background image

UNPACKING, INSPECTION STORAGE AND 

TRANSPORT 

The R1 MKII was carefully tested and packed at the 

factory. The soft case has been designed to protect 

the microphone when you store, ship or move it. 

Please always use it when you will need to transport 

the R1 MKII for service or for any other reason.

IMPORTANT NOTICE: 

The ribbon assembly in the R1 MKII, as in any 

ribbon microphones, is very sensitive and fragile 

and can be easily damaged if handled the wrong 

way, 
That is why it is important that you immediately 

after you have received the R1 MKII, verifies that it 

is working properly and that it has not been dam-

aged during shipping.
The warranty of the ribbon assembly in the  

R1 MK II does not extend beyond this initial inspec-

tion, since it can be damaged so easily if it isn´t 

handled properly.
In the rare case that the R1 MKII is not working 

properly when receiving it, please contact your 

dealer.

FEATURES

- The unmatched natural and musical sound of a 

classical ribbon microphone.
- A stunning realism with the feeling of “being-

there”.
- The typical large and mellow ribbon sound quality 

with a very smooth top end and an extended low 

end.
- A fast and life-like transient reproduction.
- An ultra-high SPL capability, 160 dB SPL (1% THD 

@ 1000 Hz) and a very good sensitivity for a ribbon 

microphone.

- A Figure-8 directional pattern for wide sweet spots 

both in the front and in the back of the microphone. 

Zero spots towards the sides.
- A 50 mm long ribbon made of 2 microns thick 

aluminium foil.
- An internal shock mount for the ribbon and 

magnet assembly.
- A removable microphone cable and a soft trans-

port case

- Manufactured of the finest materials for a great 

performance and long-term reliability.
- The R1 MKII can be used with any standard mixer 

or preamp, preferably with a balanced input. 

USE OF THE R1 MKII 

The Figure-8 pattern of the R1 MKII gives you the 

ability to separate sound sources by placing the 

unwanted ones in the side zero pick-up directions. 

Placing the unwanted ones towards the sides of the 

R1 MKII will remove most of the direct sound from 

the sound source. The R1 MKII will still pick up 

that source from the reverberant field 

in the recording room though.
Due to the small width of the ribbon, 

the horizontal pick-up pattern is very 

wide. 
It is much wider compared to a large 

capsule condenser microphone.

The vertical pick-up pattern is narrow 

at the higher frequencies though due 

to the length of the ribbon. This 

is due to the fact the wavelength 

at higher frequencies is much 

shorter than the length of the 

ribbon. If you want maximum 

top end response from the R1 

MKII, it is important that the 

R1 MKII is mounted so that it 

is parallel to the sound source. 

If it is vertically angled against 

the sound source, then there 

will inevitably be a loss of top 

end. This can sometimes be a 

1

 

MKII

W W W . G O L D E N A G E P R O J E C T . C O M

I

Vintage Style Ribbon Microphone

INTRODUCTION 

Congratulations on choosing the Golden Age Project R1 MKII microphone!

The R1 MKII is a high quality vintage style ribbon microphone. It offers the unique and natural 

sound that has been available in classical microphones like the RCA 44 and 77 that are still used to 

make high quality recordings today after almost 70 years. 
The R1 MKII is very well suited for the recording of most sound sources like vocals, acoustic 

instruments, strings, horns, orchestras and choral groups and many live sound applications.
In spite of its low cost, the R1 MKII meets the most stringent demands.

To get maximum benefit and trouble free use out of the R1 MKII, please read this manual carefully.

 

Reviews: