PANAVISION HD900F Page 39 Operation Manual Download

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3.4 SETTINGBACKFOCUS

Zoom lenses

1. Set up a chart or flat test subject at around 4 – 6 feet from the focal

plane.

2. Open the iris to the MAXIMUM aperture (T1.8, etc.). Use the in-

camera ND filters if necessary.

3. Set the zoom to the longest focal length (zoom in) and front focus

the lens for the sharpest image. At this point you will find it helpful

to adjust the camera viewfinder peaking control to a minimal amount

of peaking. This will show very fine focus changes. It is sometimes

helpful to turn off or lower the brightness on the viewfinder to

emphasize contrast. Practice by observing the peaking while racking

the follow focus slowly to find the sharpest point (peaking just on).

4. Now, set the lens to the WIDEST focal length (zoom out).

5. Unlock the back focus lock. This is the ring located in front of the

back focus adjustment ring.

6. Move the adjusting ring slowly while observing the viewfinder

peaking, or the waveform monitor, or the picture monitor (24”

preferably) for the best focus. Look at the finest detail that you can

discern.

7. Again, set the lens to the maximum focal length (zoom in) and front

focus for the sharpest image.

8. Zoom wide. If image is not sharp at the wide end, repeat step 4

above and adjust back focus (per step 6).

9. Lock back focus ring, making sure not to move back focus

adjustment.

10. Double-check the lens after securing the lock. You should be able to

zoom in, front focus and then zoom wide and maintain focus

throughout the focal range.

11. Confirm the distance scale on the front focus ring by placing the chart

at measured distances and checking the engraved scale.

Fixed focal length lenses:

1. Set the chart and the lens at a precisely measured close distance

that coincides with an engraved mark on the focus scale. This mark

should be no closer than the minimum focus plus 6" and no further

than the ability to resolve fine detail on the chart.

2. Follow steps 2, 5, 6, and 9 above. Note: on wide angle lenses it may

be difficult to confirm the distance scale by eye due to the extreme

depth of field of a wide angle lens.

™

3.4

Summary of Contents for HD900F

Page 1: ...D I G I T A LC I N E MA T O G R A P H Y C A ME R A S Y S T E M H D 9 0 0 FO P E R A T I O N SM A N U A L U L T R AP R E C I S I O NE Q U I P M E N TF O RT H EM O T I O NP I C T U R EI N D U S T R Y ...

Page 2: ...V E R S I O N2 0 1 1 3 0 2 0 0 2 E r i cE r b A n d r e w Y o u n g E r i cE r b A n d r e w Y o u n g wr i t t e nb y d e s i g n p h o t o s a n dl a y o u t p h o t o g r a p h swe r es h o t u s i n gt h eK o d a kP r e v i e w S y s t e m wi t hP r i mol e n s e s ...

Page 3: ...e r a a c c e s s o r i e sa swe l la sn e w a c c e s s o r i e sd e s i g n e d e x c l u s i v e l yf o r d i g i t a l c i n e ma t o g r a p h y I n a d d i t i o n t o t h e me c h a n i c a lmo d i f i c a t i o n st o t h e c a me r a au n i q u eo p t i c a l p r e f i l t e rg i v e sy o ub e t t e rc o l o r ma t c h i n g wi t h f i l m e mu l s i o n sa n d e n h a n c e d r e s o l u...

Page 4: ... O R YC A S E S E C T I ON 3 0 P R I MO DI GI T A L L E NS E S 3 1 P R I MOD I G I T A L L E N SD E S I G N 3 2 F I L M H DC O MP A R A T I V ER E S O L U T I O N 3 3 A S P H E R I C A LA N DF I S H E Y EA T T A C H ME N T S 3 4 P R I MOD I G I T A L L E N SE X T E N D E R S 3 5 S E T T I N GB A C KF O C U S S E C T I ON 4 0 C A ME R AA S S E MB L Y 4 1 F R O N TF A C E P L A T EA N DF O L L O W F...

Page 5: ...V I E WF I N D E RF R A ME L I N EMA R K I N G S 5 1 0 1 T V1 6 X 9T R A N S 4 X 3T R A N S S A F E 5 1 0 2 T V1 6 X 9T R A N S 1 8 5T H E A T R I C A L 5 1 0 3 T V1 6 X 9T R A N S 2 4 0T H E A T R I C A L 5 1 1 P R E PR O U T I N E 5 1 2 A C P R E R O L LC H E C K L I S T 5 1 3 F A Q s 5 1 4 T R O U B L E S H O O T I N G 5 1 5 S MA R TL E N SA N DME T A D A T A S E C T I ON 6 0 MONI T OR S 6 1 MO...

Page 6: ...6 ...

Page 7: ...HD9 0 0 F 7 1 0 GENERALSP ECI F I CATI ONS G E N E R A LS P E C I F I C A T I O N S 1 0 ...

Page 8: ... d e T o pH a n d l eP l a t ef o r L o w Mo d e S e n s i t i v i t y A p p r o x i ma t e l yA S A3 2 0t u n g s t e n 8 9 9 R e f l e c t i o nC h a r t 2 0 0 0l u x C a s s e t t eT a p e C A M B C T 2 2 H D B C T 3 2 H D o r B C T 4 0 H D R u n n i n gT i me s 2 2mi n 3 0f p s o r2 7 5mi n 2 4 f p s 3 2mi n 3 0f p s o r4 0 0mi n 2 4 f p s 4 0mi n 3 0f p s o r5 0 0mi n 2 4 f p s A u d i oQ u a...

Page 9: ...d 2 I n p u t h i 3 I n p u t l o w A u d i oO u t 2C h a n n e l o n1 X L R 5p i nma l e E E P i n1 A n a l o gG r o u n d 2 C h 1A u d i o 3 C h 1G r o u n d 4 C h 2A u d i o 5 C h 2G r o u n d 2a d d i t i o n a l c h a n n e l swi t hH D S D I a d a p t e r G e n l o c kI n B N C G e n l o c kO u t B N C u s i n ga n a l o gYc h a n n e l T i me c o d eI n B N C T i me c o d eO u t B N C V i d...

