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Pro Tools Reference Guide
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Do one of the following:
• On the numeric keypad, press Plus (+) to
move the selected tempo events forward by
the Nudge value.
– or –
• Press Minus (–) to move the selection back
by the Nudge value.
Changing the Linearity
Display Mode
You can choose to view the Edit Window in ei-
ther a Linear Tick (Bars|Beats) scale or a Linear
Sample (absolute) Time Scale. MIDI and Instru-
ment tracks, audio tracks, and Tempo curves
can appear and function very differently de-
pending on the timebase display settings.
The Linearity Display Mode pop-up menu deter-
mines whether the Tempo Editor displays
tempo events in an Absolute timebase or
Bars|Beats.
When set to Linear Sample Display, the display
of tempo events is sample-based and their bar
and beat locations can shift after the tempo
curve is drawn.
When set to Linear Tick Display, the display of
tempo events is tick-based and tempo event
Bar|Beat locations remain constant after the
tempo curve is drawn—though their relation to
audio is scaled, resulting in a new sample loca-
tions.
To change the timebase display:
■
Click the Linearity Display Mode selector and
select a timebase from pop-up menu.
Tempo Edit Density and Linearity Display Mode
When both the Tempo Edit Density setting (in
the Tempo Editor) and the Linearity Display
Mode setting are set to either a Bars|Beats Time
Scale or to an absolute Time Scale, Tempo edits
will appear evenly spaced. When the Tempo
Edit Density setting and the Linearity Display
Mode setting are set so that one is set to an ab-
solute Time Scale and the other is set to a
Bars|Beats Time Scale, the number of Tempo ed-
its will appear to increase or decrease over time.
Linearity Display Mode selector and pop-up menu
Drawing tempo events using the Linear
Sample Display can cause Bar|Beat based
material to move in non-intuitive ways.
Digidesign recommends that you use Linear
Tick Display when you draw tempo
changes.
Summary of Contents for Pro Tools
Page 1: ...Pro Tools Reference Guide Version 7 3 ...
Page 15: ...1 Part I Introduction ...
Page 16: ...2 ...
Page 33: ...19 Part II System Configuration ...
Page 34: ...20 ...
Page 44: ...Pro Tools Reference Guide 30 ...
Page 94: ...Pro Tools Reference Guide 80 ...
Page 95: ...81 Part III Sessions Tracks ...
Page 96: ...82 ...
Page 108: ...Pro Tools Reference Guide 94 ...
Page 130: ...Pro Tools Reference Guide 116 ...
Page 269: ...255 Part IV Recording ...
Page 270: ...256 ...
Page 310: ...Pro Tools Reference Guide 296 ...
Page 345: ...331 Part V Editing ...
Page 346: ...332 ...
Page 402: ...Pro Tools Reference Guide 388 ...
Page 496: ...Pro Tools Reference Guide 482 ...
Page 548: ...Pro Tools Reference Guide 534 ...
Page 571: ...557 Part VI MIDI Editing ...
Page 572: ...558 ...
Page 596: ...Pro Tools Reference Guide 582 ...
Page 637: ...623 Part VII Mixing ...
Page 638: ...624 ...
Page 702: ...Pro Tools Reference Guide 688 ...
Page 771: ...757 Part VIII Video Sync Surround ...
Page 772: ...758 ...
Page 792: ...Pro Tools Reference Guide 778 ...
Page 806: ...Pro Tools Reference Guide 792 ...
Page 856: ...Pro Tools Reference Guide 842 ...