Boss ME-80, Owner'S Manual

Page: 22 / 160

Appendix
20
Preset Patch List
Patch
Number Patch Name
Explanation PU
1-1 ROCK LEAD Well sustained distortion sound, good for solos . S/H
1-2 METAL AMP Powerfully-distorted metal sound . The [CTL] pedal turns OCTAVE on, making the sound even heavier . H
1-3 FUZZ ECHO
Fantasy-like sound using TERA ECHO, suitable for the progressive rock of the 70s . S
1-4 SPACE CLEAN Clean sound with a broad spatial spread, suitable for arpeggios . S/H
2-1 OVERTONE DIST Distortion sound rich in harmonic partials, using distortion and OVERTONE . The [CTL] pedal turns OVERTONE on/off . S/H
2-2 BLUES LEAD
Crunch sound suitable for blues . S/H
2-3 DS DRIVE Rough distortion sound, good for backing . S/H
2-4 METAL RIFF Metal sound good for riffs . The [CTL] pedal turns FLANGER on . H
3-1 60s FUZZ Fuzz sound of the 60s with UNI-V . Speed of UNI-V effect can be changed with expression pedal . S/H
3-2 70s HARD ROCK Drive sound for 70s hard rock . S/H
3-3 80s METAL Distortion sound for 80s metal . H
3-4 90s ALTERNATIVE 90s alternative-rock sound . S/H
4-1 PHASE LEAD
Hard rock sound with PHASER . The [CTL] pedal turns FLANGER on . H
4-2 VO CRUNCH Crunch sound, good for chord strokes . S/H
4-3 METAL 4 Single Metal sound, good for single-coil pickups . S
4-4 CLEAN RHYTHM
Tight, clean sound, good for rhythm . The [CTL] pedal turns PHASER on . H
5-1 SURF TREMOLO Tremolo sound, good for 60s surf rock . S
5-2 COUNTRY ECHO Slap-back echo sound for country . S
5-3 T-WAH FUNK Clean sound with T .WAH for funk . S
5-4 JAZZ 4 NECK PU
Jazz sound, suitable for neck pickup . H
6-1 WAH LEAD This tone is suited to solos that combine PEDAL WAH and DISTORTION . S/H
6-2 FUSION LEAD Mild lead sound for jazz-fusion . S/H
6-3 PUNK DRIVE
Drive sound, good for punk rock . S/H
6-4 COMP CRUNCH Crunch sound with COMPRESSOR for solos . S
7-1 CLEAN WAH Clean sound with pedal wah, good for rhythm . S/H
7-2 PEDAL BEND This raises the pitch by 2 octaves when the expression pedal is operated . It is suited to single-note phrases . S/H
7-3 ROTARY CRUNCH Rotary sound of the 70s . Speed of ROTARY effect can be changed with expression pedal . S/H
7-4 TALK PEDAL This produces an effect like a talk box when the expression pedal is operated . S/H
8-1 LATIN LEAD Sweet drive sound for latin rock . Level of DELAY effect can be controlled with expression pedal . S/H
8-2 LIVERPOOL CLEAN
Clean tone for 60s Liverpool sound . S
8-3 Single to Hum Changes a single-coil-pickup sound to a clean, humbucker sound . S
8-4 E .gtr to A .gtr Transforms the sound of an electric guitar into the sound of an acoustic guitar . S
9-1 Am/C TWIN LEAD
Twin-lead-like distortion sound for single-note phrases in A minor (C major) . S/H
9-2 SYNTHY LEAD Synth-like sound using SLOW GEAR . S
9-3 DEFRETTER Fretless guitar sound . S
9-4 FREEZE This is a FREEZE sound that sustains the notes when you advance the expression pedal . S/H
* The entries under “PU” in the chart indicate the type of pickup suited to the respective patch .
• S=Patch that is optimal for a single-coil pickup
• H=Patch that is optimal for a humbucking pickup