Page 10: ... I V S H U T T E RA N G L E S h u t t e r O F F 1 2 4 3 6 0 0 0d e g r e e 1 3 2 2 7 0 0 0 1 4 8 1 8 0 0 0 1 9 6 9 0 0 0 1 1 2 5 9 6 1 2 1 2 5 0 3 4 5 6 1 5 0 0 1 7 2 8 1 1 0 0 0 8 6 4 E C S E x t e n d e dC l e a r S c a n 2 4H z 2 2 0 0H z 2 4 f p s U s e dt os e ti n t e r me d i a t es h u t t e rs p e e d sa n d o rs h o o t p r a c t i c a l mo n i t o r s T h ee q u i v a l e n t s h u t t ...

Page 11: ... 3 5 P r i moD i g i t a l T M 1 4 mm P r i meL e n s S D 1 4 2 8 P r i moD i g i t a l 2 0 mm P r i meL e n s S D 2 0 3 6 P r i moD i g i t a l 3 5 mm P r i meL e n s S D 3 5 2 9 P r i moD i g i t a l T M 6 2 7 mm w Mo t o r S D Z W 8 0 P r i moD i g i t a l T M 2 5 1 1 2 mm w Mo t o r S D Z T 6 8 P r i moD i g i t a l T M 9 5 1 0 5 mm w Mo t o r S L Z 1 1 D 2 3 0 P r i moD i g i t a l T M 8 7 2 ...

Page 12: ...1 2 ...

Page 13: ...HD9 0 0 F 1 3 1 5 CAMERAMEASUREMENTS G E N E R A LS P E C I F I C A T I O N S 1 5 C A ME R AME A S U R E ME N T S ...

Page 14: ...1 4 ...

Page 15: ...HD9 0 0 F 1 5 1 6 SI DECAMERAVI EWS G E N E R A LS P E C I F I C A T I O N S 1 6 S I D EC A ME R AV I E WS ...

Page 16: ...1 6 ...

Page 17: ...HD9 0 0 F 1 7 1 7 F RONTANDREARCAMERAVI EWS G E N E R A LS P E C I F I C A T I O N S 1 7F R O N TA N D R E A RC A ME R AV I E WS ...

Page 18: ...u r r e d b r o k e ne d g e S t a t i cI n t e r l a c e d I ma g ec o n s i s t so f t wo f i e l d s F i e l d1 o d dl i n e s 1 3 5 e t c 6 0 f i e l d t o 2 4 f r a me c o n v e r s i o nr e q u i r e st h e mi x i ng o f3 f i e l d s r e s u l t i n g i n a d d i t i o n a l mo t i o nb l u r ...

Page 19: ... c o n df i e l d P R OGR E S S I V E A v i d e o s y s t e m i n wh i c h a l ll i n e s c o mp r i s i n gaf r a mea r es c a n n e d i n s e q u e n c er a t h e r t h a ni n t e r l a c e d T h ei n t e r l a c emo d eo f c a p t u r ei s r e s o l u t i o ni nt i mev s t h ep r o g r e s s i v emo d e I th a si n h e r e n tmo t i o na r t i f a c t s a n di sd i f f i c u l t t ot r a n s f ...

Page 20: ...t r a t i o s I f t h e r ei sab r i g h t o b j e c t i nt h es c e n e t h a ti so v e r1 0 0 wh i t el e v e l D C Cwi l l a u t o ma t i c a l l yp u l l t h el e v e l d o wn c o mp r e s s s o t h eh i g h l i g h twi l l n o t b l o w o u t F o ras c r i p t e dp r o j e c t i tc a n b es e e n t h a ta u t o ma t i c c o r r e c t i o n o fh i g h l i g h t sc o u l d a d d u n d e s i r a...

Page 21: ... u t o n l ya n a p p r o x i ma t i o no f t h ef i l m i ma g e t h e r ea r es o mer e c o mme n d a t i o n si no r d e r t o ma x i mi z eq u a l i t yo f f i n a l f i l m o u t p u t G A MMAO Na sa b o v e MA T R I XO F F G A I Ns e t t o6 d Bo r l e s s t oa v o i da d d i n ge x c e s s i v en o i s et of i n a l i ma g e U s el e s sd i f f u s i o n U s u a l l yal i g h t e r g r a d e...

Page 22: ...2 2 ...

Page 23: ...HD9 0 0 F 2 3 2 0 P ACKI NGANDSHI P P I NG P A C K I N G A N D S H I P P I N G 2 0 ...

Page 24: ...2 4 ...

Page 25: ... t a i n i n gt h ec a me r aa c c e s s o r i e s T h ec a me r a i ss t o r e dwi t h o u t t h ee y e p i e c ea t t a c h e d I n c l u d e dwi t ht h ec a me r ai saA C t oD C p o we r c o n v e r t e rwi t h2 2 4 V D C a n d2 1 2 V D C o u t p u t s f o r c a me r aa n da c c e s s o r yp o we r P A C K I N G A N D S H I P P I N G 2 1 C A ME R AB O D YC A S E ...

Page 26: ...2 6 ...

Page 27: ... n s h a d e f o l l o w f o c u s a n dk n o b s S t e a d i c a m p l a t e s e y e p i e c el e v e l e r l e n sl i g h t wh i p f o l l o w f o c u sb r a c k e t a n ds i d e r o da d a p t e r C l i p o np o l a r i z e r ma t t eb o xi so p t i o n a l P A C K I N G A N D S H I P P I N G 2 2 A C C E S S O R YC A S E ...

Page 28: ...2 8 ...

Page 29: ...HD9 0 0 F 2 9 3 0 P RI MODI GI TAL L ENSES P R I MO D I G I T A L L E N S E S 3 0 ...

Page 30: ...3 0 ...

Page 31: ... s e si n c l u d i n g D i g i t a l P r i me s I n t e r n a lf i l t e rs l o t t o s e l e c t i v e l yc o n t r o lc o l o r i me t r ya n d r e s o l u t i o n c o n t r a s t F o rv i s u a le f f e c t sa n d C G Iwo r k t h e l e n s e sa r e a v a i l a b l e wi t h i n t e g r a l e n c o d e r sf o rr e a l t i mes u b p i x e l a c c u r a c yo f f o c u s z o o m a n da p e r t u r ...

