Moog Memorymoog 345 Owner'S And Service Manual Download

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Summary of Contents for Memorymoog 345

Page 1: ...MEMORYMOOG mj MODEL 345 This binder contains the complete owners and technical manuals for the Memorymoog As updates and improvements are made in the instrument they will be described in the Addenda s...

Page 2: ...Q O o...

Page 3: ...14 Outputs 15 The Back Panel 15 Hi Level Audio Output 15 Footpedal In 15 External Synthesizer Out 16 Footswitch In 16 Cassette Interface 16 Power On Off 16 Powercord 16 SECTION III The System Controll...

Page 4: ...ixer 30 The Voltage Controlled Filter 31 Emphasis 31 KB Track 32 Contour Amount 33 The Contour Generators 33 Contour Mode Controls 35 Unconditional Contours 36 Keyboard Follow 37 Outputs 38 Modulation...

Page 5: ...alter arpeggiation mode and set up program sequences Learning to use the System Controller is the key to learning how to use the Memorymoog This manual is designed in sections starting with a quick se...

Page 6: ...ad of 220 an authorized Moog service center can set up your instrument to operate at the proper voltage Next hook any footpedals or switches you desire to use up to their respective inputs Then connec...

Page 7: ...program Number 1 will appear in the PROGRAM DISPLAY window of the SYSTEM CONTROL LER To change program numbers hit any number from to 99 followed by hitting the ENTER button on the Numeric Keyboard of...

Page 8: ...lay shows the PROGRAM SEQUENCE number and the number to the right of the screen is the program number next in line in the SEQUENCE To step through the PROGRAM SEQUENCE use the A PREFIX switch to go fo...

Page 9: ...key at a time The number of voice cards you control is variable from 1 up to 6 giving you control over from 1 to 18 oscillators This is programmed by the SYSTEM CONTROLLER 3 0 and the MIXER section 7...

Page 10: ...speed The Clock can be overridden by an external trigger source at the CLOCK IN 15 5 on the back panel The internal clock is reset by the key board so you can always play in time The Arpeggiator opera...

Page 11: ...going on in the instrument When the AUTO TUNE cycle is complete it will display how many voice cards have been tuned up by showing i 1 2 3 4 5 or 6 TUNED Note that any number less than 6 indicates th...

Page 12: ...g that a protect function against storing unwanted information in memory is on To turn the protect function off and on you must know the four digit security code see Section III Attempting to store a...

Page 13: ...any new four digit code PREFIX C9 makes the front panel live The Alphanumeric Display 3 2 will read LIVE PNL when you hit C hit 9 hit ENTER In this state the front pane controls override the memory s...

Page 14: ...WHEEL 2 3 FOOT PEDALS AMOUNT 1 2 8 10 PITCH VOLUME D FILTER AMOUNTS 2 8 10 DD MOD AMT OSC 2 Q 5 1 RATE HZ Controls the LFO frequency Variable from 1Hz to 100Hz 5 2 WAVESHAPE SELECTION Five switches t...

Page 15: ...or three This is useful for creating modulation effects that vary with time 5 8 INVERT Inverts the filter contour as it s applied to the CONTOURED OSC 3 AMOUNT 5 7 and inverts the output of OSC 3 6 0...

Page 16: ...inor sixth The outer ring is for coarse control and the inner ring is for making finer adjustments 6 6 FREQUENCY oscillator 3 Tunes the third oscillator a minor sixth How ever when the KEYBOARD CONTRO...

Page 17: ...HASIS Controls the degree of filter resonance Oscil lation begins at a little past a setting of 7 8 4 CONTOUR AMOUNT Controls the amount of voltage from the Fl L TER CONTOUR GENERATOR 8 5 that is appl...

Page 18: ...DITIONAL CONTOUR With this switch off the Contour Generators will go into their release states if the RELEASE SWITCH 10 4 is on or the RELEASE FOOT SWITCH 15 1 is depressed only when you let up on a k...

Page 19: ...BALANCED A transformer balanced 600 ohm output 12 2 UNBALANCED An unbalanced low impedance output 13 0FOOTPEDALIN 13 2 input for a 5 volt voltage pedal controller whose function is preprogrammed on th...

