MUL
TI
1.1
2.2
2.3
3.1
3.2
3.3
3.4
4.1
4.2
4.3
4.4
5.1
6.1
7.1
7.2
7.3
67
Here you can specify how the arpeggiator will operate in
Multi mode. These settings can be made for each multi. In
Multi mode (as in Combination mode), you can run the two
arpeggiators simultaneously.
This allows you to apply different arpeggio patterns to two
sounds that have been split across the keyboard, or use
velocity to switch between two different arpeggio patterns,
etc.
In Multi mode, the musical data generated by the arpeggia-
tor during pattern realtime-recording can be recorded.
While you record, you can modify the arpeggio pattern and
parameters, and adjust the REALTIME CONTROLS C-mode
[ARP-GATE] knob and [ARP-VELOCITY] knob etc.
The tempo of the arpeggiator and RPPR (patterns) can-
not be specified independently.
When “MIDI Clock” (GLOBAL 1.1:1–1a) is set to Inter-
nal
, the arpeggiator can be synchronized to the timing
at which patterns start.
In 5.1: RPPR, Pattern page if you turn on the [ARP ON/
OFF] key and press the [F5] (“START”) key, the arpeg-
giator will synchronize to the timing of the pattern. If
you then press the [F5] (“STOP”) key, both pattern play-
back and the arpeggiator will stop. If you wish to stop
only the arpeggiator, turn off the [ARP ON/OFF] key.
If the arpeggiator “Key Sync” is off, turning on the
[ARP ON/OFF] key and playing the keyboard of a con-
nected MIDI device to start the arpeggiator during the
pre-count before pattern recording will cause the arpeg-
gio to be recorded from the beginning of the pattern at
the instant that recording begins. (
6.1–1: Set..8
(Setup T01–08)
6.1–2: Set..16
(Setup T09–16)
6.1–1(2)a: Arpeggiator Run,
Arpeggiator Run A, B (Run A, B)
When the [ARP ON/OFF] key is on, the arpeggiator(s) that
are checked here will function for the track(s) to which they
are assigned by “Assign.” When the arpeggiator is on, A and
B can be turned on/off independently.
(Tempo)
[040...240, (EXT)]
Specify the tempo of the arpeggiator. Refer to “
(Tempo)”
(
☞
1.1–1a).
6.1–1(2)b: Assign
Assign
[Off, A, B]
This assigns arpeggiator A or arpeggiator B to each track 1–
8, 9–16. When the [ARP ON/OFF] key is turned on, the
arpeggiator specified for each track will run, subject to the
“Arpeggiator Run” settings and setting here.
Off:
The arpeggiator will not operate.
A:
Arpeggiator A will operate. Use the Arp. A page to select
the arpeggio pattern and set the parameters.
B:
Arpeggiator B will operate. Use the Arp. B page to select
the arpeggio pattern and set the parameters.
If you wish to realtime-record the arpeggio pattern into a
pattern, assign either arpeggiator A or B to the track.
If a track 1–16 to which arpeggiator A or B has been
assigned is set to a track “Status” (3.1–1a/2a) of INT or
BTH
, the note data generated by the arpeggiator will
sound the TRITON-Rack without regard to the “MIDI
Channel” (3.1–1a/2a) setting of each track. If the “Sta-
tus” is BTH, EXT, or EX2, MIDI note data will be trans-
mitted on the “MIDI Channel” of each track.
At this time, the arpeggiator can be triggered by the
“MIDI Channel” of any track 1–16 assigned to arpeg-
giator A or B respectively.
The TRITON-Rack’s arpeggiator can be controlled from
an external sequencer, and the note data generated by
the arpeggiator can be recorded on an external
sequencer. (
Example 1)
1
For tracks 1 and 2, set the “MIDI Channel” (3.1–1a) to 01
and the “Status” (3.1–1a) to INT.
2
Assign arpeggiator A to track 1 and arpeggiator B to
track 2, and check “Arpeggiator Run” (6.1–1a).
3
Select MIDI channel 1 on the external MIDI device that
will be transmitting note data.
4
If the [ARP ON/OFF] key is off, playing the keyboard of
a connected MIDI device will sound tracks 1 and 2 simul-
taneously.
If the [ARP ON/OFF] key is on, playing the keyboard of
a connected MIDI device will cause arpeggiator A to play
track 1 and arpeggiator B to play track 2 independently
of each other.
Example 2)
1
For tracks 1, 2, and 3, set “MIDI Channel” (3.1–1a) to 01,
02
, and 03, and set “Status” (3.1–1a) to INT.
2
Assign arpeggiator A to tracks 1 and 2, assign arpeggia-
tor B to track 3, and check “Arpeggiator Run” (6.1–1a).
3
When the MIDI channel of the external MIDI device
transmitting note data is set to each channel listed below,
playing its keyboard (i.e., transmitting note data) will
have the following results.
• MIDI channel: 1
If the [ARP ON/OFF] key is off, playing the keyboard
will sound track 1.
If the [ARP ON/OFF] key is on, playing the keyboard
will trigger arpeggiator A for tracks 1 and 2, causing
them to sound.
• MIDI channel: 2
If the [ARP ON/OFF] key is off, playing the keyboard
will sound track 2.
MULTI 6.1: Arp.
(Arpeggiator)
6.1–1a
6.1–1b
6.1–1c
Track2
MIDI Ch=1ch Status=INT
Arpeggiator
A
Arpeggiator
B
Arpeggiator
Assign
A
B
Pattern - A
Pattern - B
Pattern - A
Pattern - B
Trigger
= Ch1
Trigger
= Ch1
Track1
MIDI Ch=1ch Status=INT
