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Pro Tools Reference Guide
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To fill a selection with Repeat to Fill Selection:
1
Select the region you want to copy.
2
Choose Edit > Copy.
3
Select the area you want to fill using the Selec-
tor tool and choose Edit > Paste Special > Repeat
to Fill Selection.
4
Do one of the following:
• If pasting audio regions to larger areas, the
Batch Fades dialog opens. Configure the di-
alog to create crossfades between each
pasted region, then click OK.
– or –
• If you do not want crossfades for the pasted
audio, click Cancel in the Batch Fades dia-
log.
Editing Across Multiple Tracks
When working with data from multiple tracks,
there are some important points to remember.
For example, if any selected tracks are set to
their master view (see “Master Views for Tracks”
on page 338), edits affect not only audio and
MIDI for the selected tracks, but
all
automation
and controller data as well.
If all selected tracks are displayed as automation
data, edits only affect the type of automation
data displayed in each track. Furthermore, if
track 1 displays Pan automation, track 2 displays
Volume automation, and track 3 displays Mute
automation, the Cut command cuts
only
pan
data from track 1, volume data from track 2, and
mute data from track 3.
To copy all types of automation on all selected
tracks when copying only automation or controller
data:
■
Press and hold the Start key (Windows) or
Control (Mac), and choose Edit > Copy Special >
All Automation.
To paste to multiple tracks:
1
Do one of the following:
• Place the insertion point in each of the des-
tination tracks by Shift-clicking in them
• Alt-Shift-click (Windows) or Option-Shift-
click (Mac) in a track to select all tracks
• Make a selection in one of the Timebase
rulers.
2
Choose Edit > Paste.
When you paste multiple types of data, what-
ever data has been copied is pasted into the cor-
rect type of playlist. Automation data is pasted
into the corresponding automation playlist. Au-
dio or MIDI data is pasted into the audio or
MIDI playlist. You do not need to set target
tracks to the specific type of data being pasted
for the paste to work correctly.
If
all
destination tracks in a multitrack paste are
displayed as automation, the paste replaces any
previous data on the target track without shuf-
fling—regardless of whether you are in Slip or
Shuffle mode.
For more information on selecting data on
multiple tracks, see “Selecting Across Multi-
ple Tracks” on page 404.
Summary of Contents for Pro Tools
Page 1: ...Pro Tools Reference Guide Version 7 3 ...
Page 15: ...1 Part I Introduction ...
Page 16: ...2 ...
Page 33: ...19 Part II System Configuration ...
Page 34: ...20 ...
Page 44: ...Pro Tools Reference Guide 30 ...
Page 94: ...Pro Tools Reference Guide 80 ...
Page 95: ...81 Part III Sessions Tracks ...
Page 96: ...82 ...
Page 108: ...Pro Tools Reference Guide 94 ...
Page 130: ...Pro Tools Reference Guide 116 ...
Page 269: ...255 Part IV Recording ...
Page 270: ...256 ...
Page 310: ...Pro Tools Reference Guide 296 ...
Page 345: ...331 Part V Editing ...
Page 346: ...332 ...
Page 402: ...Pro Tools Reference Guide 388 ...
Page 496: ...Pro Tools Reference Guide 482 ...
Page 548: ...Pro Tools Reference Guide 534 ...
Page 571: ...557 Part VI MIDI Editing ...
Page 572: ...558 ...
Page 596: ...Pro Tools Reference Guide 582 ...
Page 637: ...623 Part VII Mixing ...
Page 638: ...624 ...
Page 702: ...Pro Tools Reference Guide 688 ...
Page 771: ...757 Part VIII Video Sync Surround ...
Page 772: ...758 ...
Page 792: ...Pro Tools Reference Guide 778 ...
Page 806: ...Pro Tools Reference Guide 792 ...
Page 856: ...Pro Tools Reference Guide 842 ...