70
Using Insert Effects
With “BASS MULTI” or “GUITAR TO
BASS” algorithms
ORIGINAL
This is the built-in speaker of the amp
you selected with PREAMP TYPE.
1x8”
This is a compact open-back speaker
cabinet with one 8-inch speaker.
1x10”
This is a compact open-back speaker
cabinet with one 10-inch speaker.
1x12”
This is a compact open-back speaker
cabinet with one 12-inch speaker.
2x12”
This is a general open-back speaker
cabinet with two 12-inch speakers.
4x10”
This is an optimal speaker cabinet for a
large enclosed amp with four 10-inch
speakers.
4x12”
This is an optimal speaker cabinet for a
large enclosed amp with four 12-inch
speakers.
8x12”
This is a double stack of two cabinets,
each with four 12-inch speakers.
MIC TYPE
This setting selects the simulated microphone type.
DYN57
This is the sound of the SHURE SM-57.
General dynamic microphone used for
instruments and vocals. Optimal for
use in miking guitar amps.
DYN421
This is the sound of the SENNHEISER
MD-421.
Dynamic microphone with extended low end.
CND451
This is the sound of the AKG C451B.
Small condenser microphone for use
with instruments.
CND87
This is the sound of the NEUMANN
U87.
Condenser microphone with flat response.
FLAT
Simulates a microphone with perfectly
flat response. Produces a sonic image
close to that of listening to the sound
directly from the speakers (on site).
MIC DIS (Mic Distance)
Simulates the distance between the microphone and speaker.
OFF MIC
This setting points the microphone
away from the speaker.
ON MIC
Provides conditions whereby the micro-
phone is directed more towards the speaker.
MIC POS (Mic Position)
This simulates the microphone position.
CENTER
Simulates the condition that the microphone
is set in the middle of the speaker cone.
1–10
Simulates the condition that the micro-
phone is moved away from the center
of the speaker cone.
Parameter/
Range
Explanation
MIC LEV (Mic Level)
0–100
Adjusts the volume of the microphone.
D.LEVEL (Direct Level)
0–100
Adjusts the volume of the direct sound.
Parameter/
Range
Explanation
ON/OFF
OFF, ON
Turns the AMP effect on/off.
TYPE
This sets the type of the preamp.
SUPER FLAT
An amp with flat response.
FLIP TOP
Models the Ampeg B-15.
B MAN
Models the Fender Bassman 100.
CONCERT 810 Models the Ampeg SVT.
BASS 360
Models the acoustic 360.
T.E.
Models the Trace Elliot AH600SMX.
SESSION
Models the SWR SM-400.
AC BASS
An amp ideal for ACOUSTIC BASS.
GAIN
0–100
Adjusts the distortion of the amp.
BASS
0–100
Adjusts the tone for the low frequency
range.
MIDDLE
0–100
Adjusts the tone for the middle frequency
range.
MID FREQ (Middle Frequency) *1
220Hz, 800Hz,
3.0kHz
Specifies the center of the frequency range
that will be adjusted by the Mid Freq.
TREBLE
0–100
Adjusts the tone for the high frequency
range.
PRESENCE *2
0–100
Adjusts the tone for the ultra high frequen-
cy range.
LEVEL
0–100
Adjusts the volume of the entire preamp.
* Be careful not to raise the Level setting too
high.
Parameter/
Range
Explanation
BR800_e.book 70 ページ 2010年11月2日 火曜日 午前8時28分
Summary of Contents for BR-800
Page 1: ......
Page 20: ...MEMO 20 BR800_e book 20...
Page 21: ...21 Quick Start BR800_e book 21...
Page 31: ...31 Getting Ready to Record BR800_e book 31...
Page 35: ...35 Recording Playback BR800_e book 35...
Page 53: ...53 Using Effects BR800_e book 53...
Page 87: ...87 Using Rhythm BR800_e book 87...
Page 103: ...103 Editing BR800_e book 103...
Page 110: ...MEMO 110 BR800_e book 110...
Page 111: ...111 Mastering BR800_e book 111...
Page 117: ...117 Using USB BR800_e book 117...
Page 128: ...MEMO 128 BR800_e book 128...
Page 129: ...129 Convenient Functions BR800_e book 129...
Page 144: ...MEMO 144 BR800_e book 144...
Page 145: ...145 Appendixes BR800_e book 145...
Page 161: ...161 fig 15_WEEE_Small eps fig 16_ChineseRoHS eps For EU Countries For China BR800_e book 161...
Page 164: ......