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Highlight Light Compensation (HLC)
Attempts to adjust AE and AF to compensate for when high intensity spot lights are detected.
Highlight Light Compensation Mask
This setting determines how much of the spotlight is removed when making the compensation calculation.
Backlight Comp
Compensates for strong scene backlighting that can otherwise lead to the subject being too dimly exposed when
shooting in auto exposure mode.
Stabilizer
(Available on 30X zoom)
This function can reduce image blur caused by camera movement. The correction effect works best at vibration
frequencies of around 10 Hz and may not be as effective in conditions of high frequency vibration. In such high
frequency vibration conditions, turn the image stabilizer function off. The image stabilizer function uses the digi-
tal zoom methodology and may result reduced angle of view and resolution.
Gamma
Adjusts the gamma of the image from 0 to 1.
Color Matrix Tab
The Color Matrix features 64 levels
of adjustment of Gain (Intensity) and
Hue (offset) across six color sections,
Red, Green, Blue, Cyan, Magenta
and Yellow, and allows individual
fine-tuning of each of these without
affecting the response of other color
components.
You can also view an online
that covers this section.
Color Gain
The Gain control of each color
component defines how intense that
color is represented. The default
level (32) is a moderate gain which
shows an even bias between all pixels that contain the color, i.e., a dark red will have the red component shown as
vividly as a bright red, this generally gives a balanced look to your color representation.
By increasing the gain value, the camera will add additional intensity to all parts of the image pertaining to this
color. Conversely, reducing the color gain will take some intensity out of the target color. This can be useful in some
lighting conditions where certain colors appear over saturated to the camera.
Color Hue
The Color Hue option adjusts the temperature or phase in which any color is represented. When looking at the
color spectrum, beyond the true color points (Red, Green, Blue, Cyan, Magenta and Yellow), there are areas where
the colors transition to their neighboring color point. Color Matrix controls allow you to adjust the color offset in a
negative (counter clockwise) or positive (clockwise) direction, effectively moving the cameras response to any color
towards its neighboring color transition point.
Adjusting individual color Hue can assist dramatically in matching color representation from the camera to true-to
like colors or matching P200 to other cameras in your production.
