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CM100B

Revision 1.01

AP099

frequency will be less audible relative to the frequencies being resonated. As the setting is 

increased beyond 7, the filter breaks into oscillation and will act as a sine-wave audio source 

whose pitch is determined by the cutoff frequency. 

Envelope Amount Knob 

Sets amount (not the shape) of ADSR filter envelope CV controlling the filter cutoff frequency. 

The filter envelope generator is discussed below.

Keyboard Amount Knob 

Determines the amount of KYBD CV controlling the filter cutoff frequency. When set between 

7 and 8, the filter cutoff frequency is maintained at a constant point relative to the notes 

played on the keyboard, creating consistent tone. When set to 10, notes played higher on the 

keyboard will have less of their overtones suppressed than those played on the lower end of 

the keyboard. As a result, the higher notes will have a brighter timbre. When reduced or off, 

notes played higher on the keyboard will have more of their overtones suppressed than 

noted played lower. As a result the higher notes will have a duller timbre.  
The filter envelope generator contours timbre by controlling the filter cutoff frequency. The 

entire contour pattern is initiated when a key is struck, producing a GATE. The initial 

appearance of the GATE "triggers" the envelope generators to proceed through their 

ATTACK and DECAY periods. After the ATTACK and DECAY periods set for each envelope 

generator have elapsed, it will produce a steady control voltage (CV) at the level set by the 

SUSTAIN knob for as long as the GATE is present. When the key is released, the GATE goes 

off and the envelope generator output voltage drops to zero at a rate set by the RELEASE 

knob.

Attack Knob 

Varies time for envelope to increase from zero to maximum, from 2 milliseconds to more than 

6 seconds. 

Decay Knob 

Varies time for envelope to decrease from maximum to SUSTAIN level, from 2 milliseconds to 

more than 6 seconds. 

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Summary of Contents for PRO-1

Page 1: ...Behringer Pro 1 Operation Guide An Alternative Manual Revision 1 01 December 2021 by Simon Taylor www coolcatukes com...

Page 2: ...RIG NORMAL 11 Normal REPEAT EXT 11 DRONE 12 POLY MONO 12 Arpeggiator 12 Sequencer 13 Oscillator A 14 Frequency Knob 14 Octave Rotary Switch 14 Sawtooth Shape Switch 14 Pulse Shape Switch 14 PULSE WIDT...

Page 3: ...OSC CV CV In 20 GATE CLK Gate Clock In 20 LFO CV 21 LFO OUT 21 KYBD CV Cv Out 21 GATE Gate Out 21 EXT Audio In 21 MIXER 21 CUTOFF CV 21 RESO CV 21 FILTER ENV 21 AMP ENV 21 PHONES 22 AUDIO OUT 22 Top...

Page 4: ...e voice keyboard synthesiser now out of production Its principal sound sources are two voltage controlled oscillators VCOs referred to as OSC A and OSC B OSC A OSC B and a white noise source can be mi...

Page 5: ...e extensive bibliographies contained in the sources listed Thus prepared you will no doubt create many interesting sounds Be advised that the best patches tend to disappear if not documented Panel bla...

Page 6: ...witch off the ampli fi er when making these connections A 6 35mm line out is also provided at the rear panel this is more typically used to connect audio interfaces PA systems etc Stereo headphones ca...

Page 7: ...ime Patching is a fi ne art be patient Note that there is inherent error in the diagrams and some degree of subjective preference as to exactly where the knobs should be set For completeness all contr...

Page 8: ...rdriving your ampli fi er or speakers of course MASTER TUNE simultaneously adjusts OSC A and OSC B pitch over a four semitone range It is used to easily tune the Pro 1 to another instrument such as a...

Page 9: ...ntrols the envelope generators The initial appearance of the GATE triggers the envelope generators to proceed through their ATTACK and DECAY periods After the ATTACK and DECAY periods set for each env...

Page 10: ...ignal fl ow As mentioned above About the Pro One OSC A and OSC B are the principal sound generators They are supplemented by the NOISE source for unpitched sounds such as surf or an external audio inp...

Page 11: ...cutoff frequency and AMPLIFIER gain A few controllers also produce GATEs or TRIGGERs which control the envelope generators For example when the MODE is switched to REPEAT the LFO gates the envelopes T...

Page 12: ...urn the direction switch to OFF The arpeggiator can be latched which means it continues to play keys even when you remove your hand s from the keyboard To latch the arpeggiator fi rst turn it on hold...

Page 13: ...city or the sequence will be destroyed When the 65th note or rest is entered the fi rst 64 notes are cleared The bank then contains one note When fi nished recording fi rst switch the bank selector OF...

