Make Noise DynaMix Manual Download Page 8

Dynamics Management

The DynaMix DYNMC Input allows for audio signals to be used as control signals. Audio signals patched to the DYNMC Input are 

averaged to the point of creating a smooth positive control voltage.  The associated DYNMC Attenuverter allows for adding or 

subtracting these positive control signals from the Level parameter value.  The LED is helpful for indicating this action.

Modulating a Channel’s DYNMC parameter relative to its Level parameter may introduce Gain Reduction or Gain Expansion based 

on the setting of the DYNMC Attenuverter, with the Ratio set by the Level parameter. For the most dramatic results, the Level 

Combo Pot should be set to 1:00 or further CCW.  When the Associated DYNMC Attenuverter is set counter clockwise from 12:00, 

Gain Reduction is achieved. When the Associated DYNMC Attenuverter is set clockwise from 12:00, Gain Expansion is achieved.  

This depends a great deal upon the source material patched to the channel Signal Input and/ or the DYNMC Input. 

The unprocessed output of most VCOs has little effect when patched to the DYNMC Input (or when routed there via the 

normalization).  This is because the unprocessed output of most VCOs has little to no dynamic range.  The signal is of constant 

loudness.  There is no audible variation in amplitude to translate into a control signal. By contrast a loop of a percussive instrument 

played back from an external source will have a great deal of dynamic range that could be translated into an interesting control 

signal to be used to impart variation in the Level of the signal being processed with the Dynamix. 

Keep in mind the DYNMC Input is designed to work with modular level signals of around 10Vpp.  To get the most from the DYNMC 

Input audio signals should be at the modular level. 

Even the signal the DynaMix is processing could be used to modulate the dynamics of itself!  For this reason, the signal patched to 

the Signal Input is normalled to the DYNMC Input.  Assuming the source material has a wide enough dynamic range, you may 

achieve gain reduction or expansion by setting the associated DYNMC Attenuverter appropriately. 

When it is not desired to use the DYNMC parameter, be sure to set the DYNMC Attenuverter to 12:00 or patch a dummy cable to 

the DYNMC Input.

Also note that the Signal Input Drive controls are of great use for Balancing the signals patched to the DynaMix with each other 

and other signals being used in a patch.  Both Channel 1 and 2 Signal Input Drive can boost the signal by 55% or cut a signal by up 

to 100%.  The Signal Input Drive is at unity around 1:00. Further clockwise from 1:00 the gain is increased and the input begins to 

overload after about 3:00 assuming standard modular level signals are utilized.  Setting the Signal Input drive to below 1:00 will 

reduce the gain.  The Signal Input Drive is a Pre-Gain and unlike the Level parameter there is no low pass filtering of the signal.  

This makes it possible to adjust the relative levels of the signals without affecting the timbre. 

Processing Control Voltage w/ Audio Signals and More

The Signal Input is Direct Coupled so it is possible to use the Dynamix to process Control Voltages as well. There is both gain and 

attenuation available at the Signal Input which might be helpful when you need to translate between different systems or 

modules. The Level parameter provides voltage control over the amplitude of the signal being processed. The frequency domain 

processing of the DynaMix is tuned to the audio range and thus has little effect upon the lower frequency range of most control 

signals. 

Since the DYNMC Input accepts audio signals for use in controlling the Level parameter it facilitates the uncommon technique of 

using audio signals to control the depth of control signals being used in a patch for modulation. If control voltage to be processed 

is patched to the Signal Input and the Level parameter is set to be around 1:00, by patching a dynamic audio signal (one in which 

there is much change in amplitude over time) to the DYNMC Input and setting the associated DYNMC Attenuverter to be CW of 

12:00 you could achieve an increase in modulation depth as the audio signal patched to DYNMC Input gets louder. By setting the 

associated DYNMC Attenuverter to be CCW of 12:00, you could achieve an decrease in modulation depth as the signal patched to 

DYNMC Input gets louder.  This less often used technique should present many unique patch combination to explore!

8

Summary of Contents for DynaMix

Page 1: ...v 1 0...

Page 2: ...2 Table of Contents 2 Limited Warranty 3 Installation 4 Overview 5 Panel Controls 6 Getting Started 7 Tips and Tricks 9 Patch Ideas 10 Dynamics Management 8...

Page 3: ...hanging face plates or any other causes determined by Make Noise to be the fault of the user are not covered by this warranty and normal service rates will apply During the warranty period any defecti...

Page 4: ...atted distribution receptacle to operate It must be properly installed into a Eurorack format modular synthesizer system case Go to http www makenoisemusic com for examples of Eurorack Systems and Cas...

Page 5: ...in a topology that has more in common with East Coast instruments This combination of West Coast technique and East Coast circuitry is No Coast synthesis at its best allowing the Low Pass Gate to be u...

Page 6: ...l signals with a range of around 10Vpp 10 Channel 2 Signal Input Drive Input attenuator for associated Signal Input Begins to overload the Dynamic circuit after about 3 00 Attenuates to silence at ful...

Page 7: ...w Fall or Decay to the Level CV Input This provides a beautiful example of DynaMix s ability to produce acoustic like Attack Decay transients AM Synthesis Amplitude Modulation is a classic synthesis t...

Page 8: ...is not desired to use the DYNMC parameter be sure to set the DYNMC Attenuverter to 12 00 or patch a dummy cable to the DYNMC Input Also note that the Signal Input Drive controls are of great use for...

Page 9: ...htness settings made using the Level controls The Signal Input starts to overload when the signal at the input is 10V and the associated attenuator is set beyond about 3 00 To get more dramatic overlo...

Page 10: ...to the Level CV Input Set the associated Level Combo Pot attenuator to 1 00 Trigger the envelope CV Gate Controlled Crossfader Use this patch to fade between any two audio or CV sources flying at the...

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