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For example:
Select an
EVENT ID
field, and change the (event row) number following the hyphen. The
event row is moved up or down in the current tab accordingly. This works just as well
for multi-selected event rows (the original order of the selection is preserved when
moving multi-selected event rows).
Use renumbering to locate certain types of events at easily remembered list locations
(for example, you might assign all of your imported graphics clips to the 900’s).
Multi-select several EVENT ID fields, and change the leading (tab) number – voila, the
selected events appear in the new tab.
(If there are existing event rows in the target tab with the same numbers as the new
arrivals, these are ‘pushed down’ and renumbered to make room for the new
insertions.)
Note that individual clips (camera angles) each have their own unique numbers, too, though
these aren’t directly shown in the
CLIP LIST
.
Clip I
D’s are in the format ‘tab # - event # - camera’.
For example, the full
Clip ID
for an angle might be “0-127-3”. (This
Clip ID
number is displayed in
the
Clip Info
area beneath monitors when playing
CLIP LIST
entries.)
Tip: The first column of PLAY LIST tabs displays a similar, but non-editable, CLIP ID, which includes
the angle number. These numbers are local to the PLAY LIST, and are not updated by changes in
CLIP LIST order, etc.
11.3.2
IN/OUT POINTS, DURATION (AND TRIMMING)
The initial values in timecode fields are established by your marking operations (using the
IN
and
OUT
buttons on the
Control Surface
). Afterward, they can be modified (within the bounds of
actually recorded footage) in several different ways:
You can simply drag the mouse pointer left or right above a timecode field.
Or navigate to the field using arrow keys, etc. (snapping the current timecode value into
the
FastClip
dataview
beneath the
Output A
monitor),
then
edit the existing value using
the keyboard and press
ENTER
.
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