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1.
Soft Key navigation buttons
2.
OLED Display
3.
Power button
4.
Fader Navigation buttons
5.
SHIFT keys
6.
Knob Set selectors
7.
Fader strips
Of course, Artist Mix can be used with a variety of systems and software applications apart from TriCaster.
You may already be familiar with its use for certain other purposes. The Artist Mix User Guide provides
details regarding each control. In this manual, we’ll focus on the controls as they apply to TriCaster only.
21.7.5
NUDGE
At any one time, Artist Mix can display controls for as many as eight of TriCaster’s
audio inputs, internal sources, and outputs. To access the other audio controls, use
the navigation buttons located at right on the control surface, just beneath the
POWER
button (Figure 21-51).
Two
NUDGE
buttons in this group move the entire control group currently displayed
one slot left or right from the current position.
Thus, from the default Input 1-8 view, pressing
NUDGE
updates the controls and
display to govern TriCaster’s Audio Inputs 2-7 along with Net 1. (Push
NUDGE
to restore Input 1 to the left-
most slot.)
21.7.6
BANK
Below the two
NUDGE
buttons are two similar buttons labeled
BANK
. Pushing either of these buttons normally
replaces the entire set of controls with their eight nearest neighbors.
So, for example, if you are currently viewing/controlling Inputs 1-8, pushing the
BANK
button swaps out
those controls and replaces them with the next set of eight sources to the right, starting with NET 1 at left
and continuing to AUX in the eighth slot.
A number of buttons on the Artist Mix control surface have two labels. For example,
the
BANK
button (Figure 21-52) has a secondary
END
label above.
The upper label denotes alternative functions for the button that are invoked when
you hold down one of the two Shift buttons on the surface at the same time.
Note that the
BANK
buttons each have alternate functions when pressed with Shift, specifically
HOME
and
END
. These combinations jump past all other configured control groups to display the first and last entries
respectively.
FIGURE 21-51
FIGURE 21-52
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