Page 20: ...GLIDE switch on or off 15 6 CLOCK IN Replaces the internal clock from the LFO 5 0 with an external clock 15 1 RELEASE Accepts a switch input for turning the release portion of the Contour Generators o...

Page 21: ...S PLAY and the appropriate LEDs for program 1 will light up Should you need to tune the instrument at any time after it s been warmed up the computer will always remember the state of the panel contro...

Page 22: ...returns to normal if the code is correct the display reads NEW CODE and you enter any new four digit code number followed by ENTER A convenient code number is the last four digits of your telephone nu...

Page 23: ...will have no effect at all on the patch as long as the RECORD INTERLOCK switch doesn t get hit again cancelling the LOCK Then while holding down the RECORD INTERLOCK switch press the ENTER button The...

Page 24: ...he A and B PREFIX switches on the Numeric Keyboard see diagram above or you can use ADVANCE and BACKSTEP footswitches not supplied with the instrument but available as Moog accessory number 1 1 22 The...

Page 25: ...GRAM SEQUENCE 0 4 Hit 10 5 Hit ENTER 6 Hit A load first program into first position of SEQUENCE 0 7 Hit 20 8 Hit ENTER 9 Hit A load second program into second position of SEQUENCE 0 o CONTINUE until y...

Page 26: ...the level of your recorder It should be set at around 3 on the VU meter to ensure sufficient level To save programs onto tape hit PREFIX C press 1 press ENTER This starts the cassette save operation...

Page 27: ...urce of control voltages that are applied to the oscillators telling them what pitches to produce The lower the note you play the lower the corresponding voltage the key board will put out It function...

Page 28: ...YCLIC WITH MEMORY in that the first note played after no notes have been held down is assigned to VOICE A Q In MONOPHONIC MODE the keyboard will only let you play one note at a time There are three di...

Page 29: ...gger for the entire phrase emphasizing the first note letting the others be played with what remains of the single CONTOUR If youVe never played a single trigger monophonic synthesizer before it may t...

Page 30: ...pattern is stored Since the HOLD function not programmable you can switch to other programs while retaining the held chord THE ARPEGGIATOR Turning the ARPEGGIATOR switch 1 9 on puts the keyboard immed...

Page 31: ...controls WAVESHAPE Each oscillator generates three waveshapes pulse I sawtooth I and triangle Each waveshape is a representation of fluctuationsof voltage These fluctuations produce different sets of...

Page 32: ...ding Q MM MORMAL TRIANGLE WAVESHAPE CLIPPED TRIANGLE SIIME WAVESHAPE SYNC 2 TO 1 SYNC is short for synchronize When the SYNC switch 6 2 is on the fundamental frequency of OSCILLATOR 2 is locked to the...

Page 33: ...OSCILLATOR after youVe tuned it up to a second third or sixth using the OCTAVE switches 6 1 To hear the effects of the FREQUENCY controls go back to the live panel patch weVe been working with and tu...

Page 34: ...is the NOISE SOURCE whose level control is in the MIXER 7 0 The noise produced spink noise noise weighted to produce an equal amount of energy in each octave of the frequency spectrum It has a deep so...

Page 35: ...EXPERIMENT WITH CHANGING WAVESHAPES CHANGING LEVELS CHANGING OCTAVES oniz VOLTAGE CONTROLLED FILTER KB track 7 3 2 3 5 5 2 8 10 2 8 10 CUTOFF EMPHASIS CONTOUR AMOUNT 700 1 1 5 1 4 f 3 5 1 4 f 3 400 1...

Page 36: ...note puts out less control voltage than a high note Experiment with adding different amounts of keyboard voltage to the filter first using no EMPHASIS Notice that when you turn the CUTOFF knob up beyo...

Page 37: ...ER KB TRACK V3 2 3 3 3 2 B o 5 5 CUTOFF EMPHASIS CONTOUR AMOUNT 700 1J 1 4 3 l 1 4 f 3 100 6 200 12 2 8 200 12 10 9 i 4 1MSEC 10 SEC 2 MSEC 20 SEC 10 2 MSEC 20 SEC ATTACK DECAY SUSTAIN RELEASE o Ch D...

