage has a different format than the original recorded image The forma...

Page 107: ... anamorphic and non anamorphic formats go to Menu Settings Project Format Format Figure Short Cut to Industry Standard Anamorphic Formats LOOKAROUND When Lookaround is enabled the Frame Guide and recording area are scaled down on the display so that you can see what images will enter the recording area To assign a Shading overlay to the Lookaround area the area outside of the recording area go to ...

Page 108: ...n feature is intended for multi camera arrays when all sensors are synchronized and at least one 1 camera is mounted upside down Using this feature is helpful for matching the line scan direction for the cameras in the array To enable the Flip Mirror Scan Direction feature follow the instructions below 1 Go to Menu Settings Project Sensor 2 Select the Flip Mirror Scan Direction check box The camer...

Page 109: ...lls mode NOTE Audio is not recorded in Internal Timelapse Timer mode In Internal Timelapse Timer mode the camera records a specified number of frames at a specified interval The current recording frame rate determines the timing of the frames per pulse For example in Internal Timelapse Timer mode you can choose to record a total amount of 1000 frames and take 1 frame every 4 67 seconds After recor...

Page 110: ...recorded in Speed Ramp mode Speed Ramp mode lets you program the current recording frame rate to transition to different recording frame rates during recording 1 Go to Menu Settings Recording Mode 2 Select Speed Ramp Mode from the Mode drop down menu 3 Use the Limit Recording to fields to set the recording to end at a predefined frame limit optional 4 Select a ramp target Ramp A B C D Each ramp ta...

Page 111: ...ode 2 Select REDCODE Burst from the Mode drop down menu 3 Use the Limit Recording to fields to set the recording to end at a predefined frame limit optional 4 Select a Pre Count and Post Count For more information go to Pre Count and Post Count below 5 Close the menu 6 Start recording Figure REDCODE Burst PRE COUNT AND POST COUNT When Frame Trigger or Burst mode is enabled select the number of fra...

Page 112: ...art a new clip and continuously add frames to that clip Release the Record key to stop adding frames and end the clip ADVANCED MULTI SHOT MODE In this mode the camera is continuously recording but is not saving frames This eliminates the delay you get in Basic Multi Shot mode Since the camera is continuously recording the camera requires the same amount of power it does during Continuous Record as...

Page 113: ...ou initiate recording by pressing any other Record key you can press any key mapped to Record Mark Frame to mark stills To use Motion Stills mode follow the instructions below 1 Set the camera to Stills mode 2 Go to Menu Settings Recording Mode 3 Select Motion Stills from the Mode drop down menu 4 Use the Limit Recording to fields to set the recording to end at a predefined frame limit optional 5 ...

Page 114: ... Apple ProRes 422 HQ Apple ProRes 422 LT Recording to REDCODE RAW QuickTime is not supported when the format is 4K FF or 5K FF If HDRX is enabled only the selected monitor track is recorded to the QuickTime files For more information go to HDRX Menu on page 150 RED recommends performing a Secure Format before recording Apple ProRes For more information see the DSMC Media Operation Guide available ...

Page 115: ...v files similar to how the camera creates multiple R3D files Figure File Structure REDCODE RAW QuickTime When recording QuickTime only this is the file structure of the recorded files on the RED MINI MAG RDM Folder RDC Folder mov NOTE The camera creates mulitple mov files similar to how the camera creates multiple R3D files Figure File Structure QuickTime COPYRIGHT 2017 RED COM INC 955 0116_V6 3 R...

Page 116: ...s The metadata is per clip and not per frame At this time there is no tool for extracting that metadata from the mxf files You can select any Resolution in the Format menu When recording Avid DNxHD HR the camera scales that format to the Resolution 2K or 4K selected in the Codec menu The field of view is maintained in Avid DNxHD HR the image is not cropped For more information on setting the Forma...

Page 117: ... Fiber WEAPON 6K Magnesium SCARLET W DNxHD SQ 1237 8 bit YCbCr 4 2 2 WEAPON 6K Carbon Fiber WEAPON 6K Magnesium SCARLET W DNxHD LB 1253 8 bit YCbCr 4 2 2 WEAPON 6K Carbon Fiber WEAPON 6K Magnesium SCARLET W COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 117 WEAPON SCARLET W OPERATION GUIDE ...

Page 118: ... the camera creates multiple R3D files Figure File Structure REDCODE RAW DNxHD HR When recording Avid DNxHD HR only this is the file structure of the recorded files on the RED MINI MAG RDM Folder RDC Folder mxf audio file marked with an A mxf video file marked with a V rtn RED Thumbnail file NOTE The camera creates mulitple mxf files similar to how the camera creates multiple R3D files Figure File...

Page 119: ...R3D R3D Apple ProRes R3D Avid DNxHD HR Apple ProRes Avid DNxHD HR The selected file format displays in the Lower Status Row 3 R3D Select a target REDCODE compression ratio from the REDCODE menu For more information go to REDCODE on page 59 4 Apple ProRes or Avid DNxHD HR Select a resolution from the Resolution drop down menu 5 Apple ProRes or Avid DNxHD HR Select a codec from the Record Video Code...

Page 120: ... image that is brighter and possibly blurrier than any of the original frames so you can use frame summing to achieve the effect of long exposure FRAME AVERAGING Frame Averaging combines the specified number of frames into one frame and averages the exposure time for each of the original frames The resulting frame has an effective integration time that is equal to the current integration time For ...

Page 121: ...ounds for the following actions Record Start Record Stop Mark Still Frame EVF Tally Light Select this check box to enable the EVF Record Tally LED on the EVF to illuminate red when recording SSD Tally Light Select this check box to enable the Record Tally LED on the media bay to illuminate red when recording For more information go to RED MINI MAG System on page 18 COPYRIGHT 2017 RED COM INC 955 0...

Page 122: ...OFT KEYS The following sets of soft keys are available on the touchscreen A B C D Left side of the touchscreen 1 2 3 4 Right side of the touchscreen To map or remap a soft key select an action from the drop down menu next to the key you want to map Enable Soft Keys on touchscreen Tap the left or right side of the touchscreen to show the soft keys Show key actions as labels When the soft keys displ...

Page 123: ...ltering happens on the receiver side of the communication link Use camera names and group names to address commands to a specific camera or group of networked cameras Camera ID Enter a unique camera name to use in network communications The field is limited to eight 8 characters Group ID Enter a group name to identify the camera as a member of a group of devices The field is limited to eight 8 cha...

Page 124: ...camera communication via Ethernet both cameras need to be in the same sub net have the same netmask address and have the same gateway address Enable DHCP Enables DHCP If a DHCP server is available in the communications network the camera obtains an IP address netmask address and gateway address automatically from the DHCP server You cannot manually enter anything in the IP Address Netmask and Gate...

Page 125: ... camera to an app the app must have been programmed using the REDLINK SDK which is available through the REDLINK Development Kit NOTE The WiFi antenna is integrated into the fan grill top side of camera For optimal WiFi performance do not obstruct the antenna with any accessory mounting plate or mounting rail Figure Do Not Obstruct WiFi Antenna CONNECT WIRELESSLY TO A DEVICE VIA AD HOC MODE In Ad ...

Page 126: ...evice to the ad hoc network created by the camera The steps in this procedure depend on what type of device and operating system you are using For example if you are connecting an iOS device go to Settings Wi Fi Devices and select the camera name The camera name displays on the WiFi screen in camera The camera and your device are now connected NOTE If you created a passphrase for the network you w...

Page 127: ...etwork The access point for the network must have DHCP enabled 2 Make sure that you know the name and password for the network since you will need that information to connect the camera to the same network 3 Go to Menu Settings Setup Communication 4 Select the WiFi tab 5 Select Infrastructure from the Mode drop down menu Figure WiFi Menu 6 Select Scan to search for available wireless networks The ...

Page 128: ... WiFi screen after the camera connects to the access point Figure Select Connect 11 Connect your device to the same wireless network that the camera is connected to The steps in this procedure depend on what type of device and operating system you are using For example if you are connecting an iOS device go to Settings Wi Fi and select the wireless network The camera and your device are now connec...

