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MODEL EQ2015 SPECS:

Input Type:

Balanced and unbalanced via male

and female XLR connector or 1/4”

phone jack

Input Impedance:

20 K

balanced

10 K

unbalanced

Maximum Input Level:

+20 dBv balanced or unbalanced

Output Type:

Balanced and unbalanced via male

XLR connector or 1/4” phone jack  

Output Impedance:

600 

balanced 

Maximum Output Level:
Unbalanced:

+20 dBv (7.8 Vrms) into a 600 

load or greater

Balanced:

+26 dBv (15.6 Vrms) into a 600 

load or greater

Input Gain Control:

+6 dB to full attenuation

Boost Cut:

± 15 dB, +20 dBv into 600

Center Frequencies:

25,40,63, 100, 160, 250, 400, 630,
1k,1.6k, 2.5k, 4k, 6.3k, 10k, 
and 16 kHz ± 5%

Filter Type:

Active bandpass filters (no inductors)

Frequency Accuracy:

±5% of nominal center frequency

Frequency Response
(with all sliders centered):

±1 dB, 10 Hz to 45 kHz

Bandwidth (-3 dB points): 7 Hz -85 kHz
Harmonic Distortion:

<.01% THD, 20 Hz to 20 kHz

Noise (unweighted,
20 kHz bandwidth):

104 dB below full output

Slew Rate:

9 volts per microsecond

Power Requirements
US Model:

120 VAC, 60 Hz, 1/4 A, 5x20 fuse

Export Model:

230 VAC, 50  Hz, .125 A, 5x20 fuse

Package:

2 rack spaces

Dimensions:

19"W x 6"D x 3 1/2"H

Net Weight:

10 lbs.

CARVIN ENGINEERING DATA

OPERATING MANUAL

The EQ2015 & EQ2030 are professional 2/3 and 1/3 octave graphic

equalizers suitable for recording, sound reinforcement, guitar and bass
rigs, or home audio applications.   Both units feature pro sound per-
formance from extended frequency response, wide dynamic range, and
low noise operation.  Both offer large precision sliders with “sure-grip”
rubber boots, 15db of boost and cut per frequency, low interaction
between frequencies, and dual Sweepable High and Low cut filters.  The
EQ2015 & EQ2030 are built to rugged specs for high reliability under
continuous use providing years of professional service.

INTERFACE & OPERATION

The EQ2015 & EQ2030 can be inserted into the audio signal path at any con-

venient point where there is a nominal “line level” signal.  Never connect the speaker
output of an amplifier to the EQ2015 or EQ2030 as damage to both units may
occur.  Balanced low impedance XLR w/ground lift and balanced/unbalanced  1/4”
connections are provided allowing the EQ2015 & EQ2030 to be interfaced with
professional audio equipment (with the proper cables).  See Fig. 1.  

RECORDING STUDIO APPLICATIONS

The EQ2015 & EQ2030 have many uses in the studio environment.  They

can be used to balance and “flatten” the control room monitors, eliminate feed-
back in the studio mains, or to EQ individual recorded channels.  

SOUND REINFORCEMENT

The EQ2015 & EQ2030 are the ideal tools for solving many live sound rein-

forcement problems.  The most obvious use would be for eliminating feed-
back and fine tuning the main house speakers or the stage monitor speakers.
Typically the EQ2030, with its fine 1/3 octave adjustments would be used for
the monitors, although the EQ2015 could be used in situations where tone con-
trol, not feedback elimination, was the main objective.  Both units are excel-
lent for optimizing the house PA system.  Typically the EQ2015 is sufficient
for the PA mains, although in rooms with major EQ problems, the extra fine
tuning abilities of the EQ2030 may be necessary.  

GUITAR & BASS AMPS

Guitar and bass players can benefit from the EQ2015 & EQ2030 by integrating

them into their rigs between the pre-amp and power amp interrupt jack for
extra tone control.  Utilizing A/B boxes, the EQ’s can be used like extra chan-
nels for unlimited tonal flexibility.

MODEL EQ2030 SPECS:

Input Type:

Balanced and unbalanced via male

and female XLR connector or 1/4”

phone jack

Input Impedance:

20 K

balanced

10 K

unbalanced

Maximum Input Level:

+20 dBv balanced or unbalanced

Output Type:

Balanced and unbalanced via male

XLR connector or 1/4” phone jack  

Output Impedance:

600 

balanced 

Maximum Output Level:
Unbalanced:

+20 dBv (7.8 Vrms) into a 600 

load or greater

Balanced:

+26 dBv (15.6 Vrms) into a 600 

load or greater

Input Gain Control:

+6 dB to full attenuation

Boost Cut:

± 15 dB, +20 dBv into 600

Center Frequencies:

25,31.5, 40, 50, 63, 80, 100, 125, 
160, 200, 250, 315, 400, 500, 630, 
800, 1k,1.25k, 1.6k, 2k, 2.5k, 3.15k, 
4k, 5k, 6.3k, 8k, 10k, 12.5k, 16 k 
and 20k ± 5%

Filter Type:

Active bandpass filters (no inductors)

Frequency Accuracy:

±5% of nominal center frequency

Frequency Response
(with all sliders centered):

±1 dB, 10 Hz to 45 kHz

Bandwidth (-3 dB points): 7 Hz -85 kHz
Harmonic Distortion:

<.01% THD, 20 Hz to 20 kHz

Noise (unweighted,
20 kHz bandwidth):

104 dB below full output

Slew Rate:

9 volts per microsecond

Power Requirements
US Model:

120 VAC, 60 Hz, 1/4 A, 5x20 fuse

Export Model:

230 VAC, 50  Hz, .125 A, 5x20 fuse

Package:

3 rack spaces

Dimensions:

19"W x 6"D x 5 1/4"H

Net Weight:

13 lbs.

