Pro Tools Reference Guide
548
Separating Regions with
Beat Detective
(Audio Only)
Once beat triggers appear in your selection, they
can be used to define start and end points for
new regions that can be separated automati-
cally. The new regions can then be conformed
to the session’s existing tempo map, or to a
groove template.
If you want to clean up the timing for the selec-
tion, without affecting the tempo, make sure to
first calculate the tempo by generating Bar|Beat
Markers (see “Calculating Tempo with Beat De-
tective” on page 539).
To separate regions with Beat Detective:
1
In the Edit window, make an audio selection.
2
In the Beat Detective window, select Region
Separation mode.
3
Define or capture the selection as described in
“Defining a Beat Detective Selection” on
page 538.
4
Configure the Detection options so the selec-
tion’s peak transients are accurately detected
(see “Generating Beat Triggers” on page 540).
5
Click the Separate button.
Regions are separated based on the detected beat
triggers.
Trigger Pad
When separating regions, the Beat Detective
window displays an option called Trigger Pad.
Enter a value (0–50 ms) in this field to pad re-
gion start points—where the point of separation
is located in relation to the beat trigger (tran-
sient). This creates a space between the region
start point and the region sync point, thereby
ensuring that the attack portion of the material
remains intact.
When conforming separated regions, the region
sync point, not the region start point, deter-
mines where the region is placed.
Detection settings, Region Separation mode
Separated region with 20 ms Trigger Pad
For more information on region sync points,
see “Sync Points” on page 434.
Region start
Sync point
(point of separation)
20
ms
(beat trigger)
Summary of Contents for Pro Tools
Page 1: ...Pro Tools Reference Guide Version 7 3 ...
Page 15: ...1 Part I Introduction ...
Page 16: ...2 ...
Page 33: ...19 Part II System Configuration ...
Page 34: ...20 ...
Page 44: ...Pro Tools Reference Guide 30 ...
Page 94: ...Pro Tools Reference Guide 80 ...
Page 95: ...81 Part III Sessions Tracks ...
Page 96: ...82 ...
Page 108: ...Pro Tools Reference Guide 94 ...
Page 130: ...Pro Tools Reference Guide 116 ...
Page 269: ...255 Part IV Recording ...
Page 270: ...256 ...
Page 310: ...Pro Tools Reference Guide 296 ...
Page 345: ...331 Part V Editing ...
Page 346: ...332 ...
Page 402: ...Pro Tools Reference Guide 388 ...
Page 496: ...Pro Tools Reference Guide 482 ...
Page 548: ...Pro Tools Reference Guide 534 ...
Page 571: ...557 Part VI MIDI Editing ...
Page 572: ...558 ...
Page 596: ...Pro Tools Reference Guide 582 ...
Page 637: ...623 Part VII Mixing ...
Page 638: ...624 ...
Page 702: ...Pro Tools Reference Guide 688 ...
Page 771: ...757 Part VIII Video Sync Surround ...
Page 772: ...758 ...
Page 792: ...Pro Tools Reference Guide 778 ...
Page 806: ...Pro Tools Reference Guide 792 ...
Page 856: ...Pro Tools Reference Guide 842 ...