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OSCILLATOR 1 is primarily an audio rate oscillator and without an external CV 
applied, it generates sine and pulse waves at frequencies from approximately C0 
to C8. The OCTAVE switch allows for offsetting the oscillator three octaves up or 
down. The TUNE knob allows for fine-tuning the pitch of the oscillator in an 
approximately two octave range. Each wave has manual and CV  control over the 
waveform. By turning the SHAPE knob, the pulse wave changes pulse width, while 
the sine wave changes shape from pure sine in the 0 setting to inverted sharkfin 
when turned counter-clockwise and shark fin when turned clockwise.  

Moreover, if OSCILLATOR SHAPE CV is applied to the relevant matrix input, the 
OSC1 SHAPE switch determines which wave is being modified by the incoming 
CV. In the middle setting, both waves are shaped, in the left setting pulse width 
modulation is applied, in the right setting  the sine wave is shaped. Please note 
that incoming CV is added to the SHAPE knob position.

Each waveform has its LEVEL control and each wave is sent to an individual 
matrix input. This is very handy if you design drones and wish to send each wave 
to an individual output.

Oscillator 1 is controlled via the CV1 input, and an external CV is added to the 
TUNE/OCTAVE knob setting.

THE “MODULES”

As mentioned above, using the matrix patchbay on the SYNTRX II, you can build patches and achieve unconventional modulations. In order to fully 
understand the functionality of the SYNTRX II, let’s take a closer look at the individual “modules”.

OSCILLATOR 1

SQUARE

SINE

LEFT

CENTRE

RIGHT

OSCILLATOR 1

PWM      SAW

TUNE

SHAPE

OCTAVE

OSC2     OSC1

SYNC

LEVEL

LEVEL

PWM    SINE

OSC1 SHAPE

OSC2 SHAPE

6

Summary of Contents for SYNTRX II

Page 1: ...USER MANUAL...

Page 2: ...ES THE INTERFACE CONNECTIONS THE MODULES THE PATCH MATRIX PATCH MATRIX CONNECTIONS PATCH MATRIX IN USE BUILDING PATCHES MIDI IMPLEMENTATION CONFIGURATION SETTINGS SAFETY INSTRUCTIONS DISPOSAL 27 27 25...

Page 3: ...encer all arranged around our signature matrix mixer and topped off with powerful FX on our new DSP platform Introducing The SYNTRX II a new dark horse for experimental sonic rides Two perfectly stabl...

Page 4: ...Y PWM SAW TIME LEVEL PAN LEVEL PAN LEVEL FEEDBACK S H RATE LEVEL TUNE SHAPE OCTAVE TUNE HPF LPF LEVEL RESONANCE INPUT 2 NOISE OUTPUT FILTER RINGMODULATOR SOURCE B LEVEL CHANNEL 2 CHANNEL 1 LEVEL LEVEL...

Page 5: ...as well as two configurable CC messages refer to the MIDI configuration page Connect a monitoring headphones here This is the external audio Input 1 It comes with an envelope follower so you can turn...

Page 6: ...ave is being modified by the incoming CV In the middle setting both waves are shaped in the left setting pulse width modulation is applied in the right setting the sine wave is shaped Please note that...

Page 7: ...the OSC2 SHAPE switch will determine which wave is being modified by the incoming CV In the middle setting no wave shaping is applied in the left setting pulse width modulation is applied in the right...

Page 8: ...ith the LPF lowpass filter cutoff knob set to 10 the lowpass filter is all the way open and the filter becomes a highpass filter with the HPF knob controlling its cutoff frequency With the HPF highpas...

Page 9: ...ltage steps Experiment with various inputs and S H RATE settings With high S H RATE settings and an audio signal applied to the S H Input you can achieve an analogue bitchrush effect The RINGMODULATOR...

Page 10: ...ockwise otherwise when the gate will be off the envelope will start looping Also with the external gate signal applied the ON knob will have no effect the ON time is defined by the gate length The out...

Page 11: ...st basic patch that involves EFFECTS is shown on page 21 of this manual The OUTPUT AMPLIFIER section is for the final treatment of the audio signal before it is sent to the headphones output and to th...

Page 12: ...rnal signal treatment or to inject the external signal into advanced patches and generate completely new sounds INPUT 1 comes with an input LEVEL attenuator and an ENVELOPE FOLLOWER E F The envelope f...

Page 13: ...hing is patched into the INPUT 2 jack socket a signal from the SCOPE OUTPUT is automatically routed to INPUT 2 The SCOPE is used to monitor both the CV and audio signal levels in the SYNTRX II patches...

Page 14: ...or 2 Oscillator 1 RECALL SAVE SHIFT PATCH The SYNTRX II has a digitally controlled analogue PATCH MATRIX It s a mixer buffered multiple matrix so when designing patches you can mix up to 16 inputs to...

Page 15: ...ated with the configurable MIDI controller Selectable between the pulse output of Oscillator 3 and Sample Hold CV output SIGNAL INPUTS CONTROL INPUTS Ch1 Output Scope Ch2 Output Envelope Signal Filter...

Page 16: ...een matrix and text modes Refer to configuration settings on page 26 Recalling patches Push the RECALL button to access the saved patches mode Use the encoders to navigate to one of the saved patches...

Page 17: ...the X encoder The matrix will indicate play directions forward FWD backward BWD ping pong PP and random RND You can select a CLOCK SOURCE of the sequencer by pushing and holding the PATCH button and r...

Page 18: ...dicated by the LED dot in the bottom right corner of the matrix Please note that you can attenuate these modulation sources with the LEVEL potentiometers on the joystick The step count and a play dire...

Page 19: ...el Ringmod A Effects 1 2 Oscillator frequency 1 2 3 SOURCES TREATMENTS Oscillator 3 S H Noise Input 1 Env Follower Input 2 Env signal Filter Trapezoid Ring mod Effects Joystick Oscillator 2 Oscillator...

Page 20: ...tor will alter the gain of the VCA therefore you will hear the change of loudness of the sound on the output 20 SIGNAL INPUTS CONTROL INPUTS Ch1 Output Scope Ch2 Output Envelope Signal Filter Decay Os...

Page 21: ...vement of the Joystick and the pitch of the Oscillator 1 will be modulated by the vertical movement of the Joystick Set the Joystick signal levels to desired amount and enjoy modulation madness Rememb...

Page 22: ...and INVERT the signal Then send the inverted signal to Output level of Channel 2 Now the volume of the channel 1 is changing depending on the frequency of the Oscillator 3 and the volume of channel 2...

Page 23: ...between Envelope Signal level DRY and Effects level WET settings will provide you desired DRY WET mix 23 SIGNAL INPUTS CONTROL INPUTS Ch1 Output Scope Ch2 Output Envelope Signal Filter Decay Oscillat...

Page 24: ...CV is patched into the relevant inputs MIDI note messages control the pitch of the VCOs if external CV is used MIDI notes are added to the external analogue CV so you can use the MIDI keyboard or seq...

Page 25: ...D mode is activated FEEDBACK ON THE REVERB Instead of the default tone adjustment on the reverberation effect you can have a feedback adjustment At the maximum clockwise setting of the FEEDBACK knob t...

Page 26: ...he right encoder a setup screen appears Here you need to set the top right and bottom left corners of the randomization area Use the encoders to navigate to the top left corner of the intended area an...

Page 27: ...he Warranty does not apply to instruments with visual damage SYNTRX II must be shipped in the original packaging only Any instrument shipped to us for return exchange and or warranty repair must be in...

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