Doc Q7.0
95
Diffusor
5.20.9
A
diffuser
uses feedback delays to increase density, “smearing” transients to create interesting reverb effects. At
certain time and feedback settings, taps can be heard individually, but the diffusor is typically used to create a lush
blanket of sound. This algorithm chains four diffusors in series and controls the matrix with a single feedback
parameter.
MASTER FEEDBACK
– Sets the feedback amount to determine density. Together with the individual delay
time settings, this determines the character of the effect and the amount of “smear.”
LFO 1 RATE
– Sets the rate of modulation to add a chorus-like sound to the tail of the effect.
LFO 1 TEMPO
– Synchronizes modulation to a rhythmic value in relation to the global tempo.
LFO 1 DEPTH
– Sets the modulation depth to determine the intensity of time variations/chorusing.
TEMPO 1,2,3,4
– Sets the corresponding TIME parameter in rhythmic relation to the global tempo. For
example, if the global tempo is 120 BPM, and
TEMPO
is set to “1/4” (one echo per beat), time will be 500 ms.
To ignore the global tempo, set to “NONE.”
TIME 1,2,3,4
– Sets the time of each diffusor from 0-2000 ms. When any
TIME
is shown in parenthesis, it is
being set automatically by the corresponding
TEMPO
parameter (see below). Set
TEMPO
to “NONE” for manual
control.
Quad Tape Delay
5.20.10
The
Quad Tape Delay
adds a
MOTOR SPEED
parameter to the “QUAD TAP” Multi-Delay type, also reducing the
number of LFOs from four to two. Like the classic Space Echo effect, it can produce wild oscillating echoes in
complex rhythmic patterns. For details on
MOTOR SPEED
on p.
