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75
Paramet
ers
Time
Loudness
Attack
Note On
Note Off
Decay = "C"
Decay =
"1" - "5"
Sustain =
"On"
⓫
LOWER ZONE - OCTAVE
Set the octave shift for the LOWER part.
Th
e setting range is -2 to +2.
⓬
LOWER ZONE - LOW
⓭
LOWER ZONE - HIGH
Set the sounding range of the LOWER part with these two parameters.
See P. 118 for details of #8 to 13.
PEDAL PART
⓮
ORGAN TYPE
Set the Organ type for the Pedal part.
Normal:
The traditional Tone Wheel sound of the B-3/C-3.
Muted:
Analog oscillating sound as heard on the Classic X-5.
Synth1:
Saw-tooth waveform with the
fi
lter-sweep.
Synth2:
Dull square wave.
⓯
ENVELOPE - ATTACK RATE
⓰
ENVELOPE - RELEASE RATE
Sets the attack and release envelope.
See #2 and 3 for details.
⓱
KEY MOD E
Th
is allows you to set the Pedal polyphony.
POLY:
Makes it possible to play chords(up to 3 notes).
MONO:
Only the lowest note will sound, when you play a chord.
If the Pedal to Lower is used, the Pedal part sounds with regarding Pedal to Lower mode
(P. 126) regardless this parameter.
⓲
ENVELOPE - DECAY RATE
Th
is allows you to determine whether the Pedal voice remains at the same volume as a
note is held, or if the voice decays, as like a plucked string.
Th
e setting range is 1(short) - 5(long) and C(continuous).
⓳
ENVELOPE - SUSTAIN LENGTH
Th
is allows you to set the Release Rate (= the decay time after key release), when the
[PEDAL SUSTAIN] button is ON.
1 is the shortest, and 5 is the longest decay time.
NOTE: You can locate this page by holding down the [PEDAL SUSTAIN] button as well.
⓴
VELOCITY
Th
is allows you to set the response to playing velocity.
Th
e setting range is OFF and
1 - 4. At OFF, the volume does not change however hard you play the key. As the value
increases from 1 - 4, the sounds gets louder even if the key is played softly.
⓳
PEDAL ZONE - OCTAVE
Set the octave shift for the Pedal part.
Th
e setting range is -2 to +2.
⓴
PEDAL ZONE - LOW
PEDAL ZONE - HIGH
Set the sounding range for the PEDAL part with these two parameters.
See page 118 for details of #19 to 21.
SUSTAIN
Unlike synthesizer nomenclature, on the this
keyboard “Sustain” refers to note decay after
note release. On a synth envelope generator
this setting would be called “T4” or “Release”.
NOTE: All the parameters in these modes
are Patch Parameters. They are re-
corded into the Patch.
ZONES
The “ZONES” set in these function pages are
the range of each part of the organ section.
The keyboard on the XK-5 is used in two sec-
tions: the organ section (as explained on this
page) and the External Zone.
The concept of “Zone” is for avoiding any con-
fusion.
For details see P. 118
LEAKAGE TONE
On the original B-3/C-3, while the sound cre-
ated by a certain Tone Wheel goes through
various circuits, the sounds of the other plural
Tone Wheels are mixed. This is called Leakage
Tone. Leakage tone itself is unnecessary for
synthesizing pure sounds. However, it is ac-
cepted rather as one of the unique character-
istics of Hammond Organs.
Leakage Tone allows you to make
fi
ner adjust-
ment (P. 89).
Summary of Contents for XK-5
Page 5: ...5 Introduction INTRODUCTION...
Page 14: ...1 Owner s Manual 14...
Page 15: ...15 HOOK UP...
Page 25: ...25 POWER ON AND PLAY...
Page 39: ...39 SETTING UP...
Page 63: ...63 USING THE CONTROL PANEL...
Page 73: ...73 SETTING THE PARAMETERS...
Page 101: ...101 Parameters WILL BE DESTROYED...
Page 114: ...1 Owner s Manual 114...
Page 115: ...115 MIDI USB...
Page 130: ...1 Owner s Manual 130...
Page 131: ...131 SAVE THE SETUP...
Page 144: ...1 Owner s Manual 144...
Page 145: ...145 FREQUENTLY ASKED QUESTIONS...
Page 147: ...147 APPENDIX...
Page 160: ...1 Owner s Manual 160...
Page 162: ...1 Owner s Manual 162...
Page 163: ...163 Appendix...
Page 168: ...1 Owner s Manual 168...
Page 170: ...Printed in Japan SUZUKI MUSICAL INST MFG CO LTD Hamamatsu Japan 00457 40195 V1 00 151006...