76-20300   197

12340 World Trade Drive, San Diego, CA  92128

(800) 854-2235

www.carvin.com

HOME AUDIO

The EQ2015 & EQ2030 are excellent equalizers for home audio use.  Their high-

end professional features and specs allow them to integrate easily into top qual-
ity home set-ups.  The units can be connected to an open tape monitor loop on
an integrated pre-amp/amplifier or between the pre-amp and power amp in sys-
tems with separate components providing the ultimate control in your favorite lis-
tening room.

MICRO TOROID SUPPLY

Pure DC is generated from the built-in Micro Toroid power supply which features

precision 7815 and 7915 voltage regulators.  Now you can go anywhere and never
have to worry about the EQ2015 & EQ2030 giving you their exact specifications
because voltage tolerances are held to within .001%..  The big feature in this power
supply is the precision wound Toroid transformer that gives unsurpassed rejection
of noise and hum.  You can place the EQ2015 & EQ2030 over sensitive gear and
not be concerned about injecting hum or noise from a standard transformer.  CARVIN
has spared no expense to achieve studio quality performance.

EQ2015

For your records, you may wish to record the following information.

Serial No._____________________  Invoice Date_______________

EQ2030

RECEIVING INSPECTION—read before getting started

INSPECT YOUR UNIT FOR ANY DAMAGE which may have occurred during shipping.  If any

damage is found, please notify the shipping company and CARVIN immediately. 

SAVE THE CARTON & ALL PACKING MATERIALS.  In the event you have to re-ship your unit,

always use the original carton and packing material. This will provide the best possible protec-
tion during shipment.  CARVIN and the shipping company are not liable for any damage caused
by improper packing.  

SAVE YOUR INVOICE.  It will be required for warranty service if needed in the future. 
SHIPMENT SHORTAGE.  If you find items missing, they may have been shipped separately.

Please allow several days for the rest of your order to arrive before inquiring.

RECORD THE SERIAL NUMBER on the enclosed warranty card or below on this manual

for your records.  Keep your portion of the card and return the portion with your name and
comments to us.

EQ2015 DUAL 2/3 OCTAVE EQUALIZER
EQ2030 DUAL 1/3 OCTAVE EQUALIZER

Summary of Contents for EQ2015

Page 1: ...e EQ s can be used like extra chan nels for unlimited tonal flexibility MODEL EQ2030 SPECS Input Type Balanced and unbalanced via male and female XLR connector or 1 4 phone jack Input Impedance 20 KΩ balanced 10 KΩ unbalanced Maximum Input Level 20 dBv balanced or unbalanced Output Type Balanced and unbalanced via male XLR connector or 1 4 phone jack Output Impedance 600 Ω balanced Maximum Output ...

Page 2: ... to equalize loudspeaker frequency response the units can be used as a program equalizer on individual channels or subgroups to establish optimum tonal balance In the latter case the EQ would be patched into the appro priate channel or subgroup at the console The low cut sweepable filter constitutes an excellent sub sonic filter and can pro vide a high degree of protection to the woofers in a soun...

Page 3: ...oom and microphone will be seen on the analyzer display Now the appro priate sliders on the equalizer can be adjusted to provide a precisely flat frequency response Because the microphone is included in the system response curve it is important that the microphone have a flat frequency response itself Otherwise you ll be equalizing your loudspeakers for the microphone response also This would resu...

Page 4: ...educe hiss on recorded tracks with only low frequency content such as kick drum or bass guitar or as an ultra sonic filter 20K up to protect amps and drivers from damaging oscillations 20k Hz is the recommended setting when used as an ultra sonic filter REAR PANEL 7 AC POWER CORD MAIN POWER FUSE Always use grounded 3 prong outlets Defeating the power cord s ground con nection can result in electro...

Page 5: ...n 50 68025 R18 1 4W Resistor 56K 35 prep 5 Carbon 50 56045 R19 1 4W Resistor 680Ω 35 prep 5 Carbon 50 68025 R20 1 4W Resistor 220K 35 prep 5 Carbon 50 22055 R21 1 4W Resistor 680Ω 35 prep 5 Carbon 50 68025 R22 1 4W Resistor 18K 35 prep 5 Carbon 50 18045 R23 1 4W Resistor 680Ω 35 prep 5 Carbon 50 68025 R24 1 4W Resistor 22K 35 prep 5 Carbon 50 22045 R25 1 4W Resistor 680Ω 35 prep 5 Carbon 50 68025 ...

Page 6: ...T H 24 C1 25mm Shaft 71 10332 P202 Fader B10K C 30mT H 24 C1 25mm Shaft 71 10332 P203 Fader B10K C 30mT H 24 C1 25mm Shaft 71 10332 P204 Fader B10K C 30mT H 24 C1 25mm Shaft 71 10332 P205 Fader B10K C 30mT H 24 C1 25mm Shaft 71 10332 P206 Fader B10K C 30mT H 24 C1 25mm Shaft 71 10332 P207 Fader B10K C 30mT H 24 C1 25mm Shaft 71 10332 P208 Fader B10K C 30mT H 24 C1 25mm Shaft 71 10332 P209 Fader B1...

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