Page 129: ...outputs requires a DSMC2 expander For more information go to Input Output Connectors on page 222 GPI Function Camera Input Select one 1 of the following options to configure the input for devices connected to the SYNC connector on the camera Sync In The camera input is used as a sync in signal for MoCo General Purpose In Use the BRAIN GPI In High Low drop down menus to map inputs to actions GPO Fu...

Page 130: ... Temperature and the fans self adjust to maintain the selected temperature The default Target Temperature is 39 C After the camera reaches the Target Temperature and if the ambient temperature remains constant Adaptive mode results in a consistent fan speed and fan noise over time Targeting a higher temperature raises the sensor temperature lengthens the sensor warm up time and lowers the fan spee...

Page 131: ...ximum Record Speed is 75 and the default Maximum Preview Speed is 75 The range for both Maximum Record Speed and Maximum Preview Speed is 25 100 POST RECORD DELAY Select the amount of time that it takes for the fan to switch from record to preview mode COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 131 WEAPON SCARLET W OPERATION GUIDE ...

Page 132: ... PL Lenses on page 253 Auto Detect PL Lenses By default this feature is enabled Detect Lens Detects a lens if one is attached CANON AND NIKON LENS SETTINGS The options below display when a DSMC Nikon Mount or DSMC Canon Mount is installed with a supported lens Aperture Enter the aperture value The range and default depend on the lens Focus Use the slider to change the focal distance Manually chang...

Page 133: ...er Lens Owner Lens Manufacturer Lens Min Focal Length Lens Max Focal Length Figure Metadata MOTION MOUNT TAB The Motion Mount menu is only accessible when a DSMC RED MOTION MOUNTis installed For more information see the RED MOTION MOUNT Operation Guide available at www red com downloads MOTOR CONTROL Use the Motor Control menu to set up the RED 3 Axis Lens Control System For more information see t...

Page 134: ...to Menu Settings Maintenance 3 Select Save Log The log file is saved as a txt file in the SSD root directory For more information about RED support or to create a support ticket go to https support red com NOTE The camera automatically saves a log file when it is turned off properly and an SSD is mounted UPGRADE You can check for upgrades for the following items Camera Go to Upgrade Camera Firmwar...

Page 135: ...he current noise profile follow the instructions below 1 Ensure that the camera reaches the temperature you want to use for your shoot 2 Set the exposure to the exposure you want to use for your shoot 3 Put a lens cap on the lens if a lens is attached or a front body cap on the camera if a lens is not attached 4 Go to Menu Settings Look FLUT 5 Set FLUT to 8 000 6 Check the noise that displays on t...

Page 136: ...ake off the lens and install the front body cap If you cannot take off the lens put a lens cap on the lens Not all lens caps completely block IR Lens caps are made to protect the lens not necessarily to block light If possible use a dark room Just closing the aperture is NOT sufficient 4 Go to Menu Settings Maintenance Calibrate Create Manual 5 Select how many calibration maps you want to create f...

Page 137: ...nsure that the camera reaches the temperature you want to use for your shoot 2 Ensure that the sensor is as dark as possible Preferably take off the lens and install the front body cap If you cannot take off the lens put a lens cap on the lens Not all lens caps completely block IR Lens caps are made to protect the lens not necessarily to block light If possible use a dark room Just closing the ape...

Page 138: ...Settings Maintenance Calibrate In Camera The calibration maps that are saved internally on the camera Factory This is the calibration map generated during the manufacturing process and is the default map All other The user created calibration maps Media The calibration maps that are on the SSD in the path shown for example S SSD calibration CALIBRATION MAP ACTIONS Apply Apply the selected calibrat...

Page 139: ...ture to reach maximum operating temperature 5 When the camera reaches maximum operating temperature select High Temperature Calibration SELF TEST The Self Test menu includes Enable Sensor Test Pattern and Touchscreen ENABLE DISABLE SENSOR TEST PATTERN The Sensor Test Pattern feature is only used during manufacturing The sensor test pattern is a white screen TOUCHSCREEN To perform a touchscreen sel...

Page 140: ...ra REDISCOVER HARDWARE REDISCOVER Rediscovers all hardware and caches the data for future boot cycles Perform a Hardware Rediscover if a module or lens mount is not functioning correctly To perform a Hardware Rediscover follow the instructions below 1 Go to Menu Settings Maintenance 2 Select Rediscover 3 Select Yes on the screen that asks you to confirm the Hardware Rediscover The camera turns off...

Page 141: ...re Version Current firmware version PIN The personal identification number that is specific to your camera SVN Revision The current firmware number Runtime The number of hours that the camera has been turned on COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 141 WEAPON SCARLET W OPERATION GUIDE ...

Page 142: ...y RED warranty If you have any questions or support issues with a third party OLPF contact the OLPF s manufacturer If you are using a third party OLPF follow the instructions below to set up the OLPF 1 Install the OLPF For more information go to Swap an Interchangeable OLPF on page 48 2 Go to Menu Settings Maintenance OLPF 3 Select an option from the 3rd Party Emulated Type drop down menu This men...

Page 143: ...media see the DSMC Media Operation Guide available at www red com downloads DEVICE Format and eject unmount the SSD To see information about the SSD in the camera select More Info CLIPS View and load clips on the SSD in thumbnail view Figure Clips Menu COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 143 WEAPON SCARLET W OPERATION GUIDE ...

Page 144: ...ected clip to the Play List All Move all clips to the Play List Apply Image Metadata Image data such as color gain and curves recorded with the image displays with the playback image When deselected the current playback Look settings are used Load Closes the menu and brings up the selected clip in Playback mode RECORD EXIT Select Record to exit Playback mode You can also press any button mapped to...

Page 145: ...PLAYBACK CONTROLS Figure Playback Controls Figure Playback Controls COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 145 WEAPON SCARLET W OPERATION GUIDE ...

Page 146: ...back controls CONTROL DESCRIPTION 1 Clips View clips as thumbnails 2 Load Previous Clip Loads the previous clip in the playlist 3 Frame by Frame Reverse Moves through the clip frame by frame in reverse COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 146 WEAPON SCARLET W OPERATION GUIDE ...

Page 147: ...a playlist go to Menu Playback Menu Media Playlist and move clips to the Play List field 16 Playback Speed Option to select x1 x2 x4 x8 or x16 playback speed 17 In Point Sets a red In Point marker in the Playback Status Bar Use an In Point marker in conjunction with an Out Point marker to play only a certain portion of a clip The In Out Point markers help when the clip is long and you want to focu...

Page 148: ...1 Next Marker Goes to the next marked frame which displays as a red line in the Playback Status Bar Disabled when there are no marked frames COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 148 WEAPON SCARLET W OPERATION GUIDE ...

Page 149: ...ESET to clear the fault When the DSMC2 REDVOLT Expander is attached you can see the current output of each power out port in amps and toggle those ports on off POWER SAVE You can select the following power saving options the default for each is Never Low Power Preview The camera uses a lower amount of power after the specified period of inactivity Sleep All monitors turn off and keys do not perfor...

Page 150: ... is grey To enable HDRX follow the instructions below 1 Go to Menu HDRX 2 Select HDRX The HDRX text in the Lower Status Row turns white 3 Select the number of Factors The range is 1 6 and the default is 2 4 Select which track you want the display to show A Track This track shows the video with the selected aperture and exposure settings applied X Track This track shows the video with the additiona...

Page 151: ...d The lens focus switch is set to A or M A DSMC Canon Mount and a supported lens is attached The lens focus switch is set to AF DSMC Canon MOTION MOUNT and a supported lens is attached The lens focus switch is set to AF When any of the above conditions are met the following options display in the Mode drop down menu Single When you press the key mapped to AF Start the camera performs single shot A...

Page 152: ...t targets change color to indicate the focus state of the objects in the targets TARGET COLOR DESCRIPTION Blue Camera is focusing Red Objects are out of focus Yellow Objects are almost in focus Green Objects are in focus CENTER Provides a large target square for focus that is centered in the recording area SPOT Provides a small target for precise focus that you can move around the recording area M...