Page 32: ...3 2 2 0c y c l e s mm 5 0c y c l e s mm 3p e r f 1 6 x 9 3 5mm f i l m a r e a 2 3 H DC C D ...

Page 33: ... g i t a l l e n ss e r i e sb ed e s i g n e dt oh a v e 2 5t i me st h ep e r f o r ma n c eo f o u rb e s t c i n el e n s e s A l l o f t h en e w P r i mo D i g i t a l l e n s e sp r o v i d et h e i ro p t i mu m p e r f o r ma n c ea t t h e i r ma x i mu m a p e r t u r e O nt h el e f ts i d eo ft h i sg r a p h i ci sa1 6 x 9f o r ma t 3 5 mm f i l m c a me r aa p e r t u r e On t h er ...

Page 34: ...3 4 3 3 ASP HERI CALANDF I SHEYEATTACHMENTS 3 4 ...

Page 35: ...HD9 0 0 F 3 5 3 4 P RI MODI GI TAL L ENSEXTENDERS P R I MO D I G I T A L L E N S E S 3 3 4 A T T A C H ME N T S E X T E N D E R S ...

Page 36: ...3 6 I N T E R N A L F I L T E R S L O T B A C K F O C U S L O C K B A C K F O C U S A D J U S T R I N G ...

Page 37: ... swh e n s wi t c h i n gl e n s e so nd i f f e r e n t c a me r a s S e t t i n gb a c kf o c u si sas i mp l ep r o c e s sa n do n c eaf e w s t e p sa r ep r a c t i c e d i t c a nb ep e r f o r me dq u i c k l y T e s t e q u i p me n t I ti sh e l p f u lt o h a v e a c h a r tt h a tc o n t a i n sh i g h f r e q u e n c y f i n e v e r t i c a ll i n e s i n f o r ma t i o n A sa n a l t...

Page 38: ...3 8 ...

Page 39: ...itor 24 preferably for the best focus Look at the finest detail that you can discern 7 Again set the lens to the maximum focal length zoom in and front focus for the sharpest image 8 Zoom wide If image is not sharp at the wide end repeat step 4 above and adjust back focus per step 6 9 Lock back focus ring making sure not to move back focus adjustment 10 Double check the lens after securing the loc...

Page 40: ...4 0 ...

Page 41: ...HD9 0 0 F 4 1 4 0 CAMERAASSEMBL Y C A ME R AA S S E MB L Y 4 0 ...

Page 42: ...4 2 E Y E P I E C E A N DA C C D O V E T A I L T A P E H O O K MI CI N B A S E P L A T E D O V E T A I L F O L L O W F O C U S L O C K V E R T A D J U S T L O C K C O L L E T L O C K S ...

Page 43: ...l b r a c k e t t h a th o l d st h eMo d u l a rF o l l o w F o c u s S l i d et h eb r a c k e t a s s e mb l yo n t ot h er o d sa n da d j u s tf o r ea n da f tf o rc e n t e r i n g t o t h el e n sf o c u sg e a r T h e n r a i s et h ef o l l o w f o c u su n t i l i te n g a g e st h el e n sg e a ra n dl o c kt h ea s s e m b l y T h e r e i sn o e n d s t o p p o s i t i o n o n t h e M...

Page 44: ...4 4 L O C K L E V E R S A F E T Y B U T T O N ...

Page 45: ... t e r l a c e s e es e c t i o n1 8 wh i c h s h o wss o mee x a g g e r a t e db l u ra n ds t r o b i n gt h a ti sN O T o nt h et a p e A t t a c ht h ea s s e mb l yi n t ot h ef r o n td o v e t a i l s ot h a tt h e e y e p i e c el e v e l e rc a n a d j u s te a s i l ya n d l o c ki n p l a c e P l u g t h ec a b l ei n t o t h ec o n n e c t o rl a b e l e d V Fo n t h e t a p e s i d e...

Page 46: ...4 6 MO N I T O R B R A C K E T L O C K MO N I T O R D O V E T A I L L O C K E Y E P I E C E D O V E T A I L L O C K ...

Page 47: ... 2 3 9 8P s F T h emo n i t o rp o we r sf r o m 1 2 vD C O N L Yu s i n gt h e4p i n H i r o s ec o n n e c t o r wi t hama x i mu m d r a w o f 2a mp s T h emo n i t o r h a st h ef o l l o wi n gc o n t r o l sa n ds wi t c h e s C h r o ma o n o f f G a mma o n o f f C e n t e r c e n t e r c r o s s F r a me 1 6 x 9s a f ez o n ef r a me l i n e 4 3 t r a n sf r a me l i n e 2 4 1 2 4 0t r a ...

Page 48: ...4 8 E Y E P I E C E D O V E T A I L L O C K K N O B E Y E P I E C E F O R E A F T L O C K A C C B R A C K E T E Y E P I E C E C O N N E C T E Y E P I E C E P I V O T L O C K ...

Page 49: ... h e rf r o m ab a t t e r y t h eA C p o we rs u p p l yo rf r o m t h eo n b o a r dp o we rc o n v e r t e rt h a t c a na t t a t c ht ot h es i d eo f t h ec a me r a NOT E A l t h o u g ht h e2 4 pH D c a me r ai sa1 2 vD Cs y s t e m a l lo ft h e s t a n d a r d P a n a v i s i o n a c c e s s o r i e sa r e s t i l l 2 4va n dn e e dt h ep r o p e r v o l t a g et owo r k C A ME R AA S S ...

Page 50: ...5 0 1 2 V O U T P U T S 2 4 V O U T P U T S 1 2 V I N P U T P A N A C L E A R O U T P U T S MA R T L E N S D I S P L A Y S MA R T L E N S I N P U T ...

