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Channel A output is connected as in the normal stereo mode. By having
channel A and B operating in opposite polarity, the energy storage in the
power supply is more efficient. This means that the amplifier can deliver up
to 10% more power than in tandem mono mode. This is significant for
signals below 100Hz (sub bass etc.).

7

OPERATION 

7.1

Operation precautions

Make sure that the power switch is off before making any input or 
output connections or operating the switches on rear panel. See pages 
6-12 about installation.

•  Make sure that the AC mains is correct and the same as that printed on 

the rear panel of the amplifier. See pages 6-8 about operating voltage 
and power consumption.

•  Make sure that the switches on the rear panel for operation modes, 

clip limiters and the MLS™ switches are in the correct position. 
See pages 13 and 14 about operation modes, page 16 about clip 
limiters and page 12 for the MLS switches.

•  It is always a good idea to turn down the gain controls during power up

as this prevents speaker damage, especially if there is a high level 
signal at the input.

7.2

Powering up - Soft start

When you power up the amplifier it takes a couple of seconds to self check.
This is known as the "soft start" or "slow start" sequence.  The fans then
blow at high speed before going into "idle" and the two bottom green LED's
illuminate to show the amplifier is operational.

7.3

Input attenuators

The two input level attenuators on the front panel adjust the signal level for
their respective amplifier channel in all modes. They are calibrated in dB to
assist setting up active loudspeaker systems. 

In bridged mode, both controls must be in the same position, so that the
speaker load will be shared equally between the channels.

7.4

Gain switch

The gain switch located on the rear panel is for changing the input
sensitivity of the amplifier.  Most professional mixing consoles operate at a
nominal level of +4dBu. Therefore, use the 32dB position (depressed
switch), to give you plenty of fader movement. On the other hand, for a
disco mixer that operates at a nominal level of 0dBu, use the upper position
setting, which has a sensitivity of 0dBu (0.775Vrms) for full power in 4
ohms.

Martin Audio – MA4.2 Power Amplifier

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CONTENTS

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GUIDES

APPLICATIONS GUIDE

Summary of Contents for MA4.2

Page 1: ...ections 9 5 7 Connecting speakers 11 5 8 Impedance matching MLS switch 12 6 OPERATION MODES 13 6 1 Stereo operation 13 6 2 Tandem mono 13 6 3 Bridged mono 13 6 4 Stereo reverse 14 7 OPERATION 15 7 1 O...

Page 2: ...voltage source such as battery mains source or power supply regardless of whether the amplifier is turned on or off Do not run the output of any amplifier back into another channel s input Do not blo...

Page 3: ...es radio frequency energy and if not used or installed in accordance with these operating instructions may cause interference to other equipment Compliance with the EMC directive does not automaticall...

Page 4: ...es if the amplifier attempts to function above its maximum operating temperature 90 C The indicator first comes on as a warning to either turn down the input level or check the cooling arrangements af...

Page 5: ...on section See page 11 2 Minimum load selector MLS switch This switch is used to select the minimum nominal speaker impedance the amplifier is going to drive see page 12 3 Clip limiter switch Turns th...

Page 6: ...w see Design features on page 19 Should the heat sink get too hot its sensing circuit will mute the hot channel If the power supply overheats another sensing circuit will mute all output channels unti...

Page 7: ...a unit in the system is faulty its mains fuse will blow due to this automatic ground system If however you wish to tie the signal ground to chassis connect the XLR connector s shell lug to pin 1 In th...

Page 8: ...g example If we consider a headroom of at least 9dB and a 4 ohm load on an amplifier producing 2100 watts per channel The 1 8 power per channel is then 2100 8 263 watts total output 2 x 263 525 watts...

Page 9: ...gh 20kohms balanced to allow daisy chaining or multiple parallel input connections To daisy chain use the TRS jacks provided on each channel The input circuits also have high enough headroom to accept...

Page 10: ...to the shield at the source The hum and noise rejection for the cable is equivalent to that for a balanced line To minimize hum in the audio use balanced inputs whenever possible Figure 8 Balanced lin...

Page 11: ...output or input terminal see warning on page 2 For normal two channel operation connect each speaker load across the outputs positive and ground terminals Pay attention to speaker polarity loudspeaker...

Page 12: ...ation using table 3 for initial starting positions The amplifier is very well protected even down to 0 3 ohms but where speed is of essence stick to the fixed positions The MA4 2 amplifier is a power...

Page 13: ...ctors for mixing or other purposes Both level attenuators are active allowing you to set different levels for each channel Never connect either output terminal to ground or in parallel 6 3 Bridged mon...

Page 14: ...reo reverse This mode is similar to the Tandem mono mode Apart from depressing the Link switch you also depress the Phase reverse switch as in the Bridge mono Channel B is now phase reversed To compen...

Page 15: ...ly if there is a high level signal at the input 7 2 Powering up Soft start When you power up the amplifier it takes a couple of seconds to self check This is known as the soft start or slow start sequ...

Page 16: ...it LED indicates when the amplifier output is clipping or limiting It has two different indication states When the clip limiter is engaged it has a short time constant and illuminates briefly When the...

Page 17: ...the clip limiting is inaudible The limiter can be turned On or Off by depressing the relevant clip limit switch 2 Some manufacturers of loudspeaker processors do not recommend the use of clip limiter...

Page 18: ...t can do during sustained high power sine wave testing the AFS limiter will restrict the mains current to a safe level consequently reducing the amplifier output If the AFS limiter circuit is activate...

Page 19: ...ieved not only by the design of the power supply and heatsink but also by the use of an alloy chassis making rear rack supports unnecessary in most applications Switch mode power supply SMPS Switch mo...

Page 20: ...ss of speaker demands and AC line conditions Minimum Load Switches MLS Thanks to the regulated SMPS the maximum power available for the output stages can be adjusted without increased heat dissipation...

Page 21: ...sts up to 1kV conducted through the cables to the unit Electromagnetic fields up to 3V m radiated on the unit and the cables in the frequency range of 27 500 MHz We have extended the tests in two case...

Page 22: ...ation only For use on 115 Volts AC internal modifications to the power supply board must be made Warning This modification should only be carried out by an experienced service technician Please contac...

Page 23: ...remove possible high frequency oscillations from the relevant input Fault The amplifier goes into thermal protection when driven at low level Check that your loudspeaker has not got a short circuit in...

Page 24: ...ts act of God war civil insurrection misuse abuse operation with incorrect AC voltage operation with faulty associated equipment exposure to inclement weather conditions and normal wear and tear Units...

Page 25: ...kHz at 500W 4 ohms 0 04 POWER MATRIX MLS SWITCH SETTING LOAD CONFIGURATION 5dB 4dB 2dB 0dB 16 ohms Stereo 2 channel 220W 260W 410W 650W 8 ohms Stereo 2 channel 430W 520W 820W 1300W 4 ohms Stereo 2 cha...

Page 26: ...ire HP12 3SL England Telephone 44 0 1494 535312 Facsimile 44 0 1494 438669 Web www martin audio com E mail info martin audio com The Martin Experience MARTIN AUDIO L O N D O N Please Click here to ret...

Page 27: ...MARTIN AUDIO L O N D O N The Martin Experience ENGLISH MA4 2 Power Amplifier User s Guide CONTENTS PRINT GUIDES APPLICATIONS GUIDE...

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