13. DELAY, REVERB AND MIXER PARAMETERS
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13.2.2 X
Ping-pong sets the delay signal to alternate across the stereo field. There are two settings:
• OFF
lets you manually set the position of the delay signal in the stereo field. Use the WID parameter
to change the stereo field position.
• ON
makes the delay signal alternate between left and right pan positions. The WID parameter
controls the amount of panning.
13.2.3 WID
Stereo Width sets the delay signal pan width across the stereo field. The parameter is bipolar.
13.2.4 FDBK
Feedback Gain sets the amount of delay output signal to feed back into the input of the delay. With high-
er parameter settings, infinite and/or swelling delays are possible. Please be aware that high feedback
can lead to a very loud signal.
13.2.5 HPF
Feedback HPF sets the cutoff frequency of the delay highpass filter.
13.2.6 LPF
Feedback LPF sets the cutoff frequency of the delay lowpass filter.
13.2.7 REV
Reverb Send sets the amount of Delay output signal to be sent to the Reverb.
13.2.8 VOL
Mix Volume adjusts the volume of the Delay output signal.
The parameters on the DELAY parameter page can be controlled by the sequencer using the
FX Track. For more information, please see “6.3.3 THE FX TRACK” on page 20. and “12.
FX TRACK PARAMETERS” on page 60.
13.3 REVERB
The Reverb send effect controls the persistence, and ambient characteristics, of the sound reverberations.
It can simulate many different sonic locations, from huge spaces to small rooms.
Press
[FUNC]
+
[AMP]
to access this parameter page.
13.3.1 PRE
Pre-delay sets the pre-delay time of the Reverb.
13.3.2 DEC
Decay Time sets the length of the decay of the reverberated signal. The decay time can be set to infinite.
13.3.3 FREQ
FB Shelving Freq sets the shelving filter frequency. Together with the GAIN parameter, it can be used to
dampen the reverberated signal above a chosen frequency, making the reverberation sound more promi-
nent or more muffled.
13.3.4 GAIN
FB Shelving Gain affects the damping of the reverberated signal above the shelving frequency set by the
FREQ parameter. At max value the treble is included in the reverberations; lowering the value dampens it.