Page 51: ... a t e de y e c u p Ac a b l ef r o m t h e4p i nH i r o s e 1 2 Vo u t p u t o nt h ec a me r ap r o v i d e sp o we r f o r t h eH D U C T h eu n i t c a nb emo u n t e dt oa n yo f t h ed o v e t a i l so nt h e s i d eo f t h ec a me r a I na d d i t i o nS ma r t l e n sl e n si n p u t a n d d i s p l a yo u t p u t p o r t sa r ep r o v i d e d C A ME R AA S S E MB L Y 4 5H D V O L T A G EU...

Page 52: ...5 2 F R O N T R E L E A S E L E V E R R E A R L O C K T A L L Y L I G H T A N D S WI T C H T A P E H O O K R E MO T E C O N T R O L MO U N T ...

Page 53: ...k e tt os l i d er e a r wa r d s R e p l a c ea n dl o c ki nt h eS t e a d i c a m P l a t ep r o v i d e d T h eh a n d l ea l s oh a sap r o v i s i o n t omo u n tt h eR e mo t e C o n t r o l B e l o w t h er e a r e n do f t h eh a n d l ei sat a l l yl i g h t wi t ho n o f f s wi t c h t h a t a l l o wst h eo p e r a t o ro rc a me r a a s s i s t a n tt os e ewh e n t h ec a me r ai sr ...

Page 54: ...5 4 A N A L O GH D Y P b P r O U T G E N L O C K O U T T I ME C O D E I N T I ME C O D E O U T N T S C C O MP O U T A N A L O GH D L O O PO U T ...

Page 55: ...e r e n c es i g n a l Y P b P r o n t h es i d eo ft h ec a me r a i n t oas t a n d a r dd e f i n i t i o nN T S C c o mp o s i t es i g n a l T h i sa l l o wst h e v i d e o i ma g e t o b e d i s p l a y e d o n a S t e a d i c a m mo n i t o ro rt o b ewi r e l e s s l yt r a n s mi t t e d t o e x t e r n a l mo n i t o r s T h eN T S C v i d e os i g n a l c a n n o w b e u s e d o n a n ...

Page 56: ...5 6 1 2 V D CI N R E MO T E 1 2 V D CO U T MI R A N D A ...

Page 57: ... ma l e p i n1 a n dp i n4 R E MO T E c o n n e c t o r t h a t c o n n e c t s t o a n e x t e r n a l P a i n t b o x 4 p i n H i r o s e 1 2 vD C O U T v e r yl i mi t e d c u r r e n t o n l yu s ef o r t h eo n b o a r dd o wn c o n v e r t e r 2 3p i nX L RA u d i oI Nc o n n e c t o r s s wi t c h a b l e 1 5p i nX L RA u d i oO U Tc o n n e c t o r C A ME R AA S S E MB L Y 4 9 R E A RP A N...

Page 58: ...5 8 L O C K S C R E WS E N G A G E C O N N E C T O R A N D D O V E T A I L ME T A D A T A I N H DS D I O U T O N B O A R D B A T T E R Y A D A P T E R B A T T E R Y R E L E A S E ...

Page 59: ... f u l a n dc o n v e n i e n t wa yt oo u t p u t t h ev i d e oi ma g e S i mp l ya t t a c h ah e a v yg a u g e7 5 o h m B N C c a b l ef r o m e i t h e ro ft h e2 o u t p u t sa n d t h e n a t t a c h t oa n e x t e r n a l mo n i t o r o r o t h e r d e v i c e T h eS D IA d a p t e rc a na l s ob er e mo v e di no r d e rt oa l l o w t h e o n b o a r d d o wn c o n v e r t e rt o b e a t...

Page 60: ...6 0 T A L L Y L I G H T A B S U R E L E A S E G E N L O C K I N R E MO T E P A I N T B O X 1 2 V D CI N B A T T E R Y R E L E A S E ...

Page 61: ...t t e r i e sa r e1 4 4 vD C 7A Hr a t e d a n d a r ec h a r g e do naq u i c kc h a r g e rs t a t i o nt h a ta l l o wsu pt o 4b a t t e r i e st oc h a r g ei no r d e ro n ea f t e rt h eo t h e r T h e c h a r g e ra l s o h a sa b u i l t i n p r o v i s i o n f o rb a t t e r y d i s c h a r g i n g a n d a n a l y z i n g t o i n s u r e l o n g b a t t e r yl i f e E a c hb a t t e r yh...

Page 62: ...6 2 ...

Page 63: ...HD9 0 0 F 6 3 5 0 CAMERAOP ERATI ON C A ME R AO P E R A T I O N 5 0 ...

Page 64: ...6 4 ...

Page 65: ... es i d et op r e v e n t a c c i d e n t a l r e r e c o r d i n g U p o n i n s e r t i o n o fa n e w t a p e r e s e tt h e C T Lt r a c k T h e nr e s e tt h eT i me c o d eT r a c k i fu s i n gR R u n t oz e r o a n du s i n gt h e H o u r n u mb e rs e tac a me r ar o l l n u mb e r f o rt h a tt a p e R e c o r dc o l o rb a r sa n dt o n ea tt h eh e a d f o r f u t u r eu s ei np o s t ...

Page 66: ...6 6 ...

Page 67: ... n e s s f o rc o mf o r t a b l e v i e wi n g I t i sh e l p f u l t ou s et h ei n t e r n a l c o l o r b a r s Di s p l a ya n dA s p e c t S wi t c h U s e d t o t u r n o n a n d o f ft h e t wo i n d e p e n d e n tf r a me l i n e g e n e r a t o r si nt h ev i e wf i n d e rt h a ta r ep r e p r o g r a mme di n O P E R A T I O N ME N U p a g e3 T o g g l et h es a med i r e c t i o nf o...

Page 68: ...n e d o n t oac l i ph o l d e rwi t hac a b l et h a t a t t a c h e st ot h es i d eo f t h ec a me r an e a rt h eMa i nP o we rS wi t c h I tc a nmo u n t o n t ot h ec a r r yh a n d l eo rb er e mo v e d wh e n n o tn e e d e d e g f o r S t e a d i c a m o r h a n dh o l d i n g ...

