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Speed and power, without compromise. That’s how I’d sum up my impression 
of the new Nikon D800. Established medium-format image quality is 
now inside a phenomenal, incredibly responsive Nikon machine. At 36.3 
megapixels, the D800 produces unprecedented image quality and resolution 
within a body that boasts revolutionary technological advances. The 3D color 
matrix metering III, wide dynamic range and the improved AF performance 
in low light are just a few features that are glaring improvements. The D800 
allows me to concentrate on the light, the composition and my subject 
without having to think about much else. In years past, wedding photography 
was traditionally captured with medium-format equipment for maximum 
image quality. When the 35mm format was adopted within the genre, it was 
widely accepted that image quality was compromised in lieu of speed and 
convenience. Now, my wedding portraiture will have a depth it’s never shown 
before, and my style of shooting will be enhanced rather than compromised, 
thanks to the D800.

When I’m shooting beauty and jewelry in the studio or fashion on location, 
36.3 megapixels changes the industry standard: in image quality, dynamic 
range, color rendering and the final print. The detail from the D800 produces 
the look of a medium-format camera, but gives me the feel and response of a 
D-SLR. The improvements in rendering skin tone and specular highlights, as 
well as fabric and hair detail are superior to anything that has come before. 
Autofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor 
has noticeable improvements in metering accuracy, while the larger LCD is 
easier to read. The camera body feels solid and ergonomically simple, while 
also feeling lighter and smaller than previous high-resolution Nikons. New 
cameras always inspire me to test and explore, and all the useful features 
in such a compact package will open huge creative possibilities for my high-
quality prints and video.

To me, cameras are more like paintbrushes than technology. The goal is 
not megapixels or technique but the image, and while camera models 
are important, they are not the be-all or end-all. But after a lifetime using 
countless cameras, I have found a new best friend. It was not love at first 
sight. The sharpness and detail were initially intimidating, exposing my flaws 
like never before. Subtle camera movements showed and differences of 
acuity between aperture choices on various lenses were apparent. But now I 
am enthralled with this technology. Why? Because the images almost feel as 
though they were made with a 4x5 view camera! Special features like time-
lapse photography and the improved HD video quality and flexibility also add 
tremendously to the camera’s personality. After spending a month with the 
D800, I’ll never be the same again. Perhaps the best compliment I can express 
is that now I will think differently about the images I make. 

As a modern architectural photographer I am always looking for a lightweight,
compact and reliable camera system fulfilling the requirements of my personal
artistic and client expectations. The Nikon D800 will set new standards for 
the high-end 35mm D-SLR market. I have never worked with a 35mm digital 
camera that produces images with such exceptional quality and detail till 
now. Particularly, the live view mode enables extremely precise compositions 
and easy focusing in dim lighting, which simplifies my workflow. Superior 
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for 
architectural photography. From my hands-on experience I found that they 
perfectly match with the newly invented system and produce breathtakingly 
clean, clear and sharp files. This camera gives me the photographic flexibility 
to work at unusual shooting locations and capture images in an exceptional 
range of light. It definitely takes my photographic versatility and image quality 
to a new level. What a new companion!

The D8 0 0 On Assignment

Rob Van Petten 

Fashion (U.S.A.)

Cliff Mautner 

Wedding (U.S.A.)

Jim Brandenburg 

Nature (U.S.A.)

Benjamin Antony Monn 

Fine art/Architecture (Germany)

Printed in Holland  Code No. 6CE11030 (1202/A)K

Summary of Contents for 25480

Page 1: ...as are more like paintbrushes than technology The goal is not megapixels or technique but the image and while camera models are important they are not the be all or end all But after a lifetime using countless cameras I have found a new best friend It was not love at first sight The sharpness and detail were initially intimidating exposing my flaws like never before Subtle camera movements showed ...

Page 2: ...Lens AF S NIKKOR 14 24mm f 2 8G ED Exposure M mode 1 second f 8 White balance Color temperature 5 000 K Sensitivity ISO 100 Picture Control Standard Benjamin Antony Monn Bibliothèque nationale de France ...

