Manual-1
DEQ 60
GRAPHIC EQUALIZER
OPERATORS MANUAL
WEAR PARTS:
This product contains no wear parts.
GRAPHIC
EQUALIZER
6
3
3
6
∞
6
∞
6
20k
7k
14k
5k
10k
15
120
30
240
60
∞
6
∞
6
20k
7k
14k
5k
10k
15
120
30
240
60
6
3
3
6
•
•
•
•
•
•
•
•
+6
-12
-6
-3
0
+3
+12 OL
+6
-12
-6
-3
0
+3
+12 OL
0
+
0
+
12
12
12
12
12
12
12
12
+
+
0
+
0
+
0
0
+
+
0
+
0
+
0
0
±6
±6
5.0k
25
31.5
40
50
63
80
100
800
125
160
200
250
500
400
315
630
2.0k
1.25k
1.0k
1.6k
3.15k
2.5k
4.0k
12.5k
8.0k
6.3k
10k
16k
20k
LOW
MID
HIGH
LOW HIGH
IN
OUT
POWER
B
EQ
EQ
PROPORT-Q
OUT
IN
PERFECT-Q™
BYPASS
A
±12
CUT FILTERS
TONE
LEVEL
DEQ 60
A
B
A
B
B
PROPORT-Q
OUT
IN
PERFECT-Q™
BYPASS
A
±12
12
6
6
12
12
6
6
12
+
0
+
0
•
•
•
•
•
•
•
•
QUICK START
We know you know how to use an equalizer. Just read this section for the unique things to be aware of in the DEQ 60.
We know you know how to use a realtime analyzer (Rane makes a great one, the RA 30), but using PERFECT-Q
mode will make that job a lot easier. Since there is no interaction between filters, the multiple adjustments through all the
bands just to get the analyzer to read flat is a thing of the past. One pass should do the trick. Then use the TONE controls
or CUT FILTERS for general sweetening. We know your sound is important and your time is valuable.
If you want to compare the sound of your old (non-Rane) EQ to this one, and you are used to the way the sliders
interact, then use PROPORTIONAL-Q mode.
The A and B switches are like memories or control assigns. Normal stereo use would set the top row A (Left), and the
bottom row to B (Right). But if you are running in stereo, and both sides use the same EQ curve, you can set both switches
to A. Now the top EQ curve controls both left and right channels. Switching these to B will use the bottom EQ curve for
both channels. This is great for switching EQ when a source changes. Just be aware of where these switches are, an
unassigned EQ row will have no audible effect. These switches also affect the CUT FILTERS, TONE CONTROLS, and
LEVELS.
The Channel BYPASS switches have two modes, set by the rear panel switch. When set to FILTERS, the BYPASS
switch only bypasses the EQ, TONE and CUT FILTERS. The LEVEL controls and other switches remain active. When
set to ALL, the BYPASS switches ignore everything including the LEVEL controls.
You have several connector choices on the rear. However, use only ONE type of INPUT on each Channel. These Inputs
do not sum. But you may use any combination of OUTPUTS simultaneously if desired. Polarity convention on the XLR
jacks is pin 2 positive, pin 3 negative and pin 1 shield (chassis ground).
