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Audio System Level

Setting System Levels

In audio systems that employ separate mixers and amplifiers, there are quite a few controls that affect the volume
of a signal. Knowing how to set these different volume controls is instrumental to proper system operation. In gen-
eral, the closer the control is to the signal source, the higher that control should be set.

For example, an audio system contains a microphone, a CAM2, and a power amplifier.There are 3 controls that affect
the volume of the microphone through the audio system speakers; the MIC input control, the CAM2 MASTER con-
trol and the volume control on the amplifier. How should these be set for best operation?  Since the MIC control
is the closest (electrically), the microphone should be turned up the highest while still allowing enough “headroom”
to increase the microphone volume if necessary.The MASTER control should then be adjusted to produce an out-
put signal that lights up the red output meter indicator only on loud peaks and the volume control of the amplifier
should be set so that the volume of the speakers are as loud as could possibly be needed. By setting the volume
controls this way, the amount of undesirable hiss noise, which is produced in all audio equipment, is minimized.

This is the correct theory in setting up system gains (volume levels). However, there are some other factors that
ought to be considered. For instance, the individual input control should not be set so high that it requires the MAS-
TER control to be set near zero to keep the output signal level out of the red.There has to be a reasonable amount
of “control range” to the MASTER control to make it useful. In this case it is a good idea to reduce the level of the
individual input control so that the MASTER control can be rotated over a wider range to provide some overall
level control. During normal operation of a well set up audio system, the MASTER control is used to increase or
decrease the overall system level as the noise and audience increases and decreases. However, large changes in the
necessary volume level should be adjusted at the power amplifier. If the signal output level of the CAM2 is near its
maximum (as indicated by the output level meter) and the desired speaker level cannot be achieved, even with the
power amplifier volume at full, it indicates that the power amplifier or the size/quantity of the speaker is not ade-
quate to cover the desired area.This type of problem cannot be corrected by system volume control settings.Trying
to get more volume out of a system under these circumstance can only lead to distorted sound since the audio
equipment will be pushed beyond their designed maximum operating conditions. Correct the problem by getting
more suitable equipment for the job.

It is typically desirable to get as much signal level from the output of the CAM2 without making it so large that the
output circuit cannot maintain the signal level and begins to distort the signal.

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Summary of Contents for CAM2

Page 1: ...CAM2 Mixer Pre Amplifier Installation and Use Manual 2003 Bogen Communications Inc All rights reserved Specifications subject to change 54 2039 01C Printed in Korea 0306 ...

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Page 3: ...iring 6 AUX IN 6 OUTPUT CONNECTIONS 7 8 BAL OUT to Balanced Input of Other Equipment 7 BAL OUT to Microphone Input of Other Equipment 7 LINE OUT 8 BRIDGING MIXERS 9 Bridging Connections 9 OPERATION 10 Power 10 MIC Gain Control 10 AUX Gain Control 10 Clip Indicator 10 Master Gain Control 10 Output Level Meter 10 AUDIO SYSTEM LEVEL 11 Setting System Levels 11 SPECIFICATIONS 12 LIMITED WARRANTY 13 ...

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Page 5: ...or excessive moisture Unpacking Your unit was carefully checked before leaving the factory Inspect the shipping container and the unit carefully for indications of improper handling If the unit has been damaged make an immediate claim to the distributor from whom it was purchased If it was shipped to you notify the transportation company and place a claim Power Grounding The AC line cord has a thr...

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Page 7: ...C input Microphones come in two basic types Dynamic and Electret Condenser When using Dynamic microphones set the PHANTOM switch for that microphone input to OFF When using an Electret Condenser microphone set the PHANTOM switch to ON Elecret Condenser microphones require a DC voltage to power their internal circuitry When the PHANTOM switch is set to ON the microphone input will supply a DC volta...

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Page 9: ...to the 4dB position This position provides the larger output voltages relative to the smaller microphone output signals required by other equipment BAL OUT to Microphone Input of Other Equipment It is sometimes necessary to feed the CAM2 output to the microphone input of anoth er piece of equipment However the signal level of the CAM2 s output must be at a volt age level compatible with microphone...

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Page 11: ...parallel to allow units to be easily daisy chained together The Bridging connectors provide access to the internal mix bus of each CAM2 When bridged together the output of any of the CAM2 units can be used as the output to other equipment because the same output signal is present on each unit s output However master volume control for all of the mixers will be the MASTER control on the CAM2 whose ...

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Page 13: ...ered For instance the individual input control should not be set so high that it requires the MAS TER control to be set near zero to keep the output signal level out of the red There has to be a reasonable amount of control range to the MASTER control to make it useful In this case it is a good idea to reduce the level of the individual input control so that the MASTER control can be rotated over ...

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Page 15: ...CHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE ARE HEREBY DISCLAIMED AND EXCLUDEDTO THE MAXIMUM EXTENT ALLOWABLE BY LAW Bogen s liability arising out of the manufacture sale or supplying of products or their use or disposition whether based upon warranty contract tort or otherwise shall be limited to the price of the product In no event shall Bogen be liable for special inciden tal or consequent...

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