Editing
Mastering
Using USB
Con
venient
Functions
Appendix
es
Quic
k Star
t
Getting Read
y
to Recor
d
Recor
ding/
Pla
ybac
k
Using
Eff
ects
Using
Rh
ythm
65
Using Insert Effects
*1 Setting available when MODE is set to COMPRESSOR.
*2 Setting available when MODE is set to LIMITER.
With “BASS MULTI” algorithms
ATTACK
0–100
Adjusts the strength of the picking at-
tack when the strings are played. High-
er values result in s sharper attack,
creating a more clearly defined sound.
TONE *1
-50–+50
Adjusts the tone.
THRESHOLD *2
0–100
Adjust this as appropriate for the input
signal from your guitar. When the in-
put signal level exceeds this threshold
level, limiting will be applied.
RATIO *2
1:1–
∞
:1
This selects the compression ratio used
with signals in excess of the threshold
level.
RELEASE *2
0–100
Adjusts the time from when the signal
level drops below the threshold until
when limiting is removed.
LEVEL
0–100
Adjusts the volume.
Parameter/
Range
Explanation
ON/OFF
OFF, ON
Turns the COMPRESSOR/LIMITER
effect on/off.
TYPE
COMPRESSOR
BOSS COMP
Models the BOSS CS-3 compact effects
processor.
D-COMP
This models a MXR DynaComp.
LIMITER
BOSS LIM
This selects a stereo limiter.
RACK 160 D
This models a dbx 160X.
VTG RACK U This models a UREI 1178.
Parameter/
Range
Explanation
LIMITER
MULTI BAND
This limiter lets you divide the input
signal into four separate bands—ultra
low, low, high, and ultra high frequen-
cy ranges—and apply different settings
to the low and high frequency ranges.
You can set the frequencies separating
each band using the XOVER F L, M,
and H parameters.
The limiter is applied neither to the
ultra low range, which is critical to
the bass’s sound, nor to the ultra
high range, which affects the
nuance of the attack.
NATURAL
This compressor is configured using
the same frequency divisions as
MULTI BAND, but with simplified pa-
rameter settings.
SUSTAIN *1
0–100
Adjusts the range (time) over which
low-level signals are boosted.
Larger values will result in longer sus-
tain.
ATTACK *2
0–100
Adjusts the strength of the picking at-
tack when the strings are played.
Higher values result in s sharper at-
tack, creating a more clearly defined
sound.
TONE
-50–+50
Adjusts the tone.
THRESHOLD *3
0–100
When the input signal level exceeds
this threshold level, limiting will be ap-
plied.
RATIO *3
1:1–
∞
:1
This selects the compression ratio used
with signals in excess of the threshold
level. Higher values create a stronger
compression effect.
Parameter/
Range
Explanation
Frequency
Ultra Low
Frequency Range
Low Frequency
Range
High Frequency
Range
Ultra High
Frequency Range
XOVER F L
XOVER F M
XOVER F H
BR800_e.book 65 ページ 2010年11月2日 火曜日 午前8時28分
Summary of Contents for BR-800
Page 1: ......
Page 20: ...MEMO 20 BR800_e book 20...
Page 21: ...21 Quick Start BR800_e book 21...
Page 31: ...31 Getting Ready to Record BR800_e book 31...
Page 35: ...35 Recording Playback BR800_e book 35...
Page 53: ...53 Using Effects BR800_e book 53...
Page 87: ...87 Using Rhythm BR800_e book 87...
Page 103: ...103 Editing BR800_e book 103...
Page 110: ...MEMO 110 BR800_e book 110...
Page 111: ...111 Mastering BR800_e book 111...
Page 117: ...117 Using USB BR800_e book 117...
Page 128: ...MEMO 128 BR800_e book 128...
Page 129: ...129 Convenient Functions BR800_e book 129...
Page 144: ...MEMO 144 BR800_e book 144...
Page 145: ...145 Appendixes BR800_e book 145...
Page 161: ...161 fig 15_WEEE_Small eps fig 16_ChineseRoHS eps For EU Countries For China BR800_e book 161...
Page 164: ......