Korg TRITON Extreme, Manual

Page: 112 / 354

101
Sequencer
P0
P1
P2
P3
P4
P5
P6
P7
P8
P9
You can record and play back exclusive events, and edit
tracks that contain system exclusive events.
Exclusive messages that can be realtime-recorded
The following exclusive messages can be realtime recorded.
• Exclusive messages received from an external MIDI
device
• Parameter changes in Sequencer mode (see table below)
• Master Volume universal exclusive messages assigned to
the foot pedal or a knob
Parameter change messages that you can realtime-record in Sequencer mode
*1:“SOLO ON/OFF” is always controlled by events in the
track, regardless of the play/mute status of that track.
The maximum amount of exclusive message that can be
recorded at once is approximately 320 Kbytes. This size
will decrease if other events exist within the same mea-
sure.
You cannot simultaneously record exclusive messages
received from an external MIDI device and parameter
changes produced by editing.
If you record a parameter assigned to a control change
such as “Pan” with the Global mode Global P1: MIDI,
MIDI Filter settings “Enable Control Change” and
“Enable Exclusive”
both checked, edits you make dur-
ing recording will be recorded both as control change
data and parameter change data. These recorded events
may not be reproduced correctly if you rewind or fast-
forward during playback. If you want to record such
events, check only one of these two “Enable” settings in
Global mode MIDI Filter.
Exclusive events supported in
Sequencer mode
Front panel/Page Parameter
Front panel
ARPEGGIATOR [ON/OFF] key, [GATE] knob, [VELOCITY] knob
REALTIME CONTROLS [REALTIME CONTROLS] key
P0: Play/REC
Prog. 1-8/9-16 “Category,” “Program Select,” “PLAY/MUTE/REC,” “SOLO ON/OFF”
*1
Mixer 1-8/9-16 “Pan,” “Volume”
P2: Trk Param
OSC 1-8/9-16 “Force OSC Mode,” “OSC Select,” “Portamento”
Pitch 1-8/9-16 “Transpose,” “Detune,” “Bend Range”
Other 1-8/9-16 “Delay,” “Use Program’s Scale,” “Type,” “Key,” “Random”
P4: Zone/Ctrl
Controller “SW1,” “SW1 Mode,” “SW2,” “SW2 Mode,” “Knob 1-B”...“Knob 4-B”
MOSS 1-8/9-16 “Voice Allocation Reserve,” “Reference Track”
P5: Track Edit
Tone1.2 1-8/9-16
“Destination,” “Value” Tone3.4 1-8/9-16
Tone5.6 1-8/9-16
P7: Arpeggiator
Setup 1-8/9-16 “Arpeggiator Assign,” “Arpeggiator Run A, B”
Arpegg. A/B “Pattern,” “Octave,” “Resolution,” “Gate,” “Velocity,” “Swing,” “Sort,” “Latch,” “Key Sync.,” “Keyboard”
Scan Zone “Top Key,” “Bottom Key,” “Top Velocity,” “Bottom Velocity”
P8: Insert Effect
Routing 1-8/9-16 “BUS Select,” “Send1,” “Send2”
Insert FX “IFX1”...“IFX5,” “IFX1 On/Off”...“IFX5 On/Off,” “Chain,” “Pan,” “BUS Sel.,” “Send1,” “Send2”
IFX 1/2/3/4/5 All effect parameters
P9: Master Effect
Master FX
“MFX 1,” “MFX 2,” “MFX1 On/Off,” “MFX2 On/Off,” “Chain,” “Chain Direction,” “Chain Signal,” “Chain
Level,” “Return 1, “Return 2,” “Low,” “Mid,” “High”
MFX 1/2 All effect parameters
Master EQ
“Low Cutoff,” “Mid Cutoff,” “Q,” “High Cutoff,” “Gain,” “Low Gain Mod-Src,” “High Gain Mod-Src,” “Ctrl
Ch”
VALVE FORCE
“Input Trim,” “Ultra Boost,” “Tube Gain,” “Output Level,” “Placement,” “Ctrl Ch,” “Pan(CC#8),” “BUS
Sel.,” “Send1,” “Send2”