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7

EURODESK SX3242FX/SX2442FX User Manual

(9) 

On each channel, the 

AUX 1

 and 

AUX 2

 controls allow you to determine the 

level of the aux signals sent from the channel. The main aux send signal 

comprising the aux send signals from all channels can then be adjusted 

with the corresponding master AUX SEND controls 

(51)

, and is present at the 

AUX SEND outputs 

(52)

. Both aux sends are mono, post-EQ, with a gain of up 

to +15 dB.

(10) 

Press the 

PRE

 switch to set all aux sends to pre-fader. In this case, 

the volume of the aux signals is no longer dependent on the fader position, 

so you can create completely independent monitor mixes.

◊ 

For most applications when controlling an external effects device from 
one of the aux buses, the aux sends must be set post-fader, so that 
the effect volume in a channel depends on the position of the channel 
fader. Otherwise, the effect signal would still be audible, even if the 
channel was turned down completely. For this type of application it is 
advisable to leave the PRE switch out (= not pressed).

(11) 

FX 1

 and 

FX 2

 controls provide a direct route to the built-in effects processor. 

Additionally, they can be used to control an external effects unit, via the 

FX SEND 1 and 2 outputs (similar to the AUX SEND 1 and 2 jacks). To ensure 

that the internal effects processor and the FX SEND outputs actually get a 

signal, the corresponding FX control must not be set fully counter-clockwise 

(-oo), and the master FX SEND (see 

(60)

) must be turned up. The FX buses are 

hard wired post-fader.

◊ 

Please also read chapter 2.10 “Effects section” and 
3 “Digital effects processor”.

2.1.4  Mono channel fader and further control elements

(

12

)

(

18

)

(

13

)

(

14

)

(

15

)

(

16

)

(

17

)

Fig. 2.4: Channel fader, pan control, mute button, etc.

(12) 

The 

PAN 

control determines the position of the channel signal in the 

stereo mix as well as the subgroup to which the channel signal is routed 

(see chapter 2.4).

(13) 

Use the 

MUTE

 switch to mute the channel signal, so it is no longer part of 

the main mix. At the same time, all aux buses set to post-fader are muted for 

the respective channel, while the pre-fader monitor buses remain operative. 

The 

MUTE

 LED is illuminated when the channel is muted.

(14) 

The 

CLIP LED

 illuminates when the channel overloads. In this case, 

please reduce the input gain using the GAIN control. This LED also illuminates 

when you activate the solo function with the 

SOLO

 switch below.

(15) 

The 

SOLO

 switch routes the channel signal to the solo bus (Solo In Place) 

or the PFL bus (Pre Fader Listen). Thus, you can monitor a channel signal 

without affecting the main output signal. The signal to be monitored is 

taken either pre (PFL, mono) or post-panorama control (Solo, stereo) and 

post-channel fader (depending on the position of the SOLO/PFL switch 

(40)

).

(16) 

The 

SUB

 switch routes the signal to the respective subgroups. 

Your EURODESK features 4 subgroups (1-2 and 3-4). With the PAN control on 

the input channel (see 

(12)

) you can determine to which of the two groups 

the signal is routed (hard left: sub 1 or 3, hard right: sub 2 or 4).

(17) 

The 

MAIN

 switch routes the signal to the main mix.

(18) 

The channel fader governs the level of the channel signal as part of the main 

mix (or submix).

2.2  Stereo channels

2.2.1  Channel inputs

(

19

)

(

20

)

 

Fig. 2.5: Stereo channel inputs

(19) 

Each stereo channel is equipped with two balanced line-level inputs on 

¼" TRS connectors for the left and right channels. The channels can also 

process mono signal, as long as you use the “LEFT” jack only.

(20) 

All stereo channel strips have a 

GAIN

 control for gain adjustment. Its scale 

ranges from +20 to -20 dB and allows you to adapt the input level to the 

line inputs.

2.2.2  Stereo channel equalizer

 

(

21

)

Fig. 2.6: Stereo channel equalizer

The stereo channels are equipped with a stereo equalizer. The filter types 

and cutoff frequencies for HIGH and LOW filters are the same as on the mono 

channels. Instead of one semi-paramtric midrange band, the stereo channels 

have two separate midrange bands 

(21) 

(HIGH MID and LOW MID) with fixed 

mid-frequencies (3 kHz and 400 Hz). Stereo EQs are preferable for processing 

the frequency response of stereo signals. With two mono equalizers you might 

encounter problems with different settings between the left and right channels.