Page 153: ...us menu The target displays on the touchscreen and the monitor that you selected for the Enhanced A F feature is in Clean mode Figure Enable Enhanced A F CONFIRM STYLE CONFIRM STYLE DESCRIPTION OBJECTS IN TARGET ARE IN FOCUS OBJECTS IN TARGET ARE OUT OF FOCUS None Square target operates like the target square in Confirm mode Target is yellow or green Target is red Circle Yellow circle around a squ...

Page 154: ...o the camera 2 Go to Menu Focus Mode 3 Select Rack from the Mode drop down menu 4 Select a size from the Size drop down menu Figure Set Up Rack Focus 5 Go to the Rack tab 6 Use the Rack Speed slider to change the speed at which the lens moves Move the slider to the left for a slower speed and to the right for a faster speed 7 Select the number of Rack Points up to 4 COPYRIGHT 2017 RED COM INC 955 ...

Page 155: ...o return to the main screen C Tap and hold the touchscreen where you want the rack point to be or press and drag the rack point When you move a rack point the camera autofocuses NOTE To prevent a rack point from being accidentally moved the rack point is less sensitive to touch than the other focus targets To fine tune the rack point location first drag the rack point farther than it needs to be a...

Page 156: ...is selected when you trigger the AF Start action the focus racks from point A to point B Press a key that is mapped to racking to a specific rack point MAP KEYS TO CYCLE RACK FOCUS You can map user keys to rack focus to different rack points For more information go to Keys on page 122 You can map the following actions AF Start AF Rack to A AF Rack to B AF Rack to C AF Rack to D COPYRIGHT 2017 RED ...

Page 157: ...ed Single Shot Map one of the following actions to trigger the AE tools AE Start AE AF Start Continuous in Preview The AE tools are enabled in preview only Continuous in Preview Record The AE tools are enabled in both preview and record NOTE In Stills mode AE AF Start is mapped to Record Half Press by default For more information go to Default Key Functions on page 264 EXPOSURE PRIORITY Manual You...

Page 158: ...ormal Settings adapt in medium steps Fast Settings adapt in large steps SELECTION The Selection setting determines which values the algorithm uses This enables you to modify the list of values so that the algorithm selects only specific parameters Use Free Value Selection to improve accuracy For example you can modify the aperture list to include f 2 8 and f 5 6 If Free Value Selection is enabled ...

Page 159: ...r set to be modified and all the values to be updated to their current in camera values You cannot update factory installed presets which end with RED Clone Create a new preset using the selected preset as a template Delete Delete the selected preset EXPORT AND IMPORT PRESETS Presets can be stored on the camera or transferred to SSD to be shared with other cameras When exporting presets from camer...

Page 160: ...ur computer create a folder on the SSD called Looks 2 Save your RMD files that have been exported from REDCINE X PRO to the Looks folder on the SSD 3 Eject the SSD from your computer 4 Mount the SSD to your camera 5 Go to Presets Looks 6 Select one 1 of the following Import selected Look from SSD to camera All Import all Looks from SSD to camera For more information see the REDCINE X PRO Saving Lo...

Page 161: ...iew The selected preset is applied every time the camera enters Preview mode including at startup and when exiting Playback mode On Enter Playback The selected preset is applied every time the camera enters Playback mode COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 161 WEAPON SCARLET W OPERATION GUIDE ...

Page 162: ...al audio input output options are determined by the attached port expander For more information about the ports on each expander go to Input Output Connectors on page 222 The camera can record up to four 4 discrete stereo channels of uncompressed 24 bit 48 KHz audio Input signals are routed via a high quality pre amplifier to achieve the desired recording levels and maximize dynamic range Audio da...

Page 163: ...alog Ch1 Ch2 Ch3 Ch4 DSMC2 Base Expander DSMC2 V Lock I O Expander Stereo Microphone Rear Analog Ch1 Ch2 Ch3 Ch4 DSMC2 REDVOLT Expander AUDIO 1 and AUDIO 2 full size XLR NAME You can rename each audio channel The default names are Ch1 Ch2 Ch3 and Ch4 The channel names display in the Audio Meter but are not included in the clip metadata For more information go to Headphone Volume on page 165 MODE M...

Page 164: ...ow the instructions below 1 Go to Menu Settings Audio Control Pre Amp Gain 2 Move the Pre Amp pre amplifier sliders up and down to adjust the amplification levels 3 To link the amplification for each channel select Link Figure Pre Amp Gain COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 164 WEAPON SCARLET W OPERATION GUIDE ...

Page 165: ...e steps below 1 Go to Menu Settings Audio Control Headphone Volume 2 Move the Left and Right sliders up and down to adjust the volume 3 To toggle mute unmute select Mute 4 To link the volume for Left and Right select Link Figure Headphone Volume COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 165 WEAPON SCARLET W OPERATION GUIDE ...

Page 166: ...hannel to the Left Middle or Right side of the stereo mix Move the sliders up and down to adjust the volume You can control the volume and stereo for each audio monitoring option Headphone Mix Headphones plugged into the camera Audio Out Mix Line out plugged into an expander The input gain is fixed Monitor Mix External HDMI and HD SDI monitors that support audio Figure Mix AUDIO OUTPUT OPTIONS DSM...

Page 167: ...tput as the VU Meter Source the Audio Meter displays the Headphone Mix Audio Out Mix and Monitor Mix levels For more information go to VU Meter on page 88 When recording to an external device use the Output levels to help accurately monitor recorded audio AUDIO METER LEVELS Figure Audio Meter The camera updates the Audio Meter 12 times per second with the maximum signal from the last 1 12 of a sec...

Page 168: ... headphones or HDMI and HD SDI monitors and automatically unmutes any muted audio outputs To access audio settings during playback go to Menu Settings Audio and select the following tabs Control Mix COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 168 WEAPON SCARLET W OPERATION GUIDE ...

Page 169: ...ge and audio Timecode is embedded in recorded RAW files QuickTime files if recording an Apple ProRes codec and MXF files if recording an Avid codec as metadata and in HANC metadata provided by the HD SDI monitor output The camera can generate timecode on its own or can receive and sync to timecode generated by an external source Timecode displays in the lower right corner of the Live Action Area o...

Page 170: ...urce User Provided OUTPUT TIMECODE WITH DSMC2 REDVOLT EXPANDER NOTE A DSMC2 REDVOLT Expander is required to output timecode from the camera With the DSMC2 REDVOLT Expander you can output a timecode signal to an external device or to a slaved camera 1 Follow the instructions in Set Up Internal Timecode above to set up internal timecode 2 Connect the camera to another device using the PRO I O TIMECO...

Page 171: ...BNC to 00 LEMO Sync Cable DSMC2 REDVOLT Expander Connect the GENLOCK port on the expander to the device using a 75 ohm BNC cable 2 Go to Menu Settings Project Timecode 3 Select the desired Timecode Display Mode 4 Set Source to External The TC indicator in the Lower Status Row turns green when an external timecode source is locked NOTE When an external source is selected but not present timecode di...

Page 172: ...formation go to Input Output Connectors on page 222 Monitor Sync occurs when a genlock signal is provided that is compatible with the current monitor output frequency Monitor Sync is achievable even if the camera is using another form of synchronization to sync the camera sensor 1 Connect the genlock device to the camera DSMC2 Base Expander DSMC2 V Lock I O Expander DSMC2 Jetpack Expander or DSMC2...

Page 173: ... the current monitor output frequency When Monitor Sync is achieved the GEN indicator in the Lower Status Row illuminates green Figure HD SDI Output Frequency REQUIRED CABLE DSMC2 Base Expander DSMC2 V Lock I O Expander DSMC2 Jetpack Expander or DSMC2 Jetpack SDI Expander 790 0154 3BNC to 00 LEMO DSMC2 REDVOLT Expander 75 ohm BNC cable such as the RED HD SDI Cable P N 790 0341 COPYRIGHT 2017 RED C...