Page 69: ...r en ol i g h t e n t e r i n g 2 Ma k es u r et h eG A I Ni sa t 0d B 3 S e t t h eD I S P L A Ys wi t c ht ot h eO Np o s i t i o n 4 C l i c kt h es wi t c ht ot h eA B Bp o s i t i o na n dl e t g o i t wi l l r e t u r nt o t h emi d d l e 5 C o n f i r m A B B O K i nv i e wf i n d e r NOT E P e r f o r m a nA B Bb e f o r es h o o t i n ga n du p o ne x t r e met e mp e r a t u r e c h a n ...

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Page 71: ...n e u t r a ld e n s i t y C L E A R N D 6 1 2 1 8 a n d c o l o rc o r r e c t i o n 3 2 0 0 K 4 3 0 0 K 6 3 0 0 K a r e b u i l t i n t ot h es y s t e m T h e s ea r ema n u a l l yr o t a t e da t t h e f r o n t o f t h ec a me r a WA R NI NG Ma k es u r ef i l t e rwh e e l sa r ef i r ml yi nt h e i r d e t e n t s ...

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Page 73: ...e s P A I N TME N Up a g e P 1 3 S e es e c t i o n s5 9 1 5 9 2 S i mp l yi n s e r tt h es t i c ki n t ot h es l o t u n d e rt h ec o v e rd o o r wi t ht h en o t c hf a c i n gu p wa r da n dt h el a b e l f a c i n gt o wa r d y o u NOT E D O N O Te j e c tt h es t i c kwh e nt h er e de j e c tb u t t o n i sl i t T h es t i c k sh a v eal o c kt op r e v e n t a c c i d e n t a l e r a s ...

Page 74: ...7 4 F R U N R R U N T A P E C O U N T E R B A T T E R Y L E V E L ...

Page 75: ...eb e g i n n i n go f e a c h t a k e F r e eR u n U s e d wh e n s y n c i n g t h e c a me r a t o a n e x t e r n a l s o u r c eu s i n gt h eT C I N c o n n e c t o r o nt h es i d ep a n e l T h en u mb e r sa r ea l wa y s r o l l i n g R e c o r dR u n U s e d wi t h t h e c a me r a si n t e r n a lt i me c o d e g e n e r a t o ra st h es o u r c eo ft h et i me c o d e I t o n l yr o l ...

Page 76: ...7 6 D I S P L A Y S WI T C H R E S E T F R U N R R U N ...

Page 77: ...e c o d eo nt h et a p e F R UN S E T R R UN S e t st h eo p e r a t i n gmo d ef o rt h ei n t e r n a l t i me c o d e g e n e r a t o r F R UN T i me c o d eg e n e r a t o r k e e p sr u n n i n g U s e dt o j a m e x t e r n a l c o d ei n t oc a me r ao r i ss e t t ot h e t i meo f d a y S E T A l l o wst h et i me c o d et ob es e t u s i n gt h e A D V A N C Ea n dS H I F Tb u t t o n s R...

Page 78: ...7 8 D I S P L A Y S WI T C H R E S E T F R U N R R U N ...

Page 79: ... n g 8 S e tt h eF R U N R R U N s wi t c h t oF R U N i fj a mmi n g f r o m a ne x t e r n a l s o u r c e 9 S e t t h eD I S P L A Ys wi t c ht oC T La n dp u s ht h eR E S E T b u t t o nt oc l e a r t h eC o n t r o l T r a c k 10 R e c o r dC o l o r B a r sa n dT o n eo nt h eh e a do f t h et a p e R e g e n e r a t i n gT i me c o d e U s e d a f t e rat a p eh a sb e e n e j e c t e d a ...

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Page 81: ...h eG a t e Y o umu s t h a v er e c o r d e da t l e a s t 3 s e c o n d so n t h el a s tt a k e A l s o u s e d wh e n r e g e n e r a t i n gt i me c o d e s e es e c t i o n5 7 2 V T R C h a n g e s t h e s t a t u s o f t h e V T R wh e n n o t r e c o r d i n g f r o m S A V E t o S T A NDB Y T h e r e c o mme n d e d p o s i t i o n i sS A V E wh i c h s a v e s b a t t e r yl i f ea n d r ...

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Page 83: ... ec a me r at ot h e f a c t o r y d e f a u l tt u n g s t e n wh i t e b a l a n c e wh e nu s i n g3 2 0 0 Kl i g h t i n g ME NU H o l d i n g t h e s wi t c h u p t o t h e S T A T U S p o s i t i o n s h o wst h ec u r r e n tf r a mer a t eo f t h e c a me r a i n t h e v i e wf i n d e ra swe l la s wa r n i n g i n d i c a t i o n sa n d t h ep r o g r a mme d s e t t i n g s o ft h e A S...

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Page 85: ...r e a t l y as l o w t u r n c h a n g e si ts l i g h t l y T ol o c kt h ec h a n g ep r e s s t h e Wh e e la g a i n T o c a n c e la c h a n g e p r e s st h e ME N Us wi t c ht ot h eC A N C E Lp o s i t i o n 5 B y e v e r y c l i c k o ft h e ME N U s wi t c h t o t h e C A N C E L p o s i t i o n t h e s c r e e n r e t u r n st o t h e i t e m s e l e c t i o n mo d e t h e np a g es e l...

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Page 87: ...d i n g t h eME N U s wi t c h t o t h e S T A T US p o s i t i o n A n y c a me r a s e t t i n g t h a t c h a n g e sf r o m t h e N O R MA L s e t t i n gwi l l t u r no nt h e L E Di nt h ev i e wf i n d e r 3 MA R K E R U s e dt os e tt h e2f r a me l i n e si nt h ev i e wf i n d e r S e e s e c t i o n 5 1 0 f o rd e t a i l s T u r n i n gt h eMA R K E R a n d t h e A S P E C T MODE i n t...

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Page 89: ...a t e l yo r t o g e t h e r T h ez e b r ap a t t e r ni sac o n v e n i e n twa yt oj u d g ey o u r h i g h l i g h te x p o s u r ewh e n awa v e f o r m mo n i t o ri sn o t a v a i l a b l e 6 A U T OI R I S N o t u s e d 7 B A T TA L A R M D i s p l a y st h el o w a n do u t b a t t e r yv o l t a g es e t t i n g st h a t a r ep r o g r a mme d i n t h eMA I N T E N A N C E ME N U p a g e...

