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INST Parameters > AC BASS Parameters
TYPE
TYPE
Explanation
MA28
The sound of a Martin D-28. Older model known for
its exquisitely balanced sound.
TRP-0
The sound of a Martin 000-28. This model features a
full low-end resonance and crisp, distinct contour.
GB45
The sound of a Gibson J-45. This vintage model
features a unique, seasoned tone with good
response.
GB SML
The sound of a Gibson B-25. Featuring a compact
body, this vintage model is often used in blues.
GLD40
The sound of a Guild D-40. This model features
warm resonance from the body along with a
delicate string resonance.
NYLON
This models a nylon-string guitar.
RESO
This models a Dobro-type resonator guitar.
BANJO
This models a conventional five-string banjo.
SITAR
This models a Coral electric sitar. The sitar’s
distinctive buzz and tonal change are modeled.
AMP (AMP Modeling)
Refer to “AMP (AMP Modeling)” (p. 34).
NS
Refer to “NS” (p. 35).
EQ
Refer to “EQ” (p. 35).
AC BASS Parameters
AC BASS
Parameter
Value
Explanation
VOLUME
0–100
Adjusts the volume. With a setting
of 0, there will be no sound.
BODY
0–100
This sets the volume level of the
resonant sound produced by
the panels and cavity (the body
resonation).
RESONANCE
0–100
Adjusts the body resonance. The
resonation increases as the value
is raised.
SIZE
-50–+50
Specifies the size of the body. This
modifies the resonant frequency
to simulate changes in body size. A
setting of 0 will produce a normal
resonance.
ATTACK
0–100
Specifies the strength of the attack
when you pluck the string strongly.
The higher the value you set, the
greater the intensity of the sound
produced when the strings are
played. The attack of the body
sound will increase as well.
BOTTOM
0–100
This sets the volume level of string
vibration.
BUZZ SENS
0–100
This sets the sensitivity for the
distinctive harmonics of an acoustic
bass. Adjust this to match the
velocity of fingering.
DECAY
0–100
This sets the decay of the string
vibration.
AMP (AMP Modeling)
Refer to “AMP (AMP Modeling)” (p. 34).
NS
Refer to “NS” (p. 35).
EQ
Refer to “EQ” (p. 35).