Page 174: ...atible with the current monitor output frequency project time base and recording frame rate While operating in Sensor Sync sensor timing is locked to the genlock signal Sensor Sync requires the following synchronized settings Setting Menu Location Path Genlock signal frequency N A external genlock device HD SDI monitor output frequency Menu Settings Display Monitor Control Project Time Base Menu S...

Page 175: ...e Sync Settings 5 Go to Menu Settings Display Monitor Control 6 Select HDSDI from the drop down menu 7 Select the desired monitor output frequency from the Frequency drop down menu Select Auto to automatically match the HD SDI output to the current project time base The GEN indicator in the Lower Status Row turns green when a compatible genlock signal is present and genlock is enabled The SYNC ind...

Page 176: ... naming conventions for clips recorded on those cameras Master Slave is the most common configuration for Stereo 3D productions When cameras are operated in Master Slave configuration you can perform the following operations Power Turn off the Master camera to turn off both cameras Record Press the PWR REC key on the Master camera to start stop recording on both cameras Change settings Change sett...

Page 177: ... GIG E port on one expander to the GIG E port on the other expander 2 On the Master camera follow the instructions below A Go to Menu Settings Setup Communication B Type a name for the camera Example CAM A LEFT MASTER etc in the Camera ID field C Set Target to All Figure Master Settings D Go to Menu Settings Setup Communication and select the Ethernet tab E Select the Camera to Camera the check bo...

Page 178: ...tion and select the Ethernet tab E Select the Camera to Camera the check box The LAN indicator in the Lower Status Row illuminates green NOTE Cameras can also be set up in a Master Master configuration To set up Master Master set Target to All on both cameras allowing either camera to make changes and control record start stop REQUIRED CABLE 790 0163 Master Slave Gig E Cable 4 COPYRIGHT 2017 RED C...

Page 179: ...a 2 On both Master and Slave cameras select the desired Reel Number and Camera ID settings The Reel Number and Camera ID settings on both cameras should match 3 On the Master camera change the Camera Position to Left representing left eye Figure Master Settings 4 On the Slave camera change the Camera Position to Right representing right eye 5 On both cameras select Format to format media and set t...

Page 180: ...Right The first clip recorded by this Master Slave camera configuration is Master S001_L001_0503B6 R3D Slave S001_R001_0503R7 R3D NOTE B6 and R7 are examples of camera generated wildcard characters NOTE If both camera have a Camera Position of Left the recorded clips will have the same filename structure with the exception of the camera generated wildcard characters For example Master A001_C001_05...

Page 181: ...ng frame rate To set up a Stereo 3D setup follow the instructions below 1 On both cameras set the project time base and recording frame rate 2 On both cameras follow the instructions in Sensor Sync on page 174 to achieve Sensor Sync genlock status The GEN and SYNC indicators in the Lower Status Row illuminate green 3 Follow the instructions in Set Up Master Slave Operation on page 177 to set Maste...

Page 182: ...er a matching name in the Group ID field All cameras must have the same Group ID name C On the Ethernet tab select the DHCP Camera to Camera and External Control check boxes 2 Follow the instructions in Sensor Sync on page 174 to connect each camera to the genlock device The GEN and SYNC indicators in the Lower Status Row illuminate green 3 Follow the instructions in Set Up Master Slave Operation ...

Page 183: ...ts and difficult shots Motion Control uses GPIO signals transmitted using the SYNC GPI and CTRL GPO ports on the DSMC2 Base Expander or DSMC2 V Lock I O Expander For more information on GPIO connections go to Input Output Connectors on page 222 To set up MoCo follow the instructions below 1 Connect the Motion Control device to the camera using a 3BNC to 00 LEMO Sync Cable Sync In Connect the white...

Page 184: ...C to 00 LEMO Sync Cable required per SYNC and CTRL port used COMPATIBLE TIMECODE DEVICES The following timecode devices are compatible with the camera Additional timecode devices may be compatible but have not yet been tested by RED Ambient ACL 202CT Ambient LOCKIT ACL 203 Ambient ACL 204 Ambient ACC 501 Clockit Controller Ambient ACD 301 Lockit Slate Denecke SB 3 Syncbox Time Code Generator Sound...

Page 185: ...ync Generator with Universal Power Supply Ambient ACL 202CT Ambient ACL 203 Ambient ACL 204 Denecke SB T Evertz Master Clock 5600MSC NOTE Ensure that your genlock device provides a full strength genlock signal to each camera Splitting a genlock signal weakens it which may compromise the sync between cameras COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 185 WEAPON SCARLET W OPERATION GUIDE ...

Page 186: ...omputers with REDCINE X PRO installed RED Watchdog mounts the SSD as Read Only by default which means that you are unable to write files including firmware upgrade files to the SSD Change the Mount preference to Read Write before attempting to copy firmware to the SSD 1 Connect an SSD RED MINI MAG to your computer 2 Download the most recent firmware for your camera from RED Downloads at www red co...

Page 187: ...A the camera cannot be used The SLA continues to display until it is accepted 12 Go to Menu Settings Maintenance System Status Camera Info and verify that the firmware version listed matches the firmware version that you downloaded 13 Reformat the SSD before recording COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 187 WEAPON SCARLET W OPERATION GUIDE ...

Page 188: ... compressed air and gas dusters since the high pressure oily residue cold air particulates and moisture may cause damage You may use a filtered non residue gas duster to clean non critical areas such as around the fans and other recesses on the exterior of the camera Damage to the camera or other components of the camera system caused by using compressed air or gas dusters is not covered under war...

Page 189: ...ITED EVF SCREEN CLEANERS DO NOT use any of the items listed below to clean the screen on the DSMC2 RED EVF These products have not been tested on RED products and may cause damage or streaking Compressed air Gas dusters Solvents Rubbing alcohol Isopropyl alcohol Windex Third party cleaning kits Pre packaged lens cleaner containing any additives such as detergent anti static compounds or fragrance ...

Page 190: ...or other components of the camera system caused by using prohibited cleaners is not covered under warranty SCREEN STORAGE Store any RED device with a screen in a RED Microfiber bag Storing devices in a RED Microfiber bag preserves the superior quality of the specialized AR and AS coatings on the LCDs Hand wash and air dry the RED Microfiber bag regularly WATER DAMAGE If your device has come in con...

Page 191: ...you have an equipment failure during a major shoot 1 Configure your camera 2 Perform a black shade calibration sensor calibration 3 Enable the Sensor Test Pattern in the Maintenance menu 4 Select the desired resolution 5 Select the highest available frame rate 6 Perform a secure format of the SSD 7 Record a full SSD of footage 8 Perform a secure format of the SSD 9 Repeat Step 6 to Step 8 to test ...

Page 192: ... information go to Rediscover Hardware Rediscover on page 140 Upgrade your camera firmware For more information go to Upgrade Camera Firmware on page 186 Reset your camera s default settings For more information go to Reset Defaults on page 140 CAMERA DOES NOT RECOGNIZE LENS SYMPTOM The camera does not recognize the attached lens POTENTIAL RESOLUTIONS Ensure that the lens is compatible For more in...

Page 193: ...TE Some lenses do not display the aperture information because they are incompatible Some PL lenses do not have i technology data CANNOT SEE MENUS ON LCD TOUCHSCREEN SYMPTOM The LCD touchscreen does not display menus POTENTIAL RESOLUTION Double tap the LCD touchscreen to exit Clean mode SCREEN FREEZES OR DOES NOT DISPLAY SYMPTOM The screen freezes or does not display POTENTIAL RESOLUTION Perform a...

Page 194: ... using F Save the appropriate enable_menus file to the force_preset folder on your SSD G Eject or unmount the SSD and then remove the SSD H Ensure the camera is turned off I Insert the SSD into your camera J Turn on the camera The camera automatically applies the preset NOTE On Mac computers with REDCINE X PRO installed RED Watchdog mounts the SSD as Read Only by default which means that you are u...

Page 195: ...YMPTOM Image or footage appears grainy POTENTIAL RESOLUTIONS Perform a black shading calibration before recording additional clips For more information go to Sensor Calibration on page 135 Check the histogram to ensure proper exposure Noise occurs if an image is overexposed or underexposed For more information go to Stills Mode on page 64 Use the lowest REDCODE compression possible for the setting...

