Korg M3, Parameter Manual

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Dynamic MIDI Sources & Destinations Dynamic MIDI Sources
601
Dynamic MIDI Sources & Destinations
Dynamic MIDI Sources
The sources (Dynamic MIDI Sources) are organized into the
following groups
JS +Y #01…JS X: Controller group
Short Note…Black Note: Note group
Velocity…Vel Out Z: Velocity Group
Depending on the combination of source and destination
(Dynamic MIDI Destinations), the selected destination may
not function as you intend. Refer to the explanations of
combining sources and destinations in each section of
“Dynamic MIDI Destinations,” and make sure to select
sources and destinations that are appropriate for each other.
Off
No source will be selected.
Controller Group:
For the Controller Group, the Range Bottom and Top fields
will be available. The Range fields can be used to chose only
a portion of the normal 0–127 range if desired. This depends
on whether the actual Source is a continuous controller or a
switch. For example, if you choose JS+Y (CC#01) and set the
range to be 110–127, then only when the joystick reaches the
farthest position away from yourself would the selected
Destination be affected. In most cases, you should leave
them set to 0–127 for normal operation, unless you are
trying to achieve a special calculated effect in only a portion
of the controller’s range.
The following Controller Group Sources correspond to the
KARMA ON/OFF switch, KARMA LATCH switch,
KARMA SCENE 1–8, KARMA SLIDERS 1–8, KARMA
SWITCH 1–8, Pads 1–8, and the CCs they are set to respond
to in the Global 2–1: Controller/Scale. Shown are the default
CC settings. If the Global 1–1b: MIDI Filter “Enable Control
Change” is checked and a MIDI CC Message is received on
the assigned controller, it will control the Dynamic MIDI
Assignment as well as the associated control.
Two settings are “special,” in that they refer to groups of
controls: KARMA Scene-Any, and Pads-Any. When these
are selected, the operation of any KARMA SCENE switch or
any Pads 1–8 respectively can be intercepted and used as a
Dynamic MIDI Source.
While all of the Real-Time Controls are able to be assigned in
their normal operation to do various things, there are times
where using them through Dynamic MIDI can be useful. For
example, the KARMA SCENE switches can be used to
retrigger the groove at a scene change, stop any melodic
repeats so that they don’t overlap the scene change, or
change a parameter value in the Real-Time Parameters of a
GE, etc. Pads can be set to repeatedly trigger modules each
time they are pressed, yet the module can be in “1st” Trigger
Mode, so that playing the keyboard doesn’t retrigger the
start of the groove. And the Latch switch could be used to
change the Key Zone range or the Latch Mode for a
module’s envelopes.
Furthermore, by running a KARMA SLIDER through
Dynamic MIDI and into Real-Time Parameter Control,
rather than assigning it to an Real-Time Parameter directly,
you can choose only a portion of the slider’s range to affect
the parameter. For example, if you selected KARMA
SLIDER 1 as a Dynamic MIDI Source, and set the Bottom/
Top to 110/127, then only at the end of the slider will the
slider’s values affect any destination parameters assigned
through Real-Time Parameters Control.
JS+Y (CC#01)
The +Y direction (away from yourself) of the joystick
(CC#01) will be the source.
JS-Y (CC#02)
The –Y direction (toward yourself) of the joystick (CC#02)
will be the source.
Pedal (CC#04)
The assignable foot pedal (CC#04) will be the source.
The function of the assignable pedal connected to the
ASSIGNABLE PEDAL jack must be assigned as Foot Pedal
(CC#04) for the Global P2– Foot Controllers page Foot Pedal
Assign
parameter.
Damper (CC#64)
The damper pedal will be the source.
Porta. SW (CC#65)
The portamento switch (CC#65) will be the source.
Foot Switch (CC#82)
The assignable foot switch (CC#82) will be the source.
The function of the assignable foot switch connected to the
ASSIGNABLE SWITCH jack must be assigned as Foot
Switch (CC#82) for the Global P2– Foot Controllers page
Foot Switch Assign
parameter.
MIDI (CC#83)
MIDI control change (CC#83) will be the source.
Ribbon (CC#16)
The ribbon controller (CC#16) will be the source.
XY Mode X (CC#118)
The X (horizontal) direction of the X–Y Mode (CC#118) will
be the source.
Note: If you want to use the ±X axis of the X–Y Mode as a
source, set the Global P2– MIDI CC# Assign parameter X–Y
“X (X–Y Mode)” to CC#118.
XY Mode Y (CC#119)
The Y direction (vertical) of the X–Y Mode (CC#119) will be
the source.
Note: If you want to use the ±X axis of the X–Y Mode as a
source, set the Global P2– MIDI CC# Assign parameter X–Y
“Y (X–Y Mode)” to CC#119.
XY +X Mod. (CC#85)
The +X direction (the left direction) of the X–Y Mode
(CC#85) will be the source.
Note: If you want to use the +X axis of the X–Y Mode as a
source, set the X–Y CC Control parameter “+X” to CC#85 for
the desired program, combination, or song. (These settings
are made in the Prog P1– X–Y Setup or Combi/Seq P1– X–Y
CC T01–08/T09–16 pages of the respective mode.)
XY –X Mod. (CC#86)
The –X direction (the right direction) of the X–Y Mode
(CC#86) will be the source.
Note: If you want to use the –X axis of the X–Y Mode as a
source, set the X–Y CC Control parameter “–X” to CC#86 for
the desired program, combination, or song.
XY +Y Mod. (CC#87)
The +Y direction (away from yourself) of the X–Y Mode
(CC#87) will be the source.
Note: If you want to use the +Y axis of the X–Y Mode as a
source, set the X–Y CC Control parameter “+Y” to CC#87 for
the desired program, combination, or song.