background image

AUX 1

COMBINED

OUT

INPUTS

1

2

3

+22

MAX

MIXER MIXER

UNITY GAIN COMBINER

POWER

MONITOR

COMBINED

OUT

INPUTS

1

2

3

+22

MAX

AUX 2

COMBINED

OUT

INPUTS

1

2

3

+22

MAX

AUX 3

COMBINED

OUT

INPUTS

1

2

3

+22

MAX

AUX 4

COMBINED

OUT

INPUTS

1

2

3

+22

MAX

AUX 5

COMBINED

OUT

INPUTS

1

2

3

+22

MAX

AUX 6

COMBINED

OUT

INPUTS

1

2

3

+22

MAX

ALT 3 

COMBINED

OUT

INPUTS

1

2

3

+22

MAX

ALT 4

COMBINED

OUT

INPUTS

1

2

3

+22

MAX

COMBINED

PHONES OUT

TIP= LEFT RING=RIGHT

PHONE INPUTS

1

2

3

+22

MAX

FROM

PHONES

OUT

(TRX)

FROM

PHONES

OUT

(TRX)

FROM

PHONES

OUT

(TRX)

L INPUTS

1

2

3

+22

MAX

R INPUTS

1

2

3

+22

MAX

REMOTE MASTER

1

L

R

+22

MAX

A

LIGNMENT

NOTCH

DEPRESS FOR USE WITH

REMOITE MASTER FADER

MAIN INSERT

MADE IN THE USA

LEFT

RIGHT

MONO

MAIN COMBINED BALANCED OUTPUTS

10

5

U

5

10

15

20

25

30
35
40

+dB

dB

REMOTE MASTER

OO

Mixer

Mixer

Unity Gain Active Combiner

What it is

We called it the MixerMixer because that’s

what it does... it mixes the outputs from up to
three mixers so you can use them as if they
were one bigger mixer.

Combining the outputs of two or more

mixers has always been a difficult task. At best
you could combine main outputs by giving up
two inputs on one of the mixers. However,
none of the AUX sends or headphone monitor-
ing functions could be combined .

The Mixer Mixer solves this problem,

combining ALL outputs from up to three
mixers and providing a new set of outputs for
up to three mixers. For example, three Mackie
Designs CR-1604's and a MixerMixer gives
you 48 line inputs, 18 MIC inputs, 12 stereo
effects returns and 24 direct outs!

Since all combining is at unity gain, you lose

no level or head room — and gain no additional
noise. In fact, the MixerMixer's noise level is so
low that you can use it at
–10dB or +4dB levels.

Remote Fader

With the addition of the

optional remote fader, you
can control the main L/R
output level of all the mixers
that are plugged into the
MixerMixer. The remote
fader comes with its own
connecting cable. Bolt it to
the side of one of your
CR-1604’s, hold it in your
hand, stand it on a table, or
use double-backed tape to
mount it anywhere that’s
convenient to use.

CordPack

Use the available cord pack to interconnect

CR-1604’s and MixerMixers. CordPacks
include all the cables needed to connect up to
three CR-1604’s to a MixerMixer.

Connections

MixerMixer is really, really easy to hook up.

Just connect all the various outputs from your
mixers to the inputs of the MixerMixer. The
new, combined outputs from your system are
taken from the Mixer Mixer.

If you are using the remote fader, 

be sure

 to

position the plug correctly when you plug into
the Mixer Mixer. The alignment notch is clearly
marked on the MixerMixer to correspond with
the “dent” in the end casing of the DIN plug
on the cable supplied.

NOTE:The reason it’s even possible to

insert the plug incorrectly is because we put a
seven- pin DIN connector in the MixerMixer
that allows us to give you some specialized
control functions at a later date (the other pins
supply power).

Enabling the Remote Fader

To use the remote fader you must depress

the switch that lurks behind the MixerMixer’s

front panel, right along
side the DIN plug
socket. It’s recessed for
security, so you have to
very deliberately insert a
pencil (or non-conduc-
tive pen) through the
small hole to depress
the switch. MixerMixers
are shipped from the
factory with the switch
in the “remote-off”
position.

Sub-mixing With the
Remote Fader

With the remote fader

you can use the existing
master output sliders for

sub-masters. Use the pan controls to assign
each channel to the appropriate output sub-
master, then use the remote fader to set the
overall output level.

(continued on back page)

CordPack

: The economical patch cord solution. It

takes a lot of cables to link three CR-1604s. So we
offer thirty-six mono and three stereo patch cords for
a VERY reasonable price. These are high quality
cables with molded construction, plated contact
surfaces, flexible insulation and different colored ends
to make identifying inputs and outputs easy.

Optional

Remote

Fader

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