Page 196: ...age 185 Use a different cable Ensure your timecode or genlock device settings match your project settings Ensure your timecode or genlock device is set to the correct source For more information go to Timecode on page 169 and Genlock on page 172 Ensure that your Sensor Sync Mode is set to Genlock For more information go to Sensor Sync on page 174 Set the ACN Ambient Clockit Network to Off CAMERA D...

Page 197: ...hot pixel is from the camera sensor not your display monitor If you determine that the camera sensor has a hot pixel use REDCINE X PRO to remove the hot pixel until the issue gets resolved For more information see the REDCINE X PRO Operation Guide available at www red com downloads NO HDMI SIGNAL SYMPTOM No HDMI signal from the expander EXPLANATION The secondary LCD EVF port on the side of the cam...

Page 198: ...mera to the newest firmware version One 1 of your modules or lens mounts collectively known as peripherals may be experiencing issues Remove all peripherals except for the media bay and upgrade firmware Then attach another peripheral and upgrade firmware again Repeat this process upgrading one 1 peripheral at a time This will identify which peripheral is experiencing issues If there is a periphera...

Page 199: ...ypes power modules and power cables CAMERA KEEPS PROMPTING BLACK SHADE MESSAGE SYMPTOM Your camera keeps prompting you to black shade the camera POTENTIAL RESOLUTIONS Ensure that you complete the sensor calibration process For more information go to Sensor Calibration on page 135 Go to Menu Settings Maintenance Calibrate and select user1 Calibration Map Click Set Go to Menu Settings Maintenance Ca...

Page 200: ...ables List of file formats you were recording to before the error occurred R3D Apple ProRes Avid DNxHD HR PROXY BUFFER OVERFLOW WARNING SYMPTOM The error message Proxy Buffer Overflow displays POTENTIAL RESOLUTIONS Update the camera firmware to the latest release build available for download at www red com downloads Select a different recording file format and or resolution from the Codec menu For...

Page 201: ...crews in a cross pattern X pattern using a T10 TORX driver 3 Remove the media bay from the camera 4 Inspect the connections and pins on the camera and ensure that they are clean and undamaged NOTE DO NOT touch any part of the exposed boards or connectors 5 Re attach the media bay as soon as possible to prevent dust or debris from entering the camera For more information go to Install the Media Bay...

Page 202: ... damage the Sensor Positioning System Damage to the camera system caused by adjusting the back focus while the sensor is locked is not covered under warranty REQUIRED TOOLS T10 TORX driver Phillips 0 screwdriver 1 Turn off the camera 2 Remove the DSMC2 Sidekick or side panel if a DSMC2 Sidekick is not attached For more information go to Remove the DSMC2 Sidekick on page 42 Figure Remove DSMC2 Side...

Page 203: ...osition DO NOT exceed 80 in oz or damage may occur WARNING DO NOT OVERTIGHTEN Figure Lock Back Focus Figure Back Focus Successfully Locked 7 Re install the DSMC2 Sidekick or side panel For more information go to Install the DSMC2 Sidekick on page 42 Figure Install DSMC2 Sidekick COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 203 WEAPON SCARLET W OPERATION GUIDE ...

Page 204: ... 120GB 240GB Max Frame Rates1 75 fps at 6K Full Format 6144 x 3160 100 fps at 6K 2 4 1 6144 x 2592 96 fps at 5K Full Format 5120 x 2700 120 fps at 5K 2 4 1 5120 x 2160 120 fps at 4K Full Format 4096 x 2160 150 fps at 4K 2 4 1 4096 x 1728 150 fps at 3K Full Format 3072 x 1620 200 fps at 3K 2 4 1 3072 x 1296 240 fps at 2K Full Format 2048 x 1080 300 fps at 2K 2 4 1 2048 x 864 Playback Frame Rates Pr...

Page 205: ...32x32x32 26x26x26 17x17x17 3D LUTs Variable number of 3D LUT outputs with DSMC2 expander module User programmable shaper 1D LUTs Tetrahedral interpolation 16 bit processing Audio Integrated dual channel digital stereo microphones uncompressed 24 bit 48KHz Optional 2 additional channels with DSMC2 expander module uncompressed 24 bit 48KHz Remote Control Integrated REDLINK WiFi antenna Ethernet RS23...

Page 206: ...Compatibility2 Adobe Premiere Pro Avid Media Composer DaVinci Resolve Edius Pro Final Cut Pro Vegas Pro 1 REDCODE values and max frame rates may vary based on selected acquisition format aspect ratio project time base Lookaround setting and SSD For more information see the DSMC Media Operation Guide at www red com downloads 2 Third party non linear editing NLE applications may have limited compati...

Page 207: ...48 x 1080 300 fps at 2K 2 4 1 2048 x 864 Playback Frame Rates Project Time Base 23 98 24 25 29 97 47 95 48 50 59 94 60 fps all resolutions REDCODE Settings Range from 2 1 up to 22 1 1 To see all of the maximum available REDCODE values see the DSMC Media Operation Guide at www red com downloads REDCODE RAW Acquisition Formats Go to WEAPON Formats on page 100 for a full list Apple ProRes 4444 XQ and...

Page 208: ...r Options DSMC2 RED Touch 4 7 LCD DSMC2 RED Touch 7 0 LCD and DSMC2 RED EVF OLED with cable free connection RED Touch 9 0 LCD RED Touch 5 0 LCD RED PRO 7 LCD RED Touch 7 0 LCD BOMB EVF LCOS and BOMB EVF OLED compatible with DSMC2 LEMO Adaptor A and LCD EVF cable REDCINE X PRO Delivery Formats 4K DPX TIFF OpenEXR RED via RRencode Plugin 2K DPX TIFF OpenEXR RED via RRencode Plugin 1080p RGB 4 2 2 72...

Page 209: ...m available REDCODE values see the DSMC Media Operation Guide at www red com downloads REDCODE RAW Acquisition Formats Go to SCARLET W Formats on page 103 for a full list Apple ProRes 422 HQ 422 and 422 LT at 2K 2048 1080 up to 60 fps Avid Codecs DNxHD HQ SQ and LB 1920 1080 8 bit up to 60 fps Typical Max Recording Time Using RED MINI MAG 120GB2 5K 5120 x 2700 at 24 fps and 11 1 REDCODE 41 minutes...

Page 210: ... Delivery Formats 4K DPX TIFF OpenEXR RED via RRencode Plugin 2K DPX TIFF OpenEXR RED via RRencode Plugin 1080p RGB 4 2 2 720p 4 2 2 QuickTime JPEG Avid AAF MXF 1080p 4 2 0 720p 4 2 0 H 264 MP4 Video Editing Software Compatibility3 Adobe Premiere Pro Avid Media Composer DaVinci Resolve Edius Pro Final Cut Pro Vegas Pro 1 REDCODE values and max frame rates may vary based on selected acquisition for...

Page 211: ...95 48 50 59 94 60 fps all resolutions REDCODE Settings Range from 2 1 up to 22 1 1 To see all of the maximum available REDCODE values see the DSMC Media Operation Guide at www red com downloads REDCODE RAW Acquisition Formats Go to SCARLET W Formats on page 103 for a full list Apple ProRes 422 HQ 422 and 422 LT at 2K 2048 1080 up to 60 fps Avid Codecs DNxHD HQ SQ and LB 1920 1080 8 bit up to 60 fp...

Page 212: ... EVF LCOS and BOMB EVF OLED compatible with DSMC2 LEMO Adaptor A and LCD EVF cable REDCINE X PRO Delivery Formats 4K DPX TIFF OpenEXR RED via RRencode Plugin 2K DPX TIFF OpenEXR RED via RRencode Plugin 1080p RGB 4 2 2 720p 4 2 2 QuickTime JPEG Avid AAF MXF 1080p 4 2 0 720p 4 2 0 H 264 MP4 Video Editing Software Compatibility3 Adobe Premiere Pro Avid Media Composer DaVinci Resolve Edius Pro Final C...