Summary of Contents for Eurodesk SX2442FX

Page 1: ...User Manual EURODESK SX3242FX SX2442FX Ultra Low Noise Design 32 24 Input 4 Bus Studio Live Mixer with XENYX Mic Preamplifiers British EQs and Dual Multi FX Processor ...

Page 2: ... tube processors headphone amplifiers digital effects DI boxes etc monitor and P A speakers as well as professional live and recording mixers Our entire technical know how has gone into your EURODESK mixing console Table of Contents Thank you 2 Important Safety Instructions 3 Legal Disclaimer 3 Limited Warranty 3 1 Introduction 5 1 1 Before you get started 5 1 2 The manual 5 2 Control Elements and...

Page 3: ...ceshall remainreadilyoperable TECHNICAL SPECIFICATIONS AND APPEARANCES ARE SUBJECTTO CHANGEWITHOUT NOTICE AND ACCURACY IS NOT GUARANTEED BEHRINGER IS PART OFTHE MUSIC GROUP MUSIC GROUP COM ALLTRADEMARKS ARETHE PROPERTY OFTHEIR RESPECTIVE OWNERS MUSIC GROUP ACCEPTS NO LIABILITY FOR ANY LOSSWHICH MAY BE SUFFERED BY ANY PERSONWHO RELIES EITHERWHOLLY OR IN PART UPON ANY DESCRIPTION PHOTOGRAPH OR STATE...

Page 4: ...oroperationoftheunitinanyway thatdoesnotcomplywiththetechnicalorsafety regulationsapplicableinthecountrywherethe productisused damage defectscausedbyactsofGod Nature accident fire flood etc oranyotherconditionthat isbeyondthecontrolofMUSICGroup 7 Anyrepairoropeningoftheunitcarriedoutby unauthorizedpersonnel userincluded willvoidthe limitedwarranty 8 IfaninspectionoftheproductbyMUSICGroup showsthat...

Page 5: ...original box to prevent damage during storage or transport Make sure that children cannot play unsupervised with the unit or its packaging Please ensure proper disposal of all packing materials 1 1 2 Initial operation Ensure adequate air supply and to avoid overheating do not place the unit near radiators etc Blown fuses must be replaced by fuses of the correct rating Please refer to the Specifica...

Page 6: ...e inputs GAIN has a dual scale the first scale has a gain from 10 to 60 dB for the MIC input The second scale has a gain from 10 to 40 dBu for the line input For devices with a nomal line output level of 10 dBV or 4 dBu the setting is as follows with GAIN fully counter clockwise connect the external device and adjust the output level recommended by the manufacturer If available the output level di...

Page 7: ...et to post fader are muted for the respective channel while the pre fader monitor buses remain operative The MUTE LED is illuminated when the channel is muted 14 The CLIP LED illuminates when the channel overloads In this case please reduce the input gain using the GAIN control This LED also illuminates when you activate the solo function with the SOLO switch below 15 The SOLO switch routes the ch...

Page 8: ...an be connected to CD players tape decks etc for example to feed in playback material 2 4 Subgroups 1 4 26 25 27 Fig 2 9 Subgroups 1 4 The EURODESK has 4 subgroups enabling you to create mono or stereo mixes from multiple input signals Subgroups are controlled from one mono or two stereo subgroup faders Additionally it is possible to connect the subgroup outputs as tape sends to a multi track reco...

Page 9: ... this high precision MAIN fader to control the output level of the main mix 34 Fig 2 14 XLR main out connectors 34 The MAIN OUT puts are balanced XLR connectors with a nominal operating level of 4 dBu and provide the main mix signal 35 36 Fig 2 15 Main out connectors and main insert 35 The MAIN OUT TRS connectors outputs also provide the main mix signal 36 Like the channel inserts the MAIN INSERT ...

