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Chapter 28: Basic Mixing
659
Low Latency Monitoring During
Recording
For recording, Pro Tools automatically suspends
Delay Compensation to provide a low latency
monitor path through the main outputs of the
record-enabled tracks. When an audio track is
armed for recording (in stop), TrackInput-en-
abled, DestructivePunch-enabled, or punched
in, the track’s Delay Compensation is automati-
cally suspended (and the Track Compensation
indicator displays 0).
You can suspend this automatic suppression of
Delay Compensation as needed by doing the
following:
To apply Delay Compensation to tracks where
Delay Compensation was suspended:
■
Start-Control-click (Windows) or Command-
Control-click (Mac) the Track Compensation in-
dicator. Track delay will be applied to the track
and the Track Compensation indicator will dis-
play in blue.
Track Compensation on Auxiliary Inputs
Delay Compensation on Auxiliary Inputs can be
bypassed to let you monitor outside sources
(such as the audio tracks of a slaved video deck)
with minimal latency, while still reporting the
track’s delay.
To bypass an Auxiliary Input’s Delay
Compensation:
Start-Control-click (Windows) or Command-
Control-click (Mac) the Track Compensation in-
dicator. The reported track delay will be zero,
and will appear greyed out.
Delay Compensation for MIDI
When Delay Compensation is active, a MIDI
event that is recorded to sound “in time” with
delay-compensated material actually is recorded
late by the length of total delay in effect.
To compensate, MIDI events are shifted back in
time by the total session delay following each
MIDI recording pass.
Low-Latency Recording with Virtual
MIDI Instruments
When a MIDI or Instrument track that is routing
MIDI data to an instrument plug-in is record-en-
abled, Pro Tools automatically suspends Delay
Compensation through the main outputs of the
audio track or Auxiliary Input that the instru-
ment plug-in is
inserted
on. This allows for la-
tency-free monitoring of the instrument plug-in
during recording.
Delay Compensation for virtual MIDI in-
struments works only when all MIDI and
audio connections take place inside of
Pro Tools. For example, Pro Tools does not
suspend Delay Compensation when you are
using ReWire to connect software synthe-
sizers and samplers in other ReWire client
applications (such as Live and Reason).
Summary of Contents for Pro Tools
Page 1: ...Pro Tools Reference Guide Version 7 3 ...
Page 15: ...1 Part I Introduction ...
Page 16: ...2 ...
Page 33: ...19 Part II System Configuration ...
Page 34: ...20 ...
Page 44: ...Pro Tools Reference Guide 30 ...
Page 94: ...Pro Tools Reference Guide 80 ...
Page 95: ...81 Part III Sessions Tracks ...
Page 96: ...82 ...
Page 108: ...Pro Tools Reference Guide 94 ...
Page 130: ...Pro Tools Reference Guide 116 ...
Page 269: ...255 Part IV Recording ...
Page 270: ...256 ...
Page 310: ...Pro Tools Reference Guide 296 ...
Page 345: ...331 Part V Editing ...
Page 346: ...332 ...
Page 402: ...Pro Tools Reference Guide 388 ...
Page 496: ...Pro Tools Reference Guide 482 ...
Page 548: ...Pro Tools Reference Guide 534 ...
Page 571: ...557 Part VI MIDI Editing ...
Page 572: ...558 ...
Page 596: ...Pro Tools Reference Guide 582 ...
Page 637: ...623 Part VII Mixing ...
Page 638: ...624 ...
Page 702: ...Pro Tools Reference Guide 688 ...
Page 771: ...757 Part VIII Video Sync Surround ...
Page 772: ...758 ...
Page 792: ...Pro Tools Reference Guide 778 ...
Page 806: ...Pro Tools Reference Guide 792 ...
Page 856: ...Pro Tools Reference Guide 842 ...