Page 213: ...COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 213 WEAPON SCARLET W OPERATION GUIDE B MECHANICAL DRAWINGS WEAPON BRAIN NOTE Dimensions are shown in mm The optical axis height of the camera is 95 90 mm ...

Page 214: ...FRONT VIEW Figure WEAPON Front View COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 214 WEAPON SCARLET W OPERATION GUIDE ...

Page 215: ...BACK VIEW Figure WEAPON Back View COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 215 WEAPON SCARLET W OPERATION GUIDE ...

Page 216: ...SIDE VIEW RIGHT Figure WEAPON Side View Right COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 216 WEAPON SCARLET W OPERATION GUIDE ...

Page 217: ...SIDE VIEW LEFT Figure WEAPON Side View Left COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 217 WEAPON SCARLET W OPERATION GUIDE ...

Page 218: ... BRAIN NOTE Dimensions are shown in mm The optical axis height of the camera is 95 90 mm FRONT VIEW Figure SCARLET W Front View COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 218 WEAPON SCARLET W OPERATION GUIDE ...

Page 219: ...BACK VIEW Figure SCARLET W Back View COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 219 WEAPON SCARLET W OPERATION GUIDE ...

Page 220: ...SIDE VIEW RIGHT Figure SCARLET W Side View Right COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 220 WEAPON SCARLET W OPERATION GUIDE ...

Page 221: ...SIDE VIEW LEFT Figure SCARLET W Side View Left COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 221 WEAPON SCARLET W OPERATION GUIDE ...

Page 222: ... on the following expanders DSMC2 Base Expander DSMC2 V Lock I O Expander DSMC2 REDVOLT Expander DSMC2 Jetpack Expander DSMC2 Jetpack SDI Expander NOTE When connecting a cable to a connector align the key and red marker on the cable connector with the corresponding key and marker on the device connection NOTE Connector diagram images are for reference only Diagrams are not to scale ...

Page 223: ...ereo Headphone on page 241 3 SYNC 4 pin 00B LEMO SYNC Video Sync In with SYNC Trigger Button Circuit on page 230 4 CTRL 4 pin 00B LEMO CTRL RS232 Control on page 234 5 HDMI HDMI 1 2 Type A HDMI Out on page 229 6 HD SDI BNC 3G SDI HD SDI Out on page 228 7 DC IN 6 pin 1B LEMO DC IN Power Input on page 242 COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 223 WEAPON SCARLET W OPERATION GUIDE ...

Page 224: ...stereo Headphone on page 241 4 USB Power USB 2 0 Type A power only USB Power on page 247 5 SYNC 4 pin 00B LEMO SYNC Video Sync In with Contact Closure Style Trigger Input on page 232 6 CTRL 4 pin 00B LEMO CTRL RS232 Control on page 234 7 HDMI HDMI 1 2 Type A HDMI Out on page 229 8 HD SDI BNC 3G SDI HD SDI Out on page 228 9 DC IN 6 pin 1B LEMO DC IN Power Input on page 242 COPYRIGHT 2017 RED COM IN...

Page 225: ...IG E Ethernet on page 239 6 DC IN 6 pin 1B LEMO DC IN Power Input on page 242 7 GENLOCK BNC Genlock on page 237 8 TIMECODE 5 pin 0B LEMO Timecode on page 238 9 AUX PWR 2 pin 0B LEMO AUX Power 2 Pin LEMO 3 0A on page 244 10 SERIAL 7 pin 0B LEMO Serial RS232 Control on page 235 11 USB USB 2 0 Type A power only USB Power on page 247 12 AUDIO 1 and 2 3 pin full size XLR Audio 1 and 2 on page 240 13 He...

Page 226: ...rol on page 234 2 HDMI HDMI 1 2 Type A HDMI Out on page 229 3 DC IN 6 pin 1B LEMO DC IN Power Input on page 242 4 SYNC 4 pin 00B LEMO SYNC Video Sync In with Contact Closure Style Trigger Input on page 232 5 USB USB 2 0 Type A power only USB Power on page 247 COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 226 WEAPON SCARLET W OPERATION GUIDE ...

Page 227: ... pin 0B LEMO AUX Power 2 Pin LEMO 1 5A on page 245 3 GIG E 9 pin 0B LEMO GIG E Ethernet on page 239 4 DC IN 6 pin 1B LEMO DC IN Power Input on page 242 5 SYNC 4 pin 00B LEMO SYNC Video Sync In with Contact Closure Style Trigger Input on page 232 6 SDI BNC 3G SDI HD SDI Out on the next page COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 227 WEAPON SCARLET W OPERATION GUIDE ...

Page 228: ...24 00 25 00 29 97 30 00 50 00 59 94 SMPTE ST 292 1 1 485 Gbps 1080p 10 bit 4 2 2 23 98 24 00 25 00 29 97 30 00 SMPTE ST 292 1 485 Gbps 1080p 10 bit 4 2 2 50 00 59 94 60 00 3G SDI SMPTE ST 424 2 970 Gbps SMPTE ST 425 2 970 Gbps 1 Ensure you select a frequency supported by your monitor 2 The output is progressive scan p it does not support progressive segmented frame PsF or interlaced i scan formats...

Page 229: ...s not support progressive segmented frame PsF or interlaced i scan formats COMPATIBLE CABLE 790 0331 RED HDMI Cable 5 HDMI WIRELESS TRANSMITTERS The HDMI connector supports HDMI wireless transmitters so that you can transmit the HDMI signal to a remote HDMI monitor The HDMI connector supports industry standard HDMI wireless transmitters NOTE The DSMC2 Jetpack Expander features a spring loaded reta...

Page 230: ...nput GPI signals Figure Front Face of the SYNC Video Sync Connector Looking at the Camera 4 PIN 00B LEMO SYNC CONNECTOR PIN SIGNAL DESCRIPTION DIRECTION 1 GROUND Common ground N A 2 SS GPI Shutter sync general purpose input trigger In 3 TIMECODE SMPTE unbalanced timecode input In 4 GENLOCK Tri level sync input In NOTE Mating connector is FGG 00 304 CLAD COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV...

Page 231: ...the GPI trigger is used for record start stop Start Record On ground to 3 3 V transition During Record Hold at 3 3 V Stop Record On 3 3 V to ground transition During Stop Hold at ground Figure Trigger Button Circuit Diagram NOTE In the diagram above values are approximate Use standard values COMPATIBLE CABLES 790 0154 3BNC to 00 LEMO Sync Cable 790 0187 4 Pin 00 LEMO to Flying Lead 790 0415 RED St...

Page 232: ...GPI contact closure style trigger short Pin 2 GPI to Pin 1 ground WARNING DO NOT apply voltage to Pin 2 GPI Figure Front Face of the SYNC Video Sync Connector Looking at the Camera 4 PIN 00B LEMO SYNC CONNECTOR PIN SIGNAL DESCRIPTION DIRECTION 1 GROUND Common ground N A 2 GPI General purpose input trigger contact closure to Pin 1 In 3 TIMECODE SMPTE unbalanced timecode input In 4 GENLOCK Tri level...

Page 233: ...igure Contact Closure Style Trigger Button Circuit Diagram SYNC COMPATIBLE CABLES 790 0154 3BNC to 00 LEMO Sync Cable 790 0187 4 Pin 00 LEMO to Flying Lead 790 0415 RED Start Stop Cable 14 Pin LEMO to SYNC CTRL BNC 790 0428 RED Start Stop Cable 14 Pin to 00B SYNC COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 233 WEAPON SCARLET W OPERATION GUIDE ...

Page 234: ...e pulse indicates start of record falling edge represents end of record For more information about controlling the camera via RS232 download the REDLINK SDK available at www red com developers Figure Front Face of the CTRL RS232 Connector Looking at the Camera 4 PIN 00B LEMO CTRL CONNECTOR PIN SIGNAL DESCRIPTION DIRECTION 1 GROUND Common ground N A 2 232 RX RS232 RX In 3 SS GPO Shutter sync genera...

