Korg NAUTILUS Series, Parameter Manual, Page: 209 / 961

PROGRAM > CX-3: Amp, V/C, Rotary Speaker 7–2: Rotary Speaker
199
When this is set to Random , the Pan position will change at
each note-on. Note that all notes of the CX-3 share the same
Pan value, and will move together to the new position.
You can also control pan via MIDI Pan (CC#10). A
CC#10 value of 0 or 1 places the sound at the far left, 64
places the sound at the location specified by the
Pan
parameter, and 127 places the sound at the far right.
Note : you can select Random pan only from the on-screen
UI, and not from MIDI. This is controlled on the global
MIDI channel (GLOBAL 1–1a).
AMS [List of AMS Sources]
This selects an AMS source to modulate Pan. Note that all
notes of the organ share the same Pan value. For a list of
AMS sources, see “Alternate Modulation Source (AMS)
List” on page 901.
Intensity [–99…+99]
This controls the depth and direction of the AMS modulation
for Pan.
v 7–1: Page Menu Commands
• Compare → p.112
• Write Program → p.112
• Exclusive Solo → p.113
• PAGE → p.126
• MODE → p.126
7–2: Rotary Speaker
7–2a: Rotary Speaker
Important: To use the Rotary Speaker, the Amp Type
must be set to Type 1 or Type 2. If it’s set to Pre Amp, the
Rotary Speaker is disabled. For more information, see
“Amp Type” on page 197.
Rotary On [Off, On]
This enables and disables the Rotary Speaker. It’s different
from simply stopping the rotation (which you can do with
the
Mode parameter, below); instead, this is like unplugging
the organ from the rotary speaker entirely.
When the Rotary Speaker is turned off, the tone is
determined by the
Rotary Speaker Off Output parameter,
below.
AMS [List of AMS Sources]
This selects an AMS source to turn the Rotary Speaker on or
off.
AMS Mode [Momentary, Toggle]
This determines the behavior of the Rotary Speaker on/off
AMS. For details, see “AMS Mode” on page 189.
Rotary Speaker Off Output [Pre-Crossover,
Post-Crossover]
This determines the sound when the Rotary Speaker is
turned Off, above. It also determines the “dry” signal in the
Wet/Dry mix; for details, see “Wet/Dry” on page 200.
Post-Crossover is the default, and matches the CX-3. With
this setting, the speaker simulator and speaker crossover will
still be active, even when the Rotary Speaker is disabled.
Use this if you like the CX-3 sound, and are
not sending the
organ through a separate Rotary Speaker in the Insert
Effects.
Pre-Crossover yields a tone without the effects of the
speaker simulator and crossovers. Use this setting if you’ll
be sending the organ through a separate Rotary Speaker in
the Insert Effects.
7–2PMC
7–2a
7–2e
7–2c
7–2d
7–2b