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Low Pass Gates such as the LxD are typically used to process audio signals. The LxD excels at processing
harmonically-rich sounds. Patch your audio signal (e.g. STO Variable Shape OUTput; DPO Square OUTput)
to the Signal INput of CH1. Next, patch a Control Voltage, such as an Envelope or LFO (e.g. CH. 1 or 4
MATHS; FUNCTION Non-Inverting OUTput with Cycle engaged), to the Control INput of CH. 1. Then, patch
the CH. 1 Signal OUT to your monitoring system and listen to the results. Experiment with changing the
Timbre of the Audio Signal you are processing (e.g. adjust the STO’s Variable Shape Control; patch DPO SAW
or FINAL OUTput instead of Square and adjust FREQuency) and the rate of the Control Signal patched to the
Control Signal INput. Now, patch a Clock signal (e.g. Wogglebug Clock OUT; MATHS/FUNCTION EOR or EOC
OUT) to the LxD CH. 1 STRIKE INput. Observe the sound. Remove the signal patched to LxD CH. 1 Control
Signal INput. Observe the sound. Setup this same patch, but instead using CH.2. Note the differences in
the result.
Now, try patching a Square Wave from your VCO (e.g. STO SUB OUTput; DPO Square OUTput) to LxD CH. 1
Signal INput. Patch an LFO (e.g. CH. 1 or 4 of MATHS; Non-Inverting OUTput from FUNCTION with CYCLE
engaged) to LxD CH. 1 Control INput. Patch a faster Square LFO or CLOCK signal (e.g. Wogglebug Clock
OUTput; MATHS or FUNCTION EOR or EOC OUTput) to LxD CH.2 STRIKE INput. Patch LxD CH. 2 Signal
OUTput to your monitoring system. Listen to the results of the classic VCF into VCA signal path: performed
here utilizing Low Pass Gates.
Summary of Contents for LxD
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