Page 235: ...o 6 on the SERIAL connector Figure Front Face of the SERIAL RS232 Connector Looking at the Camera SERIAL CONNECTOR PIN SIGNAL DESCRIPTION DIRECTION 1 GND Camera ground N A 2 RS232 RX RS232 RX In 3 RS232 TX RS232 TX Out 4 AUX OUT 11 5 to 17 VDC unregulated battery pass through power Out 5 N A No connection NC N A 6 GND Camera ground N A 7 GPI General Purpose In GPI trigger active low switch closure...

Page 236: ...his cable 790 0553 RED 7 Pin 0B LEMO to Flying Lead Serial Port Cable 6 For non GPI applications you can use this 6 pin cable 790 0444 REDLINK to T H C Connector Cable 3 COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 236 WEAPON SCARLET W OPERATION GUIDE ...

Page 237: ...coming sync and genlock signals 75 OHM BNC CONNECTOR PIN SIGNAL DESCRIPTION DIRECTION Center SYNC SMPTE ST 274 RS 170A Tri Level Sync In Shield Screen GROUND Camera ground N A COMPATIBLE CABLE 790 0341 RED HD SDI Cable 6 COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 237 WEAPON SCARLET W OPERATION GUIDE ...

Page 238: ... Pin 5 is a timecode output Figure Front Face of Timecode LEMO EAG 0B 305 CLN Connector Looking at the Camera LEMO EAG 0B 305 CLN CONNECTOR PIN SIGNAL DESCRIPTION DIRECTION 1 GROUND Camera Ground N A 2 TIMECODE IN S Timecode input SMPTE single ended In 3 N A No connection NC N A 4 5 V OUT 5 V out 200 mA max Out 5 TIMECODE OUT SMPTE 12 M Timecode output Out NOTE Mating connector is FHG 0B 305 CLAD ...

Page 239: ...ASE T Figure Front Face of the GIG E Connector Looking at the Camera 9 PIN 0B LEMO GIG E CONNECTOR PIN SIGNAL DESCRIPTION DIRECTION 1 BI_DC Data pair C N A 2 BI_DC Data pair C N A 3 BI_DD Data pair D N A 4 BI_DD Data pair D N A 5 BI_DA Data pair A N A 6 BI_DA Data pair A N A 7 BI_DB Data pair B N A 8 BI_DB Data pair B N A 9 N A Do not connect N A NOTE Mating connector is FGG 0B 309 CLAD COMPATIBLE...

Page 240: ...n connectors The two 2 3 pin XLR connectors provide input for two 2 audio channels Each port supports 48 V 10mA phantom power Each input may be independently set to either line or microphone level If a channel is set to microphone you can independently enable its 48 V phantom power output Figure Front Face of Audio Input 3 PIN XLR Connector Looking at the Camera 3 PIN XLR CONNECTOR PIN SIGNAL DESC...

Page 241: ... stereo jack provides two 2 channels of audio for monitoring For maximum quality use high impedance headphones HEADPHONE JACK PIN SIGNAL DESCRIPTION DIRECTION TIP LEFT Left channel audio Out RING RIGHT Right channel audio Out SLEEVE GND Camera ground N A COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 241 WEAPON SCARLET W OPERATION GUIDE ...

Page 242: ...le that wires only one 1 pair of VBATT and GROUND pins may damage the power supply or the camera Damage to the power supply or other components of the camera system caused by using an inappropriate power cable is not covered under warranty Figure Front Face of the DC In Power Input Connector Looking at the Camera 6 PIN 1B DC INPUT CONNECTOR PIN SIGNAL DESCRIPTION 1 VBATT Power input 11 5 to 17 V D...

Page 243: ...OMPATIBLE CABLES 790 0138 RED 2B to 1B LEMO Power Adaptor Cable 790 0164 XLR Power Cable 10 790 0165 XLR Power Cable 30 COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 243 WEAPON SCARLET W OPERATION GUIDE ...

Page 244: ...ent draw is 3 0A Figure Front Face of AUX PWR Connector Looking at the Camera LEMO EEG 0B 302 CLL CONNECTOR PIN SIGNAL DESCRIPTION DIRECTION 1 GROUND Common ground N A 2 11 5 to 17 VDC 11 5 to 17 VDC unregulated battery pass through power Out NOTE Mating connector is FGG 0B 302 CLAD COMPATIBLE CABLE 790 0410 RED W M D Power Cable 2 Pin 1B to 2 Pin 0B 18 COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV...

Page 245: ...rrent draw is 1 5A Figure Front Face of AUX PWR Connector Looking at the Camera LEMO EEG 0B 302 CLL CONNECTOR PIN SIGNAL DESCRIPTION DIRECTION 1 GROUND Common ground N A 2 11 5 to 17 VDC 11 5 to 17 VDC unregulated battery pass through power Out NOTE Mating connector is FGG 0B 302 CLAD COMPATIBLE CABLE 790 0410 RED W M D Power Cable 2 Pin 1B to 2 Pin 0B 18 COPYRIGHT 2017 RED COM INC 955 0116_V6 3 R...

Page 246: ... LEMO EAG 0B 304 CLN CONNECTOR PIN SIGNAL DESCRIPTION DIRECTION 1 GROUND Camera Ground N A 2 GPI General purpose input trigger GPI use for trigger in In 3 GPO General purpose output trigger GPO use for tally out Out 4 11 5 to 17 VDC 11 5 to 17 VDC unregulated battery pass through power Out NOTE Mating connector is FGG 0B 304 CLAD COMPATIBLE CABLE 790 0552 RED 4 Pin 0B LEMO to Flying Lead AUX Power...

Page 247: ... USB power out connector supplies 5 V of power The maximum sustained current draw is 1 5A You can use the USB power out connector to provide power to an attached HDMI wireless transmitter NOTE The USB connector only offers power out and does NOT support USB communication COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 247 WEAPON SCARLET W OPERATION GUIDE ...

Page 248: ...nnector and supplies conditioned VBATT at a maximum of 3 0A of power Figure P Tap Connector Looking at Camera 2 PIN DTAP CONNECTOR PIN SIGNAL DESCRIPTION DIRECTION 1 GROUND Common ground N A 2 11 5 to 17 VDC 11 5 to 17 VDC unregulated battery pass through power Out COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 248 WEAPON SCARLET W OPERATION GUIDE ...

Page 249: ...zer and IR filter for improved image color and contrast For more information see the MOTION MOUNT Operation Guide available at www red com downloads NOTE HDRX is not availabe when the MOTION MOUNT Shutter Type is set to Soft or Square REMOVE A LENS MOUNT NOTE You can change lens mounts in the field However RED recommends that you change lens mounts only in a dust free environment REQUIRED TOOLS T2...

Page 250: ...Lens Mount INSTALL A LENS MOUNT NOTE You can change lens mounts in the field However RED recommends that you change lens mounts only in a dust free environment REQUIRED TOOLS T20 TORX driver 1 Ensure that the camera is turned off and remove any accessories or cables that may interfere with installation 2 Inspect the gold electrical contact pins on the front of the camera and the gold contact pads ...

Page 251: ...ws 6 Tighten the four 4 lens mount screws evenly in a cross pattern X pattern using a T20 TORX driver DO NOT exceed 350 in oz or damage may occur WARNING DO NOT OVERTIGHTEN 7 After installation a hardware rediscover or firmware upgrade may be required particularly if you are installing a MOTION MOUNT If a MOTION MOUNT is not recognized you will be unable to access the Motion Mount menu at Menu Set...

Page 252: ...ng and detaching PL lenses For more information refer to the original manufacturer s instructions This section also lists lenses supported by the camera PL mounts WARNING ALWAYS protect your equipment when it is not in use by replacing lens caps and mount caps ATTACH PL LENSES 1 Rotate the locking ring counter clockwise to release the camera mount cap 2 Remove the rear lens cap and the camera moun...

Page 253: ... LDS i Select switch to Off 5 Connect an external power source to the lens 6 In the camera to Menu Settings Setup Lens 7 Deselect the Enable Power to Lens check box NOTE This option is only available when a camera PL mount is attached to the camera 8 The lens should be successfully connected However if lens data does not display within 10 seconds go to Menu Settings Setup Lens and select Detect Le...