Page 3: ... Lens AF S NIKKOR 70 200mm f 2 8G ED VR II Exposure M mode 1 200 second f 4 5 White balance Auto 2 Sensitivity ISO 640 Picture Control Portrait Cliff Mautner ...

Page 4: ... Lens AF S NIKKOR 70 200mm f 2 8G ED VR II Exposure A mode 1 15 second f 8 White balance Auto 1 Sensitivity ISO 100 Picture Control Landscape Jim Brandenburg ...

Page 5: ...d f 10 White balance Color temperature 5 500 K Sensitivity ISO 100 Picture Control Portrait Rob Van Petten Lens AF S VR Micro Nikkor 105mm f 2 8G IF ED Exposure A mode 1 500 second f 8 White balance Auto 1 Sensitivity ISO 400 Picture Control Standard Jim Brandenburg ...

Page 6: ... height with unprecedented depth and details both indoors and out and this is only the beginning Nikon s exclusive 91K pixel RGB sensor enables the Advanced Scene Recognition System to detect human faces even when shooting through the optical viewfinder adding even more of an edge to your AF AE and i TTL flash performance If your workflow demands broadcast quality video with high fidelity audio re...

Page 7: ...for exquisite 1080p broadcast quality video at 30p Combining both high resolution performance and a wide ISO sensitivity range has finally become a reality Nikon engineers have developed intelligent new methods to manipulate light transmission to the sensor s photodiodes from the optical low pass filter and on chip gapless micro lenses to the image sensor s internal design every measure has been t...

Page 8: ...e Nikon technology that effectively identifies your light sources both natural and artificial With the 91K pixel RGB sensor and the image sensor working together the camera renders white as white with supreme accuracy Or if you prefer the auto white balance can be set to reflect the warmth of ambient incandescent lighting Accurate AF detection is crucial for extremely high resolution still images ...

Page 9: ... view photography lets you shoot still images while confirming the exposure level on the LCD monitor You can even magnify images up to approx 23x to check the exact focus For movie live view on the other hand the D800 incorporates a dedicated exposure control for quality video shooting enabling smooth exposure transition when shooting moving subjects You can also shoot video with full manual contr...

Page 10: ...2 has its own dedicated shutter release button and command dials for vertical composition shooting When using batteries other than EN EL15 Rechargeable Li ion Battery The D800 is designed to respond immediately Once the strategically located switch is turned on the camera starts up in approx 0 12 seconds and your finger is in position for shutter release Release time lag is minimized to approx 0 0...

Page 11: ...llows you to access Picture Control instantly and directly from a dedicated button rather than entering the menu When live view shooting you can visually confirm how customized Picture Control settings will look and easily adjust the parameters With the D800 you can always check the LCD monitor or the viewfinder for both the camera s position in relation to the horizontal plane and its pitch forwa...

Page 12: ...ivers Its advantages are best experienced via Advanced Wireless Lighting Using high precision i TTL flash control with strategic intuitive operations you can make lighting as powerful and comprehensive as your imagination can take it Whether you shoot in the studio or in far flung locations there is a Nikon Speedlight solution to inspire your creativity Nikon s SB 910 offers versatile i TTL for on...

Page 13: ...AF assist illuminator Self timer lamp Red eye reduction lamp 5Lens mount 6Built in flash 7Mirror 8Flash pop up button 9Built in microphone Release mode dial lock release Flash sync terminal cover Flash mode button Flash compensation button Mounting index Ten pin remote terminal cover Meter coupling lever Lens release button AF mode button Focus mode selector Fn button Depth of field preview button...

Page 14: ...teps of 1 3 1 2 2 3 or 1 EV Exposure lock Luminosity locked at detected value with AE L AF L button ISO sensitivity ISO 100 to 6400 in steps of 1 3 1 2 or 1 EV can also be set to approx 0 3 0 5 0 7 or 1 EV ISO 50 equivalent below ISO 100 or to approx 0 3 0 5 0 7 1 or 2 EV ISO 25600 equivalent above ISO 6400 auto ISO sensitivity control available Active D Lighting Can be selected from auto extra hi...

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