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Page 91: ... S I G N A B L E s wi t c h 9 O P E R A T O RF I L E U s e dt or e a da n dwr i t et h eO P E R A T I O NME N Uf i l et o a n df r o m aMe mo r yS t i c k 1 0 L E N SF I L E N o t u s e d 5 9 1OP ERATI ONMENU CONTI NUED C A ME R AO P E R A T I O N 5 9 1O P E R A T I O NME N U C O N T ...

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Page 93: ...a l a n c ea n db l a c kl e v e l NOT E T h e M B L A C K l e v e l i su s u a l l ys e ta r o u n d0o r 1s ot h a t t h ev i d e os i g n a l i sb e i n gr e c o r d e dj u s t a b o v ec l i pl e v e l o nt h ewa v e f o r m mo n i t o r 3 G A MMA U s e d t o a d j u s tt h e v i d e o G A MMA S h o u l d b e O N T h en o r ma ls e t t i n g i sC OA R S E 0 4 5 S T A N D A R D 5 T h e s es e t ...

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Page 95: ...s i n c eo u rP r i moD i g i t a l L e n s e sh a v ev e r yh i g h c o n t r a s ta n d r e s o l u t i o n C o n s e q u e n t l y t h e r e i sn o n e e d f o ra d d i t i o n a l e l e c t r o n i cd e t a i l 5 9 2 P AI NTMENU CONTI NUED 8 D E T A I L2 U s e df o r e d g ee n h a n c e me n t o f t h ep i c t u r e NOT E T h i sc i r c u i t i sN O TU S E D s i n c eo u rP r i moD i g i t a ...

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Page 97: ...p i c t u r e 1 1 MU L T I MA T R I X U s e d t oc h a n g es p e c i f i cv e c t o r so fac o l o ra n d t h e i r s a t u r a t i o n WA R NI NG D ON O Tu s et h ema t r i c e su n l e s sy o uk n o w t h ee x a c t e f f e c t y o uwa n t s i n c ei t i sN O T r e v e r s i b l ei np o s t WA R NI NG I f t h e r ei sA N Yf u t u r ep o s s i b i l i t yo f t h e f o o t a g eg e t t i n gr e c...

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Page 99: ...h a n g i n g t h ev a l u e sh e r ei st h es a mea swi t h t h e t o g g l es wi t c h o n t h eR e mo t eC o n t r o l S e eS e c t i o n 5 4 13 S C E N EF I L E U s e d t o r e a d a n d wr i t e t h e 5 P A I N T ME N U S C E N E f i l e st oa n df r o m aMe mo r yS t i c k C A ME R AO P E R A T I O N 5 9 2 P A I N TME N U C O N T ...

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Page 101: ... E N A N C EME N U 3 Mo v e t h e c u r s o r o p p o s i t e t h e N E X T f r a me r a t e n u mb e ra n d p u s h i n t h e r o t a r ywh e e lt o t u r n t h e c u r s o r i n t oa 4 S c r o l l t h r o u g ht h el i s tu n t i l y o uh a v eh i g h l i g h t e dt h e f r a me r a t e y o u wa n ta n d t h e n p u s h i n t h e r o t a r y wh e e l a g a i nt oe n t e r t h ef r a mer a t ei n...

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Page 103: ... l ye i t h e rwi t h t h e i r b u i l t i ng e n e r a t o r o r a ne x t e r n a l o n e 1 1 6 x 9Ma r k e r wi t ho p t i o n a l c e n t e r c r o s s h a i r 1 6 x 9T r a n s mi s s i o n F u l l I ma g ei nV i e wf i n d e r 1 6 x 9S a f eA r e a s 8 0 9 0 9 2 5 a n d9 5 2 A s p e c t Mo d e ma s kf u n c t i o n 1 6 x 9 T r a n s mi s s i o n 1 5 x 9 T r a n s mi s s i o n 1 4 x 9 T r a n ...

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Page 105: ... N Up a g e 3 T u r nt h eMA R K E RO Na n ds e t a9 0 S a f e t yZ o n e a n d t h e nt u r nt h eA S P E C TMO D EO Na n ds e t t h eV A RHa t 1 2 9 2t oi n d i c a t et h e4 x 3s a f ea r e a C A ME R AO P E R A T I O N 5 1 0 1 T V1 6 X 9T A N S 4 X 3T R A N S S A F E ...

Page 106: ... d t h e nt u r nt h eA S P E C TMO D EO N a n ds e tt h eV A RVa t 9 8 4 T h e i n n e r mo s tb o x f o r me d b y t h e s e l i n e s r e p r e s e n t st h e1 8 5 p r o j e c t i o na p e r t u r e wh i c hi st h e a r e awh i c hwi l l b es e e ni nat h e a t e r 5 10 2 TV16X9TRANS 1 85THEATRI CAL ...

Page 107: ... Z o n e a n dt h e nt u r nt h eA S P E C TMO D EO Na n ds e t t h eV A R V a t7 6 4 T h ei n n e r mo s tb o xf o r me db yt h e s el i n e s r e p r e s e n t st h e2 4 0p r o j e c t i o na p e r t u r e wh i c hi st h e a r e awh i c hwi l l b es e e ni nat h e a t e r C A ME R AO P E R A T I O N 5 1 0 2 3 1 8 5 2 4 0T H E A T R I C A L ...

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Page 109: ...kMA T R I Xi nP A I N TME N U s e c t i o n5 9 2 C h e c k a n d s e tA u t o Wh i t e B a l a n c e A WB r e d o b e f o r es h o o t i n g s e c t i o n5 4 Ch e c k a n d s e tv i e wf i n d e rs e t t i n g si n c l u d i n g f r a me l i n e s s e c t i o n5 1 0 S e tb a c k f o c u s o n l e n s e s a n d c h e c k f o c u s s c a l e s s e c t i o n3 4 C h e c kc a me r af i l t e r s s e c ...