Page 14: ...C A s output to the MIXER PULSE WIDTH Knob Adjusts the harmonic content of the pulse wave by setting pulse wave duty cycle from 0 to 100 A 50 duty cycle pulse also called a square wave can be obtained...

Page 15: ...BD Switch Allows keyboard control or independent operation When OSC B is used as an audio source usually LO FREQ is switched to NORMAL and KYBD is switched on Glide The GLIDE module is a lag processor...

Page 16: ...tains controls for the fi lter itself and for its envelope generator Cutoff Knob Sets cutoff frequency for the 24 db octave 4 pole low pass fi lter It is rather like a tone control Cutoff is the frequ...

Page 17: ...have a brighter timbre When reduced or off notes played higher on the keyboard will have more of their overtones suppressed than noted played lower As a result the higher notes will have a duller timb...

Page 18: ...et to 0 the RELEASE knob setting is irrelevant Ampli fi er The ATTACK DECAY SUSTAIN and RELEASE knobs in this module shape the envelope applied to the fi nal VCA in the same manner as the correspondin...

Page 19: ...ine the amount of modulation mixed into the WHEEL or DIRECT paths by the adjacent ROUTE switches WHEEL refers the the modulation wheel present on many MIDI keyboards DIRECT applies the modulation dire...

Page 20: ...alternative connections within the synthesiser or to connect other synthesiser units or modules external to the Pro 1 Connections MOD WH CV Input for Mod wheel CV OSC CV CV In For control of the osci...

Page 21: ...hich generates a GATE once the input level has passed the threshold set by the MIXER NOISE EXT knob The GATE which is produced controls the fi lter and ampli fi er envelope generators This GATE can al...

Page 22: ...fi er DO NOT connect it directly to speakers Top Panel Electrical Reference Input Input or Output Electrical speci fi cation MOD WH CV Input 0V to 5V OSC CV Input 5V to 5V GATE CLK Input 2V to trigge...

Page 23: ...adapter for damage If the GATE LED lights but no sound can be obtained check the front panel controls including VOLUME carefully against a factory patch in the Factory Patch section in this guide If...

Page 24: ...player can be expected to perform Cleaning The external metal surfaces and plastic parts can be cleaned with a damp cloth or a foam cleanser such as Servisol https amzn to 3dfNAQE Don t use alcohol a...

Page 25: ...Manchaca TX Contemporary Keyboard Magazine 20605 Lazaneo Cupertino CA 95014 Polyphony Magazine Box 20305 Oklahoma City OIC 73156 Acknowledgements Pro One images and some text from original Pro One man...

Page 26: ...00 Cable Tester https www behringer com behringer product modelCode P0BBR https amzn to 3Die3Yp Behringer PSU12 UK UK Power supply https www behringer com product html modelCode P0AZF https amzn to 3o...

Page 27: ...The notes played their speed your technique the voicing of ensemble instruments or soloists even the acoustical characteristics of the room all in fl uence the perception of many of the knob set param...

Page 28: ...MOD wheel Vary LFO rate Try reducing AMPLIFIER SUSTAIN and adjusting DECAY level NORMAL GLIDE with a rate of 6 7 plus wheelmodulation gives 1950s sci fi fi lm sound Advance FILTER ENVELOPE AMOUNT Phu...

Page 29: ...is a little white noise Grunge Guitar Bass Clav Trim PULSE WlDTHs near 9 Too far clockwise causes pulse to degenerate to dc no sound Raise MIXER OSC B and try different OCTAVEs Adjust DECAY times on...

Page 30: ...ve overtone FILTER ENVELOPE AMOUNT adjusts brightness of percussive effect Mod wheel provides vibrato Percussive Organ Single Engine Crop Duster First hold one key a second then add a third or fourth...

Page 31: ...WIDTH for square wave by listening for disappearance of the octave overtone Delayed Envelope Uses LFO as an envelope generator LFO is reset by keyboard trigger when ARPEGGIATE is switched on Bass Synt...

Page 32: ...B pulse or adjust MODULATION FILTER ENVELOPE AMOUNT Add keys and latch arpeggiator Arpeggiating Fifths Tune OSC A a perfect fi fth above OSC B Play chords The LFO CLOCK is controlling the ARPEGGIATOR...

Page 33: ...CM100B Revision 1 01 AP099 Plucked String E Bass Repeat Page of 33 34...

Page 34: ...AP099 Revision 1 01 CM100B Panel Blanks These panel blanks are provided for you to record your own patches Feel free to reproduce them for your own use Page of 34 34...

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