Page 10: ...sources are MAIN CD TAPE AUX 1 2 and subgroups 1 2 and 3 4 46 Fig 2 19 Phones control room output 46 Connect your headphones or monitor speaker to the PHONES CTRL ROOM OUT TRS connector IMPORTANT High volume levels may damage your hearing and or your headphones loudspeakers To avoid switch on off thumps from the console and any downstream devices always make sure that the power amp s or active spe...

Page 11: ... MAIN and then use the 9 band EQ to remove the feedback 2 10 Effects section 62 64 65 63 57 58 59 61 60 Fig 2 25 The digital effects processor 57 Here you will find a list of all multi effects presets see also chapter 3 Digital effects processor 58 The FX LED level meters show the effects processor s input signal Be sure that the clip LED only illuminates with signal peaks If it is lit all the tim...

Page 12: ... supplied with the unit 72 FUSE HOLDER Before connecting the unit to the mains ensure that the voltage setting matches your local voltage Blown fuses should only be replaced by fuses of the same type and rating Please also read the information given in chapter 6 Specifications 73 SERIAL NUMBER 3 Digital Effects Processor Fig 3 1 List of all effects presets 99 FIRST CLASS PRESETS Here is the list o...

Page 13: ...from the built in effects processor to the respective subgroups FX TO MAIN control The MAIN SUB switch in the FX1 section is pressed but NOT the SUB 1 2 SUB 3 4 button Fig 4 1 Wiring the console for studio operation Please make sure that none of the subgroup routing switches 1 2 and 3 4 is pressed in the channels connected to the recorder returns Otherwise a feedback loop will be created as soon a...

Page 14: ...two subgroup faders The built in compressor insert effect is used for the bass The corresponding input channel is separate from all buses and the bass signal is routed directly from the internal effects processor to the main mix bus The MAIN SUB switch must not be pressed in this case and the position of the SUB 1 2 SUB 3 4 switch is irrelevant 5 Audio Connectors The inputs and outputs of the BEHR...

Page 15: ...lanced use with XLR connectors Fig 5 4 XLR connectors strain relief clamp sleeve tip sleeve pole 1 ground tip pole 2 The footswitch connects both poles momentarily TS footswitch connector Fig 5 5 TRS footswitch connector strain relief clamp sleeve ring tip sleeve ground shield TRS headphones connector ring right signal tip left signal Fig 5 6 TRS connector for headphones strain relief clamp sleeve...

Page 16: ...erb Flanger combined with a reverb effect All purpose effect Phaser Reverb Phaser combined with a reverb effect All purpose effect Rotary Speaker Reverb Rotary Speaker effect combined with reverb Organ keyboards electric guitar Delay Reverb Delay combined with reverb The most common combination for vocals solo guitar etc Delay Chorus Widens the signals and produces interesting repetition effects M...

Page 17: ...0 dB Channel muted 84 dB Channel fader muted 85 dB Frequency response Mic In Main Out 10 Hz 90 kHz 0 dB 1 dB 10 Hz 160 kHz 0 dB 3 dB Stereo Inputs Type 2 x TRS jack balanced Impedance approx 20 kΩ balanced approx 10 kΩ unbalanced Gain range 20 dB to 20 dB Max input level 22 dBu 0 dB GAIN CD Tape In Type RCA connector Impedance approx 10 kΩ Max input level 22 dBu Equalizer EQ mono channels LOW 80 H...

Page 18: ...x 0 dB channel fader 82 dB 85 dB A weighted Main mix 0 dB channel fader 0 dB 72 dB 75 dB A weighted Power Supply Power consumption 50 W Fuse 100 240 V 50 60 Hz T 2 0 A H 250 V Mains connector Standard IEC receptacle Physical Weight SX2442FX Dimensions H x W x D 3 9 x 26 9 x 16 1 100 x 682 x 410 mm Weight net 19 lbs 8 6 kg SX3242FX Dimensions H x W x D 3 9 x 35 3 x 16 1 100 x 896 x 410 mm Weight ne...

Page 19: ...antee that interference will not occur in a particular installation If this equipment does cause harmful interference to radio or television reception which can be determined by turning the equipment off and on the user is encouraged to try to correct the interference by one or more of the following measures Reorient or relocate the receiving antenna Increase the separation between the equipment a...

Page 20: ...We Hear You ...

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