Page 254: ... clockwise to remove the camera mount cap 3 Remove the rear lens cap 4 Align the red dot on the lens with the red dot on the DSMC Canon Mount and position the lens in the mount 5 Turn the lens clockwise until it clicks into place 6 Rotate the secondary locking ring clockwise to engage DETACH CANON EF LENSES 1 Rotate the secondary locking ring counter clockwise to disengage 2 Press and hold the len...

Page 255: ...70mm f 4L IS USM Canon EF 24 105mm f 4L IS Canon EF 28mm f 1 8 USM Canon EF 28mm f 2 8 Canon EF 28mm f 2 8 IS USM Canon EF 28 105mm f3 5 II USM Canon EF 28 300mm f 3 5 5 6L IS Canon EF 35mm f 1 4L Canon EF 35mm f 2 Canon EF 35mm f 2 IS USM Canon EF 40mm f 2 8 STM Canon EF 50mm f 1 2L Canon EF 50mm f 1 4 USM Canon EF 50mm f 1 8 II Canon EF 50mm f 1 8 STM Canon EF 50mm f 2 5 Compact Macro Canon EF 7...

Page 256: ... 135mm f 2 0 L with 2 0x Extender Canon EF 135mm f 2 8 Soft Focus Canon EF 180mm f 3 5L Macro Canon EF 180mm f 3 5L Macro with 1 4x Extender Canon EF 180mm f 3 5L Macro with 2x Extender Canon EF 200mm f 2 0L IS Canon EF 200mm f 2 0L IS with 1 4x Exender Canon EF 200mm f 2 0L IS with 2x Extender Canon EF 200mm f 2 8L II Canon EF 200mm f 2 8L II with 1 4x Extender Canon EF 200mm f 2 8L II with 2x Ex...

Page 257: ...der Canon EF 400mm f 5 6L Canon EF 400mm f 5 6L with 1 4x Extender Canon EF 400mm f 5 6L with 2x Extender Canon EF 500mm f 4L IS Canon EF 500mm f 4L IS USM Canon EF 500mm f 4L IS II USM Canon EF 500mm f 4L IS with 1 4x Extender Canon EF 500mm f 4L IS with 2x Extender Canon EF 500 f 4L IS II USM Canon EF 600mm f 4L IS Canon EF 600mm f 4L IS II USM Canon EF 600mm f 4L IS with 1 4x Extender Canon EF ...

Page 258: ...HSM Art Sigma 20mm f 1 8 EX DG ASP RF Sigma 24mm f 1 8 EX DG ASP Macro AF Sigma 24 35mm f 2 DG HSM Art Sigma 24 70mm f 2 8 IF EX DG HSM Sigma 24 105mm f 4 DG OS HSM Sigma 28mm f 1 8 EX DG ASP Macro AF Sigma 50mm f 1 4 EX DG HSM Sigma 85mm f 1 4 EX DG HSM Sigma 120 300mm f2 8 DG OS HSM1 Sigma APO Sigma APO 50 150mm f 2 8 EX DC HSM II Sigma APO 70 200mm f 2 8 EX DG HSM1 Sigma APO 70 200mm f 2 8 EX D...

Page 259: ...ro DX 11 16mm f 2 8 SD IF DX Tokina AT X 116 Pro DX II 11 16mm f 2 8 SD IF DX Zeiss Distagon Zeiss Distagon T 15mm f 2 8 ZE Zeiss Distagon T 18mm f 3 5 ZE Zeiss Distagon T 21mm f2 8 ZE Zeiss Distagon T 25mm f 2 ZE Zeiss Distagon T 28mm f 2 ZE Zeiss Distagon T 35mm f2 ZE Zeiss Makro Planar Zeiss Makro Planar T 100mm f 2 ZE Zeiss Otus Zeiss Otus 55mm f 1 4 Zeiss Planar Zeiss Planar T 50mm f1 4 ZE Ze...

Page 260: ...e lens counter clockwise until it clicks into place being careful to NOT press the lens release button 6 Rotate the secondary locking ring clockwise to engage DETACH NIKON F MOUNT LENSES 1 Rotate the secondary locking ring counter clockwise to disengage 2 Press and hold the lens release button While holding the lens release button turn the lens clockwise until it stops and remove it from the camer...

Page 261: ...R N AF S DX Micro Nikkor 40mm f 2 8G AF S Micro Nikkor 60mm f 2 8G ED AF S Micro Nikkor 105mm f 2 8G VR IF ED Sigma Sigma 17 50mm f 2 8 EX DC OS HSM Sigma 17 70mm f 2 8 4 DC Macro OS HSM C Sigma 18 35mm f 1 8 DC HSM Sigma 24 35mm f 2 DG HSM Art Sigma 24 70mm f 2 8 EX DG HSM Sigma 24 105mm f 4 DG OS HSM Sigma 120 300mm f 2 8 DG OS HSM Sigma APO Sigma APO 70 200mm f 2 8 DG OS HSM Sigma APO 120 300mm...

Page 262: ... 55mm f 1 41 2 Zeiss Otus 85mm f 1 4 ZF 2 APO1 Zeiss Planar Zeiss Planar T 50mm f 1 4 ZF 2 Zeiss Planar T 85mm f 1 4 ZF 2 1 Iris control only no AF 2 No hand controller support COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 262 WEAPON SCARLET W OPERATION GUIDE ...

Page 263: ...he locking ring counter clockwise to release the Leica M lens 2 Remove the Leica M lens from the DSMC AL Leica M mount 3 Replace the rear lens cap and camera mount cap when the lens is not in use DSMC AL LEICA M MOUNT SUPPORTED LENSES The DSMC AL Leica M Mount is compatible with most Leica M series lenses with focal lengths of 50mm and greater EXCEPT for the 50mm f2 0 Dual Range Summicron The 50mm...

Page 264: ...ay Side SSD Record Full Press Record Toggle Multi Shot Start Record Full Release Record Multi Shot Stop Record Half Press AF Start User 1 2 Press Eject Media LCD Primary and Secondary Up Press Br Up Increase Brightness Down Press Br Down Decrease Brightness User 1 Press Magnify Toggle User 2 Press Exposure Check Toggle User 1 2 Press LCD Toggle Lock EVF Primary and Secondary User 1 Press Magnify T...

Page 265: ...r A D Press SM Toggle Key Lock Nav Menu Press Navigation Menu Nav North Press Navigation Up Nav South Press Navigation Down Nav East Press Navigation Right Nav West Press Navigation Left Nav Enter Press Navigation Select Rotary CW Navigation CW Rotary CCW Navigation CCW COPYRIGHT 2017 RED COM INC 955 0116_V6 3 REV M 265 WEAPON SCARLET W OPERATION GUIDE ...

Page 266: ...ecord Mark Frame Record Half Press AF Start Record Half Release Key Disabled Record Full Press Record Toggle Multi Shot Start Record Full Release Record Multi Shot Stop Focus Control Wheel CW1 Increase focus distance Focus Control Wheel CCW1 Decrease focus distance DSMC2 Top Handle Record Full Press Record Toggle Multi Shot Start Record Full Release Record Multi Shot Stop DSMC2 Outrigger Handle Re...

Page 267: ...55 0116_V6 3 REV M 267 WEAPON SCARLET W OPERATION GUIDE F MENU MAP The menu map is applicable to the following cameras except as noted throughout this guide WEAPON 6K Carbon Fiber WEAPON 6K Magnesium SCARLET W SCARLET W Monochrome ...

Page 268: ...or Flip Mirror Scan Direction PROJECT Control Channel 1 2 Channel 3 4 Pre Amp Gain Headphone Volume Mix Headphone Mix Monitor Mix AUDIO Mode Storage Mode Codec Record File Format REDCODE QuickTime Video Codec Resolution Record Video Codec Video Codec Dimension Frame Processing Mode Number of Frames Pre Record Duration Always Trigger Trigger Pre Record Now Indicator Enable Sounds EVF Tally Light SS...

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