Page 110: ...i o n5 4 C h e c ka n d o r s e t b a c kf o c u so f l e n s s e c t i o n3 4 C h e c kf r a mer a t ewi t hME N Us wi t c hh e l dt oS T A T U S p o s i t i o n s e c t i o n5 8 C h e c ks h u t t e r s p e e dwi t hD I S P L A Ys wi t c hs e t t oO N p o s i t i o n s e c t i o n5 8 C h e c kO U T P U Ts wi t c hi sn o t s e t t oD C C u n l e s sd e s i r e d s e c t i o n5 8 L o a dt a p ea n...

Page 111: ...d a n e x t e r n a lN D 3 s i n c et h e c a me r ao n l yh a s2s t o pi n c r e me n t sb u i l t i n Wh a tf r a mi n g a r ey o u s h o o t i n g S e tv i e wf i n d e ra n d mo n i t o r sa p p r o p r i a t e l y A r e y o u s h o o t i n g a n y mo n i t o r s Wh a ta r e t h e r e f r a me r a t e s W i l lt h e y b e s y n c e d t o t h e HD c a me r a Ho w Y o u ma y b e a b l e t o u s ...

Page 112: ...u l d b e b l o wn n o t u s e r s e r v i c a b l e C a l l P a n a v i s i o n C h e c kv i d e oc a b l ec o n n e c t i o n s C h e c kp o we r a n dD I Ps wi t c h e so nMi r a n d a C h e c kv i d e omo n i t o r C a me r awi l l n o t p o we r u p C h e c kp o we r c a b l ea n dc o n n e c t i o n s C h e c kb a t t e r yv o l t a g eo r C h e c kt h a t p o we r s u p p l yi so n D i dc a...

Page 113: ...e l o nV Ume t e r C h e c kc a b l ec o n n e c t i o n s I si n p u t s wi t c h a b o v eX L Ri n p u t s e t t op r o p e r s e t t i n g mi c l i n e C h e c ka u d i oi ns wi t c h f r o n t r e a r L E N SR E T a k aR E CR E V I E W f u n c t i o no na s s i g n a b l es wi t c hn o t wo r k i n g I st a p ewr i t e p r o t e c t e d C h e c kr e dt a b C h e c kp r o g r a mme df u n c t i...

Page 114: ...p l i f i e sv i s u a lF X wo r k u s i n g C G Ib e c a u s ee v e r yf r a meo ft h ep i c t u r eh a st h e i ma g ei n f o r ma t i o nf i l ewi t hi t o nt h et a p et h a t r e p r e s e n t s h o w t h ep i c t u r ewa sc a p t u r e d T h e P a n a d a t a H u b a l o n g wi t h t h e p r e c i s i o n e n c o d e d P r i mo D i g i t a l D a t a l e n s e s wi l la l l o w t h e e n c o ...

Page 115: ...HD9 0 0 F 1 1 5 6 0 MONI TORS MO N I T O R S 6 0 ...

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Page 117: ...a n d g or i g h t E v e nac a r dwi t h o u ta n yc o n n e c t o r si ss t i l l c o u n t e da sa s l o t U s i n g t h es l o tn u mb e ra n d t h ei n p u tc o n n e c t o r n u mb e r y o uc a np r o g r a m c h a n n e l sf o r t h ev a r i o u ss i g n a l s o nt h emo n i t o ru s i n gt h eS E TU PME N Uo nt h emo n i t o r s F o re x a mp l e HD S DIi sc o mmo n l y p r o g r a mme d a ...

Page 118: ...1 1 8 H DS D I I N MO N I T O R O U T A N A L O GI N Y P b P r 1 2 3 S LO TS 1 2 V D CI N A CI N ...

Page 119: ...Pa n dD O WNb u t t o n su n t i l i ti so p p o s i t et h eI N P U TC O N F I G U R A T I O N me n ua n d t h ep u s ht h eE N T E Rb u t t o n 3 R e a d t h e F O R MA T f o r wh a t t y p e o f s i g n a l i s p r o g r a mme d 4 R e a dt h e S L O TN O f o r wh i c hp a n e l s l o t i su s e d 5 R e a dt h e I N P U TN O f o rwh i c hc o n n e c t o ro nt h es l o t i su s e d 6 T o r e a d ...

Page 120: ...1 2 0 H DS D I I N MO N I T O R O U T N T S CI N 1 2 3 S LO TS ...

Page 121: ... t i l i ti so p p o s i t et h eI N P U TC O N F I G U R A T I O N me n ua n d t h ep u s ht h eE N T E Rb u t t o n 3 R e a d t h e F O R MA T f o r wh a t t y p e o f s i g n a l i s p r o g r a mme d 4 R e a dt h e S L O TN O f o r wh i c hp a n e l s l o t i su s e d 5 R e a dt h e I N P U TN O f o rwh i c hc o n n e c t o ro nt h es l o t i su s e d 6 T o r e a d o t h e rc h a n n e l s s i...

Page 122: ...1 2 2 H DS D I I N MO N I T O R O U T A N A L O GI N Y P b P r N T S CI N 1 2 3 4 5 6 S LO TS ...

Page 123: ... r wh a t t y p e o f s i g n a l i s p r o g r a mme d 5 R e a dt h e S L O TN O f o r wh i c hp a n e l s l o t i su s e d 6 R e a dt h e I N P U TN O f o rwh i c hc o n n e c t o ro nt h es l o ti s u s e d 7 T o r e a d o t h e r c h a n n e l s s i mp l y c h a n g e t h e c h a n n e l n u mb e r o nt h ek e y p a da sy o ua r ewa t c h i n gt h i sme n u T o c h e c k o rp r o g r a m t h e...

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Page 125: ... E R 5 s e l e c tD I R E C T I O N N o t e T h ep a r a me t e rb e i n ga d j u s t e d t u r n st oy e l l o w t e x t S c r o l l U Po rD O WN u n t i l t h ed i r e c t i o n i n d i c a t e di st h es a med i r e c t i o ny o ua r ef a c i n ga sy o ul o o ka t t h emo n i t o r P r e s sE N T E R 6 P r e s sD E G A U S Sb u t t o na b o v eP O WE Rb u t t o n 7 I fy o u s t i l ls e ec o l ...