Page 38: ...me is variable from 2 milliseconds to 20 seconds It s important to note that the RELEASE SWITCH 10 4 has to be on in order for the release portionof the CONTOUR to function The RELEASE FOOTSWITCH 15 1...

Page 39: ...of ADSR controls are four switches 10 0 one of which is the RELEASE SWITCH 8 9 mentioned above These switches affect both CONTOUR GENERATORS RETURN TO ZERO 10 1 governs the way that the attack time r...

Page 40: ...e Memorymoog fade in and out UNCONDITIONAL CONTOUR OSCILLATORS OCTAVE M WAVESHAPE D ED D D D 1 D H D 0 00 ru A PULSE WIDTH 1 OCTAVE WAVESHAPE I I ill I II I 2 r LJ 111 _J 5 6 rij A A V 100 FREQUENCY P...

Page 41: ...00 12 2 8 200 12 lo V 20 8 x 20 18 1 MSEC 10 SEC 2 MSEC 20 SEC 10 2 MSEC 20 SEC ATTACK DECAY SUSTAIN RELEASE VOLTAGE CONTROLLED AMPLIFIER J KEYBOARD FOLLOW TURN SWITCH ON OFF PLAY CHROMATIC SCALE HOLD...

Page 42: ...e heard if the FILTER CUTOFF 8 2 and the CONTOUR AMOUNT 8 4 controls are not up high enough to pass any sound Long attack times will give the impression that nothing is happening unless you hold notes...

Page 43: ...Q 2 8 i CONTOURED INVERT 10 10 OSC3AMOUNT OSC 3 FILTER CONTOUR DESTINATION Dnnnn OSC1 FREQ FREQ FILTER J AT LEAST ONE OF THESE CONTROLS MUST BE ON FOR THE MODULATION TO BE AUDIBLE o LFO MODULATION The...

Page 44: ...an be used to sweep the pitch of the oscillators individually in pairs or simultaneously It can sweep the oscillators pulse widths and or it can sweep the filter s CUTOFF frequency o When you modulate...

Page 45: ...t LFO waveshapes different pulse widths and different pulse widths at different octaves LFO PW MODULATION u I 1 AUTO TUNE N nan i n DDD KB MODE HOLD ARPEGGIATOR SYSTEM CONTROLLER EJEl H HEOHEI HE FOOT...

Page 46: ...SC3 PWl PW 2 PW3 FILTER FREQ FREQ FREO 10 l CONTOURED INVERT FILTeRC0N 0UR DESTINATION nnnnn F EQ O Z FILTER z VOLTAGE CONTROLLED FILTER KB TRACK DD 1 3 2 3 fl CUTOFF EMPHASIS CONTOUR AMOUNT 700 j 1 5...

Page 47: ...NTROLLED AMPLIFIER DESTINATIONS OF THE VOICE MODULATION 5 1 H RATE HZI M 1 OSC3 n IODUL ATION Ll n MODULATION mnnnn DESTINATION naiijnnnn _ _ 3 p 1 pw 2 pw 3 FILTER Q CE MODULATION i n D 10 fLtER CONT...

Page 48: ...en you play more than one note each has its own distinct and independent CONTOUR Some of the most common SYNC sounds are created by modulating the frequency of OSCILLATOR 2 with the FILTER CONTOUR whi...

Page 49: ...3 can be switched in and out When it s not being controlled by the keyboard OSCILLATOR 3 acts as a full range modulation oscillator a sort of super LFO Set up this patch and listen to the effects of O...

Page 50: ...on and off listening to the modulation in each case The INVERT switch inverts the waveshapes so that both positive and negative going saw tooths are available from OSCI LLATOR 3 Another thing you can...

Page 51: ...to hear any modulation The INVERT switch turns the FILTER CONTOUR and OSCILLATOR 3 waveshapes upside down In order for the pulse width modulation to function the oscillators have to be putting out pu...

Page 52: ...up by the MODULATION AMOUNT control 1 11 In both functions controlling the amount of modulation and sweeping the pitch of OSCILLATOR 2 the AMOUNT control adjusts the range of the pedal FOOT PEDALS AM...

Page 53: ...ograms for the Memorymoog were supplied by Don Airey John Bezjian Jeff Burger Todd Booth Wendy Carlos Tom Coster Herbert Deutsch Larry Fast Jan Hammer Lee Hargrove Nancy Kewin Roger Luther Dominic Mii...

