Rane FPL 44 Operating And Service Manual Download Page 1

OPERATING/SERVICE MANUAL

FPL 44

Q U I C K   S T A R T

In deference to the ecological movement, Rane has made a commitment to keep its manuals

short and to the point. After all, we’re in the electronics business, not the tree industry. In 
deference  to your patience, we include this hurry-up section.

Inputs on the FPL 44 are 1/4" TRS balanced/unbalanced. Outputs are balanced 3-pin (XLR).

Positive appears on the tip of the input and pin 2 on the output; negative is the ring of the input
and pin 3 on the output. Signal ground is either sleeve or pin 1.

Front panel settings include four THRESHOLD controls, four BYPASS switches and four

SLAVE switches. The THRESHOLD controls set the level at which output limiting occurs.
BYPASS directly connects the input to the output. The AUTO-SLAVE switch connects the VCA in
the channel to the “slave” bus. In this position all channels in AUTO-SLAVE limit by the same
amount when any one channel exceeds its threshold level. The channels may be. set at different
thresholds to suit the requirements of each situation. If one channel is overdriven by, say, 10 dB,
its gain and the gain of all others in the slave mode reduces by the same 10 dB.

NEVER CONNECT A NYTHING EXCEPT AN APPROVED RANE AC POWER SUPPLY

TO THE THING THAT LOOKS LIKE A RED TELEPHONE JACK ON THE REAR OF
THE FPL 44. This is an AC power input and requires special attention if you do not have a
 power supply EXACTLY like the one originally supplied with your unit. A Rane Model FRS 8 or
RAP 10 power supply is acceptable as well. Please see the full explanation of power supply
requirements elsewhere in this manual.

When connecting the FPL 44 to other components of a sound system for the first time, LEAVE

THE POWER SUPPLY FOR LAST. This allows for any mistakes to be identified by visual inspec-
tion and corrected before power is applied and it becomes too late.

INPUTS on the FPL 44 are balanced. The hardware provided for input connectors are 1/4" tip-

ring-sleeve jacks. The tip of the jack is the positive input, the ring is the negative input and the
sleeve is signal ground. Unbalanced inputs may either ground the ring or leave it open while driv-
ing the tip with the unbalanced signal. The FPL 44’s input circuitry is of the instrumentation vari-
ety, eliminating concern over open negative inputs, while ensuring equal differential and
common-mode impedances.

OUTPUTS. The outputs on this device are balanced as well. They differ from the inputs only by

way of their hardware implementation. The Flex philosophy dictates using 1/4" connectors for sig-
nal flow inside of a rack. Lines likely to exit a rack are of the 3-pin variety. If you read the “Quick
Start” section above, you already know that pin 2 of the output connectors is positive, pin 3 is nega-
tive and pin 1 is signal ground.

POWERING UP. In the opening paragraph it was stated that a good visual inspection often elimi-

nates disasters before applying power. It cannot be overstated how important it is to use the correct
power supply with this and all Flex modules. The Rane RS 1 single AC power supply (included
with each module) as well as the Rane FRS 8 and RAP 10 power supplies are the only power sup-
plies certain to work properly with this limiter. If another power supply is to he considered, it must
be an AC supply. It must have an 18 to 24 volt center-tapped output and be wired to a 6-pin mod

connector in accordance with the requirements of the Rane standard.

S Y S T E M   C O N N E C T I O N

Summary of Contents for FPL 44

Page 1: ...ting the FPL 44 to other components of a sound system for the first time LEAVE THE POWER SUPPLY FOR LAST This allows for any mistakes to be identified by visual inspec tion and corrected before power is applied and it becomes too late INPUTS on the FPL 44 are balanced The hardware provided for input connectors are 1 4 tip ring sleeve jacks The tip of the jack is the positive input the ring is the ...

Page 2: ... illuminates when the preset threshold is exceeded 4 AUTO SLAVE SWITCH In the INDEPENDENT position down in the vertical orientation right when horizontally mounted each limiter channel operates separately In the AUTO SLAVE position up in the vertical orientation left in the horizontal each channel limits the same amount that any other channel in the slave mode does If only one channel of the possi...

Page 3: ...y this switch should be in the LIFT position pull toward the rear In some circumstances it may be necessary to move it to the opposite position to eliminate stubborn hum and buzz problems We realize a scientific explanation of this switch would be helpful unfortunately science doesn t seem to have much to do with it See the CHASSIS GROUNDING note on the last page for details CAUTION If you are tem...

Page 4: ...o satisfy all we include the option for either mode Operating the FPL 44 is quite simple Simply set the THRESHOLD control to the level you never wish to ex ceed at the output This may be accomplished either scien tifically or empirically what we used to call trial and error The trial and error method is the simplest and also the most dangerous if the FPL 44 is being employed for system protection ...

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