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Page 127: ...o nA p e r t u r e sa r es e t u s i n gt h ef o l l o wi n g v a l u e s 1 6 x 9S a f eA c t i o n S A DMO D E 1 6 9 9 0 1 6 x 9S a f eA c t i o nwi t h4 x 3S a f eA c t i o n S A DMO D E 4 3 9 0 1 8 5P r o j e c t i o nA p e r t u r e f o r F i l m O u t S A DMO D E 1 6 9 A N YS I Z E HS I Z E 0 9 5 VS I Z E 0 9 1 2 4 0P r o j e c t i o nA p e r t u r e f o r F i l m O u t S A DMO D E 1 6 9 A N ...

Page 128: ...1 2 8 H DS D I I N MO N I T O R O U T R E S E T P A R A D E ...

Page 129: ...s h o o t i n g R e s e t t i n gt h eMo n i t o r I t i su s e f u l t os a v et h es e t t i n g so f t h emo n i t o r o nt h eF 1 k e yd u r i n gt h ep r e p T h i sa l l o wst h ea b i l i t yt or e s e t t h e mo n i t o r b a c kt ot h ep r e s e t s e t t i n g si f i t e v e r g e t sme s s e d u p T h es t a n d a r dmo d ei st h e P A R A D E mo d ewi t ht h e c h a n n e l ss h o wni ...

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Page 131: ...1 A B B 6 9 1 0 9 1 1 0 A Cp o we r 2 5 4 9 1 1 1 1 1 9 1 2 1 1 2 3 1 2 9 A E S E B U 1 1 4 A n t o nB a u e r 1 1 6 1 A p e r t u r e 3 1 3 3 3 9 1 0 3 1 0 6 1 0 7 1 1 1 1 2 7 A S P E C T 6 7 8 7 1 0 3 1 0 5 1 0 6 1 0 7 A s p e c t s wi t c h 6 7 A s s i g n a b l e 7 9 8 1 8 3 9 1 1 1 3 A s t r oH Dmo n i t o r 4 7 A u d i o 8 5 7 5 9 1 1 3 1 1 4 A u t oB l a c kB a l a n c e 6 9 1 0 9 1 1 0 A U...

Page 132: ... o we r 9 2 5 1 1 7 D C C 8 3 1 1 0 D e g a u s s 1 1 2 1 2 5 D E T A I L 2 1 3 7 3 9 8 7 9 5 9 7 D F 7 7 D i g i t a l E n c o d e r s 8 D i s p l a ys wi t c h 5 5 6 7 6 9 7 6 7 7 7 9 8 3 8 5 1 0 1 1 1 0 D o wn c o n v e r t e r 4 7 5 5 5 7 5 9 1 1 1 1 1 2 1 1 3 D r o pf r a met i me c o d e 7 7 E E C S 1 0 1 1 1 E d g ee n h a n c e me n t 6 7 9 5 9 7 E n c o d e r s 8 3 1 E n c o d i n g 1 1 4...

Page 133: ...H DS D I 9 4 7 5 8 6 1 1 1 7 1 1 8 1 2 9 H D 9 0 0 F1 1 H D C A 9 1 1 5 9 6 1 1 1 2 H D C A M 6 5 H D E P 1 1 H D E T 1 1 H D F B 1 1 H D F D 1 1 H D H R 1 1 H D H R 1 1 H D L M 1 1 H D S P 1 1 H D U C 1 1 5 1 H i g h l i g h t e x p o s u r e 8 9 9 5 H i r o s e 9 4 7 5 1 5 5 5 7 H o o d ma n 1 1 1 H u mi d i t y 1 1 1 1 1 2 I I ma g i n g3 2 1 1 1 0 I n p u t c h a n n e l 1 1 7 1 2 1 1 2 3 I n ...

Page 134: ... n i t o r s s h o o t i n g 1 1 1 MU L T I MA T R I X 2 1 9 7 N N D 8 3 9 7 1 8 7 1 0 9 1 1 1 N Df i l t e r 8 3 9 N D F 7 7 N e u t r a l d e n s i t y s e ea l s oN D 7 1 N o n d r o pf r a met i me c o d e 7 7 N T S C 4 7 5 4 5 5 1 1 1 1 1 9 1 2 0 1 2 1 1 2 2 1 2 3 O O n b o a r dmo n i t o r 4 7 O P E R A T I O NME N U 8 7 9 1 O P E R A T O RF I L E 7 3 9 1 O U T P U Ts wi t c h 1 0 9 1 1 0 P...

Page 135: ... Z W 1 1 S e n s i t i v i t y 8 S e r i a l D i g i t a l I n t e r f a c e s e eH DS D I 5 9 S h o o t i n gmo n i t o r s 1 1 1 S h o o t i n go u t d o o r s 1 1 1 S h u t t e r 1 0 6 9 8 7 9 9 1 0 9 1 1 0 1 1 1 1 1 3 S K I ND E T A I L 9 7 S l o t v i d e oc a r d 1 1 7 1 2 3 S L Z 1 1 D 1 1 S ma r t L e n s 1 1 4 S p o t me t e r 1 2 9 S t e a d i c a m 8 1 1 2 7 5 3 5 5 5 9 6 8 1 1 1 S W S ...

Page 136: ...1 1 0 3 1 0 7 1 0 9 1 1 1 1 1 2 V i g n e t t i n g 1 1 3 V I S T A 1 1 0 3 V I S T A 2 1 0 3 V i s u a l F X 3 1 1 1 4 V T R 5 5 6 5 6 9 8 1 1 0 9 V T Rs t a r t s t o ps wi t c h 6 9 W Wa v e f o r m mo n i t o r 3 7 3 9 8 9 9 3 1 2 8 1 2 9 We i g h t s e q u i p me n t 1 1 WF A 1 1 3 1 3 4 Wh i t eb a l a n c e s e ea l s oA WB 4 7 6 9 8 3 9 3 1 0 9 1 1 0 1 1 3 Wh i t eu n i f o r mi t y 1 2 5 ...

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