Page 54: ...ooc r bOW W W W GJOGOtDJD 0 0 cccccccccc Z i3 i i i i i i i h i 2 t lt t t COLOC LOcO c i r cNco in r ooc CD D C u O o X a E 3 D t J5 t 1 U o LO CU LO CD o CD o o o c en c 3 u en ty O CO C T3 o L_ en...

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Page 72: ...Qi Di y D I Di L t i I Di i ia m s m s 0i liii i 3 a Si E t 1 lU 01 i mmmm mmmm mmmm mmnm RECORD ENTER INTERLOCK HI n ni SI mi CO o o Q n3 C r3 C O c C O D Q _ J0 o LL O u l Oli iO i p 9s y i i i i 0i...

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Page 81: ...H El H s H ni I 1 0 0j Z3 O o O o S E 2 E E o _ CD CD O CD l 0li irO i s t J N a 1 Is 2 r i 0 i 1 n j n g t CM O n D n D g s uj v_yoS s l n Oii Dii 15 Dii OCTAVE 1 1 i 1 1 BQEDI EIHEl H El H El ni nil...

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Page 90: ...i o 2 D g o o o 1 f J 1 D c o t l c 2 D T3 E o o o c D CD D C o o o Si O CN o 00 3 t l D u O H t 1 u o Q LU o d r0l il O i CO s CO jad rll o _g a oc sr 0 i sVi DM D I i i Di Di ha r I PE Di Dii OCTAVE...

Page 91: ...END MODULATION AMOUNT AMOUNT CD T3 O ri O 3 O 0 o o 00 lO li 0 i 4 r K i h rj EC SfB S i Ki i i B i B h 9 Bi Bl Bl Bi Bl BM Bi i 0 3I Bii n i t ni l n u 1 1 1 1 1 Bl r Bi Bi 1 0 Bl BBBB BBBBi BBBB B B...

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Page 93: ...o CD P 5 iz D o o C f O D C So H o o Z 5 a 0 il iiO i 5 qi 3 PlP J o eg iP 98 io j 2 0 Di DM DM I u Uis DP 0 ri l Di Dii Dii i b al OCTAVE 1 1 i 1 1 D Di BEE B BEE EI BEE B BBBBi s ni na i B 03 DI Bf...

Page 94: ...BH H ni HHH H n H H ni ni o ni R o o T3 O O 0 o 3 u o o c o d H u LU J CL X H Z 00 01 1 s 0 1 0 1 i i n i8 ni n nM Dif ni nil 8 i S n Hi mn Dil z Di r0 ni r ni I I I I li c D II H HEin B EIHHni n H Q...

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Page 98: ...PUTS 0 PROGRAMMABLE 5 10 VOLUME HEADPHONE 10 VOLUME 1 RELEASE 2 MSEC 20 SEC RELEASE IFIER i i K J LJ LJ TO ZERO CONTOUR 1MSEC 10SEC ZMSEC 20SEC ATTACK DECAY VOLTAGE CONTHG S J Bii 01 B B B B ii B 3 B...

Page 99: ...CU cr 3 U O L_ c 3 o f 0 E I o r III D u H H H B H H H Di H H H H B ni Ite Dfiisii EllQI ho y o I LLl O LU 00 00 roil MO I i I i g D 0i n B I D i 1 S B CM B OSCILLA SYNC 2T01 0 m n n B B B n B B n B B...

Page 100: ...C c c So u O c o o o u o x 3 CL O o c 3 O c o U 1 r C f h O 3 Z t l I z a 6 ail MO l sv u f 8S J a r_ s y to s uj EC D is s ii M l i 3 o CO Di O DM dS Oil Dii 1 i i Di 1 1 Di Dii 1 L_I5 I Di Di Q II...

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Page 102: ...i i ti a c 3 o n E c 1 1 CD O 3 T3 O T3 O u o o t 1 T3 o E o o z O f 0li M O i Rhs l s i r i n rgii 1 oN i SVi Z m h s m i mn mil mM mil miif mm mi mi I m mOCTAVE 1 1 i 1 1 z SYSTEM CONTROLLER mmmm mm...

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